Traveling (33)

Traveling is an odd thing. I bring myself with me wherever I go, but I don’t always feel like myself. I am still tethered to my home, feel its tug. I am tied to who I’ve left behind there. My cats occupy my space, glaring in their absence, a small prickle or a larger ache. Even when I go where I am known, even loved, I carry their absence, feel the tug of my tether. I am missing bits of my self, the one I have grown comfortable with over time, quiet mornings on the patio, the solar Christmas lights a happy glow on the hedge when I walk home in the new dark after dusk.

The birds here are not my birds. But when I reach in, find my way to fullness on the deck of this other home, their unfamiliar calls comfort me, companions in the quiet autumn morning. They tie me to my world, tingle my self, charm me silly. I feel the sun on my forehead, my ankles, my cheek wet from dog kisses. The house is waking up around me, and my eyes fill with warm tears, my breath deep and grateful in my lungs.

La Milpa (18)

One time when I did say yes to Mexico, I got to visit Rodolfo’s milpa, the one south of the carretera, the highway, just west of Ajijic. We rode the bus together, Ana and Rodolfo and their daughters Isabel and Mariane and I. Milpa translate’s literally as cornfield, but Rodolfo grew other vegetables, too. They were all nourished by the nightly summer rains. Every year at harvest they had a gathering at his other milpa, north of the highway somewhere. They roasted elote over a big open fire, the corn in their husks, drank tequila, danced. I don’t know how I missed it, but it breaks my heart now to think I may have passed it up. I hadn’t been there long yet, so I maybe I was too shy, but I know I would have done anything to get there in that second summer. But I left that year when the corn was still growing.

The milpa was a few blocks more to the south, between the carretera and the lake. We walked together on the country road in the late summer afternoon. I remember being transported when I followed Rodolfo through the rows of corn. They must have been twelve feet tall. It was another world inside them, all pale green light, moist earth and growing things. He brought us to a makeshift table in the distant heart of the field. Rodolfo picked a handful of pepinos, cucumbers, and washed them with a gallon of water he’d carried with him on the bus. He had a knife to slice them, and Ana produced limes and salt and chile. We ate pepinos picados in our little spot carved out from the forest of corn, and I remember being charmed and oh so grateful they had wanted me to come.

corn plant leaves with raindrops © Tomo Yun

It began to rain, and I licked lime and salt from my fingers. We grabbed everything and ran down the road, laughing, the rain coming down in fat drops, pelting us as we ran. Rodolfo led us to a half-built home a block away. We stood in an unfinished room while the rain beat down on the metal roof, nibbling on brownies I had bought from a cafe in town and crunching crisp red apples. I have always loved the sound of rain on a metal roof, the smell of the first drops hitting dusty earth. I was glad for the water going to the milpa.

Rodolfo talked about the half-built home, abandoned now. It belonged to a friend of his, and when he looked around, I could see in his eyes the way he imagined it in his mind, picturing it fixed up, livable. But Ana only rolled her eyes. She was not eager to live in the country. Over my dead body, she might have said. But I could see it, too, the place restored, the dream of it. Rodolfo and I looked at each other and smiled. Who knew?

[Cornfield photograph cropped from the full version, © Tomo Yun at www.yunphoto.net/en/. Used with permission.]

Exorcising Demons (7)

It’s my seventh week, and still I’m afraid each time I won’t have anything “good” to write. I worry I won’t be able to enter in, that “having” to tie my post to Mexico will make it boring or contrived. I worry because I think I have already told you all my good stories about Mexico, my first whale, my magic walking loop in Guanajuato. What else? I have brainstormed lists of things I can write about, and still every week I’m afraid. And I don’t want to spend all year afraid. I want to break through this. Surely I can find things I want to say about a place that goes so deep in me, whose images swim through my days, wade through my sleeping dreams, whose people live inside me–vivid, dark skinned, brown eyes alert and present. I want to find my way in and stay there, watch my blog grow, be happy with what I touch, excited about what’s to come, each new waiting post a pleasure, another chance to write about what I love, what moves me, makes me feel, come alive. I want to banish the damn fear once and for all. (Does it ever work that way?)

Brian laughed at me when I told him. “I’m sorry, ” he said, still laughing his wonderful laugh. “I’m afraid you simply can’t feel that way.” He was teasing but not teasing. I know it defies logic, is ludicrous in light of my scribbled lists of topics. But each week I become tight, braced, hands out in front of me, warding off monsters. Nothing to say? Nothing worth reading? Nothing I can remember well enough? So make it up, I think. You told your readers you might write fiction. So, write fiction, then. Easier said. Maybe I’m really afraid I can’t do Mexico justice. How can I bring Ana to life, laughing in the living room on Aldama? Rodolfo, offering me a taste of his exquisite pipián, eager, watching my reaction? Iris, a wonderful sly smile on her face, bringing me my birthday dinner at Il Giardino? How can I let you know what they meant to me, alone in a strange country, my lifelines there? How can I explain why I almost never call them, how even now my heart breaks a little and my eyes fill? How they weren’t only my anchors, my buoys in a foreign land, but they seemed to love me so completely, took me just as I was, found joy in me?

patio at Las Flores Posada in Todos Santos, my writing notebook on the table

I wipe tears away with the back of my hand from where they pool above my upper lip. One stray one slides down my left cheek. The misters cool the pre-dusk air, and a hummingbird alights on one pointy tip of the big cactus, taking in their moist cloud. For now, my fears abate, chased off by this release, I think, and because I’ve touched these memories for myself, even if I am no more confident of presenting them to you. I breathe, and sigh, sip my water, listen to the evening chatter of the house sparrows in the hedge behind me, the pwitter of the mourning dove’s wings as he flutters to the ground from his perch atop the wooden fence in search of fallen thistle seeds. Maybe, I think, I only need to become present to do this without fear. And maybe that’s where I’m afraid of failing.

[Editor’s note: This photo shows my writing notebook and binoculars on the patio at Las Flores in Todos Santos, Baja California Sur.]