Today I sit on the edge of my bed in the morning looping cords over my head, laying stones against my chest. I sit for a minute doing nothing, relishing this Saturday, knowing I am off from both my jobs. I sing my little “It’s my holiday” song complete with hand movements and wiggled hips. And in these impromptu acts, these sounds and movements, I feel myself relinquish eleven minutes of believing life is hard.
On Saturday afternoon I run out of sun. So I move my lime green yoga mat to an odd diagonal patch remaining on the walkway to do my chavasana. Even this winter sun warms me where it slants between the liquid amber branches and falls on my legs, my bare feet, my face. For long, quiet moments I surrender to trusting. I think about how lost I’ve let myself get in resisting what is. I don’t berate myself, though. This is hard, I tell myself. No wonder you lost track. This is not the first time this awareness has managed to swim to the top in the last two weeks. I know it might sink to the bottom again. But wouldn’t it be sweet if I could just find my way to trusting this now and its unfolding? Wouldn’t it be dear to just let joy and sweetness arise again and again and again?
I spend a lot of time being angry right now. In between bits of grace are wedged, brief moments when I feel like myself, foreign to me for decades in this childhood home. Quick, unlooked for seconds in an afternoon when joy arises, five minutes before we have to leave for the vet when I stand beside the kitchen sink sipping my first hot tea of the day, and I am fully me as the hot spearmint goes down my throat. I sidestep three times, cup cradled at my chest, to stop and drink in the view, as well, the western sprawl of valley and foothills. Or awake in the middle of the night after checking to be sure my mom has not removed her splint, when I lie in bed and hear the owls talking outside the open window. Or right now, typing standing at the kitchen counter to ease my sore hip, while Frank Sinatra sings Christmas songs. “It’s that time of year when the world falls in love,” he sings, and I want to believe it, this year more than ever. Maybe tonight we’ll watch Love Actually. And may all our new year’s dreams come true.
I don’t usually post other things to this blog, but I can’t think of a sweeter, more lively or loving or empowering “antidote” and encouragement to our current state of affairs than this video from the Resistance Revival Chorus. It may lift your heart, make you dance or clap. It made me do all three. It made me cry good tears.
Sending you all metta.
The noxious air from the fires takes its toll. I am so looking forward to the possibility of our desert having both clean air and cooler temperatures, to be able to walk fast, take big gulps of air, pleasure in full lungs. I can’t wait for rain to return to us, wash the leaves of the desert orchid trees, fill the creek bed, lick our wounds clean. I can hear it now, hard rain on my umbrella, hundreds of frogs singing, mockingbirds alive again, the cacophony a happy jazz, slap of shoes on pavement, deep breaths of clean, wet air. Like marmalade on gingerbread, like the scent of garlic cooking in butter, like nothing can compare to being able to move in our outdoor world with ease. Oh, and no virus, too, while I am dreaming up our future, no wet masks in this rain, only cool air on warm, wet lips, fogged up glasses, singing myself now as I swing my hips, lengthen my stride, move boldly beyond where life has let me go in recent times, a big grin on my face.
[This piece came from our spontaneous writing session on September 14th. The words pulled from the magic pouch were: marmalade, lick, noxious, gingerbread, jazz.)
The poet is the priest of the invisible, the one who paints pictures of the way the air holds still or the way it moves away from the woman in the red dress, walking home from the bus stop beneath the row of old oak trees. The one who orchestrates the sacrament of placing words on empty paper, lets life move through the pen, leap across streams or fly like salmon up their ladders. The priestess who tells us stories about the heart of humankind, the whisper of doubt, the musty scent of secrets uncovered, given over to the day. It is not a small or unimportant task, this working with words, this waving of incense, these footsteps placed one after the other, ink across the page.
[Editor’s note: This is a piece from our spontaneous writing group on August 17th. The prompt was this quote by Wallace Stevens from The Daily Poet book (Two Sylvias Press): “The poet is the priest of the invisible.”]
I can’t count the number of white people I’ve heard say the murder of George Floyd woke them up to how bad things are for black people, for indigenous people, for all people of color. I’ve cringed, stayed silent. But I’ve wondered. How could you not know? At the same time, if I am fair, I think this monstrous act (that follows centuries of monstrous acts) struck at an especially vulnerable time. Maybe because we are all so off kilter from the pandemic this has reached deeper, feels more vivid. Maybe even those of us who scream white privilege, who have the luxury of turning away, of tuning out, haven’t been able to turn away from this. For me, it joins other griefs, wakes up overwhelm and powerlessness. And living in there, too, is a flicker I think might be hope. If you don’t know where to begin, you might start here.
75 Things White People Can Do for Racial Justice