Crescendos (9)

YellowKitchenCloth

It’s the small things that stop me, give me breath. The unbelievable yellow of the new kitchen cloth from Trader Joe’s lying in a bright wet clump on the edge of the sink, the fleeting perfection of its spotlessness. The messy lumps of peeled mango piled inside the red glass bowl, waiting for me to finish writing and open a chilled bottle of Topo Chico to go with them. The surprising thunder of the cicadas in the neighbor’s tree, filling our courtyard garden, growing louder and louder as dusk darkens to night, their wild crescendo crashing through the open windows, the abrupt silence at full dark. I still find myself rubbing my fingers against each other sometimes, evidence of my hidden anxiety. But tonight I listen to the now-quiet air and feel the kind of peace I’ve been longing for.

[Editor’s note: This was originally written shortly after “The Thinning Veil.” As I work to return to my blog, there will no doubt be a mix of things past and present, maybe off season–this was in the heart of the summer–and so on. But here I am!]

The Thinning Veil (8)

This waiting to feel like myself again is mysterious, elusive. There are times when I forget I’m not yet normal, laughing on the phone with Colleen or glancing up from the computer to see the mountains spread before me, my fondness for our new home springing up. But other moments I feel flat, separate, behaving like the me I know but not feeling like her. There is still wonder everywhere. I know this. The big grasshopper on the sunflower, the mourning doves pecking at the fallen seed below the tray feeder, the roadrunner caught in the corner of my eye when I am working, the hummingbird alighting on the guava tree outside the window–gemstone through glass. A veil between us, I think, a muting of wonder. Unbelievably thin, subtle. Even the coyote watching me with his mouth full of raven, gossamer fluttering between us.

The Next Rock (3)

For long weeks, I was still living in my old place and spending time in my new place. I could feel the way things were shifting. I remember thinking one day how my old place was still “home,” but I knew I was beginning to move toward the new one. One day I brought over a saucepan to make tea, a can of Bon Ami, bright washcloth rags for cleaning. I wondered if the awkwardness I felt was a funny feeling of being disloyal, forming new attachments, wanting to still cherish our home for as long as I could. I was poised between two worlds, the lizard perched on the side of a rock, ready to launch himself. Soft landing, we always hope, the next rock as lovely as the rock we’re leaving, warm or cool at all the right times. And almost always, if we are lucky, the new view becomes familiar and beloved, the neighbors dear, a wrenching to leave it, cactus and palm, canine and human, hibiscus and pine. “Almost always,” I whisper to myself in the hot summer afternoon, both talisman and promise. If we are lucky.

Psychic Ties and Parallel Worlds (1)

The previous owners of our new old trailer home went back to Canada ten days ago. Since then I’ve felt my psychic responsibility for both dwellings. I agonize over my decisions for the trailer, line up fence contractors, research air conditioners online with Consumer Reports. I cry watering the bougainvillea here, ache when I hear the house sparrows chittering. I sit in our courtyard garden and savor sight and sound. I have dreams of future lushness in our new home, but for the beginning our life outdoors there will be stark in comparison, no trees, no hedge alive with birds. I’ll miss our big fan palm and our valiant pine tree. I’ll miss color and texture, bark and stone and hibiscus. I so hope the new tenant will take care of the lives we leave behind us here.

I lay in bed this morning while fierce winds had their way with our world and worried the teetering fence with the rotted post at the trailer may end up across the road, prayed if it fell it would fall inward instead. When I saw the fence between my landlord’s yard and ours had given way, my first thoughts were go now, move now, don’t wait. My next thought was how odd that this fence would fall over when I was worried about the one at the trailer. Was this some weird kind of mirroring, some parallel universe thing?

Birdbath props up the fence

When I walked over to check on the trailer, the fence there was listing but not down. I stacked more bricks against one side, wedged the bird bath against the other. Now it’s late at night, the wind still noisy behind our closed doors, but I don’t feel anxious. And there is another sweetness that came to me today. This afternoon, when I went to lock the trailer door, I turned back, compelled by a wash of feeling. “I’m looking forward to coming to live here,” I said to the empty rooms. I think it was the first time I felt it in my bones. I had a lopsided grin on my face when I turned to leave. There is life outside here, too. I passed the orange nasturtiums beside the propped up fence on my way out. I was still grinning when I headed home.

I Have a Dream (53)

I spent Wednesday at a local resort, “day use” there my treat for spring break. I drank coffee and did my qi gong and my yoga on the cement beside the hot tub. It was warm from the sun, and I lay on my back and watched the fan palm leaves bend and bristle in the wind. I stood beside the wall of cloudy glass bricks, alone in my corner of that public world, and I kicked my legs forward and backward, punched the air before me, stood still at the end of the series, the dragon stands between the heavens and the earth. In between I floated in the hot water and let the tension leak out of my body and felt a dream emerge in me. The “Travel” section of the Sunday Times was about Mexico, and I read it greedily. It was focused on Mérida, a city in the Yucatán. Just like that, the desire to visit was alive in me. And somewhere in the midst of doing my qi gong in that hidden section of the resort, of floating in the hot water watching the San Jacinto mountains peeking out between the palm trees, of feeling the sun-warmed cement beneath my back, against my thighs while I twisted my spine and stretched my hips, a vision grew in me of a neighborhood in Mérida and a part I might play there one day. I dreamed a fountain and good food, a plaza garden, a co-op, a milpa, peace.

Lake Chapala Nibbles on Its Edges (48)

When I lived in Ajijic, the lake flooded. It wasn’t the worst the village had lived through. People told me years before Lake Chapala came two blocks into town. The year I was there, she only swallowed the shoreline. But I remember the eery feeling I had seeing everything submerged. I used to be able to walk straight down Aldama from my hillside home, then walk along a dirt path that hugged the southern edge of the village beside the lake. All of that was submerged, even the cobblestones of my street disappearing into the water. I stood there for a long time listening to the lapping of the small waves, felt my mind twisting with the reality before it. I walked across town, approached the lake from the west.

basketball court submerged in the lake

egrets on the tennis court fence

flooding_don't bother the birds sign

I marveled at the way the basketball courts had vanished, the hoops sitting out in the water. The lake edged the tennis courts at the fence line as if by design. I watched the egrets sitting on the chain link, their unexpected furniture. The little sign asking people not to bother the birds was still visible, the tree it was posted beside surrounded by lake. Two people passed me on horseback, the horses legs churning up the mud. I cringed at what their hooves might find, hoped they wouldn’t be injured. It all made me glad I lived on the hillside, as often as I might have looked at homes nearer the lake with a certain longing. On the hillside, the thunder gods sat on our red tile roofs and laughed. But when the rains came, the rivers of our streets ran away from us. I stood watching the horses heading east where I couldn’t follow. I choose thunder, I thought.

Closer to the Earth (44)

I’d pulled out the travel section of my L.A. Times a few weeks ago and set it aside unread. The cover story was about Mexico, about the northern village made famous for its pottery. Now the next generation are doing marvelous contemporary things with clay, and I’ve saved the photographs of big beautiful pots for my mother to see. There is one in particular I think she’ll enjoy that reminds me of some of her own large slab bowls. Nestled between the images of the pottery is a shot of one side of a village street, and I am transported. It could be any rural village in Mexico–the narrow, uneven sidewalk, the crumbling edges of things, the dirt road, the fading paint on the walls of the buildings. But what makes this so different from a dilapidated block in some U.S. town? Why does it awake a longing in me, a fondness, even, none of the aversion I might feel for the equivalent in this country? Is it the colors, the texture, the light? Is it the lack of despair in that Mexican air that weighs more lightly on the world? And why do I crave it?

yellow house

window and flowers

When I moved back to the States, I remember my shock at the clean, wide streets, the lavish landscaping. Now I teeter between pleasure in the places where this wealth allows for a clean beauty, the brick and the desert plants and vivid blooms a masterpiece, often echoing our Spanish roots here in the Coachella Valley, and my dismay and disconnection from the places where the clean wealth falls short of this art and only looks garish and sterile, even obscene. But when I see this photograph of the village street in the newspaper, I ache to be there, walking along the banqueta, the sidewalk, my sandals dusty, my skin drinking in that other sunlight, the colors and the textures akin to the earth, to life, to participating in the world in a different way. I can’t quite grasp the words to explain it even to myself. It is a knowledge and a memory of the body, I think, and the spirit, not the mind.

I can feel myself nodding to two women I pass on the street. “Buenas tardes,” I say.

They take me in with their eyes, nod, smile. “Tardes,” they say.