This morning I coast on my bike again in that arc behind Ralph’s. I hear the mockingbird again, see the big waning moon hanging above the San Jacintos, then that surprising scent of fresh mint in the air. And it comes to me that this odd back way that passes by their dumpster has become an unexpected highlight for me, one of those repetitions akin to that freeway overpass in Oakland that also makes that lovely arc when the Oakland hills and north Oakland lie beyond and below and you move with the long curve of it, suspended in time. Or the bend on Tilton Road in Sebastopol when you walk downhill and round Scary Corner and if you are lucky you find turkey vultures perched in the oak trees with their wings spread wide, seeking the sun.
The noxious air from the fires takes its toll. I am so looking forward to the possibility of our desert having both clean air and cooler temperatures, to be able to walk fast, take big gulps of air, pleasure in full lungs. I can’t wait for rain to return to us, wash the leaves of the desert orchid trees, fill the creek bed, lick our wounds clean. I can hear it now, hard rain on my umbrella, hundreds of frogs singing, mockingbirds alive again, the cacophony a happy jazz, slap of shoes on pavement, deep breaths of clean, wet air. Like marmalade on gingerbread, like the scent of garlic cooking in butter, like nothing can compare to being able to move in our outdoor world with ease. Oh, and no virus, too, while I am dreaming up our future, no wet masks in this rain, only cool air on warm, wet lips, fogged up glasses, singing myself now as I swing my hips, lengthen my stride, move boldly beyond where life has let me go in recent times, a big grin on my face.
[This piece came from our spontaneous writing session on September 14th. The words pulled from the magic pouch were: marmalade, lick, noxious, gingerbread, jazz.)
The poet is the priest of the invisible, the one who paints pictures of the way the air holds still or the way it moves away from the woman in the red dress, walking home from the bus stop beneath the row of old oak trees. The one who orchestrates the sacrament of placing words on empty paper, lets life move through the pen, leap across streams or fly like salmon up their ladders. The priestess who tells us stories about the heart of humankind, the whisper of doubt, the musty scent of secrets uncovered, given over to the day. It is not a small or unimportant task, this working with words, this waving of incense, these footsteps placed one after the other, ink across the page.
[Editor’s note: This is a piece from our spontaneous writing group on August 17th. The prompt was this quote by Wallace Stevens from The Daily Poet book (Two Sylvias Press): “The poet is the priest of the invisible.”]
I am not protesting in the streets because of the pandemic, but I am holding the hope in these acts close. But I’ve been troubled by the angry chanting. Not that people don’t have cause to be angry. Centuries of reasons for rage. Still, I am disturbed by the tenor of things, by what feels like a crossing over, moving away from nonviolent resistance. Wait, I want to say. This is not what Gandhi would want. Not what Martin Luther King would want. This is not what John Lewis tried for in his long, dedicated years of service. (If we keep going in this angry direction, will they all be rolling over in their graves?) I keep thinking we should be singing instead. I lie on my back in the courtyard after chavasana making up lyrics in my head to the melody of “Give Peace a Chance.” Black lives matter, I breathe. Brown lives matter. Queer lives matter. Women’s lives, too. “All we are saying,” I sing under my breath. Now and then I smell smoke from the brush fire near Banning, send up small prayers for all the beings there. The mourning doves glance my way, this strange beast beside them, but they don’t take wing.
This essay for BIPOC women in academia was so beautifully written and so moving I just have to pass it on.
A Survival Guide for Black, Indigenous, and Other Women of Color in Academe
By Aisha S. Ahmad, posted today on The Chronicle of Higher Education
Happy house finch chatter
louder than usual
wakes me in my work
I peek around the doorway
to see a dozen of them
sitting on the open louvers
enjoying the cooler air
alive and dear and
charming beyond belief.
I see the mama coyote again. She’s standing just off the creek path as I walk across the street. I stop at the edge of the road to breathe her in. She still looks unwell, but less so, I think. She’s steadier, somehow. Then a pup appears at the top of the bank, scampers over to her, weaves around her legs in delight at their reunion. It eases something inside me to see them together. The pup is happy, and for long moments this is all that matters. Other people come, and the coyotes disappear back into the creek bed. Two days later, I see the pup down below. He stops behind a scraggly bush, aware of my scrutiny, unsure. I step back, use a softer focus in my gaze. He keeps going, trotting along a small trail, ears too big for his head, all youth, energy, intent. For a moment I worry. (My forte.) He is all by himself. But I remember I trust his mama. And there’s nothing unsure about him. Once he decides I am not a threat, he doesn’t hesitate again. He runs along, so upright, a kind of joy in his little body. I realize he knows his way around, and I relax. I watch until his small form disappears into the brush. All day long, I see him in my mind, so grateful for the gift of him. All day long, he makes his steady way along the creek bed again and again, brown fur against the light sand, an enchanting video clip I play over and over inside me, one that never loses its charm.