Changed (29)

I wake to cat screams in the courtyard. I clap and yell, still half asleep, kneejerk. The cat fight stops, low growls outside my sliding glass door. I go outside to break them up, a huge gray cat I don’t know, long hair all fluffed from the fight, his backside disappearing over the wooden gate. My neighbor’s cat, who I love, escapes behind the shed. I talk to her through the gaps between the wooden fence. She sits cleaning herself on the hood of her fathers’ car, all twitchy from the fight. I go back to bed, take her shock with me, sadness welling. I ache for both cats. I hurt for the gray, hope he isn’t feral, isn’t lonely. And then I cry for my own two little ones, four years dead. Later I sweep the courtyard. I hear a kestral calling, looping about a nearby palm. I can’t tell if something has disturbed her, or if she’s just having fun. She widens her arc and flies over the edge of my yard. I stand still, holding the broom before me, watching. And then I see the waning moon is watching, too, big half moon still bright in the morning sky. It’s one of those moments when everything feels all of a piece. I stand there until the kestrel flies away, and it is just the moon and me, and some subliminal sense of all of us right now. The sparrows across the road and the hedges they roost in. The fan palms jutting into the blue in all directions. The mountains and their close, steady, silent presence. After, I cut a dozen branches from my laden tecoma. I apologize to the bush, to the bees. I sweep my part of the little road, a big pile of loose tecoma and bougainvillea blooms, some dried and crinkly and some still soft and fresh, all those shades of yellow and magenta, from pale to vivid. I scoop them up, and it feels wrong to throw them away, this rich and layered art. When I go back inside, I leave the gray trashcan tucked near the tecoma on the street, the cut branches of still-fresh blooms sticking up and out, a big bouquet for the bees.

Mingled (28)

I walk back down my gravel driveway after taking out the trash. I see a lone guayaba on the ground, bend to pick it up, turn it over. It’s beautiful, ripe and unmarred, untouched by bird or desert rat. The very last one, I suspect. I’d thought the two I ate three days ago would be the end of them. I stand cradling the small perfect fruit in my palm, this sweet surprise. I thank my guayaba tree, kiss a patch of smooth dark trunk between the lovely peeling bark skin. I feel lucky and grateful. Then I move, gentle, through the big palm fronds that brush my trailer, and I feel my sadness. Is it because of my family? Maybe. Maybe it is that. And maybe it is touched by autumn, too, the changing light, the ending in this, the movement toward the new. I love the changing of the seasons, the anticipation in that coming to be. But it’s a time of letting go, too. When I was young I always felt a kind of longing in the fall. I called it “autumn aches.” Maybe what I feel today is that. And maybe I feel the earth’s sorrow, as well. I open my wooden gate, careful of the guayaba I am holding. The Mexican petunias are a wild splash of purple in the center of the courtyard, a volunteer sunflower, big new bloom, beside them. I stop inside the gate, press the guayaba to my lips, breathe the scent of it. The sparrows lift back into the bougainvillea, soft movement, brushstroke on paper. The sadness, I tuck away. I’ll carry it with me, let it live, quiet, just beneath this joy.

Awakening (27)

I turn off the ringer on the phone, curl up on my side for a late nap, driven by desire and need. I send up a small prayer, to wake before the moon sets behind our mountains, before the last of the light leaves the sky. Anxiety has my fingers moving against the pillowcase. I hear their noise and stop. I let my angst sink back into the earth. The scritchery noise again, callouses against cotton. Again I let my anxiety seep out of me. I do this over and over, and then I sink into sleep. I go deep. I’m surprised when I wake in only half an hour, already this swift shortening of our days. But, oh, when I wake. The ridge of our mountains a clear silhouette against the last light of the sky, palest amber tint. The fat waxing crescent moon hanging just above the ridge, the first thing I see when I open my eyes, bright greeting, dear companion, answer to prayer.

Today (26)

Sweep. Sweep the courtyard. Yell at the big red ants. They are everywhere, traveling again and again into the path of my broom. The mess from the birds, black oil sunflower seed shells, kernel-less now. Bird shit, too, accumulates until the next good rain. Love the birds, I tell myself, accept the mess. But sometimes I yell. “Too many,” I call to the sky after them, when 40 mourning doves take wing, startled. Their wingbeats fan more mess onto the cement, and the ants roam, searching for treasure. I yell at them, too, some days. But other days I just move from spot to spot with the broom, avoiding their pathways. When I’m able to do this, to move again and again in order to sweep an ant-free space, letting go of wanting an unencumbered trajectory and my desire to finish, I can circle back again, and it just works, easy. Today, the ants are fewer, slower, maybe because last night was cooler, our first real touch of desert autumn. Today, I feel tender toward each one. I circle, calm. I even wait more than once toward the end for one ant and then another to move away, patient. When I finish, I’m struck by the beauty of this messy pile. Today, a handful of bright yellow tecoma blossoms amid the shell casings, the feathers, the papery dried bougainvillea blooms, the mound of fine, dark desert dust. And one lone purple Mexican petunia blossom still stuck to the bristles of the broom.

Divine Intervention (25)

I set two small pots of water on the stove to boil for tea, so I can put them in the fridge tonight before I go to bed, tending to tomorrow. I crank closed the back louvered windows, turn the swamp cooler down to low for the night, ordinary tasks. I try the door, surprised to find it unlocked. I walk out into the warm dark, no moon, but there are stars and crickets. I stand in the small, open courtyard for a long time, then linger on my way back in, hand on the doorknob, not ready to relinquish being outside. There is a richness to it all, soft, silky layers, in part the almost-ending of our desert summer, I think. And I am still awash in my first foray into leading spontaneous writing online with Zoom, still bathed in the feeling of being with my three guinea pigs who came to help me do this test run, the feeling of the four of us together, our faces on my laptop screen, the unexpected warmth of it. I am certain they were sent by the gods. Our first writing prompt was about finding something extraordinary or nourishing in ordinary acts, and now my time with them imbues my everyday tasks tonight, awash in the extraordinariness of how we were together. Intimate, connected, easy, this collection of strangers, four women. We wrote together and then read our work, wonderful writing, thoughtful comments on each piece, laughing together, heartfelt, delighted. I can’t stop grinning. A remarkable evening, one of those unlooked for gifts, that easy balance between us, the give and take. Charmed, impromptu, dear.

Online spontaneous writing sessions!

Hi everyone.

I’m launching online spontaneous writing meetings beginning next week! (Our test session was wonderful.) We will write together, read our work and share positive feedback. These will be through Meetup and use the Zoom videoconferencing software. They are fee-based events. RSVP at Desert Writing Group (Meetup site).

I’ve scheduled some upcoming meetings on Wednesdays (7 to 9pm) and Thursdays (11am to 1pm). I’m not sure yet if these will become permanent meeting times or if we’ll meet on a more regular schedule in the future. (For now, I am just building them around my existing commitments.)

I plan to offer “Process and Craft” sessions online, too. I’ll be sending out a survey for feedback on desired topics and time slots (as well as feedback on alternate time slots and frequency for the spontaneous writing sessions).

Thanks for reading, as always! :)

Riba
P.S. Spots are still available for the November writing retreat in Joshua Tree:
https://499words.org/retreat/
______________________

Riba Taylor
https://noholdsbarred.blog/

What We Carry (24)

I walk south toward my old neighborhood with my lime green umbrella, carrying my shade. I got it in my head I might want to change the location of my writing retreat in November. So today I walk south to find David, who I knew from convivial impromptu gatherings of neighbors in the street at dusk, who has a beautiful inn there in a bend of the road where cicadas meet to sing, to see if this might be a spot for us. Two young people stare at me when I open the door to the lobby. They are cool toward me, stiff. David doesn’t own the hotel anymore. I leave and walk north, past David’s old house. It looks the same, bougainvillea spilling over the brick wall. I didn’t know how much I was looking forward to our brief reunion, that welcome and warm mutual regard. I feel tears pushing, but I know the sadness in me is bigger than this grief. What comes next is the way the young man and woman in the lobby seemed to freeze, how they believed I didn’t belong there, and now I do cry because I am weary of people making me feel like I am less than. (I think of people of color, then, about having moments like this all the time.) So, I carry my shade, and I carry my sadness, softer now, held low against my belly with kindness, and I walk north. I cross the creek bed and let the wildness of the ravine seep into me. When I am on the other side, the church bells begin. I stand in the shade of a big desert willow and listen to the bells ring the noon hour, umbrella dangling, eyes closed. In the quiet after, I hear a small bird calling in the willow. A cicada starts it’s song, and a breeze comes. I stand there for a long time, taking it in, the big gift of it all washing through me. Then I walk north again, toward home, carrying my shade.