Something odd keeps happening to me. It is unexpected, feels a bit unreal, almost dreamlike. Again and again in recent weeks I am visited by sadness—swift, keen, quick to pass. I am washing dishes. Or I am walking to the bus stop, scarf over my bent head, concentrating just to move through the hard heat of a July afternoon in this desert town. It isn’t even as if something else sparks a thought of you, the more ordinary path. And I can’t tell if this might have begun because my book, this story about the two of us, is close to being finished, this third time a charm. (Touch wood.) Or if it might be only that the time has come all by itself, a natural ending, a kind of completion of big loss, even a final letting go. I know I began to write this book much too soon, have said this before. In what is happening now there is this flicker of feeling, this sense that now is when I might have more properly begun this book. Only now. Or maybe a little bit of time from now, when this time, too, has passed. What I do know is this sudden sadness comes, piercing, bittersweet, as though I am only just now losing you for good after all these years. It makes me want to buckle at the knees, fall to the sidewalk, cement hot against my shins, quick sword thrust of sharp grief. But at the same time, in a way that makes no sense to me but that my body seems to understand, the grief is fleeting, even quiet, softened, like the regrets of our youth at the end of a long and happy life, riches beyond deserving.
I live in the palo verde in the woman’s courtyard. I have waited seven years to be up in this green tree, high above the moist earth that was my home. I sing to summer, cicada sounds in me. Summer serenade, stealthy buzz, begin and end, sudden, sultry, magic. I am a magic cicada. I can turn summer into fall, drive humans from their beds, angry shouts in the night, the slamming of windows. So now I like to stay where I am wanted. This palo verde likes me in her arms, rocks me in the breeze. I am more than a little in love with her. Serena, the woman calls her. She says it like a word in Spanish. She asked the tree’s name when she planted her and saw the word in her head, scrap of paper in her mind, words from an old typewriter like letters from her father when she was a little girl, the name Serena popping out. I didn’t think I’d ever love a tree like this, much less a human. But the woman likes me. She really likes me. And after all those angry windows closed against me in the dark, it is like heaven, like cotton candy, like marbles in the moonlight to feel the woman’s pleasure when I begin to sing. Ah, cicada. I hear her whisper, feel her cherishing my song. If she saw my bug body, I don’t know if she would be able to embrace me as wholly as she does my music. But I know she would honor me still, protect me in every way she can, bug body and all. It makes me want to cry, sitting in Serena in the early dusk, so lucky here in the warm desert sky, feeling the woman’s gladness as I begin to sing.
[Editor’s note: This is a slightly revised version of an 11-minute writing in response to a Natalie Goldberg prompt to write a “waking daydream” that I wrote downtown with Stef on Wednesday in the late morning with the misters on.]
I did already post a bit about our day of love, with a heart from Flickr’s creative commons, too. But still, I felt like I wanted to post again today. In 2005 when I lived in Hopland I made potato prints, watercolor hearts, for Valentine’s Day. And ever since I’ve always had this feeling that instead of writing Christmas cards each year, I ought to make potato print hearts for sending out my “annual greetings” letter on this day of love. But I’ve never managed to do it. And I love Christmas, too. After all, that’s when other people send their cards. Still, I always come back to this Valentine’s dream. Maybe it’s because I’ve only once had a true romantic valentine on Valentine’s Day, when John brought me roses in 1989. But I’ve always believed this day of love is a time to honor all our loved ones, that it’s not just a day devoted to romantic love. Still, my heart gladdens to think of all the folks who are honoring their sweethearts today, whether it’s a bouquet of roses or a fancy dinner out. I have purple tulips on the table beside me as I write. And here, too, is my goofy Valentine’s Day heart, and my not-so-goofy wishes for each of you, for all of us. May our hearts be open. May we hold ourselves with kindness. May we love and be loved always. Feliz día de san valentín.
Take me, I want to say. I am the drug. Choose me. Not pancakes. Not T.V. Not empty flirtations with women you have no real interest in. Take me. I can get you high. We can make each other stoned. No fuzzy head. No hangover. Only rich, juicy currents down through our toes. Only loud bursts of laughter, warm chests, always reaching for the other. Old souls, familiar and still glad in our depths. Never boring. Never bored. Two only children playing, quiet in the corner. Whole worlds we used to make. Now we can play together in this one, savor everything. The bee buzzing the pomegranate. You hold one bright red seed between your teeth, grinning at me. The quick shared glimpse of the swallow’s tail. The way the wind comes in the fan palms, how we can hear it begin three blocks away before it arrives in our courtyard and chases us inside. Take me. I am the drug. Choose me. Make me stoned on you. “Choose you?” you say, one eyebrow raised. “I thought I already had.” You did, yes. Do it again. We choose over and over. Choose me now. Or I’ll choose you.
[Editor’s note: Another Two Sylvias Press advent calendar prompt, to begin with the Salvador Dali quote, “Take me, I am the drug . . .” and to use two titles of his paintings.]
For the first time in ages, I’m enjoying the luxury of easing into the new year. I took the week off, and I’ve been attending special daily sessions at our meditation center. At first, I was going to plan a demanding daily schedule of writing and sitting practice to accompany these evenings of sitting and teaching. “I’m afraid I won’t be able to stick to my schedule,” I said. Marylou and Richard and I were sitting together on their patio. Richard suggested in the kindest of ways I might be more easy with myself. At the time, I felt defensive and not understood. “Retreats are supposed to be challenging,” I grumbled. But later, I let his gentle words sink through me, and I ease off of expecting so much of myself. Instead of pushing, I let myself sleep in, dawdle over tea, do my morning writing and sitting practices propped up in bed with the San Jacintos stretched out before me. I make soup, nap, read, eat popcorn. Each evening I step outside, close the door behind me. The solar Christmas lights in the bougainvillea greet me in the dark courtyard. One night the crescent moon is cupping Venus. The next night Mars and the waxing moon and Venus are all in a row. They accompany me on my half-hour walk to the meditation center, the air brisk on my face, my scarves soft and warm against my ears. After, the stars walk me home. One morning midway through, I cry without knowing why. But I trust in the rightness of it. One afternoon I fight on the phone with a loved one. I make her cry. When I hang up, I remember to hold my self-hatred with kindness, identify the swirl of other feelings, five in all. I picture them nested in my open palms, the tenderness immense. One day during the teaching I am overcome. To think, we are all here wanting to heal, working toward becoming the peace we want to see in the world. What a gift to be able to do this together. On day seven, a morning session, I look back as I leave my courtyard and see scores of goldfinch in the bare branches of my neighbor’s tree, like ornaments, like lemons. I walk to the center, happy I am me, so glad for these eight days of practice, for the connection with this sangha, this community. The air is cold on my face, but I am warm in my layers. I feel the way I used to feel on a winter night flanked by Sofia and Sable, their small weights warm against my calves, my belly. I would lie there in the quiet dark and cry because I knew I must be the luckiest woman in the world.
You come to me in a dream and hand me an old shoe. I raise an eyebrow. You grin at me. What does this mean? Why have you brought me an old shoe? I don’t ask. There is something endearing in the gesture, I think, even though it baffles me. A favorite dog, maybe, bringing their most prized possession to their beloved human. Me. You love me, even after all these years. Even though you know me and all my ugliness. When you first hand me the shoe, I think about St. Nicholas Day. Do I fill the shoe for you with presents like my German mother did for me? But it’s too late, I think. St. Nicholas Day was more than a week ago. So what does this mean? Why have you brought me an old shoe? I hold it flat on both open palms and study it. It’s an old tennis shoe, dirty white, worn almost through at the toe. And then I know. This is the shoe you were wearing all those years ago on the day I asked you if you thought you could fall in love with me. You scuffed this shoe against the white linoleum like a kid. “Like that,” you said. I look up from the shoe, and you are still grinning at me. I grin back. You see on my face that I’ve figured it out. This old shoe is my anniversary present.
It rains off and on, steady and quiet in the night. When I prop myself up on my elbows to peer over the windowsill in the early morning, I see a swathe of pale orange across the southern sky. Half awake and planning to go back to sleep again, I look west and see a rainbow. I grab my lime green umbrella and my mini iPad and juggle them in the rain to take a picture, goofy and awkward, but it’s no use. The image doesn’t begin to capture the light in it, the magic. I make oatstraw and alfalfa tea and climb back under the covers, my feet cold from my foray. I sip my hot tea and watch the mountains, shrouded in mist. I listen to my birds. My thoughts drift to a colleague. My belly clenches, a messy swirl inside me at the memory, feeling not heard, dismissed, angry, hurt. I wake up to the moment and remember. “May I hold you with kindness,” I say out loud to the feelings. I missed this part of the vipassana practice until two weeks ago when I was listening to a recording of Sylvia Boorstein, and it just came into me. I wonder how I missed it. I see it, after, in my beginner’s book I am rereading, right there in the first pages. It is Boorstein’s phrase, too, that Ian invokes each time we begin sitting practice. “May I meet this moment fully. May I meet it as a friend.” I’ve always loved it, but I didn’t make the connection until now. It has holding our feelings with kindness at the heart of it. Just like Thich Nhat Hanh’s, “Hello anger, my old friend.” But I didn’t get it until now, that direct turning toward our feelings each time they arise, welcoming them. I wonder if maybe I needed to foster enough self-kindness in more general terms before this practice of receiving uncomfortable feelings like old friends was even practical for me. I knew we needed to accept what comes, knew we needed to be kind to ourselves, but it didn’t click. What comes to me this morning is my colleague’s behavior is not a reflection of her regard for me. It’s only what she does, and I take it personally. I cry quick, sweet tears. I return to my big cup of golden tea resting on the covers in my lap, warm my hands against its sides. My toes are warm now, too. And my heart.