Dear Readers (1)

photo of two wild white irises from the yard and two purple flower volunteers and two red succulent blossoms
Beltane flowers from my mother’s yard

Dear Readers,

Well, I’d hoped (planned?) to have posted my first post while being 64 about three weeks before today. And, of course, to have already posted at least three posts by now, to become marvelously consistent throughout this coming year of mine. (Sigh. Grin.) I told myself, per the About page here, that I would not “hold myself” to needing each post to be a postcard, but I love this idea so much, and I think I stalled myself because of this, because I didn’t want to let go of my first post being a postcard.

So today I decided I needed to say hello to you even though I don’t have my first postcard ready to go yet. And yes, I know, it would have been fairly easy to use one of the postcards I’ve bought in the past. I have a nice one from San Francisco and a couple from my desert home. But I began a sketch for a postcard I plan to send to my (dear) friends Marylou and Richard. I used the new watercolor pencils my (dear) friend Moses gave me for Christmas. I have started on a roadrunner, though he is a bit goofy and his tail is too short. (I looked up the maximum size for a postcard online, then cut a sheet of the watercolor paper Moses gave me, too. But then it was hard to fit him properly and proportionately onto the little rectangle. I may have to rethink my methods!)

Still, even just beginning to draw the bird was a big delight. It was one of the first clear impulses I’ve had toward hands-on art in ages, and a good sign, I think, that my “plan” of not making myself do anything I don’t have to do may be beginning to bear fruit. I hope so. I want to tell you, too, that in recent weeks I have not been stuck in anger for days at a time. I’ve noticed this with gratitude and relief and a little bit of gentle pride in the last couple of days, so of course this morning I found myself stuck in self-hatred and anger, and was afraid I had jinxed it, this long-running streak. But somehow I have found my way back to softness again, so maybe not stuck. (Oh please oh please.) I have been truly kind at least three times since my second tantrum this morning. Toco madera.

I hope whatever you are being challenged by softens for you, too, even as you read this. (If you are like me, it is the turning toward myself with a more tender heart that can do the trick. May you each have an ease in this turning toward that I am not always able to find!) Thank you for reading my blog and for waiting for me. I believe I still owe you a song, too. :)

Wishing you all good things, my dear readers. Happy Beltane. Happy May Day. Happy turning of our world.

Behind the Wheel (60)

The first time I was blasted open by wilderness was when I drove through the northern state of Baja California. The winding two-lane highway with no shoulder, no evidence of humankind anywhere except the road, only open undulating desert and scrub brush in every direction. No dwellings, no telephone poles, no water until the cats and I rounded a bend and saw the Sea of Cortez.

Sometimes (28)

I suspect there may be a kind of science to becoming whole—to moving toward healing, through healing, toward the me I want to be more often. Just like I believe there can be a way to write an essay that is a little bit like doing math, and not in a restrictive way, but in building it by pieces, using a structure for discovery that can become a kind of scaffold we hang things on. And things come because there is a scaffold waiting for them. Sometimes for me this process, this psuedo science, is about breathing, or about beginning again and again. Sometimes I make a sound, tiny and dear, that comes from some secret core of me, and I hear the love and the tenderness the sound is sending me.

[Editor’s note: piece from our spontaneous writing group—the words we had were breathing, beginning, science and sound.]

Sudden Hawk (60)

A moment after the house sparrow flies off with the big feather in his beak, a small male Cooper’s hawk swoops in and lands on the wooden gate, not two feet from where the sparrow sat with his find. This bird always stops my breath, the marvel of his arrival. Today he holds still, his strong talons clutching the tops of the faded redwood boards. He swivels his head, his sharp eyes taking in small movements in the courtyard. He makes the small chirping sounds I love, the ones that feel like conversation or commentary, the ones that make me want to speak bird. I talk to him through the screen door, and he tilts his head to the side as if he’s studying me through the glass. Then in one quick motion he glides below the edge of the gate and is gone.

Imitating Gertrude Stein (43)

The assignment, to imitate a voice
so I read her letters to a friend
letter after letter
as dusk deepens
and white-crowned sparrows
chatter in the courtyard
and go silent
I write my little piece
into the dark
so easy to fall into her voice
familiar and dear to me
for forty-three years.

Changed (29)

I wake to cat screams in the courtyard. I clap and yell, still half asleep, kneejerk. The cat fight stops, low growls outside my sliding glass door. I go outside to break them up, a huge gray cat I don’t know, long hair all fluffed from the fight, his backside disappearing over the wooden gate. My neighbor’s cat, who I love, escapes behind the shed. I talk to her through the gaps between the wooden fence. She sits cleaning herself on the hood of her fathers’ car, all twitchy from the fight. I go back to bed, take her shock with me, sadness welling. I ache for both cats. I hurt for the gray, hope he isn’t feral, isn’t lonely. And then I cry for my own two little ones, four years dead. Later I sweep the courtyard. I hear a kestral calling, looping about a nearby palm. I can’t tell if something has disturbed her, or if she’s just having fun. She widens her arc and flies over the edge of my yard. I stand still, holding the broom before me, watching. And then I see the waning moon is watching, too, big half moon still bright in the morning sky. It’s one of those moments when everything feels all of a piece. I stand there until the kestrel flies away, and it is just the moon and me, and some subliminal sense of all of us right now. The sparrows across the road and the hedges they roost in. The fan palms jutting into the blue in all directions. The mountains and their close, steady, silent presence. After, I cut a dozen branches from my laden tecoma. I apologize to the bush, to the bees. I sweep my part of the little road, a big pile of loose tecoma and bougainvillea blooms, some dried and crinkly and some still soft and fresh, all those shades of yellow and magenta, from pale to vivid. I scoop them up, and it feels wrong to throw them away, this rich and layered art. When I go back inside, I leave the gray trashcan tucked near the tecoma on the street, the cut branches of still-fresh blooms sticking up and out, a big bouquet for the bees.