I sit when I can in the back corner of the yard beneath the lime green umbrella where I can see the ridge behind us. In these squirreled away minutes I savor my yerba maté and commune with these foothills. I hunt for signs of life, hope for red-tailed hawks or ravens, the ridge my much-loved companion. She came to me in my compassion class when we were asked to call up a comfort image. The ridge came, and my beloved San Jacintos came, too, with their many layers of ridges, old, old friends now. Mountains are in my blood, though I didn’t understand this before today, these foothills from childhood, my Girl Scout mountains, my Ajijic mountains, my Palm Springs mountains. The steady nature of them all, an ancient abiding, wise, deep beings every one. When I lived in Mexico I translated one of my favorite rounds into Spanish, not word for word but the feeling of the song. I would sing it from the third-floor roost of my blue house in Todos Santos at the end of the day, my long hill darkening before me, running west toward my sliver of sea. “Los cerros que viven aqui,” I sang, “Ellos pasan tiempo conmigo. Doy gracias por los cerros.” The hills that live here, they keep me company. I give thanks for the hills. I sing the song tonight in this late, late dusk, my ridge now a dark but breathing silhouette against the blue purple sky. The west a fading orange, and Venus brilliant just above that swathe of pale green we get in this longitude. New moon evening, one lone cricket starts his song. I wonder if I’ll hear the owls tonight.
Category Archives: Music
Well-Being (1)
I told you this already
when I was sixty-two
but this year
while I’m sixty-three
I plan to learn to sing
“When I’m Sixty-Four”
because I believe
I should sing it
all year long
to everyone
who loves me.
Late at night
I learn the lyrics
on my laptop
the Beatles’ voices
in the quiet living room
my impish delight
breaking through
my exhaustion.
I hope every time
I sing it
I will feel
just like this.
The Christmas Waltz (30)
I spend a lot of time being angry right now. In between bits of grace are wedged, brief moments when I feel like myself, foreign to me for decades in this childhood home. Quick, unlooked for seconds in an afternoon when joy arises, five minutes before we have to leave for the vet when I stand beside the kitchen sink sipping my first hot tea of the day, and I am fully me as the hot spearmint goes down my throat. I sidestep three times, cup cradled at my chest, to stop and drink in the view, as well, the western sprawl of valley and foothills. Or awake in the middle of the night after checking to be sure my mom has not removed her splint, when I lie in bed and hear the owls talking outside the open window. Or right now, typing standing at the kitchen counter to ease my sore hip, while Frank Sinatra sings Christmas songs. “It’s that time of year when the world falls in love,” he sings, and I want to believe it, this year more than ever. Maybe tonight we’ll watch Love Actually. And may all our new year’s dreams come true.
Otherworldly (36)
The mystery black birds appear in the guayaba tree in the late afternoon. They perch and poke for seeds, awkward at the three tube feeders I’ve hung for my house finch. I watch through the open louvers in the back room. I thought they sounded familiar when I heard them in the morning on the telephone pole, but now I have a front row seat. They are red-winged blackbirds! I am in love with them, the females especially, so subtle and intricate—light, bright brushstrokes of paint across their blackness. Watching them in all their quiet glory takes me back to when I lived in Cotati, and I would walk out behind one of the old Hewlett Packard campuses at the end of the day. (It was a walk my friend Meri introduced me to.) Red-winged blackbirds perched on every bush and thrust of stem in an open field. I stood on the edge of the road and listened to the magic, lilting songs, waves of music echoing around me in the late dusk.
Weaver Be Praised (25)
He was getting cold, but he wasn’t ready to leave. The winter sun abandoned his usual spot in the mid-afternoon, and he’d left his blanket outside the walls, folded with care and tucked up in the fork of his favorite tree. He wasn’t yet used to the sun being so far south in the sky, and these narrow streets blocked so much of the light in all seasons. He sighed and got to all fours, managed to stand up without groaning out loud. No one wanted to hear him groan, he knew. No one wanted to think he might be truly suffering, and he didn’t want people to think he was faking it to play on their sympathy, a ploy for more coins in his copper cup. The truth was he was getting old and creaky. Getting up off the cobblestones wasn’t as easy as it used to be, and the dampness in the stones, the cold that never left them for long this time of year, made it harder. But he didn’t want people to feel sorry for him. He liked his life for the most part. He wouldn’t have chosen to go blind like this, slow and steady, but if something had to give, he thanked the Weaver every day that she hadn’t taken his hearing. Then he would have had to struggle not to feel sorry for himself. He might have become the pitiful sight some people already thought he was. But the Weaver had left him his hearing and his voice, so every day he got to lift himself up to the sky, carry himself across the tops of the eastern forest, sail across the southern sea. Weaver be praised.
[Editor’s note: written from a prompt from Creative Writing Prompts. Plus, I have borrowed the Weaver from my favorite writer, Guy Gavriel Kay, and his wonderful Fionavar Tapestry.]
Gladness (13)
I live in the palo verde in the woman’s courtyard. I have waited seven years to be up in this green tree, high above the moist earth that was my home. I sing to summer, cicada sounds in me. Summer serenade, stealthy buzz, begin and end, sudden, sultry, magic. I am a magic cicada. I can turn summer into fall, drive humans from their beds, angry shouts in the night, the slamming of windows. So now I like to stay where I am wanted. This palo verde likes me in her arms, rocks me in the breeze. I am more than a little in love with her. Serena, the woman calls her. She says it like a word in Spanish. She asked the tree’s name when she planted her and saw the word in her head, scrap of paper in her mind, words from an old typewriter like letters from her father when she was a little girl, the name Serena popping out. I didn’t think I’d ever love a tree like this, much less a human. But the woman likes me. She really likes me. And after all those angry windows closed against me in the dark, it is like heaven, like cotton candy, like marbles in the moonlight to feel the woman’s pleasure when I begin to sing. Ah, cicada. I hear her whisper, feel her cherishing my song. If she saw my bug body, I don’t know if she would be able to embrace me as wholly as she does my music. But I know she would honor me still, protect me in every way she can, bug body and all. It makes me want to cry, sitting in Serena in the early dusk, so lucky here in the warm desert sky, feeling the woman’s gladness as I begin to sing.
[Editor’s note: This is a slightly revised version of an 11-minute writing in response to a Natalie Goldberg prompt to write a “waking daydream” that I wrote downtown with Stef on Wednesday in the late morning with the misters on.]
Early Morning Music (6)
I sit on the side of my little road and watch the day arrive. I can’t see the eastern sky from my courtyard, so I bring my metal barstools outside the fence (so I can put my feet up), and I carry out the wobbly wooden stool with care where the candle will sit and which might house my tea but these days sports coffee with half and half. I try to be quiet, not bump into things in the dark, aware of my neighbors. I stretch out my legs and settle in as the sky begins to lighten. I face southeast and watch Venus rising, have the honor of a mockingbird singing and displaying at the top of the electric pole before me. I warm my hands on the cup, sip my coffee, close my eyes sometimes when his performance is especially melodic or visually impressive. I feel bad when I get lost in thought and realize I have missed part of his concert or this coming of the day, even though I love the chance to daydream, too. When I am both present and lucky I get to relish his incandescent song and the glory of the morning splashed against the sky. Today there are echoes of deep pink spread across the southern clouds, stopping just before they tint the San Jacintos. Wide stretches of sky between the clouds become that otherworldly aqua color the twilight minutes often bring us here in the desert. We’ve had an extraordinary spring, no doubt due to the extra rain the gods granted us. For weeks the mockingbirds in my neighborhood sang without stopping, day and night. There seemed a kind of frenzy in it, the sheer numbers of singers and that ceaselessness I had yet to experience. Now in the middle of May, our desert spring is over, but this one mockingbird still comes to the telephone poll to serenade me. I lean back in my front-row seat and savor his song. The neighbor’s calico cat trots by on her early morning rounds, surprised but not deterred by my presence in the road. She is not interested in me, intent on her own pursuits, so I return to my morning concert. The waning moon and Venus stay close, too, for a long time—companions in the sky.