My body’s still thrumming from the vibration of driving, from the intensity of southern California freeways. I can hear the dishwasher in the kitchen, the crickets through the open sliding glass door. My mind is still sorting through the images of my home, ravaged by desert rats, kin to the ones I relocated with such tender care eight months ago and more. It’s like sifting through photos loose in a box, like flash cards. I can still smell their urine. My friend Maureen saved me from becoming a puddle on the floor, working her butt off, making big dents for me in the chaos. After she left I just kept going. Nothing is clean there now but the toilet and the cutting board in the kitchen. The top of the refrigerator is the only surface the rats did not mar. But the floor’s been swept, the bird feeders filled. I did not fully land much, though, and that is disappointing. I got to watch Maureen just feet away from me, marvel at her three-dimensionality outside of Zoom. But I wasn’t completely present. I remember a mourning dove on the roof of the trailer looking down into the courtyard with longing, getting up to scatter some seeds for him. A hummingbird came to hover behind me, but I was too wrapped up in whatever I was going to turn to greet him, a heartache now and a longing of my own. At one point in the late morning when I am sweeping I catch a sense of their rat glee, chasing each other around, leaping from couch to bookshelf, wild animals at Disneyland closed for the pandemic. “I love them, too,” I say to Maureen. “I know,” she says. And we turn back to our sweeping while the day grows hot around us.
The first time I was blasted open by wilderness was when I drove through the northern state of Baja California. The winding two-lane highway with no shoulder, no evidence of humankind anywhere except the road, only open undulating desert and scrub brush in every direction. No dwellings, no telephone poles, no water until the cats and I rounded a bend and saw the Sea of Cortez.
I hear the loud heater
down the hall
and think of my little home
and silence in the middle of the night
especially in winter
with no air conditioners
only cold air
through the open louvers
and the cry of the barn owl
and years ago, the small, warm weights
of my two cats
tucked against me
in the quiet night.
I have a hundred things sitting on my shoulders, turning them to bricks, dangling off my head like snakes or like the orange cat sitting on the teenage boy’s head in the funnies the other day. Harmony escapes me most of the time, except moments like this, with all of us writing together, and the house finch singing outside the open window.
I dream of waking in a big bed in a big, dark, empty room. I feel weight against me, but I am not afraid. I reach forward and a multi-colored cat shies away from me, feral, I think, and leery, but she doesn’t leave. I turn to see several slender, leggy, black cats have piled against my whole back. They move and rearrange themselves, six or seven or eleven of them. This is the whole dream, and I wake curious and grateful and somehow reassured by the universe.
A wavering of certainty, a wobbling of confidence in the rightness of things. She knew she was doing what needed to be done, but still doubt stalked her, circling her ankles like a cat in the dark.
I wake to cat screams in the courtyard. I clap and yell, still half asleep, kneejerk. The cat fight stops, low growls outside my sliding glass door. I go outside to break them up, a huge gray cat I don’t know, long hair all fluffed from the fight, his backside disappearing over the wooden gate. My neighbor’s cat, who I love, escapes behind the shed. I talk to her through the gaps between the wooden fence. She sits cleaning herself on the hood of her fathers’ car, all twitchy from the fight. I go back to bed, take her shock with me, sadness welling. I ache for both cats. I hurt for the gray, hope he isn’t feral, isn’t lonely. And then I cry for my own two little ones, four years dead. Later I sweep the courtyard. I hear a kestral calling, looping about a nearby palm. I can’t tell if something has disturbed her, or if she’s just having fun. She widens her arc and flies over the edge of my yard. I stand still, holding the broom before me, watching. And then I see the waning moon is watching, too, big half moon still bright in the morning sky. It’s one of those moments when everything feels all of a piece. I stand there until the kestrel flies away, and it is just the moon and me, and some subliminal sense of all of us right now. The sparrows across the road and the hedges they roost in. The fan palms jutting into the blue in all directions. The mountains and their close, steady, silent presence. After, I cut a dozen branches from my laden tecoma. I apologize to the bush, to the bees. I sweep my part of the little road, a big pile of loose tecoma and bougainvillea blooms, some dried and crinkly and some still soft and fresh, all those shades of yellow and magenta, from pale to vivid. I scoop them up, and it feels wrong to throw them away, this rich and layered art. When I go back inside, I leave the gray trashcan tucked near the tecoma on the street, the cut branches of still-fresh blooms sticking up and out, a big bouquet for the bees.