Mammals need three things when we’re young: warmth, touch, soothing vocalizations. I think of lullabies I can’t remember. (Were there lullabies?) I think of the funny nonsense sounds I used to make to my cat Boo, lots of made-up words with muted m and u sounds, my way of loving him out loud. I make those same sounds without thinking to the hummingbird when she alights in the guayaba tree ten inches from my face. I think she decides I’m safe because after listening to my noises she moves to her soft little nest I didn’t even know was there, three branches over. I string fuchsia ribbons to keep her safe with notes attached that read “Temporary closure—hummingbird.” Later, back inside my trailer, I hear odd little sounds coming through the bathroom window. I step into the bathtub, creep close. A female goldfinch is perched high in the guayaba making quiet scrijjery sounds I’ve never heard before. I think of the mammalian need for vocalizations. Maybe birds need them, too. Maybe the goldfinch is making these soft noises for the hummingbird eggs. I remember the pretend German songs I used to sing to myself for hours while I crouched on the walkway in front of our Tujunga house dreaming up little make-believe worlds amid the succulents. I feel a dearness for my young self and a rush of grateful pride that at age four she knew just how to soothe herself. (When did she forget?) A whir of wings brings me back. The hummingbird settles on the branch beside the goldfinch, facing her. They sit together like old friends, and then the hummingbird flies back to her nest. I am tired and tender, all opened up. I stand in the bathtub for a long time listening to the goldfinch song. I feel like I belong, all of us woven together by this lullaby: the goldfinch, the hummingbird, the two beings in her tiny eggs, and me.
I breathe in what I need. I breathe out compassion. I am sitting on the floor. My eyes are closed, but I can feel the other women in the room with me. We breathe in and out together. They are buoys in my ocean. We ride the swells of our breath. The teacher’s voice guides us, goes quiet, guides us again. I concentrate. I drift. I feel overwhelmed. I remember the teacher telling us we can close when we need to. I lay my folded arms across my raised knees, touch my forehead to my forearm. My neck is stiff, tight. I curve but do not let go. Then I do, letting my arms cradle the weight of my head. I feel the release all along the length of my spine. I open my eyes. My face is in a cavern. I see the cluster of crystals against my chest, the white linen of my shirt. Light seeps in from the bright desert afternoon outside the windows, and the blue of my cotton pants tints the air. Now that I am here inside this soft-light cave, I no longer need to close. The teacher’s voice soothes me. I make no effort to understand the words, but I sense them sinking in. I rest in a way I may have never rested before in a group like this. I am inside my cavern, but I am part of all the women in the room. I am a buoy now, too. We ride the quiet sea together. I think, maybe I can take the memory of this place with me. Maybe I can resurrect it when I’m in the midst of disturbance, let it give me access to compassion for myself. Later, I remember the comfort of my cavern, the hushed softness, the quiet light like stained glass windows, like a cathedral.
Every day in June I worry the summer will rush past me. I am afraid I won’t do the writing work I want to do, that I will blink and stand at the end of the summer with nothing to show for it. But today I discover a cucumber in my garden. I pause in the courtyard, the cucumber heavy in my palm, my other hand on the door, one foot on the step, about to abandon the hot outside world for the day. I take in the sprawling cucumber vines, the sturdy volunteer sunflowers, the tamarisk that insists on living in one of my pots. I love every blossom and every leaf in this garden. Every cricket, every lizard, every bird. Inside, I peel my cucumber, eat fat slices with pink salt. I relish every juicy bite. After, I sit on the couch and dissolve all my fears about the summer. Instead, I picture myself writing like mad, immersing myself like never before. I close my eyes and feel the next eight weeks, a long expanse stretched out before me, like summer vacations used to feel on the last day of school. I dream each day stretching, too, the time from morning to summer night endless like when I was a kid, moving from one imaginary world to another, never rushing. I dream the days ahead in flashes. Writing in my notebook in the courtyard in the early morning. Laughing on the phone, napping in the worst heat of the day, dreaming, loving every minute. Typing on the couch in the early evening, laptop on my thighs, delicious sips of cold oatstraw tea, mockingbird song through the open windows late at night. I dream a big pile of work at the end of the 59 days, and me—happy.
I started walking again last Tuesday. I go early in the morning, walk along the creek path. I’m trying to train myself into summer mode, but I’m behind on my sleep. I’m proud of myself, though, and hopeful. I walked almost every day for years before it fell away, and I’ve been wanting to return to it for a long time now. I’m hoping to get up even earlier, be out by the creek bed closer to the first real light. But I want to be kind to myself in this, too, so I am not pushing, and I’m going to play it by ear, let myself go back to sleep when I need to, trust I can ease into this. This morning I wake to the waning moon calling to me in the lightening western sky, birds alive in distant trees. I roll over and go back to sleep. When I walk later, I stop on the footbridge, taking it all in, grateful for this swathe of wildness in the middle of town. I close my eyes, and when I open them I see an animal in the gully. At first I think it might be a deer. I know it must be a coyote, but it seems impossibly thin, and its walk is odd, choppy, un-canine-like. I watch it ramble, climb to the dirt path, slip off into the side streets when a person approaches. I say metta for her without thinking. May you be safe and free from harm. My chest aches. I keep watching for her on my way home. As I walk, I stop worrying. Instead, I dream up the world I want us to live in. I picture a world where we are all safe, where we all have everything we need to thrive. I picture a world where there are systems in place to help. I can make a call. A group of people fan out to find the coyote. They clean her up, feed her. (She was shaking her ears, itchy all over, so skinny it hurts.) I imagine food drops up the canyon for them, once a day, picture animal psychics explaining they can come to eat, to have their wounds looked after. I dream I am one of them. I look into the eyes of “my” coyote. You’re not alone anymore, I say. I outline the routine in my mind, the daily food drops, the tending of wounds. She twitches one ear, stares back at me for a long moment, wary. She wriggles once, all tender hope. Then she settles in to eat.
[Editor’s note: I can’t be certain, but I think I owe this interlude to how The Secret has affected me, to becoming even more aware of when I can just build good pictures, can reach for hope, dream up sweetness in the world.]
Maybe akin to the sweetness of recognizing our wholesome acts are small moments when we stop, and gratitude seeps in. Each time an ant I think has drowned beside my sink comes to life when I dab him up with a little wad of tissue. Just past our last full moon when I wake to see her shining in the clerestory window, and the planet paired with her that night is framed in the next window over, small, solid, wish-worthy star. At the kitchen sink in my mother’s house I pour chamomile tea for my gallbladder into two Gerolsteiner bottles, and it fits just exactly right. Ian drops me off after sangha, and we wave to each other when he drives away. I sit on the edge of my bed between packing to savor my alfalfa and oatstraw tea while it’s still hot. The woman who calls to interview me for my unemployment claim takes the time to reassure me, her words strong and warm. I trip for the second time over the same uneven sidewalk on my way to Ralph’s, but this time I don’t fall. I am angled back to trim a small branch on my guayaba tree in the afternoon, and so I get to see the waning crescent moon between its leaves. I tell Amie after writing group how much difference her belief in me made in the beginning when things were so hard there. I hear a raven making that soft round sound I love so much and look around to see two of them sitting in a tall fan palm a short block away. I feel good talking to Barbara after sangha even though it’s only for a minute. I roll over in bed after I see the moon and the star and feel their light bathing my back. In the morning I see them again in the lightening sky before the star fades and the moon sinks behind the mountain. “Good journey,” I whisper just before she sets. “Good journey.” Good wishes. Good times.
Remembering criticism is easy for me, but I’ve never been able to remember a compliment. I wonder if learning to acknowledge my victories will begin to change that dynamic. Maybe as I practice, I’ll build a kind of scaffolding, a structure that lets me store good things about myself. Arinna Weisman encourages us to appreciate our goodness. It goes beyond counting our victories, counting our efforts, our successes. She mentions things like holding the door open for someone, the small wholesome acts we do every day, maybe without thinking. Ian tells me Arinna made a joke about it, too, how if we need to we can even lower the bar (like I did with my incremental progress). She talks about how we probably didn’t steal anything, didn’t kill anyone today. Arinna urges us to feel into those kind or generous impulses of ours. She’s asking us, I think, to seek that fine line between wholesome and unwholesome pride. My unwholesome pride tends to be more knee-jerk, cocky, too quick to puff myself up in an offhand way, even for something I deserve to feel good about. I can feel that wisp of arrogance, that taint. (Sometimes, after, the universe gives me a small smack on the side of my head.) The wholesome pride for me comes in quiet. It eases in slow, this tender pleasure in a thing I’ve done that’s good, like a small papier mache animal or a piece of writing that makes me cry or the small black ant I rescue from the splash of water on the edge of my kitchen sink. Gratitude tends to wash in next, like a gentle swell in a quiet sea, or the treasured feel of warm cement on the first barefoot day in late spring. And a kind marvel, too, that I am allowed each small grace.
This morning I walk from the preserve to Chimney Ranch. I’ve been invited for a hike. I stop along the way to take pictures with my mini iPad. I am almost sixty now, so I will need a new photograph for my blog. I hear a Bewick’s wren, a cactus wren, a kestrel and a house finch on my short walk. The only one I get to see is the cactus wren who rubs his beak on a fan palm frond and doesn’t seem bothered by me watching from below his tree. When I arrive, Corina is putting up green balloons with marvelous hand-drawn faces. Barney opens gold plastic eggs for his birthday. One of them has a tiny ceramic roadrunner inside. The universe is watching out for us, nice cloud cover for our hike, the temperature heading toward the high 90s. After, we get in the pool. I am cold and get out to sit in the sun, happy just to be. Everyone in the pool decides to make a whirlpool. I watch them circling for a long time, delighted, not quite dizzy. At one point I am overcome. I think about how lucky I am to be part of a group of people who want to spend their time making whirlpools. It’s so happy, so wholesome. It almost makes me cry. At home now, I am still all filled up with the glory of this. May I always be blessed with people who like making whirlpools. May each of you be blessed with people who like making whirlpools. May all beings everywhere be blessed with people who like making whirlpools. And to whirlpool-making people everywhere, my big thanks.