Monday morning I say prayers for the spirits of Syrians killed by poisonous gas and for the people who love them. I pick dead blossoms from the three big pots of pansies and pull soft, fuzzy, pale green weeds nestled among them. (I’ve decided to do one task each morning toward a clean courtyard.) I break off a pansy bud by mistake. I set it in water, place the small glass beside my bed. The deep purple against the white wood and the soft curve of the tiny stem makes me cry. I cook brown rice, pack pears and peanuts for my snack between writing group and sangha. I still want to do my sitting practice and a tiny bit of yoga before I have to leave, so I keep my writing short. I cry more often these days, small things like the bread and butter or the pansy life stopped short. Big things like dead bodies in Syria, like being afraid about my health or feeling like a failure. But they are brief, quick moments only, and I tend to be kind to myself when they arise. I count to 29 to blend my garlic lemon drink for my liver, and I remember seeing Amma in the grocery store last night, how much better she looked. The memory makes me glad for her, grateful for her Tibetan doctor. And in the same breath, still counting seconds while the blender fills the room with its loud machine noise, I recognize again the part of me who still believes nothing I do will ever be enough. The tears come, but so does a deep certainty that I am healing (louder than that other voice? louder than the blender?) and a wash of dearness for myself and my good efforts.
This morning I walk from the preserve to Chimney Ranch. I’ve been invited for a hike. I stop along the way to take pictures with my mini iPad. I am almost sixty now, so I will need a new photograph for my blog. I hear a Bewick’s wren, a cactus wren, a kestrel and a house finch on my short walk. The only one I get to see is the cactus wren who rubs his beak on a fan palm frond and doesn’t seem bothered by me watching from below his tree. When I arrive, Corina is putting up green balloons with marvelous hand-drawn faces. Barney opens gold plastic eggs for his birthday. One of them has a tiny ceramic roadrunner inside. The universe is watching out for us, nice cloud cover for our hike, the temperature heading toward the high 90s. After, we get in the pool. I am cold and get out to sit in the sun, happy just to be. Everyone in the pool decides to make a whirlpool. I watch them circling for a long time, delighted, not quite dizzy. At one point I am overcome. I think about how lucky I am to be part of a group of people who want to spend their time making whirlpools. It’s so happy, so wholesome. It almost makes me cry. At home now, I am still all filled up with the glory of this. May I always be blessed with people who like making whirlpools. May each of you be blessed with people who like making whirlpools. May all beings everywhere be blessed with people who like making whirlpools. And to whirlpool-making people everywhere, my big thanks.
I am on the phone with my friend Richard. He is talking about rereading a mindfulness book, about the idea that all we need to do is shine a light on a problem. We don’t need to do anything, only shine the light. I am grumpy with him, get an icky tone in my voice. I’m annoyed—angry, really—because I have been shining a light for years on all kinds of problems, and it hasn’t done any good. (Well, not any good, of course, but the problems persist.) After we hang up, I think about this for days. I try to understand why it makes me angry, why I am so bent out of shape by this claim, so twisted up inside. Then it comes to me. This only works if you accept whatever it is you are shining the light on. This doesn’t work unless we accept ourselves or the situation. There is a letting go in it, an opened palm. I know I am not there yet. But maybe I am inching my way toward it?
A miss a call from a friend of mine wanting information about the “bad vet” I went to with Sable. He and his husband have an old dog who’s been ailing for a good while now. I am upset with myself for not knowing it was urgent when my cell phone rang during our writing group, for not knowing I needed to answer the phone right then. I’d left him a message just that morning. I assumed he was calling me back. It’s hours before I’m able to listen to his message. I try to reach him, but I worry I may be too late. All I can do is send the three of them metta, good wishes, prayers that whatever is happening might be the best it can be. I do this every day for a week. One night I dream we’re at a gathering of some kind, forty people in a big dark room with a high ceiling. I wonder later if it’s a wake or a vigil. I am kneeling on the floor, writing my metta wishes on the polished concrete. My arm moves the shiny marker in big wide strokes. I write long feet of metta for a dog I have not met, for the people who love him.
When I catch myself in the mirror this morning, I like the look of me in my favorite green cotton top and Mami’s old purple sweater. I have a bag of bird seed in each hand on my way out the door to feed them, and I smile at my reflection, unexpected joy rising. I went to sleep early last night, slept long hours with loud rain sounds coming through the open windows. For me, my heart’s ability to lift, maybe even her agility, seems linked to being rested, even to eating well. I am convinced much of being happy is tied to simple body chemistry. When I’m worn out from being too busy, from navigating grief or anger, from the stress of a new job, this kind of unlooked for joy doesn’t spring up in me in the same way, and I tend to miss it, that lightening, that natural lifting of the heart. I have two friends who are in the midst of weathering two huge losses, and I know they’re exhausted, would read it on their faces if they hadn’t told me. I want to be able to bundle them in blankets, sit them by a fire on this wonderful day of our much-needed rain, place warm mugs of my split pea soup in their cradled hands. I wish I could take over the demands of their day to day lives, let them move between the fire and their bed and back again, let them do nothing but sleep and dream for a week, for two, for three. I know they haven’t stopped being grateful, feeling lucky even now, treasuring the richness of life. But I suspect their hearts aren’t agile right now, may be too bruised, too tired to lift very far. I want to tuck their blankets in around them, pour them hot tea, remind them it will take time. “That surprising joy will be back,” I whisper. They smile at me, silent, love in their eyes.
She crumpled up the paper and tossed it over her shoulder. She refused to look behind her, certain the sight of the heap of wadded up paper would make her want to crawl under the straw to hide like she and Devin used to do up in the hayloft of the big old barn when they were kids at their grandparents farm. She didn’t even turn around when she heard a small crash. The Buddha statue, she figured, the small pink one made of resin, the one where he’s the jolly traveler, knapsack on his hobo stick. At least, she thought, that one wouldn’t break. But she aimed the subsequent balls of paper lower and put a little less punch behind them. The truth was, she didn’t know why she was doing this. Why was she putting so much pressure on herself? Since when did she tear pages out of her notebook, begin again and again, rejecting her work like this? What was wrong with her? She heard the sound of a car on gravel, and her pen froze. Henry couldn’t be home already. Could he? In spite of herself, she got up and walked to the window. Who the hell was here, and what was she going to do with her big pile of evidence? She saw the orange Fiat in the driveway. Fuck. Worse than Henry interrupting her. It was Marge. No way was she letting Marge in. She ducked when she saw her getting out of the car. Ducking, squatting there beneath the windowsill, made her feel insane. She giggled. I’ll just crawl away, right? More hysterical laughing. She backed up, inched her way over to the other wall, hands and knees wading through the mountain of crumpled paper. How was she ever going to be able to explain this?
[Editor’s note: written from a prompt from Creative Writing Prompts.]
Something odd keeps happening to me. It is unexpected, feels a bit unreal, almost dreamlike. Again and again in recent weeks I am visited by sadness—swift, keen, quick to pass. I am washing dishes. Or I am walking to the bus stop, scarf over my bent head, concentrating just to move through the hard heat of a July afternoon in this desert town. It isn’t even as if something else sparks a thought of you, the more ordinary path. And I can’t tell if this might have begun because my book, this story about the two of us, is close to being finished, this third time a charm. (Touch wood.) Or if it might be only that the time has come all by itself, a natural ending, a kind of completion of big loss, even a final letting go. I know I began to write this book much too soon, have said this before. In what is happening now there is this flicker of feeling, this sense that now is when I might have more properly begun this book. Only now. Or maybe a little bit of time from now, when this time, too, has passed. What I do know is this sudden sadness comes, piercing, bittersweet, as though I am only just now losing you for good after all these years. It makes me want to buckle at the knees, fall to the sidewalk, cement hot against my shins, quick sword thrust of sharp grief. But at the same time, in a way that makes no sense to me but that my body seems to understand, the grief is fleeting, even quiet, softened, like the regrets of our youth at the end of a long and happy life, riches beyond deserving.