Hank—or Father, Husband (27)

Hank shook his head and muttered under his breath. Then he shook his head again. He wished Sally was here. She’d know what to do, what to say to his leftie child, this daughter of theirs. Her daughter maybe more than his, but he loved her like there was no tomorrow. He just couldn’t stand to be in the same room with her sometimes. This living with them again wasn’t something he saw coming, but here she was, rearranging the kitchen cupboards, hiding his ashtray. Hell, yesterday he even found a full box of his Frosted Flakes in the outside garbage can. What was she thinking? And now she was on to his politics, chastising him for not trying harder, for not being willing to camp out with her in protest at the community center. He was too damn old to sleep on pavement in the middle of December. And she was too damn old to be living with her parents. When was Sally going to get back, anyway? How long could it take to get her toenails done, for Christ’s sake? Since when did she even have her toenails done? He muttered again, opening the can of dolphin-safe tuna Alexa had bought for the cat. It was probably her idea, the toe painting deal. His wife had been perfectly content with doing her own toenails all these decades, and now when she should have been here helping him deal with her damn daughter, she was off getting her toenails doo-dawed instead.

[Editor’s note: written from a prompt from Creative Writing Prompts.]

A Galaxy of Longing (26)

Longing to me is about being in a body, like Zora Neale Hurston and our little mudballs, wanting to show our shine. I think the earth herself holds a kind of longing in her, a kind of yearning or ache, a sadness, maybe. To me it’s all wrapped up together, these clumps of earth us, what it means to be a being in a body, longing to belong, the impermanence of things in this life we live.

[Editor’s note: written from a prompt from Creative Writing Prompts.]

Breaking Ground (23)

Two months after I moved in they broke ground on a small development where the open lot used to be, across the little road from my home. They bulldozed everything. They took the trees, the scrub brush, all the roosting places for the sparrows and the finches, all the homes and pathways of the rabbits and the coyotes. The roadrunners ran panicked back and forth for days. It broke my heart. Inside myself, I fought against it for the 18 months they were building. Later, I would stand at my window staring at the wall, the rooftops, the missing mountains, still all churned up inside. Today I don’t get angry when I look at it, but I still see what it used to be, like the spirit of that undeveloped land, that bit of wildness in the middle of town, still lies just beneath the surface like a dream.

[Editor’s note: This was written in response to a prompt from The Daily Poet, by Agodon and Silano, Two Sylvias Press.]

Quiero Decir (22)

I dream of wearing a sign. Something like, “I’m so sorry. We want you here.” Sueno de tener un letrero que dice, “Lo siento mucho. Les queremos Uds. aquí.” Quiero decir, “No se vayan.” I want to say don’t go. Quiero decir que millónes mas gente no le votó como ellos que votaron para él, nuestro “residente.” I want to say three million more people voted against him than voted for him, our “resident” en la casa blanca. Quiero decir esto es su país, también. This is your country, too. Please don’t go. I speak to my favorite flower vendor, watch him take it all on his broad shoulders, this weighted world. I see him shrug, something I’ve admired for years, the way so often someone who grows up in Mexico can make so much room inside themselves for acceptance. “Vivimos la vida que viene,” he says. We live the life that comes.

Away, Too (18)

The morning after the last of my fever, I feel like something sat on me all night pushing my bones into the earth of our campsite. I head toward the meadow to do my qi gong, but I stop inside the pines. I don’t want the sun, don’t know why. I study the pine needle ground and choose my spot. I face west. Maybe because I am already slow, creaky and sore, I move through all the movements without a hint of rushing, without becoming lost in the habit of it. Halfway through I hear a tinkling passing back and forth among the trees nearest me, like hummingbirds but not, like bells, like the shimmer of light on water it it were a sound. I think of Tinkerbell, sprinklings of fairy dust. I don’t even feel goofy for it; it feels like my soundest reference, in fact. Unseen bird or invisible beings in this grove? Whoever they are, it feels like a visitation. They don’t stay long. After, I press my palms together before my chest, quiet awe and gratitude seeping out of my skin, chasing away the last taste of fever. Thank you, all.

Two Working Dreams (11)

I dream another of those dreams that weave through the whole of my night. It’s elusive, even as I wake from it, even though I return to it again and again. There is a clear glass sphere, fog-filled, suspended in the air. The message, too, is ephemeral but clear. We are to take risks, make ourselves vulnerable. No wonder I am afraid so much of the time, I think. I woke up anxious again five mornings ago. It’s as though I reach a tipping point where it all becomes too much for me. My peace vanishes. Not the deeper peace at my bedrock but the one that lives as ease in my body. In a second dream there are large, looming pieces that need to be moved, like office machines, huge pieces of furniture, a big dark pile. There is a sense of urgency. They need to be moved right away, and it is hard, heavy work. When I lift up the last piece, I find the silver lining. Copper, actually. Uncovered now is a shiny, new-minted penny, as if it has been waiting for me. If I were to lean close, I’d be able to read the year it was made, but I don’t try. It doesn’t seem to matter. What matters is the penny lies heads up for good luck.

Fierce Spring (8)

semi-abstract drawing of organge pot with plant and blossoms

I remember sitting in the courtyard, during that same conference call with Sylvia Boorstein, looking at the magenta blossoms on my sprawling succulent in the orange pot. The blooms sprang to life the morning after our terrible windstorm, the greater part of a day and a night, gusts from 70 to 80 miles per hour, the worst I’ve lived through. Through it all I was working on a deadline to develop a website for my July writing retreat. It was impossible for me to give it my undivided attention. No matter what I did I couldn’t separate myself from my fear. The walls of my trailer shook and rattled in the wind. I said metta. I prayed all of us would be safe and unharmed–all the birds and small wild things, me and my neighbors inside our tin cans. But the next morning, when I saw how my succulent had burst into wild magenta bloom in spite of that terrible onslaught, that unbelievable battering, I thought, we need to be like this succulent. We need to respond to what is playing out now on our national stage with our own bright blossoming. Indeed, in the pink pussycat hats, the women’s marches, the way our judicial system is responding, the immigration protests, the country is doing just that. I have been especially bolstered by the fact that our “founding fathers” created our democracy with safeguards. I hadn’t counted on that. And again, I am proud to be a Californian in the midst of it all. I see our legislators and our governor trying to stand up, trying to do the right thing. I read an article the other day about a man in Los Angeles who is offering trainings to local activist organizations, teaching the self-care skills people will have to master in order to not be completely overwhelmed by the needs they are trying to meet now, particularly for those who serve the undocumented immigrant community. He sits them in a circle, places items for an altar at its center, let’s them talk about the toll these times are taking. And I want to honor each of them, every one of them, of you, for standing up. For being in the front lines. For giving response. For being our own fierce spring.