In the weeks after I return home from my time in the eastern Sierras, I dream again and again of water. I steer a wooden boat with a long pole on a small river. I stand in the prow, high above the water. It’s the same boat I imagined the heroine of my fantasy novel navigating on the Petaluma River. I don’t know if the boat exists in this world or not, but it feels real. I don’t know what river I’m on, but I move along its quiet edges between the sandy shore and small islands, clumps of sand and boulders, a small tree. I have a sense these clusters of things, this water, this earth, are practicing a ritual, like candles or clay or trees or moving water, that I am joining them somehow, that I am partaking in these river rituals, too. Each time I wake up, I am left with only the feeling of the dream. But I know these dreams are somehow healing me.
The morning after the last of my fever, I feel like something sat on me all night pushing my bones into the earth of our campsite. I head toward the meadow to do my qi gong, but I stop inside the pines. I don’t want the sun, don’t know why. I study the pine needle ground and choose my spot. I face west. Maybe because I am already slow, creaky and sore, I move through all the movements without a hint of rushing, without becoming lost in the habit of it. Halfway through I hear a tinkling passing back and forth among the trees nearest me, like hummingbirds but not, like bells, like the shimmer of light on water it it were a sound. I think of Tinkerbell, sprinklings of fairy dust. I don’t even feel goofy for it; it feels like my soundest reference, in fact. Unseen bird or invisible beings in this grove? Whoever they are, it feels like a visitation. They don’t stay long. After, I press my palms together before my chest, quiet awe and gratitude seeping out of my skin, chasing away the last taste of fever. Thank you, all.
I do my qi gong in Clive’s back yard. I face east, the direction of the liver in traditional Chinese medicine. I stand before the climbing vines and blackberries, the wonderful vegetable garden, old growth, parts untamed, calls to me. I lean forward from my waist, head hanging, arms loose to the ground. I like the looks of me, this upside down view, my feet’s tan lines darker than ever from all my walking this week, the blues and thin-lined purples of my plaid pants, my stones dangling from my throat, the aqua aura bluer today against the blue of my thin shirt, the red yarn still tied to my left wrist, and that little rush of recognition, of familiarity, of fondness for myself. This is me.
I’m going on holiday. Twenty days, more than I’ve taken in decades. It is blowing my mind. I’m not there yet. How do I wrap myself around almost three weeks of vacation? I want to stretch, slither, flick my tongue, grin. And not only that, but I have this big longing to truly feel like I’m on vacation. I’m saving crossword puzzles from my L.A. Times, just the Monday, Tuesday, Wednesday ones, the easy ones before they get too hard later in the week. I’ll have six to do while I am whiling away my hours. I amuse myself thinking I will need to be present a great deal during this time, so I am always appreciating that I am on holiday. And isn’t life a romp?!? So do you think this yearning for the real feeling of being on holiday counts as a dream? Might I use it for a blog post this week? I am hoping, too, for a kind of writer’s holiday, all that public transit, all those good chances to write. Wakes up in me my dream of walking the camino. Watched The Way again last week. One of these years it will be me. I think it is the only “concrete” dream I’ve ever had. I want to walk 500 miles across northern Spain, from France to the sea. I want it like I want soft shoes in winter, down blankets, good goat cheese, an empty page and a favorite pen. I don’t know what year it will be, but I am hoping it will be more than one. I want to walk the camino again and again. I even dream of walking the camino front and back, or forward and backward. Shall I not only take my sweet time walking from France to the sea, but then turn right around and make my own sweet snail pace way back again all the way to France and beyond? Shall I watch the grapes ripening as I walk west in the late spring, see them crushing the dark fruit on my way back in the early fall? There will be nuts on the ground, too, late summer berries. It makes me squiggle. It makes me grin. One of these years. Yo voy. Yo vengo. I am coming.
I live in the palo verde in the woman’s courtyard. I have waited seven years to be up in this green tree, high above the moist earth that was my home. I sing to summer, cicada sounds in me. Summer serenade, stealthy buzz, begin and end, sudden, sultry, magic. I am a magic cicada. I can turn summer into fall, drive humans from their beds, angry shouts in the night, the slamming of windows. So now I like to stay where I am wanted. This palo verde likes me in her arms, rocks me in the breeze. I am more than a little in love with her. Serena, the woman calls her. She says it like a word in Spanish. She asked the tree’s name when she planted her and saw the word in her head, scrap of paper in her mind, words from an old typewriter like letters from her father when she was a little girl, the name Serena popping out. I didn’t think I’d ever love a tree like this, much less a human. But the woman likes me. She really likes me. And after all those angry windows closed against me in the dark, it is like heaven, like cotton candy, like marbles in the moonlight to feel the woman’s pleasure when I begin to sing. Ah, cicada. I hear her whisper, feel her cherishing my song. If she saw my bug body, I don’t know if she would be able to embrace me as wholly as she does my music. But I know she would honor me still, protect me in every way she can, bug body and all. It makes me want to cry, sitting in Serena in the early dusk, so lucky here in the warm desert sky, feeling the woman’s gladness as I begin to sing.
[Editor’s note: This is a slightly revised version of an 11-minute writing in response to a Natalie Goldberg prompt to write a “waking daydream” that I wrote downtown with Stef on Wednesday in the late morning with the misters on.]
I sit on the side of my little road and watch the day arrive. I can’t see the eastern sky from my courtyard, so I bring my metal barstools outside the fence (so I can put my feet up), and I carry out the wobbly wooden stool with care where the candle will sit and which might house my tea but these days sports coffee with half and half. I try to be quiet, not bump into things in the dark, aware of my neighbors. I stretch out my legs and settle in as the sky begins to lighten. I face southeast and watch Venus rising, have the honor of a mockingbird singing and displaying at the top of the electric pole before me. I warm my hands on the cup, sip my coffee, close my eyes sometimes when his performance is especially melodic or visually impressive. I feel bad when I get lost in thought and realize I have missed part of his concert or this coming of the day, even though I love the chance to daydream, too. When I am both present and lucky I get to relish his incandescent song and the glory of the morning splashed against the sky. Today there are echoes of deep pink spread across the southern clouds, stopping just before they tint the San Jacintos. Wide stretches of sky between the clouds become that otherworldly aqua color the twilight minutes often bring us here in the desert. We’ve had an extraordinary spring, no doubt due to the extra rain the gods granted us. For weeks the mockingbirds in my neighborhood sang without stopping, day and night. There seemed a kind of frenzy in it, the sheer numbers of singers and that ceaselessness I had yet to experience. Now in the middle of May, our desert spring is over, but this one mockingbird still comes to the telephone poll to serenade me. I lean back in my front-row seat and savor his song. The neighbor’s calico cat trots by on her early morning rounds, surprised but not deterred by my presence in the road. She is not interested in me, intent on her own pursuits, so I return to my morning concert. The waning moon and Venus stay close, too, for a long time—companions in the sky.
I climb the black metal table for the second time. The first time, weeks ago, I peered over the edge of the nest at two tiny perfect hummingbird eggs nestled side by side. Today, I see a black gangly shape lolling against the inside of the nest, beak to the sky. I am afraid he is dying. The wild bird rescue woman is so reassuring on the phone I almost cry. I see mama hummingbird zoom in and out. I blink twice and the two younglings are jostling each other beside the nest. Then they are gone, though this morning I think I spy one at the feeder. How does that work? Do they need to fan out very far from home? Are there rules about this? But oh. For one more day I catch glimpses of them perched in the guayaba tree, nowhere near the nest. Now I still check. I talk to the empty guayaba just in case they are nearby. (They are hard to spot.) The empty nest makes me ache even as I am so glad they made it. How many times did I worry? Now that they are gone, my fingers itch to dismantle the nest. I want to feel the way it resists or the way it tears or gives way against me. I want to smell it and to know if it is as soft as it looks or strangely rough because it is so strong. Of course I don’t do it. What if they can use it again? And how could I destroy the nest, so beautiful and alluring, poop and all?
It would be sacrilege, I think, to harm the nest. I remember the dream I have where hummingbirds are coming in through the windows and making nests inside my home. I worry about them being trapped inside during the night. But the nests they begin to build against the white walls or nearer the ceiling are more like hives than hummingbird nests, mud-wasp-like, a little creepy except the birds themselves are flitting about dispelling all possibility of anything sinister, so these are just an oddity, it seems. One set of my louvered windows in real life don’t have a screen, and sometimes a hummingbird does fly into the living room with me. They are usually quick and curious, and I’m thankful they tend to leave quickly, too, before I have time to worry for their sake. Since my dream, though, when they come and they poke their curious beaks toward the southwest corner of the ceiling, or they investigate the crevice beside the facing window, sometimes I wonder what it would be like if they did live here. The imagined mess makes me cringe. I would truly abandon any meager tie to civilized living. But think of the potential joy, too, all those incandescent little ones buzzing in and out or asleep nearby in the night. What if the approaching dusk meant I needed to be sure they were all accounted for, so I could close the window before full dark, so I could help to keep them safe here through the night?