How the Invisible Speaks (19)

The poet is the priest of the invisible, the one who paints pictures of the way the air holds still or the way it moves away from the woman in the red dress, walking home from the bus stop beneath the row of old oak trees. The one who orchestrates the sacrament of placing words on empty paper, lets life move through the pen, leap across streams or fly like salmon up their ladders. The priestess who tells us stories about the heart of humankind, the whisper of doubt, the musty scent of secrets uncovered, given over to the day. It is not a small or unimportant task, this working with words, this waving of incense, these footsteps placed one after the other, ink across the page.

[Editor’s note: This is a piece from our spontaneous writing group on August 17th. The prompt was this quote by Wallace Stevens from The Daily Poet book (Two Sylvias Press): “The poet is the priest of the invisible.”]

The Unknowable (18)

I ride my bike to Ralph’s to buy ice every day now while I wait for my new refrigerator to be delivered. I approach from the back, ride in the mornings beside the long, tall expanse of windowless cinderblock in the huge swathe of uninterrupted shade it provides. I tend to be alone there, just me and my bike, Carrot Girl, and a raven or two sitting in the desert heat with their mouths open on the top of the facing wall. When I pass by I smell mint.

Sometimes I remember to “look” for it, take big breaths of air in through my nose. Other times I forget, and it takes me by surprise, the scent permeating my mask. There are trees along the wall edging the property there, but no mint that I can find. One day I ride along the parking lot of the apartment buildings on the other side of the wall, hunting for mint there. I still wonder if someone might have a dozen terra cotta pots bursting with mint on their balcony.

I am having trouble navigating these times. But I haven’t stopped being grateful. Today, I pack two bags of ice, kombucha, lasagna, sunflower seeds on my bike. When I round the corner at the back of the building, the smell of mint comes to me. It is strong today, and I coast along in the shade, grinning, glad for the gift of it, for this small, unexplained mystery of life.

All We Are Saying (17)

I am not protesting in the streets because of the pandemic, but I am holding the hope in these acts close. But I’ve been troubled by the angry chanting. Not that people don’t have cause to be angry. Centuries of reasons for rage. Still, I am disturbed by the tenor of things, by what feels like a crossing over, moving away from nonviolent resistance. Wait, I want to say. This is not what Gandhi would want. Not what Martin Luther King would want. This is not what John Lewis tried for in his long, dedicated years of service. (If we keep going in this angry direction, will they all be rolling over in their graves?) I keep thinking we should be singing instead. I lie on my back in the courtyard after chavasana making up lyrics in my head to the melody of “Give Peace a Chance.” Black lives matter, I breathe. Brown lives matter. Queer lives matter. Women’s lives, too. “All we are saying,” I sing under my breath. Now and then I smell smoke from the brush fire near Banning, send up small prayers for all the beings there. The mourning doves glance my way, this strange beast beside them, but they don’t take wing.

Taking Care (14)

I cup my mask in my open palm as I turn the corner, ready to cover my face if anyone is nearby. The mask is red with pale orange petals, some in flower clusters, some scattered like starbursts. I am fond of this mask because Candace’s mother made it and because I am fond of Candace. (Her mother sews them in Fresno, and they sell them at the health food store where Candace works.) I turn now onto my small road, no one in sight. I’m coming home from my walk by the creek bed. My hip was troubling me, so this is my first walk in a week, and I am coming home nourished by the quiet, the roadrunners, the rabbits, the savoring of solitude in the company of that long span of wildness. I keep walking. I become aware of a vibration in the center of my hand. I look down, and the knot on the ear loop is bouncing up and down with my steps. I keep walking, my palm gentle, tucked close to my ribs, as if I cradle a beating heart in my hand.

Together (13)

After my yoga
I lie down for chavasana
and there is a big red ant
beside my mat
where my arms want to lie.
He is hunched over
odd-seeming.
I present him
with a dry bougainvillea blossom
and he seems happy
as if it’s a new toy,
rocking the blossom
back and forth
with his weight.
Then he perches
on the top
and holds still
and all of a sudden
I am moved
by his unexpected company
my small companion
in chavasana.

I Just Read this Essay!

This essay for BIPOC women in academia was so beautifully written and so moving I just have to pass it on.

A Survival Guide for Black, Indigenous, and Other Women of Color in Academe
By Aisha S. Ahmad, posted today on The Chronicle of Higher Education

 

Imprinted (7)

I see the mama coyote again. She’s standing just off the creek path as I walk across the street. I stop at the edge of the road to breathe her in. She still looks unwell, but less so, I think. She’s steadier, somehow. Then a pup appears at the top of the bank, scampers over to her, weaves around her legs in delight at their reunion. It eases something inside me to see them together. The pup is happy, and for long moments this is all that matters. Other people come, and the coyotes disappear back into the creek bed. Two days later, I see the pup down below. He stops behind a scraggly bush, aware of my scrutiny, unsure. I step back, use a softer focus in my gaze. He keeps going, trotting along a small trail, ears too big for his head, all youth, energy, intent. For a moment I worry. (My forte.) He is all by himself. But I remember I trust his mama. And there’s nothing unsure about him. Once he decides I am not a threat, he doesn’t hesitate again. He runs along, so upright, a kind of joy in his little body. I realize he knows his way around, and I relax. I watch until his small form disappears into the brush. All day long, I see him in my mind, so grateful for the gift of him. All day long, he makes his steady way along the creek bed again and again, brown fur against the light sand, an enchanting video clip I play over and over inside me, one that never loses its charm.