I move the curtain from the open window by the bed just enough to greet Venus in the eastern sky. I’m glad to see her there, glad to catch the scattering of sunrise-colored clouds, but I don’t want to be awake yet. I let the curtain fall and snuggle back beneath the blankets. Blankets, I think. I grin, so pleased it’s autumn now, and I return to blankets. I have a nine a.m. videoconference call this morning. And I want to remember to mention the aloe vera gel to my mom for these last stages of the wound that’s finally healing on her leg. I’m going to focus on building next week’s online classes today. I want to write a blog post, too, I think. I can’t believe it’s been so long. Is this the longest gap in over seven years of my commitment to posting? I must be a zillion weeks behind by now. I don’t even want to know. I can feel the tension mounting in me with each thought. For a little while I even replay all the well-worn reasons I believe I was wronged by someone years ago. I take a deep breath, smoosh the pillow beneath my head, settle down on my left side, close my eyes. I hear bird calls in the distance. I think of my two cats, dead now these two years. I whisper to them, send their spirits love. And then I let myself imagine them going back to sleep with me in this cool early morning air. They used to flank me, Sofia wrapping herself in the curve of my legs and Sable curling up against my belly. I know it’s unlikely I’ll fall asleep again, but I let myself drift, using my imagination now, reaching for memory. I remember waking in the middle of the night, their soft little bodies pressed against me, the comforting weight of them. It always made me feel like the luckiest woman in the world. Drifting, I wonder what that makes me today. But even in that dreamy place shaded by a longing for them, I know the answer. It makes me the luckiest woman in the world because I had that, their dear companionship, night after night for years. And because I get to love them forever.
Something odd keeps happening to me. It is unexpected, feels a bit unreal, almost dreamlike. Again and again in recent weeks I am visited by sadness—swift, keen, quick to pass. I am washing dishes. Or I am walking to the bus stop, scarf over my bent head, concentrating just to move through the hard heat of a July afternoon in this desert town. It isn’t even as if something else sparks a thought of you, the more ordinary path. And I can’t tell if this might have begun because my book, this story about the two of us, is close to being finished, this third time a charm. (Touch wood.) Or if it might be only that the time has come all by itself, a natural ending, a kind of completion of big loss, even a final letting go. I know I began to write this book much too soon, have said this before. In what is happening now there is this flicker of feeling, this sense that now is when I might have more properly begun this book. Only now. Or maybe a little bit of time from now, when this time, too, has passed. What I do know is this sudden sadness comes, piercing, bittersweet, as though I am only just now losing you for good after all these years. It makes me want to buckle at the knees, fall to the sidewalk, cement hot against my shins, quick sword thrust of sharp grief. But at the same time, in a way that makes no sense to me but that my body seems to understand, the grief is fleeting, even quiet, softened, like the regrets of our youth at the end of a long and happy life, riches beyond deserving.
I live in the palo verde in the woman’s courtyard. I have waited seven years to be up in this green tree, high above the moist earth that was my home. I sing to summer, cicada sounds in me. Summer serenade, stealthy buzz, begin and end, sudden, sultry, magic. I am a magic cicada. I can turn summer into fall, drive humans from their beds, angry shouts in the night, the slamming of windows. So now I like to stay where I am wanted. This palo verde likes me in her arms, rocks me in the breeze. I am more than a little in love with her. Serena, the woman calls her. She says it like a word in Spanish. She asked the tree’s name when she planted her and saw the word in her head, scrap of paper in her mind, words from an old typewriter like letters from her father when she was a little girl, the name Serena popping out. I didn’t think I’d ever love a tree like this, much less a human. But the woman likes me. She really likes me. And after all those angry windows closed against me in the dark, it is like heaven, like cotton candy, like marbles in the moonlight to feel the woman’s pleasure when I begin to sing. Ah, cicada. I hear her whisper, feel her cherishing my song. If she saw my bug body, I don’t know if she would be able to embrace me as wholly as she does my music. But I know she would honor me still, protect me in every way she can, bug body and all. It makes me want to cry, sitting in Serena in the early dusk, so lucky here in the warm desert sky, feeling the woman’s gladness as I begin to sing.
[Editor’s note: This is a slightly revised version of an 11-minute writing in response to a Natalie Goldberg prompt to write a “waking daydream” that I wrote downtown with Stef on Wednesday in the late morning with the misters on.]
Being a writer can be kind of weird. And writing a blog or a newspaper column can be even weirder. I once had an email exchange with one of my favorite columnists for the L.A. Times who pointed out to me we are dependent on what happens. It sounds crazy obvious now, but I’d never put it together before. There’s always the interior world, too, of course. But when we can “hang” that inner world on a scaffolding of outer events, when there’s enough happening both within and without to make connections between them, the possibilities seem endless. This is my eighth year for writing a blog, and I seem to either have endless “Blog?” markings on the pages of my notebook, or I have a dearth of ideas. It feels like a long time since the floodgates were open. Yesterday, I was so glad to have something happen I could write about. But then the weirdness peeked around the corner. I meant to show my ugly bias arising even in the midst of it all. But a sneaky voice hisses at me after I post. “It sounds like you’re trying to pump yourself up, like you’re trying to make yourself look good.” Does it? Really? I only wanted to tell the story the way it happened, so glad there was a story to tell. Maybe, I think, I should’ve explained more about the connection I was making to the day I found out my father was dead, how this time I got to be the stranger who wanted to help. That day all those years ago I let the policemen inside my father’s apartment and wait outside on the concrete landing. One of the women from the place next door comes out and asks me if there’s anything they can do, anything I need. “Do you have any beer?” I ask. (I remember feeling foolish asking.) I’d already found out he was dead. I’d already asked the policemen if there was any beer in his fridge. (That would remain a lingering regret, that he died without any beer in the fridge, without any cigarettes. What was I thinking?) Instead of bringing me a beer on the porch, the woman brings me inside, sits me at their dining room table, hands me an icy bottle of St. Pauli Girl. She and her two roommates gather round. They tend to me through that long afternoon, the lazy Memorial Day holiday, 1985. And then in the fall of that year I dream about my father. “What are you doing here?” I say. “You’re supposed to be dead.” I remember the shock of that first dream. I must not have learned yet how the dead can return to us, living again and again in our sleeping dreams.
I climb the black metal table for the second time. The first time, weeks ago, I peered over the edge of the nest at two tiny perfect hummingbird eggs nestled side by side. Today, I see a black gangly shape lolling against the inside of the nest, beak to the sky. I am afraid he is dying. The wild bird rescue woman is so reassuring on the phone I almost cry. I see mama hummingbird zoom in and out. I blink twice and the two younglings are jostling each other beside the nest. Then they are gone, though this morning I think I spy one at the feeder. How does that work? Do they need to fan out very far from home? Are there rules about this? But oh. For one more day I catch glimpses of them perched in the guayaba tree, nowhere near the nest. Now I still check. I talk to the empty guayaba just in case they are nearby. (They are hard to spot.) The empty nest makes me ache even as I am so glad they made it. How many times did I worry? Now that they are gone, my fingers itch to dismantle the nest. I want to feel the way it resists or the way it tears or gives way against me. I want to smell it and to know if it is as soft as it looks or strangely rough because it is so strong. Of course I don’t do it. What if they can use it again? And how could I destroy the nest, so beautiful and alluring, poop and all?
It would be sacrilege, I think, to harm the nest. I remember the dream I have where hummingbirds are coming in through the windows and making nests inside my home. I worry about them being trapped inside during the night. But the nests they begin to build against the white walls or nearer the ceiling are more like hives than hummingbird nests, mud-wasp-like, a little creepy except the birds themselves are flitting about dispelling all possibility of anything sinister, so these are just an oddity, it seems. One set of my louvered windows in real life don’t have a screen, and sometimes a hummingbird does fly into the living room with me. They are usually quick and curious, and I’m thankful they tend to leave quickly, too, before I have time to worry for their sake. Since my dream, though, when they come and they poke their curious beaks toward the southwest corner of the ceiling, or they investigate the crevice beside the facing window, sometimes I wonder what it would be like if they did live here. The imagined mess makes me cringe. I would truly abandon any meager tie to civilized living. But think of the potential joy, too, all those incandescent little ones buzzing in and out or asleep nearby in the night. What if the approaching dusk meant I needed to be sure they were all accounted for, so I could close the window before full dark, so I could help to keep them safe here through the night?
Twenty-nine years ago today, on April 18th, 1988, I quit smoking. The year before, I tried to quit eleven times, but this was the first one that stuck. It ran unbroken thirteen years and still holds sway over most of these past three decades. Because of this I notice April 18th out in the world. It’s a red number day for me. Isn’t April 18th the day Harprita had to have all the potions decocted and the twenty-seven soft blue bundles wrapped and ready for the ship in the novel I’m reading? And isn’t April 18th even a day in Angels in America? Is it the San Francisco earthquake, maybe?
I lean back in the sturdy metal chair in the courtyard, the big round cup of hot tea cradled in my hands. And then I remember. April 18th is the day you and I first laid eyes on each other on that southbound 80 bus. It’s the day I went home to hear that message on my machine from a possible sperm donor. That’s why I know the date, why I was able to trace it back later when I was halfway in love with you and the morning we first saw each other on the bus counted. When I think of you and I that first day at the back of the bus, I can feel the awkwardness between us. Because I think you scowl at me, I avoid looking in your direction and try instead to adjust to sitting in the stupid side-facing seat. I fuss and fidget some. I sigh in exasperation. I never stop being aware of you reading the paper nearby.
Didn’t our eyes meet again later on that first bus ride? Wasn’t it a less guarded look, over the tops of your glasses? Did we both look away? I think I may have watched you reading, too, that morning, chewing on your bottom lip, not looking at me. I know we talked about it years later. You wanted me that morning. I didn’t have a clue you felt that way then, me and my misinterpreted scowl. It still makes the corner of my lips curl to remember. You wanted me the first time you laid eyes on me. There’s a surprising satisfaction in knowing this. I am the cat licking cream from my paws.
I dream I am on the phone talking to Mami. “Thank you for going underwater with me,” she says. I have a dim memory of holding hands at the edge of a lake, bending our knees, submerging ourselves in the cool, shallow water. It makes me want to do it now as I write, remembering the dream. To come up together sputtering, scattering drops of water across the quiet laketop, our laughter loud across that stillness. Her voice on the phone comes out choppy and odd, like the words are hard to grasp, then hard to push out. “I’m going to miss you,” she says later in a small voice. I am incredulous. What, when you go? When you die? I can’t believe I am scoffing her even in the dream. Because I am shielding myself? Because I am not being present? In my mind I am thinking, I will miss you. I wish I had dropped down, met her where she was. I wish I’d told her how much I would miss her, how terribly so. I wish I’d told her I won’t know how to be in this world without her.