Respite (8)

These days
I don’t always know
where to go
how to be inside myself
all sharp jagged edges
I dissolve
on the floor of the garage
I keen
into my pillow
I want to put my fist
through the wall
(how do people do that?
the drywall must be very thin?)
but now and then
I find that sweet spot
where I know beyond doubt
how lucky I am
I find my grateful heart
in a quiet moment
in the midst of it all
and I cry tears
that don’t hurt.

Mr. Toad’s Wild Ride (6)

My body’s still thrumming from the vibration of driving, from the intensity of southern California freeways. I can hear the dishwasher in the kitchen, the crickets through the open sliding glass door. My mind is still sorting through the images of my home, ravaged by desert rats, kin to the ones I relocated with such tender care eight months ago and more. It’s like sifting through photos loose in a box, like flash cards. I can still smell their urine. My friend Maureen saved me from becoming a puddle on the floor, working her butt off, making big dents for me in the chaos. After she left I just kept going. Nothing is clean there now but the toilet and the cutting board in the kitchen. The top of the refrigerator is the only surface the rats did not mar. But the floor’s been swept, the bird feeders filled. I did not fully land much, though, and that is disappointing. I got to watch Maureen just feet away from me, marvel at her three-dimensionality outside of Zoom. But I wasn’t completely present. I remember a mourning dove on the roof of the trailer looking down into the courtyard with longing, getting up to scatter some seeds for him. A hummingbird came to hover behind me, but I was too wrapped up in whatever I was going to turn to greet him, a heartache now and a longing of my own. At one point in the late morning when I am sweeping I catch a sense of their rat glee, chasing each other around, leaping from couch to bookshelf, wild animals at Disneyland closed for the pandemic. “I love them, too,” I say to Maureen. “I know,” she says. And we turn back to our sweeping while the day grows hot around us.

Even Though (5)

I see a black-headed
grossbeak
on the bird feeder
in the morning
greet a star
(my star?)
in the late dusk
and in between
there is
a worn wooden bench
in the late afternoon sun
away
from all the people
so I can take my mask off
to drink my yerba maté
watch the jack rabbit
nibbling grass
hear the raven’s
wingbeats
shake my head
over how much I continue
to resist my life
right now and
earth thrums
through my feet
touches my exhaustion
and pools in a
still
quiet place.

Bejeweled (4)

I am still not used to days of going and going, still finding my way in this, wanting to touch down more, palms to the earth. But there are pockets in most days, places where I land, even if only for moments. Some just rise up in me, like sitting in the car in Montrose drinking my yerba maté the other day when I felt so incredibly lucky. Some pockets meander over, like the hawk that swooped in and sat on the electric pole when Asterik and I were talking in the street. Sometimes I reach for these places, like stopping with my tea, sitting in the back yard taking in the ridge, the mockingbird singing in the leafed out liquid amber, the California towhee on the wet ground eating millet. Taking in whoever shows up. And the moment late at night when I turn off the last light before going to my room. I look through the living room to the solar Christmas lights outside on the succulent, the corner of the San Fernando Valley lit up in the distance, cars moving in slow motion on the freeway. I stand still in the kitchen doorway, this silent evidence of life happening out in the world, and the lush echoes of it alive in the dark quiet of the house, memory of the day just lived, and holding tomorrow.

Cradled (3)

In the mid-90s I wanted to have a baby. My body really wanted to be pregnant. I lived on a hill outside Sebastopol in northern California, and I would walk up and down Tilton Road, watch the red-shouldered hawks soar in the canyon between my hill and the next. I remember climbing the hill one morning on my way home, nearing the row of mailboxes for our dirt side road. I was all filled up on the day, the hill, the hawks, my strong body climbing. I remember feeling that exhilaration, that joy, and noticing that longing for a child nestled beside it. It’s the first time I remember understanding how we can hold more than one big thing at a time. Today it’s mostly anger and fear. I try to hold them with kindness, but the anger is harder. And underneath it all is a deep sadness that permeates everything. It lifts here and there like this morning beneath the liquid ambers, one of those moments when everything intersects. I go to turn the sprinkler off, and a mockingbird begins to sing nearby. I look for him in the leafing branches of the liquid amber one tree over. And looking up, I see a lizard coming down the tree whose roots I’m standing on to reach the sprinkler so I don’t get my slippers wet. He stops to check me out, and that is the moment when it all coalesces. I greet the lizard and hear the mockingbird’s song and see the morning sun between the new leaves of the liquid ambers and taste the wet earth and feel my toes grip the tree roots beneath my slippers. Joy comes with this sense of divine intersection. And sadness still tucked up beside it, companion for the long haul.

Well-Being (1)

I told you this already
when I was sixty-two
but this year
while I’m sixty-three
I plan to learn to sing
“When I’m Sixty-Four”
because I believe
I should sing it
all year long
to everyone
who loves me.
Late at night
I learn the lyrics
on my laptop
the Beatles’ voices
in the quiet living room
my impish delight
breaking through
my exhaustion.
I hope every time
I sing it
I will feel
just like this.

Archaeology (62)

Sleepy eyes
close again and again
Dreams dust my edges
nonsense lines
dialog with somewhere else
What a world I might know
if I could lasso it all
and bring it forward
onto the page
dig for messages
and buried treasure
I hand you a shiny relic
with a broken wing
and watch you
turn it over in your hands
in the late afternoon light.