I am not protesting in the streets because of the pandemic, but I am holding the hope in these acts close. But I’ve been troubled by the angry chanting. Not that people don’t have cause to be angry. Centuries of reasons for rage. Still, I am disturbed by the tenor of things, by what feels like a crossing over, moving away from nonviolent resistance. Wait, I want to say. This is not what Gandhi would want. Not what Martin Luther King would want. This is not what John Lewis tried for in his long, dedicated years of service. (If we keep going in this angry direction, will they all be rolling over in their graves?) I keep thinking we should be singing instead. I lie on my back in the courtyard after chavasana making up lyrics in my head to the melody of “Give Peace a Chance.” Black lives matter, I breathe. Brown lives matter. Queer lives matter. Women’s lives, too. “All we are saying,” I sing under my breath. Now and then I smell smoke from the brush fire near Banning, send up small prayers for all the beings there. The mourning doves glance my way, this strange beast beside them, but they don’t take wing.
I ride my orange bike on the creek path, the world quick glimpses. Five ravens in the middle of the street eating roadkill. A strip of water beside the curb on the other side, sprinkler runoff. They slow hop and waddle between the two, easy together. I grin at this offer of adjacent food and drink, this perfect impromptu dining. When I am past, I see one lone raven sitting in the shade beside the path watching them. And then they are all behind me, and I ride toward the San Jacintos. I think about going back to move the dead animal off the road and onto the sand beside the path to keep the scavengers safe from speeding cars. But I decide the car that hit the squirrel or rabbit has adhered it to the asphalt, so it’s perfect for pecking out morsels, and if I moved it, it would be loose and flap around when they tried to eat and be harder to share. That settles it for me. I don’t have to debate further, consider every angle, wonder if I might cause a fuss moving it, get a raven hit by a car, cause harm trying to help. But sometimes it feels impossible to know, and choosing is agony. Later, on my ride home, one raven stands in the center of the street. The water has dried up, as if it was never there. The other ravens sit quiet and still beside the path in that same spot of shade beneath the two short palms and the desert orchid tree, each strong, curved beak open wide in the late morning heat.
These days I can still become unglued in an instant, leap from grateful and open, watching a roadrunner beside the creek path, to cursing people quietly behind my mask. In our humid days, our brutal heat, my sweat is salty on my lips, on the brush of the back of my hand. I move from minutia, from frustration with the online Ralph’s order, the jarring conversation about hearing aids—I move from this weighted trivia into outerspace, long moments lying on my back in chavasana, tears pooling in my ears, my body both wedded to the earth and light, as if I might float off, join the crescent moon in the daylight sky, healing in the depths of me in tiny, magic, unseen moments.
[Editor’s note: This piece came from three drawn words in our spontaneous writing session today: salty, outerspace, unglued.]
I cup my mask in my open palm as I turn the corner, ready to cover my face if anyone is nearby. The mask is red with pale orange petals, some in flower clusters, some scattered like starbursts. I am fond of this mask because Candace’s mother made it and because I am fond of Candace. (Her mother sews them in Fresno, and they sell them at the health food store where Candace works.) I turn now onto my small road, no one in sight. I’m coming home from my walk by the creek bed. My hip was troubling me, so this is my first walk in a week, and I am coming home nourished by the quiet, the roadrunners, the rabbits, the savoring of solitude in the company of that long span of wildness. I keep walking. I become aware of a vibration in the center of my hand. I look down, and the knot on the ear loop is bouncing up and down with my steps. I keep walking, my palm gentle, tucked close to my ribs, as if I cradle a beating heart in my hand.
After my yoga
I lie down for chavasana
and there is a big red ant
beside my mat
where my arms want to lie.
He is hunched over
I present him
with a dry bougainvillea blossom
and he seems happy
as if it’s a new toy,
rocking the blossom
back and forth
with his weight.
Then he perches
on the top
and holds still
and all of a sudden
I am moved
by his unexpected company
my small companion
It is hard for me to name fresh, new times when I felt like I belonged because I have written about most of them already, the ones that stand out. That pile of young women on Vicki’s living room floor, laughing. Girl Scout camp, Camp River Glen, singing in the dining hall or beside the fire at night—all of me engaged, connected, joyous. For me more often is the sense of being in a group but not of it, a rigidity in my body, an inability to rest with these people who seem so at ease together. I don’t know what the common thread is, aside from myself, me as the thread. Often I just haven’t experienced what they describe—I feel different, set apart, as if they all truly come from common roots, and I am the strange flower carried far from the others, flown here by birds.
[Editor’s note: This is another short, timed writing from the Zoom daylong writing retreat on June 22nd.]
This essay for BIPOC women in academia was so beautifully written and so moving I just have to pass it on.
A Survival Guide for Black, Indigenous, and Other Women of Color in Academe
By Aisha S. Ahmad, posted today on The Chronicle of Higher Education