Being a writer can be kind of weird. And writing a blog or a newspaper column can be even weirder. I once had an email exchange with one of my favorite columnists for the L.A. Times who pointed out to me we are dependent on what happens. It sounds crazy obvious now, but I’d never put it together before. There’s always the interior world, too, of course. But when we can “hang” that inner world on a scaffolding of outer events, when there’s enough happening both within and without to make connections between them, the possibilities seem endless. This is my eighth year for writing a blog, and I seem to either have endless “Blog?” markings on the pages of my notebook, or I have a dearth of ideas. It feels like a long time since the floodgates were open. Yesterday, I was so glad to have something happen I could write about. But then the weirdness peeked around the corner. I meant to show my ugly bias arising even in the midst of it all. But a sneaky voice hisses at me after I post. “It sounds like you’re trying to pump yourself up, like you’re trying to make yourself look good.” Does it? Really? I only wanted to tell the story the way it happened, so glad there was a story to tell. Maybe, I think, I should’ve explained more about the connection I was making to the day I found out my father was dead, how this time I got to be the stranger who wanted to help. That day all those years ago I let the policemen inside my father’s apartment and wait outside on the concrete landing. One of the women from the place next door comes out and asks me if there’s anything they can do, anything I need. “Do you have any beer?” I ask. (I remember feeling foolish asking.) I’d already found out he was dead. I’d already asked the policemen if there was any beer in his fridge. (That would remain a lingering regret, that he died without any beer in the fridge, without any cigarettes. What was I thinking?) Instead of bringing me a beer on the porch, the woman brings me inside, sits me at their dining room table, hands me an icy bottle of St. Pauli Girl. She and her two roommates gather round. They tend to me through that long afternoon, the lazy Memorial Day holiday, 1985. And then in the fall of that year I dream about my father. “What are you doing here?” I say. “You’re supposed to be dead.” I remember the shock of that first dream. I must not have learned yet how the dead can return to us, living again and again in our sleeping dreams.
I cross the street behind my home on my way to the dumpster with my little bird seed bag of trash (stapled shut) and to get yesterday’s mail. I pass a woman in the street crying. “I just found my dog online,” she says.
“Oh good,” I say. I think he was lost and now she’s found him. I think she is crying from relief, from gladness after the long and terrible scare.
“No,” she says. “He’s dead.”
“Oh, no,” I say. Without thinking I open my arms to her and she walks into them. How can you not be held at a time like this? The world is dropping out from underneath her. This is a dog who snuggled up to her every night, head on the pillow beside her.
“She didn’t move all night,” she tells me. How do you recover from the gaping loss of that kind of daily intimacy? Not quickly, I think. I urge her to be extra kind to herself. I warn her not everyone will understand how devastating this is. I think of Pilar when her horse died. It’s only a horse, people said. How could they? And then, more gently, a reminder for compassion: they must have never known the kind of love that comes to us like this.
She has tatoos. I don’t recognize her. Unfairly or not, I can’t help but wonder if she’s connected to the drug dealer’s home, an endless source of dismay in our little trailer park. But none of this matters in the moment. There is only this devastating, fresh grief and a desire to meet it somehow. There are only warm arms and eyes and one heart going out to the other. I remember how blessed I was the day I found out my father was dead and his next-door neighbors took me in while I waited for the coroner and then for the people from the cremation place. This doesn’t come close to what those women gave me through that long afternoon, to how tenderly I felt held by the universe in them that day 32 years ago. But I am glad I walked across her path. I hope she felt met, and maybe in those few minutes together just the tiniest bit less alone with the crashing of her new, terrible grief.
I climb the black metal table for the second time. The first time, weeks ago, I peered over the edge of the nest at two tiny perfect hummingbird eggs nestled side by side. Today, I see a black gangly shape lolling against the inside of the nest, beak to the sky. I am afraid he is dying. The wild bird rescue woman is so reassuring on the phone I almost cry. I see mama hummingbird zoom in and out. I blink twice and the two younglings are jostling each other beside the nest. Then they are gone, though this morning I think I spy one at the feeder. How does that work? Do they need to fan out very far from home? Are there rules about this? But oh. For one more day I catch glimpses of them perched in the guayaba tree, nowhere near the nest. Now I still check. I talk to the empty guayaba just in case they are nearby. (They are hard to spot.) The empty nest makes me ache even as I am so glad they made it. How many times did I worry? Now that they are gone, my fingers itch to dismantle the nest. I want to feel the way it resists or the way it tears or gives way against me. I want to smell it and to know if it is as soft as it looks or strangely rough because it is so strong. Of course I don’t do it. What if they can use it again? And how could I destroy the nest, so beautiful and alluring, poop and all?
It would be sacrilege, I think, to harm the nest. I remember the dream I have where hummingbirds are coming in through the windows and making nests inside my home. I worry about them being trapped inside during the night. But the nests they begin to build against the white walls or nearer the ceiling are more like hives than hummingbird nests, mud-wasp-like, a little creepy except the birds themselves are flitting about dispelling all possibility of anything sinister, so these are just an oddity, it seems. One set of my louvered windows in real life don’t have a screen, and sometimes a hummingbird does fly into the living room with me. They are usually quick and curious, and I’m thankful they tend to leave quickly, too, before I have time to worry for their sake. Since my dream, though, when they come and they poke their curious beaks toward the southwest corner of the ceiling, or they investigate the crevice beside the facing window, sometimes I wonder what it would be like if they did live here. The imagined mess makes me cringe. I would truly abandon any meager tie to civilized living. But think of the potential joy, too, all those incandescent little ones buzzing in and out or asleep nearby in the night. What if the approaching dusk meant I needed to be sure they were all accounted for, so I could close the window before full dark, so I could help to keep them safe here through the night?
Twenty-nine years ago today, on April 18th, 1988, I quit smoking. The year before, I tried to quit eleven times, but this was the first one that stuck. It ran unbroken thirteen years and still holds sway over most of these past three decades. Because of this I notice April 18th out in the world. It’s a red number day for me. Isn’t April 18th the day Harprita had to have all the potions decocted and the twenty-seven soft blue bundles wrapped and ready for the ship in the novel I’m reading? And isn’t April 18th even a day in Angels in America? Is it the San Francisco earthquake, maybe?
I lean back in the sturdy metal chair in the courtyard, the big round cup of hot tea cradled in my hands. And then I remember. April 18th is the day you and I first laid eyes on each other on that southbound 80 bus. It’s the day I went home to hear that message on my machine from a possible sperm donor. That’s why I know the date, why I was able to trace it back later when I was halfway in love with you and the morning we first saw each other on the bus counted. When I think of you and I that first day at the back of the bus, I can feel the awkwardness between us. Because I think you scowl at me, I avoid looking in your direction and try instead to adjust to sitting in the stupid side-facing seat. I fuss and fidget some. I sigh in exasperation. I never stop being aware of you reading the paper nearby.
Didn’t our eyes meet again later on that first bus ride? Wasn’t it a less guarded look, over the tops of your glasses? Did we both look away? I think I may have watched you reading, too, that morning, chewing on your bottom lip, not looking at me. I know we talked about it years later. You wanted me that morning. I didn’t have a clue you felt that way then, me and my misinterpreted scowl. It still makes the corner of my lips curl to remember. You wanted me the first time you laid eyes on me. There’s a surprising satisfaction in knowing this. I am the cat licking cream from my paws.
I think about shielding. I ask five healers for ideas about ways shield, ways to keep myself more cushioned if I can from this world that sometimes seems too much for me. No one offers an idea that sticks. After I discover a hard thing during sitting practice, this dagger wedge of quan iron in the center of my chest, the shield that comes to me is a curtain of quan iron, long strand after long strand of it strung side by side across a wide span of bone, or tusk, maybe, thicker than my forearm, irregular small flat squares of the protective metal hung all in a row. [Quan iron is the magic blue-green metal from Andre Norton’s Witch World.] Behind the curtain shield I see a rough hewn window or doorway arch, sunlight coming through. It catches on the hammer’s bite marks, shiny overlapping crescent moons from the pounding of the metal squares. There is no screen across the opening behind the curtain so I feel unimpeded air brush against my face. I take in a slow, deep breath. The horoscope in today’s newspaper says, “The warrior learns to fight but also to defend, starting with defending the self.” I think about shielding. And I remember a dream I had two weeks ago but didn’t recognize. I stand in the center of a room, and I run this fine set of chain mail through my hands, lifting and holding it, folding it back in against itself. I set it on a soft blue shirt beside more colorful piles of clothes on the bed, as if I am packing for a trip. I note the quan iron again, but not like I am really paying attention, just that familiar color and the smudge of magic to it as if in confirmation only, as if part of me has already decided it is too much. Who am I to be given protection like this? The quan iron here is crafted into fine chains, a web of them to cradle the rib cage, then 1/4-inch slabs of green stone, maybe aventurine, maybe a light jade, woven into the chains. I glide my fingers across the smooth stones as I re-stack the fine armor, and I can see how they will fall on core spots: kidneys, liver, inner thighs. I hold one slab of green stone and rub my thumbs across it. They bump again and again in the center of the stone. Without trying it on, I know it will fit me like a second skin, but it will not bind me. I marvel such supple, beautiful chain mail exists, that it has been gifted to me. And magic, to boot. I see the advantage, too, over a shield that protects me from only one direction. When I wake up, I wonder if I shouldn’t wear a helmet.
I dream I am on the phone talking to Mami. “Thank you for going underwater with me,” she says. I have a dim memory of holding hands at the edge of a lake, bending our knees, submerging ourselves in the cool, shallow water. It makes me want to do it now as I write, remembering the dream. To come up together sputtering, scattering drops of water across the quiet laketop, our laughter loud across that stillness. Her voice on the phone comes out choppy and odd, like the words are hard to grasp, then hard to push out. “I’m going to miss you,” she says later in a small voice. I am incredulous. What, when you go? When you die? I can’t believe I am scoffing her even in the dream. Because I am shielding myself? Because I am not being present? In my mind I am thinking, I will miss you. I wish I had dropped down, met her where she was. I wish I’d told her how much I would miss her, how terribly so. I wish I’d told her I won’t know how to be in this world without her.
If I were told to create a scrapbook of our springtime in Palm Springs I would include a photograph of the full moon setting in the west this morning, its newly-waning glow poised above the mountains just as the light began to find the day. I’d bottle the air I woke up to last night, how it felt to sit in the center of my bed breathing in the scent of lemon blossoms. Wow, I thought. Inside my home! In the middle of the night! What a gift, I thought. I’d add an audio file to the scrapbook of the grackle who’s calling out this morning from the telephone pole. I’m in the courtyard filling the tray feeders, seeds sliding through my fingers as I listen. It’s his second morning here. I’ve never had a grackle near my home before. It feels like wishes coming true. It makes me want to drive down the western coast of mainland Mexico again, south from Topolobampo on a morning in early April, watching the world begin to show itself around me as I drive along the carretera in the last of the dark. I will park my car off the highway beside the tiendita after the toll booth. I will buy warm tortillas and beans and salsa for breakfast. Even before I get out of the car I can hear them, like nothing else I’ve ever heard before. I stand beside the road turning in a long, slow circle. I see big black birds in every tree, lines of trees that stretch along both sides of the carretera, no cars at this hour. I can see the sea off to the right. The air is wet with it, but the morning sun is warm. Sunlight glints off black feathers, making the birds shine between the leaves of the trees. It takes a little time for it to sink in as I stand there, even though I’ve been here before, even though I’ve sought this out. Every tree is filled with grackles, hundreds and hundreds of them as far as I can see along the road. The air is a cacophony of their calls, these wild, wacky, exotic, zany, happy bird noises. They fill me with their exuberance, their vibrant, lusty liveliness. I am in love with these great-tailed grackles. I am in love with Mexico on an April morning by the sea. I could stand here forever.
[Editor’s note: This piece was written in response to a writing prompt from Bryan Chohen’s book Four Seasons of Creative Writing.]