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My New Old Friends (41)

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big cup of tea on bright colored blankets

It rains off and on, steady and quiet in the night. When I prop myself up on my elbows to peer over the windowsill in the early morning, I see a swathe of pale orange across the southern sky. Half awake and planning to go back to sleep again, I look west and see a rainbow. I grab my lime green umbrella and my mini iPad and juggle them in the rain to take a picture, goofy and awkward, but it’s no use. The image doesn’t begin to capture the light in it, the magic. I make oatstraw and alfalfa tea and climb back under the covers, my feet cold from my foray. I sip my hot tea and watch the mountains, shrouded in mist. I listen to my birds. My thoughts drift to a colleague. My belly clenches, a messy swirl inside me at the memory, feeling not heard, dismissed, angry, hurt. I wake up to the moment and remember. “May I hold you with kindness,” I say out loud to the feelings. I missed this part of the vipassana practice until two weeks ago when I was listening to a recording of Sylvia Boorstein, and it just came into me. I wonder how I missed it. I see it, after, in my beginner’s book I am rereading, right there in the first pages. It is Boorstein’s phrase, too, that Ian invokes each time we begin sitting practice. “May I meet this moment fully. May I meet it as a friend.” I’ve always loved it, but I didn’t make the connection until now. It has holding our feelings with kindness at the heart of it. Just like Thich Nhat Hanh’s, “Hello anger, my old friend.” But I didn’t get it until now, that direct turning toward our feelings each time they arise, welcoming them. I wonder if maybe I needed to foster enough self-kindness in more general terms before this practice of receiving uncomfortable feelings like old friends was even practical for me. I knew we needed to accept what comes, knew we needed to be kind to ourselves, but it didn’t click. What comes to me this morning is my colleague’s behavior is not a reflection of her regard for me. It’s only what she does, and I take it personally. I cry quick, sweet tears. I return to my big cup of golden tea resting on the covers in my lap, warm my hands against its sides. My toes are warm now, too. And my heart.

To You on this Day of Gratitude (37)

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Persimmons, cactus, glasses on the messy kitchen table

Today’s my father’s birthday. He’d be 83. (Funny, isn’t it, how we do that with our dead?) When I was young, I always spent Thanksgiving with him. Maybe he somehow got that in the divorce. I remember his wife Jeannie and I laughing in the kitchen of their Sylmar home, black olives on the tips of all my fingers. Later, I brought my braided garlic French bread and tomato pesto soup to a Thanksgiving celebration at Colleen’s house in Sunland when we were young adults, and once in Sacramento, just the two of us that day, giddy on our pretend wine. And even later, Thanksgivings with Meri and her first husband, six or eight of us at the kitchen table playing Pictionary and rolling in the aisles. But decades ago it became a day I looked forward to spending alone. I like to let the day unfold, knowing there are three more days that follow, all without work, without plans. For years this was often my first day off in the fall semester, and even now these four days stand like a beacon, the blessing of a real break. I love knowing I can do what I feel like in each moment, the hours stretching like magic, like summer days in childhood, knowing I have no deadlines, no need to be ready to leave the house at a particular time. People often don’t understand my choice, and even now there’s a small voice in me who asks, “Is there something wrong with me?” For seeking solitude on a day when most people want to gather? So I’m making peace with this now, trying to trust it’s okay for me to make this choice. I turned down a chance to be with people I love today, nearby at Chimney Ranch. When I think of them together, part of me longs to be in their midst. Maybe it’s because I’m an only child, but today being alone calls me. It’s how I am able to have a sustained connection with myself, with this earth. I want to keep moving through the quiet of my day, the happy bird sounds in the courtyard, the soft sweater against my skin, the persimmons ripening on the blue plate my mother made, the changing slant of the sunlight as it moves with the day. I want to relish the bougainvillea blossoms, expand at the sight of the San Jacintos before me. And later in the afternoon I want to walk for hours in the stillness of this day, returning again and again to my glad and grateful heart. May those same moments of remembering to return come to you, too, to each of us over and again, today and always.

Happy Day of the Dead (34)

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I am taking my first MOOC (massive open online course). It is presented by the International Writing Program at the University of Iowa. The first week before I wrote my own assignment, I read an incredible piece by one of the other participants. In a thousand words she’d built a whole compelling and creepy dystopian world, and made me care about the mother and daughter who lived there. It made it hard for me to write my own assignment. I couldn’t stop comparing my own writing to hers. It troubled me. I loved her piece for itself and for her sake, for the evidence that she’d so clearly entered in, had experienced the magic of fiction unfolding. It thrilled me for her. But I let it make my own writing feel pale and weak. It couldn’t stand up to hers. I am rusty at writing fiction, and in the first two assignments that magic hasn’t happened for me yet. But I haven’t given up, so that is something to feel grateful for, and maybe a little proud, too. I am being a writer. And it reminds me, too, that being a writer does not often match up with the easy, romantic image we have built. It means writing and even submitting work that is only the best we can do in the time allowed. It means envying a classmate for writing “so much better” than we can. It means slogging through a writing task when our critic keeps yelling at us to stop, to give up, to throw it all away. To take up house painting instead. But it also means getting to study craft, to listen to other writers talk about how they write. It means having a chance to practice even if it doesn’t always feel good, knowing it is all part of the writer’s journey. And it means always having the pleasure of reading the work of other writers, of being moved by their words, waking up. I read another piece by a classmate in this MOOC that will stay with me always. Her story doesn’t just lead me into the reality she builds or give me a glimpse into her characters. It changes my way of looking at the world. Hers is a conversation between two sisters in the spirit world visiting their family’s Day of the Dead altar. I’ve always thought about all these people making the offerings themselves, the favorite foods, the photographs. I’ve built my own altars, talked to my own dead. But until I read her piece, I never pictured these gatherings in the spirit world, how they might look forward to this event all year. Now I can see them whispering in anticipation, gathering to watch the altars being built here in our world. It brings things together for me, makes this a complete whole in a way it never was for me before. So, thank you, fellow writer. Y feliz día de los muertos a todos.

The Weaver at the Loom (33)

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There are two white crowned sparrows, winter migrants, and two house finch in the tray feeders. The doves scattered earlier, probably a circling hawk. Now we have a bit of quiet in the courtyard, only the occasional melodic sounds from the sparrows and some goldfinch conversations coming from my neighbors’ tree. I love these daytime forays of the white crowned sparrows. Last year I almost never saw them. But I relished the sounds of them scavenging the fallen birdseed just before full light or in the late, late dusk before full dark. They are tender spirits, I think, quick to seek cover. Maybe the growing bougainvillea in the corner is making them more bold this year? Knowing they have a nearby retreat? Today I am battling a cold, so I am subdued, a running underlying sense of wanting to be asleep. But I feel good, too. The volunteer marigolds, over a hundred, I think, are in perfect time for the Day of the Dead. This morning their bright orange pops in the gray day. Halloween is the pagan new year, too, one of the eight main pagan holidays, a day when the veil between the worlds thins. I feel it all today in my courtyard, heralded by the hundred neon marigolds, by our migrating sparrows, by the absence of the sun. There are times when we can feel the earth turning, pivotal points like now with these looming holidays. We move more fully into the moon-dominated part of the year, from the fall equinox until the winter solstice. It feels perfect for my life right now, for my writing work, my healing, this turning inward that comes with the seasons. And it makes me even more grateful for the gift of extra time I’ve been given (regardless of the loss of income). The doves come back now in twos and threes, and the courtyard becomes busy with their steady pecking and their constant flutter. But if you listen hard, underneath their sounds you can hear Guy Gavriel Kay’s weaver at the loom. Do you hear her? The clack of the loom, the sound of the shuttle as we near next week when the veil between the worlds grows thinnest? And when you open your mouth, the air tastes like magic.

The Day Begins, or Fear Softens (28)

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I lie on my back, diagonal across the bed, fear tingling through my body. It reminds me I’ve had two scary dreams in the past few nights. In the most recent, I crouch in the courtyard in the dark and watch a faded blue hatchback park outside the fence. The rear window is covered with stickers like the ones Colleen and I collected when we drove around the country in my yellow Pinto just after high school. In the dream a man gets out and tries to open the gate. I think, having someone try to get inside at four o’clock in the morning isn’t a good sign. I try to speak, to say, “Can I help you?” in the sharp, condescending voice I use for phone solicitors and strangers like this who don’t identify themselves. But the words never form, and I wake up with a jolt, fear coursing through me. Nightmares are rare for me these days. But this morning I didn’t wake from a bad dream. This amorphous fear is just alive in me. There are plenty of possible fronts: loss of income, Mami, Trie, my writing, the future. At one point, I notice the refrigerator is silent, and I worry it has died in the night. Even for me, this is such a stretch I have to laugh. After, I lie still and do a little metta practice, a little tonglen. I breathe in the fear from my body, breathe out trust and ease and well being. It quiets, becomes more subtle. I lie there for a long time and let my mind roam. I wonder if this awakening of fear is tied to the healing work I’m doing with Elana. Could it be only a sharper awareness of the fear that always lives in me? And then for one moment I sense excitement in there, too. That changes it for me, points me toward something maybe I can accept. The thought of living with this kind of fear all lit up in me, maybe for years, seems unbearable, but fear tinged with excitement feels more livable, maybe poised on the brink of the next thing. It softens it, adds hope, promise. I breathe in, breathe out. The refrigerator turns on. I hear morning traffic, building already as our snowbirds trickle back in. The finch begin to chatter in the courtyard. They’re late, sleeping in on this gray, cloudy day. I stretch, yawn, grab clothes. I open the louvered window, reach my hand through to touch the morning air. I relish the sight of the bright orange Mexican birds of paradise, taller than I am now, the blooms showing their wear on this autumn morning. I slip into my worn-soft sandals, ready to greet the day.

On the Loom (27)

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Tuesday gray skies open, and we have long hours of that steady, quiet rain that tastes like peace. I take my lime green umbrella and walk in the late dusk, the soft pattering of raindrops balm, honey, music, salve. Wednesday is Mami’s birthday, and she and Auntie Gardi come to celebrate. The rain stops just before they get here. I bring dry cushions out to wet chairs, and we sit together in the courtyard. They drink coffee and smoke cigarettes, fascinated by the birds thronging the feeders after the rain. It makes me glad to watch them watching, feel their pleasure. I don’t often get to share my courtyard birds with anyone. Today the sun is poised to sink behind the mountains as I write. I have a small glass bowl of water beside my bed with one dark orange Mexican birds of paradise blossom, two yellow tecoma trumpet-like blooms and a sprig of scarlet bougainvillea. They broke off from the small bouquet I picked for Mami’s birthday. This little bowl of color and the candle I light are the only outer ways I mark the equinox, but I feel it with me all day long, the perfect balance between night and day, between darkness and light. Maybe that’s why the funny longing that springs up in me, my crazy dream about going to Arizona on Saturday for a daylong retreat Amma is offering there stays alive so long in me today. Maybe this gateway in the turning of our world makes everything feel possible. The birds are quiet now, yesterday’s celebration a memory. But on this magic day when light and dark lie balanced just before the tipping point, Tuesday’s rain and the sweetness of our time in the courtyard yesterday feel like they are all of a piece, rich threads woven into soft, supple cloth. I feel lucky and content, writing now in the last light of the sun. Happy autumnal equinox, everyone.

Good Ghosts (22)

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Around me, everyone is awed by the splendor of the eastern Sierras, but I am in shock again and again. Everything is ailing: the air, the pine trees, the scrub brush. Even the deer feel different, thirsty, the yip of the coyotes desperate. The only place I don’t feel pain is when I soak naked in hot water in the center of the caldera, the wide plain and rocky mountains spread out in all directions. We go there for the Perseids, then lie on our backs in the middle of the night on picnic tables at Mono Lake fighting sleep. The heavens grow odd, the Milky Way a huge space station, a gigantic metal insect. We write each morning for hours at our campsite, in among the pines. A chipmunk appears beside my notebook on the picnic table, his deep brown eyes intent on my face, alight with curiosity and kindness. The peace is tangible, surprising. I am not used to living in a group, don’t quite know how to keep my center, yet the peace reaches me in still moments. An osprey perches on a bare tree at the top of our hill and calls again and again in a high voice I don’t recognize. We read our work out loud in the late afternoon or just after dinner. I may be the most present then, ready to mirror back the parts that speak to me, to swim inside and come back with something I can put in words about what I see happening in the writing. I like reading my own work, notice I am not afraid the way I used to be. I am grateful for the feedback, too, these faces in the fading light, these voices who have grown dear to me. I want to stay here always, writing pieces of my book, reading them aloud. Leaving comes in pieces, too. A wistfulness before our time is over, leaving the wilderness, the long hot stretch of the central valley, arriving back in Oakland, taking the train home the following day. Now our time together is a dream, and I am not yet quite awake again in my ordinary life. I miss these people, miss our campsite home. Being alone is lonelier, the way they are with me but not with me, ghosts now in my Palm Springs home.