I choose the path on the left. It cuts through dense growth as tall as I am, berries, poison oak. There are pink flowers that scent the air with their wild rose fragrance, violet thistles, bright yellow fennel blossoms three feet above my head. If you look below, you can see pockets of open space, a honeycomb of dens and pathways for larger animals. I peek into them, hoping to spy someone. I’ve decided the animal I saw on the hillside trail was not a coyote but a red fox. That explains the way he felt so different to me, more shy, sweeter somehow, non-threatening. I would like to see him again. The sun is surprising, warm on my shoulders, but the bramble caves are empty. Once in a while the brush dips below my head, and I get to see the lagoon. I stop again and again to just stand there and take it all in. I already love this lagoon, first glimpse, how the water is always moving, talking to the sea, but in a way that speaks to stillness, to safe harbor. The pelicans enchant me, wake up in me the time I fell in love with them in Todos Santos. I watch them glide in to land on the water or take to the air in groups. The sound of them batting the surface of the lagoon with their wings follows me as I walk. I am the only human here. Halfway to the beach I am overcome by how deep the need in me was for this solitude after three full days without being alone except for that first short walk up the hill. It reminds me of living in Ajijic and wandering onto a dirt road that ran west of the town, finding myself beside a big field with horses near the lake, no one else in sight, the peace of the countryside easing a part of me I didn’t even know had been disturbed by all the concrete and bricks, my neighbors packed in tight around me. Funny, I think, to have Mexico conjured twice for me on such a short walk in this northern land. I stand alone on the path for a long time watching the pelicans, breathing in the scent of the wild roses and the darker smell of the wetlands. When I feel something loosen in my chest, I keep walking to the sea.
I started walking again last Tuesday. I go early in the morning, walk along the creek path. I’m trying to train myself into summer mode, but I’m behind on my sleep. I’m proud of myself, though, and hopeful. I walked almost every day for years before it fell away, and I’ve been wanting to return to it for a long time now. I’m hoping to get up even earlier, be out by the creek bed closer to the first real light. But I want to be kind to myself in this, too, so I am not pushing, and I’m going to play it by ear, let myself go back to sleep when I need to, trust I can ease into this. This morning I wake to the waning moon calling to me in the lightening western sky, birds alive in distant trees. I roll over and go back to sleep. When I walk later, I stop on the footbridge, taking it all in, grateful for this swathe of wildness in the middle of town. I close my eyes, and when I open them I see an animal in the gully. At first I think it might be a deer. I know it must be a coyote, but it seems impossibly thin, and its walk is odd, choppy, un-canine-like. I watch it ramble, climb to the dirt path, slip off into the side streets when a person approaches. I say metta for her without thinking. May you be safe and free from harm. My chest aches. I keep watching for her on my way home. As I walk, I stop worrying. Instead, I dream up the world I want us to live in. I picture a world where we are all safe, where we all have everything we need to thrive. I picture a world where there are systems in place to help. I can make a call. A group of people fan out to find the coyote. They clean her up, feed her. (She was shaking her ears, itchy all over, so skinny it hurts.) I imagine food drops up the canyon for them, once a day, picture animal psychics explaining they can come to eat, to have their wounds looked after. I dream I am one of them. I look into the eyes of “my” coyote. You’re not alone anymore, I say. I outline the routine in my mind, the daily food drops, the tending of wounds. She twitches one ear, stares back at me for a long moment, wary. She wriggles once, all tender hope. Then she settles in to eat.
[Editor’s note: I can’t be certain, but I think I owe this interlude to how The Secret has affected me, to becoming even more aware of when I can just build good pictures, can reach for hope, dream up sweetness in the world.]
I am filling the tube feeder with nyger seed at my mother’s house in the early morning. I’m in the side yard off the kitchen. I’ve just made 22 little zipper snack bags of shaved beef to freeze for her cat. My pot of tea is steeping, and brown rice for my breakfast is simmering on the stove. I close the lid on the feeder and return it to its big green hook. When I look up, I see the two of them on the other side of the pool in the back yard. I hold still, watching them. They walk about on the cement, and then they step off the edge and slip into the pool. It feels surreal. It’s so completely out of the realm of the expected or the ordinary. There are two mallards swimming about in my mother’s pool as if it isn’t anything unusual, as if they do this kind of thing all the time. I get it in my head I’d like to be able to offer them a bite to eat along with their dip in the pool. I know bread is not good for them, so I go inside to Google what they eat. I find out they’re omnivores. Fruit is on the list. I head back out, thinking of peeling an orange for them, breaking it into sections, but they are gone. I feel like I blew it, like I should have stayed to watch them. I would have loved to see them fly away, or watch them swim some more, their silent skimming across the water so full of grace, touched with magic. But I hear a voice telling me I didn’t blow it. I wanted to do a kind thing. Wanting to feed them was an impulse for good. Later, I wonder what their visit might mean, certain it is an omen of some sort. I try to look it up, but there are no mallards in my book, no ducks at all. Days later, my mind keeps returning to them, the way they kept each other company, their quiet circles across the still surface of the pool.
A miss a call from a friend of mine wanting information about the “bad vet” I went to with Sable. He and his husband have an old dog who’s been ailing for a good while now. I am upset with myself for not knowing it was urgent when my cell phone rang during our writing group, for not knowing I needed to answer the phone right then. I’d left him a message just that morning. I assumed he was calling me back. It’s hours before I’m able to listen to his message. I try to reach him, but I worry I may be too late. All I can do is send the three of them metta, good wishes, prayers that whatever is happening might be the best it can be. I do this every day for a week. One night I dream we’re at a gathering of some kind, forty people in a big dark room with a high ceiling. I wonder later if it’s a wake or a vigil. I am kneeling on the floor, writing my metta wishes on the polished concrete. My arm moves the shiny marker in big wide strokes. I write long feet of metta for a dog I have not met, for the people who love him.
In November I am gone for three days. When I’m home again, I’m afraid my male hummingbird might not visit me after my absence. But he’s still here! I greet him, and I cry. Twice this morning he comes to my face. I close my eyes but don’t flinch, though the second time he startles me, and my heart does a funny flutter in my chest. Still, having him sit and visit on the back of the chair nearby fills me with a welling joy. I love him. I love these visits. I tell him he makes me feel like my cats made me feel, like I’m the luckiest woman in the world. Bar none. I sit beside him in my courtyard and feel the joy, the tenderness, well up and seep out of me, feel that ache and that fine seesaw line between our 10,000 joys and our 10,000 sorrows. For a moment, I wonder if there is something wrong with me, that I’m wired wrong, that maybe joy should be undiluted. Maybe that humbling awe, that sense of the hugeness of the gifts beyond deserving comes from some faulty circuitry in me. Then I think it is native to our human condition, to being embodied on this planet, to the fleeting nature of things. And then I wonder, how can we not feel unequal to the gifts bestowed, to the marvels of our world? How can we not feel humbled and grateful when we stand beside a mountain, watch a bird stretch her wings, take in the bougainvillea in full bloom? Or by the gift of morning companionship in the tiny form of a hummingbird? Thank you, little one. I’m so glad you’re still here, still making these visits. I’m glad I’m still here, too.
Two months after I moved in they broke ground on a small development where the open lot used to be, across the little road from my home. They bulldozed everything. They took the trees, the scrub brush, all the roosting places for the sparrows and the finches, all the homes and pathways of the rabbits and the coyotes. The roadrunners ran panicked back and forth for days. It broke my heart. Inside myself, I fought against it for the 18 months they were building. Later, I would stand at my window staring at the wall, the rooftops, the missing mountains, still all churned up inside. Today I don’t get angry when I look at it, but I still see what it used to be, like the spirit of that undeveloped land, that bit of wildness in the middle of town, still lies just beneath the surface like a dream.
[Editor’s note: This was written in response to a prompt from The Daily Poet, by Agodon and Silano, Two Sylvias Press.]
I dream of a pilgrimage of horses. I stand at a crossroads of dirt trails where I can see them walking en masse. It is night, but I see them crossing through intermittent moonlight. Their movement is steady, quiet. I’m surprised to see some of them are saddled and bridled. There are no humans with them, only the horses walking, four or five or six deep on the two converging trails. I feel their sense of purpose, of clear intention, though I am not certain I understand it. I stand where I can watch them, among other people. I think I am in a foreign land or in “enemy” territory because I am aware I may be shot and killed. I am afraid, but I know this is important. I want to stand with my palms together, like namaste, like the Buddhist bow. Instead, I link my fingers. I hold them against my solar plexus, like in prayer, and bear witness, homage, to their quiet passage.