Early Morning Music (6)

I sit on the side of my little road and watch the day arrive. I can’t see the eastern sky from my courtyard, so I bring my metal barstools outside the fence (so I can put my feet up), and I carry out the wobbly wooden stool with care where the candle will sit and which might house my tea but these days sports coffee with half and half. I try to be quiet, not bump into things in the dark, aware of my neighbors. I stretch out my legs and settle in as the sky begins to lighten. I face southeast and watch Venus rising, have the honor of a mockingbird singing and displaying at the top of the electric pole before me. I warm my hands on the cup, sip my coffee, close my eyes sometimes when his performance is especially melodic or visually impressive. I feel bad when I get lost in thought and realize I have missed part of his concert or this coming of the day, even though I love the chance to daydream, too. When I am both present and lucky I get to relish his incandescent song and the glory of the morning splashed against the sky. Today there are echoes of deep pink spread across the southern clouds, stopping just before they tint the San Jacintos. Wide stretches of sky between the clouds become that otherworldly aqua color the twilight minutes often bring us here in the desert. We’ve had an extraordinary spring, no doubt due to the extra rain the gods granted us. For weeks the mockingbirds in my neighborhood sang without stopping, day and night. There seemed a kind of frenzy in it, the sheer numbers of singers and that ceaselessness I had yet to experience. Now in the middle of May, our desert spring is over, but this one mockingbird still comes to the telephone poll to serenade me. I lean back in my front-row seat and savor his song. The neighbor’s calico cat trots by on her early morning rounds, surprised but not deterred by my presence in the road. She is not interested in me, intent on her own pursuits, so I return to my morning concert. The waning moon and Venus stay close, too, for a long time—companions in the sky.

Empty Nest (5)

I climb the black metal table for the second time. The first time, weeks ago, I peered over the edge of the nest at two tiny perfect hummingbird eggs nestled side by side. Today, I see a black gangly shape lolling against the inside of the nest, beak to the sky. I am afraid he is dying. The wild bird rescue woman is so reassuring on the phone I almost cry. I see mama hummingbird zoom in and out. I blink twice and the two younglings are jostling each other beside the nest. Then they are gone, though this morning I think I spy one at the feeder. How does that work? Do they need to fan out very far from home? Are there rules about this? But oh. For one more day I catch glimpses of them perched in the guayaba tree, nowhere near the nest. Now I still check. I talk to the empty guayaba just in case they are nearby. (They are hard to spot.) The empty nest makes me ache even as I am so glad they made it. How many times did I worry? Now that they are gone, my fingers itch to dismantle the nest. I want to feel the way it resists or the way it tears or gives way against me. I want to smell it and to know if it is as soft as it looks or strangely rough because it is so strong. Of course I don’t do it. What if they can use it again? And how could I destroy the nest, so beautiful and alluring, poop and all?

It would be sacrilege, I think, to harm the nest. I remember the dream I have where hummingbirds are coming in through the windows and making nests inside my home. I worry about them being trapped inside during the night. But the nests they begin to build against the white walls or nearer the ceiling are more like hives than hummingbird nests, mud-wasp-like, a little creepy except the birds themselves are flitting about dispelling all possibility of anything sinister, so these are just an oddity, it seems. One set of my louvered windows in real life don’t have a screen, and sometimes a hummingbird does fly into the living room with me. They are usually quick and curious, and I’m thankful they tend to leave quickly, too, before I have time to worry for their sake. Since my dream, though, when they come and they poke their curious beaks toward the southwest corner of the ceiling, or they investigate the crevice beside the facing window, sometimes I wonder what it would be like if they did live here. The imagined mess makes me cringe. I would truly abandon any meager tie to civilized living. But think of the potential joy, too, all those incandescent little ones buzzing in and out or asleep nearby in the night.  What if the approaching dusk meant I needed to be sure they were all accounted for, so I could close the window before full dark, so I could help to keep them safe here through the night?

Birdlines (2)

I’ve taken to counting us in the courtyard. The other day there were nine mourning doves and one goldfinch. I made eleven. I think this counting thing’s because the white crowned sparrows left. I don’t want to believe they’re really gone. And I still miss my own small furred ones. But I’ve had so many encounters with the feathered of late, too. There is my hummingbird mama and her two little ones in the guayaba tree who are a surprising, tender thread woven through my days. At the park I have a long conversation with a grackle in a nearby tree and watch a volunteer from the animal shelter walk a big dog that stirs my longing. I hear a hawk call. I look up to see him land in the tree behind me. I don’t know what kind of hawk he is, but I have an uncanny feeling when I hear his voice and watch him settle in the branches of the tree. Oh, yes, I know you. I’ve known you for a long time. Later I wonder if this hawk has been nearby for years, or if he is someone I have known before in this life or another. Oma comes to mind. Oh, and in the courtyard I look up to scores of egrets flying northwest across the late dusk sky. Such a gift, this glancing up, the chance to watch their silent progress. And this long flurry of birds reminds me of the dream where I stand with a handful of people in a big clearing surrounded by trees. All kinds of birds circle the clearing, a steady, patient flapping of wings. A blur of movement, rush of air and feathers. Someone calls out. It feels like they’re waiting for us to do something. Or maybe we’re all waiting together. I’m wearing old hiking boots and holding my wooden walking stick loosely in both hands. I turn to look over my shoulder at the birds. I spot the belly of a red shouldered hawk as he passes, just out of reach if I stretched my fingertips up to him. I spy white crowned sparrows bobbing in and out, and house finch, too. I see a Eurasian collared dove, big and gangly by comparison, the slower moving bear to their darting squirrels. John says he has roadrunners who live in the tree in his back yard. They are great darters, too. In the dream, we are an odd host, but we are gathered and steady. Hawks, crows, northern flickers, hikers, songbirds, people’s dogs and kids weaving in and out, noses on other things. We are an unusual line of defense.

The Rat and the Ant and Me (57)

Buddhist teachings keep me guessing. Depending on the teacher and the topic, I am reassured or doubtful, suspicious or yielding, intrigued or cross-eyed. Often things just make sense, ring true to me, familiar, like the life I’ve been living for decades. Sometimes I wonder if I’m missing something. Do I only think I understand, have been observing these same things in my life and in the world around me all these years? I’m not sure what makes me doubt myself, but doubt arises. And I’m not sure what inclines me to always calibrate. Is this something I already know? Do I only think I know it? Maybe it’s an old fear, not being enough. Maybe it’s only hubris. Or maybe it’s tied to the way I bristle over sentences that begin with, “Those of us who’ve been practicing for years—” The speaker means a formal sitting practice. But what if we’ve been practicing “off the cushion” all this time? I love sitting practice. I suspect it accelerates things. And it feels like a luxury, all that stillness, all that not doing. Of late I tend to divide my time between the “long breathing in, long breathing out” I’ve been learning and my metta practice. Since I decided to offer the writers retreat this summer in Joshua Tree, I have to bring myself back more than usual, my mind and heart busy dreaming up ideas. I’ve begun sitting with my eyes open more and more. I think I may be giving myself more permission to do what feels right to me, become less concerned with following the rules. But there’s still a part of me who wants to “do it right,” a part of me who wants to know if I’m delusional about the things I think I know. The other day people were talking about feeling one with the mountain. That seems easy and natural to me. But on the surface, I don’t buy the “no self” spiel. Because there is a me. There is my portion of spirit housed in this body. Unique in place and time. Never again will the two be joined, this same form and spirit. But it doesn’t stop me from feeling one with the mountain or the moon or the desert rat dying in my courtyard on a summer afternoon. Or with the ant I stepped on yesterday because I must have hurt him when I was sweeping the courtyard. I put my sandal down on him, my chest aching, to end his tortured movements. I may not buy the “no self” deal, but I do know we’re all one, the mountain and the moon and the rat and the ant—and me.

Everywhere, Spring (54)

two black lines of a dove

Three weeks ago the mockingbirds began to sing. When I’m lucky I hear one singing nearby in the middle of the night. I’m hoping he comes closer. Last Wednesday when I walked out of my class at the Annenberg Center the air smelled like heaven. I stopped, eyes closed, taking in deep breaths of it. The scent was so familiar, but I couldn’t recognize it. I opened my eyes to the lemon blossoms in the tree above me. Every year I forget how strong the fragrance is, how it finds you everywhere, even when you can’t spot a tree. The sun’s been moving north at a steady pace, all stealth until now when you see it’s almost halfway through its journey. It sinks behind the mountains as I write, facing me straight on now. I’m sitting inside with the swamp cooler on and the sliding glass door wide open to the courtyard. My neighbor’s tree, the one who hosted goldfinches like ornaments all winter, has budded into leaf. I think: don’t tell me we don’t have seasons here. I think: don’t let it bend you out of shape, Riba, annoyed now at all those imaginary people who like to claim we don’t. I’m doing my sitting practice facing the mountains, and my mind is crazy busy. Yesterday, too. I wonder what’s going on. I’ve been looking into rooms, wanting to begin to teach a writing class, give a workshop, lead a writing circle. I’m even fantasizing about offering a retreat, too, maybe in Joshua Tree. This is where my mind zooms today again and again while I’m supposed to be meditating. Could we get a cluster of their studio cabins all together? Could people bring their own food, plan for a pot luck or two? Can I keep it affordable? Do I charge a fee for my efforts or let people offer dana? Do I teach craft or just guide us in entering in? I am gone so long during the meditation that when I wake up and come back I feel the urge to be angry at myself. My laugh surprises me instead. But I do wonder what’s going on, wonder if I should be worried. I sit for the last minutes with my eyes open, taking in the laden bougainvillea branches arching across the wooden fence and the mountains behind them. I hear a mourning dove calling from the roof of my trailer, the first call of the year. I cherish the longing and the full, rich sweetness of his voice. Maybe, I think, I don’t need to worry about my busy mind. Maybe I’m just ready to spring forth with the season. Maybe now I get to burst into bloom.

Something New (48)

drawing of moon and star through pine branches

My mother’s going to walk Auntie Gardi out to her car. It’s late, late afternoon when the air begins to chill. She’s standing on the walkway waiting for Auntie Gardi and I to say goodbye. She’s wearing her brown fuzzy coat. It’s the coat that speaks to me without my knowing. It tells me she’s better now, this clear evidence of her taking care of herself. And so when she comes back inside the house I rant at her, that kind of angry outpouring that comes to some of us after danger has passed, when we are no longer holding fear at bay, after we know our loved one is going to be okay. I’m rinsing out the kitchen sink, and even before I’m done venting I am overcome by self hatred. I feel like I can’t contain it. I don’t know what to do, so I go for a walk. I can’t breathe for the welling up of venom against me. I walk downhill. “May I hold this feeling with kindness,” I say. I can’t imagine being able to, but I ask anyway, over and over. When I get to Ocean View, I sit on the curb and cry. Then there is enough room to breathe again even though the self hatred is still pushing up against the inside of my skin, red angry waves of it. I climb back up the hill, look over my shoulder. And there through the branches of the pine trees below me are Venus and the waxing crescent moon. Something softens inside me when I see them together in the late dusk sky. Another voice wonders: how do I deserve these greetings again and again, these tender signposts? Later, I think: I can’t remember the last time I felt that volume of hatred toward myself. Am I going backward? And then I realize what was different here. Yes, I was overcome. I didn’t know how to hold it. It was so big. But it was only feeling. It didn’t have a voice, no words. I wasn’t telling myself what a horrible person I was for yelling at my mother. I felt like I didn’t know how to hold the feeling, but I wasn’t aiming it at myself. I wasn’t attacking. I wasn’t being mean to me. So, no. Not going backward after all. This was something new.

Solace (47)

drawing of moon with blue-green and orange yellow below for the sunset

It’s just after six in the morning. I steer my rental car down Ocean View. I’m going back to Palm Springs for the day. The eastern sky is a soft, rich orange. I stop the car in the middle of the road because the waning moon is hanging just above the layer of clouds, the thinnest sliver luminous against that green-blue we glimpse here in twilight hours. I sit, breathing, taking it in, the air cold on my face, the light growing around me. I feel greeted by the universe, the promise of a good journey, well wishes for the long day ahead. I leave my car at the airport, and when I walk out the main doors of the terminal, I’m stunned by the glory of our mountains and their snow. I feel oddly proud of our airport, proud to know people who’ve never been here before walk outside to this spectacular view. I walk home, past the fountain, relishing it all. As I go I spin in a circle now and then, scanning our ring of mountains, snow, sky. Off and on, I want to whine or pout to have missed the first day of this new snow. But mostly I feel lucky again and again. I go to the library, buy four used books for four dollars. I don’t want to worry about due dates right now, but also I love these soft trade paperbacks. And lately I’ve been reading my way through my pile from the last big library sale, the books that appeal to me when I’m filling my bag but so often go unread. I’m enjoying all the different voices, and I want to keep going. I buy vegan wraps at the health food store, and then I am home. The birds all still have a little seed left in their feeders. The mouse in the house has eaten the small succulent on the kitchen table that Mami gave me and a few of the buds on the Christmas cactus, but she’s stayed out of my bed and not caused havoc, so I’m grateful. I clean up the bits of dirt from the table, sweep the floor, ride my bike to get my hair cut, eat two wraps, drink kombucha, make small piles on the bed for repacking. In the evening I call Ian for a ride to class, get to hear about his metta retreat. After he drops me off again at home, I pause outside my door. All the feeders are filled, ready for the morning birds. I look up at the stars, take a deep breath, soaking up my dark courtyard, my sky. I close my eyes, and when I open them I see a falling star above my home. I make a wish. I open the door, step inside, deep, quiet awe welling up in me for the framing of this day: the moon at sunrise, the falling star, brackets of welcome, of reassurance, of solace. Thank you.