Between. Between this moment and the next one. Between what is making me angry and what will come when the anger is gone. We have this bounty of moments, this never-ending chance to begin again. And again and again. When I am failing it means I fail over and over, minutes apart. But I never forget I get to try again in the next moment.
I suspect there may be a kind of science to becoming whole—to moving toward healing, through healing, toward the me I want to be more often. Just like I believe there can be a way to write an essay that is a little bit like doing math, and not in a restrictive way, but in building it by pieces, using a structure for discovery that can become a kind of scaffold we hang things on. And things come because there is a scaffold waiting for them. Sometimes for me this process, this psuedo science, is about breathing, or about beginning again and again. Sometimes I make a sound, tiny and dear, that comes from some secret core of me, and I hear the love and the tenderness the sound is sending me.
[Editor’s note: piece from our spontaneous writing group—the words we had were breathing, beginning, science and sound.]
I am on Zoom. Three people in a row say how thrilled they are at the progress we are making here in the United States, the protests, knowing black lives matter. I can feel their buoyancy. I sit still, stunned, uncomfortable in my skin because I feel so far away from them, on the other side of the world, on another planet. I am terrified, angry, anxious. Hopeful, yes—but nowhere near being able to touch “thrilled.” Later, I wonder if I was judging their excitement, naming it naïveté without knowing I was. Or was it only that while I believed in the promise of the protests I could not trust they would lead to real change? Or maybe I only need to be able to embrace the good when it comes, more readily, more fully than I do? Or maybe the distance and discomfort I felt was only because I live in all the shades of gray.
Hope is elusive. I have to remind myself I do not believe it is too late for us to save the world. Before, I used to know. I used to remember. Today I whisper hope, for me, for all of us. May we let the world crumble around us, trusting we can put it back together again—different, better, more fair, more everything for everyone.
I pack my groceries on my bike. The four heads of Romaine fit neatly into the remaining gap in the basket, their leaves upright and waving as I pull away. I ride behind Ralph’s, the air almost blue-ish, only a hint of the smell of smoke. I coast, rounding the curve, and I hear my first mockingbird of fall. I go still inside, listening with all of me, this marker of the turning of our desert world. Earlier in the day things are easier sometimes, maybe not the joy that used to come, not the lifting of the heart again and again, for the ridge of the mountains against the sky, the lizard I watch for and protect when I open the door to the shed who looks down on me with his clear, tiny eyes from the ledge, the hummingbird who like to sit in the open louver. And not the easy lifting of my heart for no reason at all. But lighter, still, at the beginning of the day.
I rest my palm against my belly and take a deep breath. I am tired of the smog but grateful to my lungs and glad I am relaxed enough to feel like I can fill them. I have always felt like I am in some smaller section of humanity, on the edge, maybe, living on the fringe, but in moments like this I am in the center of it all.
[Editor’s note: Another snippet from our writing group, one of our “Two Words, Two Minutes.” The words were “fringe” and “belly.”]
The poet is the priest of the invisible, the one who paints pictures of the way the air holds still or the way it moves away from the woman in the red dress, walking home from the bus stop beneath the row of old oak trees. The one who orchestrates the sacrament of placing words on empty paper, lets life move through the pen, leap across streams or fly like salmon up their ladders. The priestess who tells us stories about the heart of humankind, the whisper of doubt, the musty scent of secrets uncovered, given over to the day. It is not a small or unimportant task, this working with words, this waving of incense, these footsteps placed one after the other, ink across the page.
[Editor’s note: This is a piece from our spontaneous writing group on August 17th. The prompt was this quote by Wallace Stevens from The Daily Poet book (Two Sylvias Press): “The poet is the priest of the invisible.”]