Bejeweled (4)

I am still not used to days of going and going, still finding my way in this, wanting to touch down more, palms to the earth. But there are pockets in most days, places where I land, even if only for moments. Some just rise up in me, like sitting in the car in Montrose drinking my yerba maté the other day when I felt so incredibly lucky. Some pockets meander over, like the hawk that swooped in and sat on the electric pole when Asterik and I were talking in the street. Sometimes I reach for these places, like stopping with my tea, sitting in the back yard taking in the ridge, the mockingbird singing in the leafed out liquid amber, the California towhee on the wet ground eating millet. Taking in whoever shows up. And the moment late at night when I turn off the last light before going to my room. I look through the living room to the solar Christmas lights outside on the succulent, the corner of the San Fernando Valley lit up in the distance, cars moving in slow motion on the freeway. I stand still in the kitchen doorway, this silent evidence of life happening out in the world, and the lush echoes of it alive in the dark quiet of the house, memory of the day just lived, and holding tomorrow.

Cradled (3)

In the mid-90s I wanted to have a baby. My body really wanted to be pregnant. I lived on a hill outside Sebastopol in northern California, and I would walk up and down Tilton Road, watch the red-shouldered hawks soar in the canyon between my hill and the next. I remember climbing the hill one morning on my way home, nearing the row of mailboxes for our dirt side road. I was all filled up on the day, the hill, the hawks, my strong body climbing. I remember feeling that exhilaration, that joy, and noticing that longing for a child nestled beside it. It’s the first time I remember understanding how we can hold more than one big thing at a time. Today it’s mostly anger and fear. I try to hold them with kindness, but the anger is harder. And underneath it all is a deep sadness that permeates everything. It lifts here and there like this morning beneath the liquid ambers, one of those moments when everything intersects. I go to turn the sprinkler off, and a mockingbird begins to sing nearby. I look for him in the leafing branches of the liquid amber one tree over. And looking up, I see a lizard coming down the tree whose roots I’m standing on to reach the sprinkler so I don’t get my slippers wet. He stops to check me out, and that is the moment when it all coalesces. I greet the lizard and hear the mockingbird’s song and see the morning sun between the new leaves of the liquid ambers and taste the wet earth and feel my toes grip the tree roots beneath my slippers. Joy comes with this sense of divine intersection. And sadness still tucked up beside it, companion for the long haul.

What Matters (2)

I have two paper bags and a USPS bin of mail sitting untouched in the spare room. Seven empty bags of yerba maté scattered across the big wooden table in my room. Eight long lists of things I need to do littering the floor, herb books, my scribbled up calendar folded open to April. But when I have a free hour I do not clean my room or sort my months-old mail. I do not spend hours on the phone lining up appointments or checking tasks off my lists. Instead when it’s quiet I read in the afternoon. In the morning I sit in the sun with a cup of hot yerba maté and let my mind drift. When I make effort beyond the basics or the unexpected, they are small moments, small things, planting cat grass seeds in the patch of dirt where the cherry tree used to be, watering the pots of succulents beside the pool. Three days ago, I cut a window in the big ball of ficus tree and hung the bird feeder in the hole. You can see the trunk, the branches, the feeder like a little house in a cavern of leaves. It feels like a real tree now, and birds are coming. House finch, white crowned sparrows, towhees. When I watch them I think the veil between me and the world might be thinning. Nothing is easy in me, but I think it might be easing.

Well-Being (1)

I told you this already
when I was sixty-two
but this year
while I’m sixty-three
I plan to learn to sing
“When I’m Sixty-Four”
because I believe
I should sing it
all year long
to everyone
who loves me.
Late at night
I learn the lyrics
on my laptop
the Beatles’ voices
in the quiet living room
my impish delight
breaking through
my exhaustion.
I hope every time
I sing it
I will feel
just like this.

Archaeology (62)

Sleepy eyes
close again and again
Dreams dust my edges
nonsense lines
dialog with somewhere else
What a world I might know
if I could lasso it all
and bring it forward
onto the page
dig for messages
and buried treasure
I hand you a shiny relic
with a broken wing
and watch you
turn it over in your hands
in the late afternoon light.

Polyglot (61)

The mockingbird I hear here
mimics different birds
than my desert mockingbird
who sang for me when he was young
practicing his calls
in the middle of the summer nights
The mockingbird here
sings outside the opened louvers
just like at home
but not
And I love hearing him
each time
grateful
even if he wakes up longing in me
for my little home
and my mockingbird
sleeping
underneath the desert stars.

Behind the Wheel (60)

The first time I was blasted open by wilderness was when I drove through the northern state of Baja California. The winding two-lane highway with no shoulder, no evidence of humankind anywhere except the road, only open undulating desert and scrub brush in every direction. No dwellings, no telephone poles, no water until the cats and I rounded a bend and saw the Sea of Cortez.