I sit on the side of my little road and watch the day arrive. I can’t see the eastern sky from my courtyard, so I bring my metal barstools outside the fence (so I can put my feet up), and I carry out the wobbly wooden stool with care where the candle will sit and which might house my tea but these days sports coffee with half and half. I try to be quiet, not bump into things in the dark, aware of my neighbors. I stretch out my legs and settle in as the sky begins to lighten. I face southeast and watch Venus rising, have the honor of a mockingbird singing and displaying at the top of the electric pole before me. I warm my hands on the cup, sip my coffee, close my eyes sometimes when his performance is especially melodic or visually impressive. I feel bad when I get lost in thought and realize I have missed part of his concert or this coming of the day, even though I love the chance to daydream, too. When I am both present and lucky I get to relish his incandescent song and the glory of the morning splashed against the sky. Today there are echoes of deep pink spread across the southern clouds, stopping just before they tint the San Jacintos. Wide stretches of sky between the clouds become that otherworldly aqua color the twilight minutes often bring us here in the desert. We’ve had an extraordinary spring, no doubt due to the extra rain the gods granted us. For weeks the mockingbirds in my neighborhood sang without stopping, day and night. There seemed a kind of frenzy in it, the sheer numbers of singers and that ceaselessness I had yet to experience. Now in the middle of May, our desert spring is over, but this one mockingbird still comes to the telephone poll to serenade me. I lean back in my front-row seat and savor his song. The neighbor’s calico cat trots by on her early morning rounds, surprised but not deterred by my presence in the road. She is not interested in me, intent on her own pursuits, so I return to my morning concert. The waning moon and Venus stay close, too, for a long time—companions in the sky.
The eastern sky is washed in dark pink, our version of a sunset here, so near the San Jacintos. The clouds stretch north, too, as far as I can see on tiptoe. I am weeding the driveway, but I stop to look. There are two of the huge round kind I have only seen in these skies, big puffy smooshed almost-spirals that look like spaceships. The pink pales, and I go back to pulling weeds until the twilight plays tricks on my eyes. Later I remember I have left my shears sitting in the gravel. When I go back out to get them, I see the new crescent moon beside Venus in the west, a hands breadth above the mountains. I stand still, the dangling shears a weight pulling on my arm, my lips parted. They are surprising and bright above the darkening ridge. Back inside, I grab my laptop to do more work. I am carrying it to the living room when I have the impulse to look for them again. I bend my knees to peer out through the 4-inch slit of open window in my front door. They are still there, shining now through the silhouettes of the Palo Verde branches. I am like a little kid, scrunched down, nose pressed up against the screen. I stand there in the narrow hallway, giddy, computer clutched against my chest, watching the two of them for a long time, magic beings in the night sky.
The sky is beautiful this evening, that brief blaze of orange clouds in the last light of the sun, long gone from our valley but only now disappearing below that unseen horizon. I walk outside the gate to see more sky and spin, head thrown back. The waxing moon, almost full, surprises me. I spot the evening star setting in the west, Venus, I think. It’s as though a line connects her to the rising moon. Are they talking to each other? Later I write with the sliding glass door wide open, and I can see the star poised above the dark shape of the mountain, a sleeping beast, Venus wide awake and calling. It is Candlemas eve, Imbolc eve, the midpoint between the winter solstice and the spring equinox, the turning of the earth, the waxing of the light. Already we can feel the days growing longer. What sweeter way to mark the return of the light than with this bright circle of moon and her star companion, buddies in the early night?
I am sitting cross-legged on my purple yoga mat in the courtyard. I sweep my arms up, my eyes following my hands in their arc. I see a thin sickle of moon framed between the big fan palm and the pine tree, white against the pale blue sky. In the act of drawing breath, of sweeping my arms up, the flicker of thought comes to me to look for the moon. I’d seen it two days in a row from under the pine tree when I filled the finch feeder with thistle seeds. And now, just as I am thinking it may not be visible, that it rises later and later each day, the moon appears. It always surprises me, the unexpected gift of it, a greeting and a message, both. Whenever it finds me, it makes me stop, brings me present, tells me I am not alone. Hello, little one. Here I am. Here we are together.
It feels like divine intervention, makes me feel tended with exquisite care, the moon placed just so, my gaze angled just so, positioned and poised to receive the gift, the true present. When it happens, I feel affirmed. I am in the exact spot I am meant to be, at the exact time. I have stopped on Palo Fierro, that day the raven and the mockingbird danced across the sky, showing me the late morning moon. I have stopped on Benito Juarez in Ajijic, neck craned, blocking the narrow banqueta, my eyes traveling across the vivid fuchsia bougainvillea trailing over the orange wall to find the half moon waiting for me in the afternoon sky.
The first stars in the evening feel a bit like this, too. When I walk at dusk I look for them, alert for that one moment when the sun’s light lessens its hold on the heavens and that first starry glimmer appears. I don’t know many names of the stars and the planets, but I am fond of Venus. When I lived in Todos Santos, it may have been Venus who greeted me in my semi-third floor roost. I’d sit outside under the small corner of roof in a tall chair beside the low parapet. I spent all my free time up there, when I wasn’t working or out walking, feet propped on the metal railing, my world spread out below. I faced southwest. In the mornings I would lean out to the east to watch flamingo clouds, listen to the village roosters taking roll. In the afternoons I’d watch the sun glint off my sliver of sea.
I can’t count the evenings I sat to watch the sun sink into it, the whole Pacific ablaze. After, I’d watch my hill to the south lose its outline against the blue black sky. But before the colors disappeared, when I spotted that first big shining planet, and after I made my wish, I’d lean way out over the rebar rail, twisting to search for the other stars who made a big cross against the evening sky. I saw it once long after I moved back to the United States, but it was in the wrong part of the sky, at a strange angle, my cross but not. I want to say it is the Southern Cross, but I don’t know where that comes from, like the odd word that pops into your head when you’re working on a crossword puzzle, just as likely to be wrong as it is to be right. I discovered the long narrow cross on my own one night in Todos Santos, and I looked for it every evening after. It felt like the moon feels to me, like a companion, a familiar presence. You are not alone. It whispered to me, sitting in my perch in the late dusk or the dark of early night. And I was ever grateful, I who was so far from home in a foreign land, no firm earth beneath my feet.