This is the letter I’ve sent out to let people know about these two upcoming writing opportunities I’ll be leading. I thought I would post it here for all of you, too, just in case one of you might be interested (my dear readers!). ;-)
1) Online creative writing class
This is a 3-unit full-semester online class offered at Mendocino College. We’ll cover key aspects of creative writing—including image detail, slow motion, point of view, dialogue, plot, narrative presence and character—and you’ll have lots of chances to try your hand with each element. Each two weeks will include a spontaneous writing exercise, workshopping a more “polished” piece, and a discussion about process or craft. This is a great way for new writers to get their feet wet and experienced writers to stretch or refresh their skills, as well as a lovely opportunity to interact with other writers and get some good feedback on your work.
2) Spontaneous creative nonfiction writing retreat
November 22nd through 24th
Joshua Tree Retreat Center
This will be three days spent writing spontaneous creative nonfiction, telling our own stories. Because the writing is impromptu, the feedback will focus on specific positive aspects of the work. Great food and glorious desert setting included. Participation is limited, so please reserve your spot early. ($100 discount when you register by August 31st.) https://499words.org/retreat/
Please email or call if you have any questions. I hope to have the chance to work together soon!
I’m lucky. I get the Los Angeles Times. I remember how I felt when I first subscribed, the relief and pleasure to be reading beautiful writing and “real” journalism. Years later, I still feel the same way. And in our political climate, I’m so glad I get the latest from the White House by reading it. I have the luxury of monitoring myself, stopping at my tipping point, first glimmers of nausea or fury. But my luck in this, my gratitude, blooms beyond this gift. When I allow myself to meander, I am fed the antidotes. I get to read about the good things like the two men, a gay couple in Berkeley, who’ve begun Café Ohlone. They are “reviving both food and language” and “preserving the deepest parts of Ohlone culture.” Or the two young women in high school, both immigrants (one from El Salvador, one from Egypt) who’ve been best friends since eighth grade. I get to read about the biologist Peter Sharpe who has dedicated his career “to reviving the once-endangered bald eagle,” one of the “great American wildlife comeback stories,” who climbs up into their nests to examine and tag the eaglets. And I get to read about the “New Arrivals Supper Club” where “recently settled refugees bond over the food and memories of the lives they left behind.” Wages are provided for the immigrant chef and the proceeds go to the family and to Miry’s List. Each time I let myself sink into one of these stories, I feel my heart soften. Hope strikes, warms. Gratitude spills over for all these human beings doing good, important work, for being the light against the dark, and for the paper who honors them. Thank you all.
Sitting this evening
I am weeding my driveway
trying to figure out my first smart phone
planning the November writing retreat.
I am fully in the room
part of our sweet circle.
Then an imaginary conversation
with a friend and writing companion
certain I hurt her feelings in the afternoon
not able to let it go.
walking home from the bus
the clouds part
for the new moon, big thin bright sickle
and the huge dark orb of her, too.
I stop in the middle of the road
to watch her disappear behind the mountain.
Good night, moon
No more busy mind.
I blame it on Alexa. She must have set my alarm for the wrong time. I wake up knowing it’s too late to get to the footbridge in time to hear the bells chime the hour. I put my sandals on, muzzy from my nap, and head out into the warm wind of early evening. The water in the creek surprises me each time I see it, and I wonder why I am not walking beside it every day until it’s gone. I talk to a raven on the sand, watch the moving water, stop on the bridge and look down at the falls at the concrete drop, still loud from the snowmelt but no longer thunderous. On the way home I hear a frog begin to croak. “Oh,” I ask him in my head, “are you lonely, too?” The question surprises me like the water surprises me. I stop on the path. Am I lonely? I feel a subtle ache, a kind of longing. A little lonely, yes. This morning I woke up with thoughts about being left out. Maybe that has stayed with me. But I’m glad, too. Content, quieted, grateful. While I stand there sorting it out inside me, other frogs join in, six or seven voices, a companionable chorus. It makes me grin. I cross the street, and a raven wings toward me. Is he the same one I spoke to earlier? He lands beside me in a fan palm, and I stand still in the middle of the road. Between the frogs and this bird, I no longer feel alone. And because I’ve stopped before I turn the corner, I hear the bells, after all, tolling the half hour in the late dusk.
I take off my necklace before yoga practice, lean forward to lay it on the glass tabletop in my courtyard. I’m not paying attention. I wake up partway through the act. There is something alive on the table. I make a little noise, wave my hands, knee-jerk startle, before I come to all the way and see who it is. It’s a small, scruffy male house finch, touched with orange-yellow. He is sitting in the shade of the umbrella facing away from me, his feathers unkempt. “Oh, I’m sorry,” I say. “You scared me.” I laugh because it is funny being scared by a bird. I bring seed in a sturdy metal dish, water in a red glass bowl. I move with care, but I push them close. He is missing one eye, partly blind in the other, I think. I murmur gentle sounds, gentle wishes. He turns toward my voice, moves his head as though maybe he can get a kind of read of my basic shape. He is not alarmed. I let him be, and he steps onto the edge of the metal bowl to eat. He is slow and steady. He eats for a long time while I do sun salutes beside him, careful not to swoop my arms up too swiftly each time I rise. I wonder if this is the most food he’s been able to have for a long time. I wonder if he’s nearing his end. After, I sit on my yoga mat and look up at him. He’s drinking the water, scooping up mouthful after mouthful. It is so dear to watch it brings tears to my eyes. He’s so beautiful, all delicate grace. I glance away, and then he’s gone. I bow forward, ask the bird gods for mercy. When I go to L.A., I leave the bowls on the table for him just in case.
I see clusters of butterflies flying past me in Palm Springs. I hear people talking about it on the bus. They think they’re coming from Mexico. Walking home from the bus stop, they are a river flying by. They travel from southeast to northwest. My friend Carolyn and I see them on the 210 on the way to Pasadena. They come over the roof of her neighbor’s house in Indio. Only once do I see them holding still, two who alight on a lavender lantana bush near my home. They are mottled orange and shades of brown. All I know is they are not monarchs. The one I see closely looks dusted with bronze powder. I think again and again I should Google them, but I don’t. I am loving the mystery. I watch them pass above me when I lie on my yoga mat in the courtyard, always flying northwest. I hope they are finding good spots to congregate, to replenish. I picture our rain-soaked desert alive in blossoms for them, wish them joy in that, safe flight. I see their shadows against the yellow curtains while I work in the afternoon. It’s magic, their big endeavor. This momentous happening, silent and sumptuous, going on without us, happening while we sleep, while we go on with our ordinary lives, the extraordinary, quiet and secret beneath it all.
I type, my legs stretched out before me, computer on my lap, afternoon sun beside me on the couch. I am revising a piece I wrote in our Monday group, an hour left before the contest deadline, midnight in the UK. I read my work out loud, like I teach my students. I find tiny things to change. I am deep in the writing when I hear a hummingbird, look up to see her in the living room, the female guardian of the feeder outside the open louvers. In the corner of my eye I think there is another flash, but surely not, not two of them inside at one time. My familiar female hovers near me, then visits the red glass star hanging in the window. When she flies out I hear her friend, still in the room with me, not my imagination. She peers out the kitchen window to the courtyard, then rests on one of the open louvers before leaving me alone, the flutter of hummingbird wings reverberating in the room.