May 2014 Be Sweet (13)

Trailer_Lights_Moon

I came close to not writing a piece for my Christmas cards this year, to just sending them out with my love. But writing an annual greeting reminds me of the new year or birthdays, a chance to step back, to scan the year before, the hawk gliding on the thermals, the big picture spread below her. I want to not be too lazy to look. And I want very much to return to being a writer, to immerse myself in writing long enough for it to seep out my pores, thoughts rising through my days, steam drifting up from wet pavement after a summer rain.

On February 2nd I agreed to buy our new old trailer home. After I said the words on the phone, I fell over, banged my knee hard on the tile floor of our old apartment. I was gone already, I think. But a voice had whispered to me to walk by that day in the rain when I saw the for sale sign, and the trailer sat on that stretch of road I’d studied for years, easing myself closer and closer to making the leap to living in a tin can. Then the fence, the A/C fiascos left me gun shy at this home ownership stuff, rocked my faith in myself, disturbed my demons. Summer was brutal, and they began building across that stretch of road. The cottontails and roadrunners and I were displaced, desperate. I made false starts again and again. There were times I didn’t know if I’d ever make it all the way back.

But I did. Thanks to the kindness of the gods, I scrabbled all the way back to joy. My writing is the last to return. I want that richness, that extra layer woven through my days and nights. So today I make another effort in that direction. I sit in our courtyard, notebook propped against my knees. In the lull from the construction site, I hear birds. I count six house finch, two goldfinch and one hummingbird perched on the bare branches of my neighbor’s tree. Yesterday at dusk the moon was rising. The solar Christmas lights spread glowing reds and greens and blues along the fence. And birds have begun to sit in our palo verde. Today I bought a headband with aqua feathers to wear to the new year’s eve party here in the park. I plan to dance, to laugh, to sing. I look at the leafless branches of the neighbor’s tree again, and now there’s one lone mourning dove, his small form still against the late afternoon sky. I watch him for a long time. My cats are both napping nearby. I feel grateful and quiet and full.

I hope this finds you equally at home—in your skin, your life, your year. May 2014 be sweet and gentle and glad in its unfolding.

My Palo Verde (11)

picture of palo verde with green umbrella

When they planted my palo verde before we moved into our new home, I prayed to know her name if she had one. Days later when I was weeding near her base I saw her name in my head. It was typed on thick white paper with pink and blue fibers woven through it. The lines were single-spaced, like part of a letter written on an old manual typewriter. Serena. Really? Serena? It wasn’t something I would have chosen. Then I heard it in my head, spoken with a Spanish accent, the long letter “A” sounds, the furred, rolled “R.” I liked it. She was in full bloom when they brought her, and she grew fast. The first fierce wind we had knocked her over, and I became hysterical. I’d never had my own tree planted in the ground before, only Christmas trees who lived in pots. Gus came and righted her, tied her up, but he said she was still too top-heavy. After, I bought a saw. I’ve been removing her limbs little by little, feeling like I’m cutting off my own arms, terror alive in me each time. The last time I had the wrong angle on the cut, had to go in again from the side, made a big gouge in her main trunk I haven’t forgiven myself for. I pray she’ll be okay, that her roots will grow deep and wide now, her remaining limbs thick and strong. I can see her tall and broad, our shelter from the summer afternoon, her branches filled with birds sitting quiet in the early evening. The first morning we lived here, a little yellow bird came to sit in her, tasting her tiny leaves (or maybe eating bugs I couldn’t see). “Ah,” I said. “You are nibbling on my companion.” It felt like a good omen, that visit. Yesterday I looked up and there were more than half a dozen goldfinch perched in her, their little calls and yellow bellies music on a winter day. My palo verde. My Serena. May you be blessed for long, luxurious decades. May you never lack for water, for company, for blue sky, for love.

One More Sun Salute (7)

I am baffled by this thing of getting better, of becoming myself again. How do I get there? Will I know it, recognize me when I do? I am just past the simple laying down of small acts now, trusting they will become a path. But my premise remains the same. Do these four things every day: my morning writing, yoga, qi gong, some kind of exercise. Still a layering of small acts but more focused now. I used to do these things, believed in them. If I return to them, I am thinking, they’ll take me to myself again. Renewed vows based on faith, on hope, on prayer. Lead me home, I ask. At the same time, I know it’s unlikely I’ll be who I was when I find myself on the other side of this. How could I be? Sometimes I’m afraid there is no getting to the other side. Will these four things work their magic? Or am I only grasping at straws, their plastic weak, bending under my thumbs? I shake my head, as if I can knock doubt out my ears. One more sun salute, I tell myself, and I’ll be finished with today’s four things. I grab faith in my fists and bow forward.

Mango (25)

I pick the big green mango up from the counter, cradle it in my cupped hands. I probe the sides with gentle fingers. I am surprised by how quickly it has softened, even in our late summer heat, becoming almost ripe while I was away overnight celebrating Mami’s birthday. Yesterday in the late afternoon I placed it on the patio table beside a tiny vase of blossoms from my garden to honor the equinox.

green mango with tiny vase of mixed blooms beside it

Now without knowing, I have brought the mango to my face. The sweet, spicy, astringent smell drifts across me. Tears fill my eyes like a yawn, that quick stretching yearning. For one long moment, the scent takes me to Todos Santos. I am sitting at my tall round wrought iron table in the courtyard at Las Flores, marveling over the ripe red mango that has appeared there as if conjured. Later, Alfredo mimes peeling and eating one, not even trying to name it for me, not knowing the word is the same in English except for our terrible American “a” that butchers its beauty. There are three little trees behind the main house. I pass them when I go to use the washing machine. Alfredo brings me more as the weeks go by, sharing the largesse as the season swells and ends. Always they appear on my little courtyard table like sweet offerings to the gods. Sometimes, when he has borrowed my binoculars to look for whales from the steps at the other side of the inn, he will return them to my table with a mango beside them. Back in my desert kitchen, a world away, I roll the big green mango in my palms, my thumbs brushing across it. I press my nose to the firm skin, inhaling, my lips touching, too, my pose a prayer.

Dead Ones (12)

I have a history of dead ones, a habit of coming upon them. There was a span of time when I lived in L.A. where I would find dead animals while I was driving. I would stop to move them to the side of the road. It must have happened twenty times in as many months. I don’t like that we kill them and drive on, leaving their dead bodies to get hit again and again, turned to mangled meat on the asphalt. I’ve cried over dead deer, over the bird I hit who screamed when he died, over the cat who leaped into the path of my car one night in the rain. When I lived in Sebastopol I found a grey squirrel dead on the edge of the road where it bends. I studied it for a long time, marveling at the way the morning mist clung to its plumed tail, iridescent, feather-like. The next day I looked for the squirrel’s body and found a pellet instead. Finding it felt like a gift, being able to know the little one had provided a meal for a bird of prey. I have three squirrel bones, scoured almost white in the bird’s gullet, tucked away in a matchbox, sacred treasure.

The pellet may have been left by a turkey vulture. We had a lot of them there. But I secretly hoped it was from one of my favorite red-shouldered hawks, though I don’t even know if they eat carrion. There was a mated pair who lived on my hill, who would allow me to stand beneath their perch when I saw them, who would tolerate me speaking to them without flying away. One day I found one of them dead beside the road at the bottom of the hill. It was the female, I think, so big and beautiful, gone now. I brought stones to her, my big quartz crystal, a chunk of amethyst, my offerings for her lying in. I am convinced one of my neighbor’s took her body for the feathers. She took my stones, too. It was hard to forgive myself for telling her the bird had died, letting her know where her body was. Later, I saw the male hawk teaching their offspring to fly, one larger bird and one tiny one, only dark specks against the white sky, across the valley from my home. But their calls were unmistakable. I broke open with grief for their loss, with joy at knowing the male was not alone, touched and humbled by their bravery, going on without her. The memory of the two of them flying together, widower father, orphaned son, still makes me want to cry.

I came upon another of my memorable dead in Todos Santos. I found her on my walk just south of the village. I loved that road through the desert, nothing but the sun and the crunch of the sandy soil beneath my sandals as I walked, and then the sound of the sea in the distance. But just outside of town you had to pass a dumpsite. It looked to me as though the garbage washed in with the floods, branches and plant debris mixed up with the trash. But then people would add to it, and the flies would come. I would hold my breath until I’d passed, trying not to look and yet looking anyway, some weird impulse like passing a car accident and slowing down, craning to see. Sometimes there were dead animals there, but more often rotting vegetables, moldy egg shells, dirty diapers, empty bottles of transmission fluid. The dead one who stayed with me didn’t draw any flies. She’d been dead a long time, I think. The desert sun had done its work, bleached her of her smells. She was in the middle of the dirt road, and I remember how shocked I was when I first made sense of her, understood what I was looking at. She was a small mountain lion. She must have been run over, again and again, and she dried that way, flattened like a pancake in the dry desert heat. The image is burned in my brain. It was like a cartoon rendering, the animal squashed flat by a bulldozer, then peeling itself up off the ground, but it was real fur, real cat feet, cat tail. Her form became familiar to me, and I would look for her each time I walked there. I loved that cat.

Last Monday I rode my bike to the community garden. I had my camera in the basket. I wanted to take pictures of all my sprouting seeds, document their lifespan. I was riding on Palo Fierro, and I passed something lying on the sidewalk. I had to stop, walk back to look, praying it wasn’t a dead animal. It was lying in the exact center of the sidewalk, parallel with the edges, in perfect alignment, as if someone had placed it there with care. (It didn’t occur to me until just now. Did someone stop, like me, move it from the road?) My first glimpse had me thinking cottontail because of the colors, beige and white, but the shape wasn’t right.

barn owl wing feathers with lantana (flowers)

When I see who it is, it takes my breath. It’s a barn owl. It must have been hit by a car. I don’t check his underside, only pick him up as gently as I can, carry him to a grassy spot beneath a flowering bush. I pick a few of the bright orange lantana, tuck them by his curved beak, his ruffled wing feathers, his feet. I touch his talons once with my forefinger–they are too amazing to resist. They speak of his wildness, his fierce strength. I can’t help but wonder. Is he the owl I saw flying in the night by the grove of fan palms? Is he my first owl, dead now? We are only a block away from where I saw him.

barn owl talons, lantana tucked up against them

I get my camera from the bike, take pictures of this dead one. I wonder if a bird will come to eat him. I pray for his soul, even though I know it is being well tended. I cry a little. He is so otherworldly to me, the screech in the night, the hallowed, silent white-winged soaring, his feathered shape so still now, ghostly, extraordinary even in death. I stroke him once and straighten. There is a smudge across the day. We’ve lost a piece of light.