I smell the jacarandas blooming. I am almost certain it is them, though I’ve never smelled them before. The citrus trees scent our air in late winter, and now this. This fragrance is delicate, elusive. It could almost be my imagination, but I don’t think so. I step off the paved path, walk with slow, soft steps across the grass beneath the long row of jacarandas. There are light purple petals everywhere, jewels against the green. I am all opened up from chavasanah, already buoyed, so the joy in this is crisp, immediate. Today the raven hatchling thief is far away inside me. The tree where I left the wounded butterfly weeks ago is at the end of this row, but that aching loss, too, is softened by time. Today there is just the open heart and the scent of blossoms and the richness of walking beneath these grand trees through the petal-strewn grass.
The mama hummingbird is devoted to her young. She builds them a home, keeps their eggs warm, feeds them again and again, ignores the toll it takes on her. Last year I worried, watching her in the guayaba tree through the open louvered windows. I wanted to help, to make it a little easier, or at least less hard. My birding teacher had no suggestions. But even now I wonder. Can’t I bring her bugs? I didn’t plan this, didn’t dovetail the theme of devotion and the header/photograph of the hummingbird nest. They happened each on their own, independent. Now I think, how perfect. Is there a greater devotion than hers? My eyes droop as I type, a long day behind me. But I am determined to post tonight, start this year of blogging out right. Writing group today was a sweetness, only six of us for a change, the core group, just us chickens, no eggs, the luscious easiness of writing together. I am devoted to my writing now. It grew in little ways, layering over time. Today it feels bigger than ever inside me. Is it a flame or a river? Water or fire? It depends on the day, I think. But the devotion is steady now. Today we each wrote a kind of dialog, a good prompt from Two Sylvias Press, their writing prompts for April, National Poetry month. It is my month, too. All month, mine. A loud military plane passes overhead. My nose itches. The cricket who has moved into the back room is serenading me. I turned two pennies over to heads-up in the course of the day, wishing good luck to the people who pick them up, a tradition I learned and copy. The Chinese say crickets in the house are good luck, too. The waxing crescent moon sinks behind the mountains. I sink, too.
I pick up my manuscript again on Friday after three months. I cradle it to my chest. I love it without opening it. Then I spend the day reading it. I mark changes in my purple Pilot. It surprises me how few things I find compared to all the other passes I have made. There is magic in this, the way I don’t push, the way I read it all the way through, the way I treasure it. Not big, intense moments, but deep ones and quiet ones, knowing I am happy with this book of mine. The next morning when the sky begins to lighten I see the waning crescent moon. I go back to bed and dream I am on a boat beside an island. There are five carved wooden birds near the top deck, painted in blues and reds and blacks. I get my camera because I am hunting for a new photograph for my coming year of blogging. When I look through the lens in the dream, I see the intelligence in the birds’ eyes, a keen knowing, and the moon hangs below them in the morning light. When I wake up and go out to feed the birds, a hummingbird lands on the top arc of the bougainvillea, and in the curving of my head to watch her, I see the moon again in our daylight sky, echo of the dream. In the last of the late afternoon, I walk to Ralph’s. When I leave the store it’s almost dark. The palm fronds are moving in a warm wind, and the light of late dusk feels again like magic, like I am coming back out into a different world. Sometimes, I think, the years I might have left to me seem too short.
I stand at the kitchen sink washing and cutting vegetables for soup. It is late dusk. I work in a small circle of light from the stove. I smell garlic, dandelion greens, leeks, green onions, olive oil. “You can close your eyes,” James Taylor sings. “It’s all right.” A white crowned sparrow’s melodic call comes through the open window, pure, piercing. A fullness wells up in me, that blend of sweetness and sadness, this fleeting life. I slice mushrooms with slow, even strokes of the knife, tears in my eyes.