I walk back down my gravel driveway after taking out the trash. I see a lone guayaba on the ground, bend to pick it up, turn it over. It’s beautiful, ripe and unmarred, untouched by bird or desert rat. The very last one, I suspect. I’d thought the two I ate three days ago would be the end of them. I stand cradling the small perfect fruit in my palm, this sweet surprise. I thank my guayaba tree, kiss a patch of smooth dark trunk between the lovely peeling bark skin. I feel lucky and grateful. Then I move, gentle, through the big palm fronds that brush my trailer, and I feel my sadness. Is it because of my family? Maybe. Maybe it is that. And maybe it is touched by autumn, too, the changing light, the ending in this, the movement toward the new. I love the changing of the seasons, the anticipation in that coming to be. But it’s a time of letting go, too. When I was young I always felt a kind of longing in the fall. I called it “autumn aches.” Maybe what I feel today is that. And maybe I feel the earth’s sorrow, as well. I open my wooden gate, careful of the guayaba I am holding. The Mexican petunias are a wild splash of purple in the center of the courtyard, a volunteer sunflower, big new bloom, beside them. I stop inside the gate, press the guayaba to my lips, breathe the scent of it. The sparrows lift back into the bougainvillea, soft movement, brushstroke on paper. The sadness, I tuck away. I’ll carry it with me, let it live, quiet, just beneath this joy.
I sweep the courtyard in the morning heat. It is covered with seed casings and feathers and the odd dried bougainvillea blossom. I am sick of the mess. I remind myself I love my birds, that this is a small price to pay. I know this because decades ago I was vacuuming just after my dog Sanji died, and I smelled her warmed fur in the machine. I cried thinking about all the times I resented her hair on the furniture, how much dirt she brought in, how I would so gladly deal with it now if only I could have her back. Still, I am grumpy and resentful of the daily bird mess. The hot, humid air only makes it worse. I am angry with myself for not hosing down the cement, for wanting to wait until I’d be home for a longer stretch to enjoy it, setting up the umbrella, bringing out the pillows. I am angry at myself for wanting it all to be perfect at the same time. I know the daily bird mess would feel less overwhelming if the cement wasn’t so spotted with bird poop, so filthy sweeping seems to make little difference. I think of all the birds partying here when I am gone, living it up all over the courtyard. They don’t do that when I’m home. Still, I am pulled down by my grumpiness. I sweep beside the edge of the cement and look down. There is a small mango nestled in the dirt. It stops me, it’s soft greens and golds, the smoothness of its skin when I pick it up. I rest the mango on my open palm, look at the sturdy little tree who has been so abundant this summer. She has jasmine and a wild vine with trumpet flowers looping about her, but she seems content. I remember how lucky I am, how much I have, how much I am given, always. I look up and see the last quarter moon in the blue sky, another gift. I slough off my discontent. It is heavy, anyway. I let the earth swallow it. I lean the broom against the washing machine, wrap both hands around the mango, chastened. “I promise to savor it,” I tell the tree. I carry the mango inside to the cooler air, grateful.
I am early for sangha, for sitting practice and sharing, so I choose one of my favorite benches outside the dog park. It’s hot, 110 degrees, but I am shaded by a trio of young, beautiful trees, three small still-blooming palo verdes. I eat my little meal slowly, savor the crisp cabbage with guacamole, the sharp radishes with salt, the small cup of macadamias, walnuts, pistachios. It’s good to do things slowly when it’s 110 degrees, and I seem to be learning this. Small moment by small moment, I notice there is no one in the dog park, and even the birds are missing, hiding out from the heat. No one is here except me and one small verdin in the tree to my left. His presence comforts me. “Just the two of us,” I say. He moves from tree to tree within this triangle, nibbling on the tiny leaves, I think. Or maybe he is finding tiny bugs. When he flies away, I miss him. It’s just me now. But I am still content, take in the trees, the quiet, the peace. I don’t remember things going quite so still in the afternoon. I wonder if I wasn’t paying attention. The delight is our summer was delayed this year. Maybe it’s taking everyone by surprise, shocking us all into silence.
I bang the roll of quarters I got at Ralph’s against the sharp edge of the table.
They break open, and I see they are fresh minted, shiny and untouched, like a gift.
I palm six, rub them between my hands.
It seems wrong to put them in the washing machine.
My new piece doesn’t win the Fish Flash Fiction contest. I am stunned. I thought I was going to win. I thought “The Second Flood” was that good. (Did I know I thought I would win? Have I ever thought I would win before?) I scan the short list and then the long list. My piece is not on either one. If I needed to right now, I would be unable to speak, to push out words that make sense. I scan the short list and the long list two more times in case I missed my name. It is not there. There were more than 900 entries, but I can’t believe my story wasn’t even in the top ten percent. I plunge. I wonder how I could have been so delusional. How could I think my piece was any good at all? I know I am a terrible writer. I am underwater, deep in the cold sea where no light lives. I don’t know how long I stay submerged. Maybe work drags me back up, makes be break the surface, breathe air, answer helpdesk questions, grade summaries. Days pass. I am lying on my back in the courtyard in chavasanah. I dream up ways my livelihood might move even more toward my writing. I picture percussive instruments at my writing retreat, and my feet bounce on the yoga mat. I think of a new way of structuring, “When I Was a Dog.” My fingers itch for the pen. “Commit more deeply to your No. 1 focus,” this week’s horoscope says, “and throw yourself into the daring adventure of it.” I leap. This water is warm, strewn with sunlight. I roll over and float on my back, let the tide take me. I remember I can swim.
The mama hummingbird is devoted to her young. She builds them a home, keeps their eggs warm, feeds them again and again, ignores the toll it takes on her. Last year I worried, watching her in the guayaba tree through the open louvered windows. I wanted to help, to make it a little easier, or at least less hard. My birding teacher had no suggestions. But even now I wonder. Can’t I bring her bugs? I didn’t plan this, didn’t dovetail the theme of devotion and the header/photograph of the hummingbird nest. They happened each on their own, independent. Now I think, how perfect. Is there a greater devotion than hers? My eyes droop as I type, a long day behind me. But I am determined to post tonight, start this year of blogging out right. Writing group today was a sweetness, only six of us for a change, the core group, just us chickens, no eggs, the luscious easiness of writing together. I am devoted to my writing now. It grew in little ways, layering over time. Today it feels bigger than ever inside me. Is it a flame or a river? Water or fire? It depends on the day, I think. But the devotion is steady now. Today we each wrote a kind of dialog, a good prompt from Two Sylvias Press, their writing prompts for April, National Poetry month. It is my month, too. All month, mine. A loud military plane passes overhead. My nose itches. The cricket who has moved into the back room is serenading me. I turned two pennies over to heads-up in the course of the day, wishing good luck to the people who pick them up, a tradition I learned and copy. The Chinese say crickets in the house are good luck, too. The waxing crescent moon sinks behind the mountains. I sink, too.
Solar Christmas lights dance in the wind
Fat raindrops fall on trailer rooftops
New rain smell in the dark
Crickets loud in my courtyard
Can I savor even when I’m
still on edge?