In November I am gone for three days. When I’m home again, I’m afraid my male hummingbird might not visit me after my absence. But he’s still here! I greet him, and I cry. Twice this morning he comes to my face. I close my eyes but don’t flinch, though the second time he startles me, and my heart does a funny flutter in my chest. Still, having him sit and visit on the back of the chair nearby fills me with a welling joy. I love him. I love these visits. I tell him he makes me feel like my cats made me feel, like I’m the luckiest woman in the world. Bar none. I sit beside him in my courtyard and feel the joy, the tenderness, well up and seep out of me, feel that ache and that fine seesaw line between our 10,000 joys and our 10,000 sorrows. For a moment, I wonder if there is something wrong with me, that I’m wired wrong, that maybe joy should be undiluted. Maybe that humbling awe, that sense of the hugeness of the gifts beyond deserving comes from some faulty circuitry in me. Then I think it is native to our human condition, to being embodied on this planet, to the fleeting nature of things. And then I wonder, how can we not feel unequal to the gifts bestowed, to the marvels of our world? How can we not feel humbled and grateful when we stand beside a mountain, watch a bird stretch her wings, take in the bougainvillea in full bloom? Or by the gift of morning companionship in the tiny form of a hummingbird? Thank you, little one. I’m so glad you’re still here, still making these visits. I’m glad I’m still here, too.
As soon as I string the Christmas lights across a section of the bougainvillea, the little Costa’s hummingbird alights, claiming one loop for his new perch, a good spot to spy on his feeder. For two weeks in November he came to sit on the back of the chair beside me each morning. When I spoke to him, he swiveled his head, studied me, considering my words, the sound of my voice. He darted off to chase someone away, then perched near me again. It surprised me how moved I was to have him there beside me. I’d talk to him, go back to reading the paper, look up again to tell him how glad I was to have him there. Sometimes I’d forget to greet him, need to apologize. Now I have to love him from a distance, unless I’m near the feeder when he drinks, and then I have to stop myself from reaching out to run my index finger along his back. I don’t know where he sleeps, but maybe near that strand of lights in the bougainvillea. They keep me company when I wake up in the night. The lights have always been my favorite part of this season. When I hang the two strands outside the gate, I walk out three times to see them. I stand in the middle of the road and let myself feed on them. They’re like magic to me, fed by the sun, coming alive when the light leaves the day. They awaken a longing in me, too, a kind of nostalgia, decades of Christmas lights in all my homes, in all my places. But I think what calls to me, what feeds me, is a kind of hope. Might we all know brightness and beauty. Might we always have light in the darkness like this, quiet, steady, full of peace.
Two months after I moved in they broke ground on a small development where the open lot used to be, across the little road from my home. They bulldozed everything. They took the trees, the scrub brush, all the roosting places for the sparrows and the finches, all the homes and pathways of the rabbits and the coyotes. The roadrunners ran panicked back and forth for days. It broke my heart. Inside myself, I fought against it for the 18 months they were building. Later, I would stand at my window staring at the wall, the rooftops, the missing mountains, still all churned up inside. Today I don’t get angry when I look at it, but I still see what it used to be, like the spirit of that undeveloped land, that bit of wildness in the middle of town, still lies just beneath the surface like a dream.
[Editor’s note: This was written in response to a prompt from The Daily Poet, by Agodon and Silano, Two Sylvias Press.]
The morning after the last of my fever, I feel like something sat on me all night pushing my bones into the earth of our campsite. I head toward the meadow to do my qi gong, but I stop inside the pines. I don’t want the sun, don’t know why. I study the pine needle ground and choose my spot. I face west. Maybe because I am already slow, creaky and sore, I move through all the movements without a hint of rushing, without becoming lost in the habit of it. Halfway through I hear a tinkling passing back and forth among the trees nearest me, like hummingbirds but not, like bells, like the shimmer of light on water it it were a sound. I think of Tinkerbell, sprinklings of fairy dust. I don’t even feel goofy for it; it feels like my soundest reference, in fact. Unseen bird or invisible beings in this grove? Whoever they are, it feels like a visitation. They don’t stay long. After, I press my palms together before my chest, quiet awe and gratitude seeping out of my skin, chasing away the last taste of fever. Thank you, all.
I daydream about the two of us playing this greeting game. I begin because of the new big cup I bought for drinking my morning tea. I don’t start thinking about you, but you are evoked. Cocked head moment while these thoughts move through me and the mountains go orange with that first light of the sun. House finch, bougainvillea, the sliding glass door wide open. “Good morning, gorgeous,” I say. I read it from the side of my new cup. The birds are loud. I say it again and again, experimenting with the delivery. I say it like a dreamy 1930s MGM male lead and giggle. I am having fun more often, make myself laugh out loud. Somewhere in this reverie you arise, softened as I am toward you because of my book. I imagine the sleepy-voiced man who is still calling be gorgeous after decades together, like it’s all lovely and automatic. Darn the writing. Darn you.
I sit on the side of my little road and watch the day arrive. I can’t see the eastern sky from my courtyard, so I bring my metal barstools outside the fence (so I can put my feet up), and I carry out the wobbly wooden stool with care where the candle will sit and which might house my tea but these days sports coffee with half and half. I try to be quiet, not bump into things in the dark, aware of my neighbors. I stretch out my legs and settle in as the sky begins to lighten. I face southeast and watch Venus rising, have the honor of a mockingbird singing and displaying at the top of the electric pole before me. I warm my hands on the cup, sip my coffee, close my eyes sometimes when his performance is especially melodic or visually impressive. I feel bad when I get lost in thought and realize I have missed part of his concert or this coming of the day, even though I love the chance to daydream, too. When I am both present and lucky I get to relish his incandescent song and the glory of the morning splashed against the sky. Today there are echoes of deep pink spread across the southern clouds, stopping just before they tint the San Jacintos. Wide stretches of sky between the clouds become that otherworldly aqua color the twilight minutes often bring us here in the desert. We’ve had an extraordinary spring, no doubt due to the extra rain the gods granted us. For weeks the mockingbirds in my neighborhood sang without stopping, day and night. There seemed a kind of frenzy in it, the sheer numbers of singers and that ceaselessness I had yet to experience. Now in the middle of May, our desert spring is over, but this one mockingbird still comes to the telephone poll to serenade me. I lean back in my front-row seat and savor his song. The neighbor’s calico cat trots by on her early morning rounds, surprised but not deterred by my presence in the road. She is not interested in me, intent on her own pursuits, so I return to my morning concert. The waning moon and Venus stay close, too, for a long time—companions in the sky.
I climb the black metal table for the second time. The first time, weeks ago, I peered over the edge of the nest at two tiny perfect hummingbird eggs nestled side by side. Today, I see a black gangly shape lolling against the inside of the nest, beak to the sky. I am afraid he is dying. The wild bird rescue woman is so reassuring on the phone I almost cry. I see mama hummingbird zoom in and out. I blink twice and the two younglings are jostling each other beside the nest. Then they are gone, though this morning I think I spy one at the feeder. How does that work? Do they need to fan out very far from home? Are there rules about this? But oh. For one more day I catch glimpses of them perched in the guayaba tree, nowhere near the nest. Now I still check. I talk to the empty guayaba just in case they are nearby. (They are hard to spot.) The empty nest makes me ache even as I am so glad they made it. How many times did I worry? Now that they are gone, my fingers itch to dismantle the nest. I want to feel the way it resists or the way it tears or gives way against me. I want to smell it and to know if it is as soft as it looks or strangely rough because it is so strong. Of course I don’t do it. What if they can use it again? And how could I destroy the nest, so beautiful and alluring, poop and all?
It would be sacrilege, I think, to harm the nest. I remember the dream I have where hummingbirds are coming in through the windows and making nests inside my home. I worry about them being trapped inside during the night. But the nests they begin to build against the white walls or nearer the ceiling are more like hives than hummingbird nests, mud-wasp-like, a little creepy except the birds themselves are flitting about dispelling all possibility of anything sinister, so these are just an oddity, it seems. One set of my louvered windows in real life don’t have a screen, and sometimes a hummingbird does fly into the living room with me. They are usually quick and curious, and I’m thankful they tend to leave quickly, too, before I have time to worry for their sake. Since my dream, though, when they come and they poke their curious beaks toward the southwest corner of the ceiling, or they investigate the crevice beside the facing window, sometimes I wonder what it would be like if they did live here. The imagined mess makes me cringe. I would truly abandon any meager tie to civilized living. But think of the potential joy, too, all those incandescent little ones buzzing in and out or asleep nearby in the night. What if the approaching dusk meant I needed to be sure they were all accounted for, so I could close the window before full dark, so I could help to keep them safe here through the night?