I sit on the side of my little road and watch the day arrive. I can’t see the eastern sky from my courtyard, so I bring my metal barstools outside the fence (so I can put my feet up), and I carry out the wobbly wooden stool with care where the candle will sit and which might house my tea but these days sports coffee with half and half. I try to be quiet, not bump into things in the dark, aware of my neighbors. I stretch out my legs and settle in as the sky begins to lighten. I face southeast and watch Venus rising, have the honor of a mockingbird singing and displaying at the top of the electric pole before me. I warm my hands on the cup, sip my coffee, close my eyes sometimes when his performance is especially melodic or visually impressive. I feel bad when I get lost in thought and realize I have missed part of his concert or this coming of the day, even though I love the chance to daydream, too. When I am both present and lucky I get to relish his incandescent song and the glory of the morning splashed against the sky. Today there are echoes of deep pink spread across the southern clouds, stopping just before they tint the San Jacintos. Wide stretches of sky between the clouds become that otherworldly aqua color the twilight minutes often bring us here in the desert. We’ve had an extraordinary spring, no doubt due to the extra rain the gods granted us. For weeks the mockingbirds in my neighborhood sang without stopping, day and night. There seemed a kind of frenzy in it, the sheer numbers of singers and that ceaselessness I had yet to experience. Now in the middle of May, our desert spring is over, but this one mockingbird still comes to the telephone poll to serenade me. I lean back in my front-row seat and savor his song. The neighbor’s calico cat trots by on her early morning rounds, surprised but not deterred by my presence in the road. She is not interested in me, intent on her own pursuits, so I return to my morning concert. The waning moon and Venus stay close, too, for a long time—companions in the sky.
I climb the black metal table for the second time. The first time, weeks ago, I peered over the edge of the nest at two tiny perfect hummingbird eggs nestled side by side. Today, I see a black gangly shape lolling against the inside of the nest, beak to the sky. I am afraid he is dying. The wild bird rescue woman is so reassuring on the phone I almost cry. I see mama hummingbird zoom in and out. I blink twice and the two younglings are jostling each other beside the nest. Then they are gone, though this morning I think I spy one at the feeder. How does that work? Do they need to fan out very far from home? Are there rules about this? But oh. For one more day I catch glimpses of them perched in the guayaba tree, nowhere near the nest. Now I still check. I talk to the empty guayaba just in case they are nearby. (They are hard to spot.) The empty nest makes me ache even as I am so glad they made it. How many times did I worry? Now that they are gone, my fingers itch to dismantle the nest. I want to feel the way it resists or the way it tears or gives way against me. I want to smell it and to know if it is as soft as it looks or strangely rough because it is so strong. Of course I don’t do it. What if they can use it again? And how could I destroy the nest, so beautiful and alluring, poop and all?
It would be sacrilege, I think, to harm the nest. I remember the dream I have where hummingbirds are coming in through the windows and making nests inside my home. I worry about them being trapped inside during the night. But the nests they begin to build against the white walls or nearer the ceiling are more like hives than hummingbird nests, mud-wasp-like, a little creepy except the birds themselves are flitting about dispelling all possibility of anything sinister, so these are just an oddity, it seems. One set of my louvered windows in real life don’t have a screen, and sometimes a hummingbird does fly into the living room with me. They are usually quick and curious, and I’m thankful they tend to leave quickly, too, before I have time to worry for their sake. Since my dream, though, when they come and they poke their curious beaks toward the southwest corner of the ceiling, or they investigate the crevice beside the facing window, sometimes I wonder what it would be like if they did live here. The imagined mess makes me cringe. I would truly abandon any meager tie to civilized living. But think of the potential joy, too, all those incandescent little ones buzzing in and out or asleep nearby in the night. What if the approaching dusk meant I needed to be sure they were all accounted for, so I could close the window before full dark, so I could help to keep them safe here through the night?
I think about shielding. I ask five healers for ideas about ways shield, ways to keep myself more cushioned if I can from this world that sometimes seems too much for me. No one offers an idea that sticks. After I discover a hard thing during sitting practice, this dagger wedge of quan iron in the center of my chest, the shield that comes to me is a curtain of quan iron, long strand after long strand of it strung side by side across a wide span of bone, or tusk, maybe, thicker than my forearm, irregular small flat squares of the protective metal hung all in a row. [Quan iron is the magic blue-green metal from Andre Norton’s Witch World.] Behind the curtain shield I see a rough hewn window or doorway arch, sunlight coming through. It catches on the hammer’s bite marks, shiny overlapping crescent moons from the pounding of the metal squares. There is no screen across the opening behind the curtain so I feel unimpeded air brush against my face. I take in a slow, deep breath. The horoscope in today’s newspaper says, “The warrior learns to fight but also to defend, starting with defending the self.” I think about shielding. And I remember a dream I had two weeks ago but didn’t recognize. I stand in the center of a room, and I run this fine set of chain mail through my hands, lifting and holding it, folding it back in against itself. I set it on a soft blue shirt beside more colorful piles of clothes on the bed, as if I am packing for a trip. I note the quan iron again, but not like I am really paying attention, just that familiar color and the smudge of magic to it as if in confirmation only, as if part of me has already decided it is too much. Who am I to be given protection like this? The quan iron here is crafted into fine chains, a web of them to cradle the rib cage, then 1/4-inch slabs of green stone, maybe aventurine, maybe a light jade, woven into the chains. I glide my fingers across the smooth stones as I re-stack the fine armor, and I can see how they will fall on core spots: kidneys, liver, inner thighs. I hold one slab of green stone and rub my thumbs across it. They bump again and again in the center of the stone. Without trying it on, I know it will fit me like a second skin, but it will not bind me. I marvel such supple, beautiful chain mail exists, that it has been gifted to me. And magic, to boot. I see the advantage, too, over a shield that protects me from only one direction. When I wake up, I wonder if I shouldn’t wear a helmet.
I’m walking home from a big day, sticking to the shade where I can. I passed out my first flyers for my retreat at the writers guild meeting, then went to Cost Plus to redeem my birthday coupon for my favorite tea lights and small hand painted Easter egg ornaments I couldn’t resist. I stop near a walkway for a condominium complex, startled by an immense Great Dane. His owner comes into view, and I’m relieved to see he’s attached to the leash. “Oh my,” I say with a laugh. “He surprised me.” The dog’s head comes almost to my shoulders. “He’s beautiful,” I say. I tell his leash wielder I’ve seen them before, and he remembers me from our old neighborhood. Maybe I should tell him about my writing retreat, I think. But I don’t say anything. We part and I continue up the street. I hear the sound of wings. I think, raven, and I look up but don’t see the bird. The wingbeats are long and loud, and then I see three ravens just ahead of me, flying low, clustered, talking now. I stop on the sidewalk. It feels like they’re telling me I shouldn’t leave, telling me I should’ve told Tim about my retreat. I look back to where he and the Great Dane disappeared, and he comes walking out again without the dog. I call out to him. “Are you a writer by any chance?” I ask. (It makes me grin as I write. What a line.) I retrace my steps, talk about the ravens. “So, I decided maybe I should tell you about my retreat after all.” We stand together in the shade of a tree I don’t recognize. He says he’s not a writer, but then it turns out he writes morning pages every day (a la Julia Cameron) and just finished teaching an artist’s way class. “Oh,” I say with a wave of my hand, undoing his earlier disclaimer, “you are a writer.” I give him a flyer, talk about the deeper meaning of the work for me. He seems taken by the whole thing. I like him. “I’ll call you either way,” he says. I walk home cheered. The day has given me a quiet hope about my retreat. The bags I’m carrying seem lighter. I keep grinning and shaking my head in wonder. I’m awed by the clear second chance the universe gave me. And I’m flabbergasted by those ravens. I can still hear the sound of their wings.
I’m doing sitting practice on a Thursday morning in March. All the windows are open. I can hear the low hum of the swamp cooler in the back room, feel puffs of air against my skin. When I open my eyes the bougainvillea in the courtyard catches my heart. I close them again, take a long breath in, a long breath out. I feel a familiar tightness in my belly, like it might be messing with my breath. I stay with the feeling, sink deeper. All at once I know this part of me has been afraid for 59 years. The knowing floors me. I’m heartbroken for her. Her dedication humbles me, decades of being afraid on my behalf, wanting to keep me safe. I talk to her. I tell her how sorry I am she’s been afraid all these years and I didn’t know. I invite her to let go. I’ll be afraid again, I say, but you no longer need to hold it all the time. I am bowled over by her sheer strength, to have held this fear all my life. I cry, cradle my belly with my palms, my forearms, both sad and grateful for her sacrifice. I’ve known my fat was a way to protect myself, but this deepens my sense of this. Was my body trying to cocoon this ball of ancient fear, buffer her, maybe, so her efforts might be just a little easier? It’s okay now, I tell her. We’re safe here, I say. We’re safe here doing sitting practice beside the open sliding glass door, the house finch chattering in the courtyard. (Well, safe barring maybe an earthquake, I think.) I tell her she can come on duty now only as needed. You don’t need to do this all the time, I say. I don’t know if she can unfurl just like that, but I vow to remind her again and again. I am still made dumb by what she’s done, this gallantry, the immensity of this feat. It’s okay, I tell her again. It’s okay to rest now in between, I say. Rest, the way the deer’s body relaxes when the danger’s passed, the way she returns to ease, nibbles more grass. Rest, the way the white-crowned sparrows drop down one by one from the bougainvillea after I walk by, going back to eating seeds from the ground, talking music. Rest, I tell her. Sleep, even, if you can. I’ll be right here.
If I were told to create a scrapbook of our springtime in Palm Springs I would include a photograph of the full moon setting in the west this morning, its newly-waning glow poised above the mountains just as the light began to find the day. I’d bottle the air I woke up to last night, how it felt to sit in the center of my bed breathing in the scent of lemon blossoms. Wow, I thought. Inside my home! In the middle of the night! What a gift, I thought. I’d add an audio file to the scrapbook of the grackle who’s calling out this morning from the telephone pole. I’m in the courtyard filling the tray feeders, seeds sliding through my fingers as I listen. It’s his second morning here. I’ve never had a grackle near my home before. It feels like wishes coming true. It makes me want to drive down the western coast of mainland Mexico again, south from Topolobampo on a morning in early April, watching the world begin to show itself around me as I drive along the carretera in the last of the dark. I will park my car off the highway beside the tiendita after the toll booth. I will buy warm tortillas and beans and salsa for breakfast. Even before I get out of the car I can hear them, like nothing else I’ve ever heard before. I stand beside the road turning in a long, slow circle. I see big black birds in every tree, lines of trees that stretch along both sides of the carretera, no cars at this hour. I can see the sea off to the right. The air is wet with it, but the morning sun is warm. Sunlight glints off black feathers, making the birds shine between the leaves of the trees. It takes a little time for it to sink in as I stand there, even though I’ve been here before, even though I’ve sought this out. Every tree is filled with grackles, hundreds and hundreds of them as far as I can see along the road. The air is a cacophony of their calls, these wild, wacky, exotic, zany, happy bird noises. They fill me with their exuberance, their vibrant, lusty liveliness. I am in love with these great-tailed grackles. I am in love with Mexico on an April morning by the sea. I could stand here forever.
[Editor’s note: This piece was written in response to a writing prompt from Bryan Chohen’s book Four Seasons of Creative Writing.]
It’s just after six in the morning. I steer my rental car down Ocean View. I’m going back to Palm Springs for the day. The eastern sky is a soft, rich orange. I stop the car in the middle of the road because the waning moon is hanging just above the layer of clouds, the thinnest sliver luminous against that green-blue we glimpse here in twilight hours. I sit, breathing, taking it in, the air cold on my face, the light growing around me. I feel greeted by the universe, the promise of a good journey, well wishes for the long day ahead. I leave my car at the airport, and when I walk out the main doors of the terminal, I’m stunned by the glory of our mountains and their snow. I feel oddly proud of our airport, proud to know people who’ve never been here before walk outside to this spectacular view. I walk home, past the fountain, relishing it all. As I go I spin in a circle now and then, scanning our ring of mountains, snow, sky. Off and on, I want to whine or pout to have missed the first day of this new snow. But mostly I feel lucky again and again. I go to the library, buy four used books for four dollars. I don’t want to worry about due dates right now, but also I love these soft trade paperbacks. And lately I’ve been reading my way through my pile from the last big library sale, the books that appeal to me when I’m filling my bag but so often go unread. I’m enjoying all the different voices, and I want to keep going. I buy vegan wraps at the health food store, and then I am home. The birds all still have a little seed left in their feeders. The mouse in the house has eaten the small succulent on the kitchen table that Mami gave me and a few of the buds on the Christmas cactus, but she’s stayed out of my bed and not caused havoc, so I’m grateful. I clean up the bits of dirt from the table, sweep the floor, ride my bike to get my hair cut, eat two wraps, drink kombucha, make small piles on the bed for repacking. In the evening I call Ian for a ride to class, get to hear about his metta retreat. After he drops me off again at home, I pause outside my door. All the feeders are filled, ready for the morning birds. I look up at the stars, take a deep breath, soaking up my dark courtyard, my sky. I close my eyes, and when I open them I see a falling star above my home. I make a wish. I open the door, step inside, deep, quiet awe welling up in me for the framing of this day: the moon at sunrise, the falling star, brackets of welcome, of reassurance, of solace. Thank you.