Category Archives: Writing

Comfort and Conundrum (1)

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I am determined to stay current with my blog this year, so I will post today no matter what. Even if what I post is terrible. Natalie Goldberg does tell us we need to be willing to write the worst crap in the United States, yes? Or in the universe. Though I don’t believe she means we need to be willing to publish the worst crap in the world. Only that we need to not be afraid to write badly. We need to not be afraid of our thoughts, afraid of ourselves. We need to be willing to put everything down on the page—no holds barred. Still, after the act of writing we get to choose. Do I really want Uncle Horace to know this about me? What about the people I work with? Do I really want to publish this even though it seems clunky and unpolished? Am I really willing to be that honest, show that much of myself to the world? It is a choice we face again and again, like deciding not to light that cigarette, not to cheat on our husbands. But unlike failing at quitting smoking, unlike making that decision to light up, choosing to edit out parts of our story doesn’t have to be a bad thing. Right? Each time we send something we’ve written out into the world, we decide how much we want to risk, how vulnerable we want to make ourselves. We get to keep ourselves safe. And I think that’s a good thing. (I can hear the clamor of this controversy even as I write.) Is it without its own dangers? No. We might end up not being willing to take risks in our writing. We might keep ourselves too safe. But knowing it is our choice what to reveal, when to reveal it—that’s a comfort to me (if also a conundrum). Thank you, writing gods. Thank you for that. And here’s to being willing to risk. Here’s to trusting we can still be safe.

Forgive this Flurry? (48)

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I am inclined to ask for your forgiveness in advance for this flurry of posts as I work toward 56 posts while I’m still 56. I have a handful of days left, and two handfuls of posts remaining. But even as I want to apologize for flooding your email with new posts, a different voice tells me its okay. I think maybe even if you don’t have time to read them, you won’t mind seeing them in your inbox. Does that mean I don’t need to assure you that once I’m 57 things will slow down again? But I do want to keep them coming, one each week, five weeks with two posts. Every year I wonder how long I might keep this up. If I am still doing this when I’m 88, then 36 weeks of the year will need to have two posts. When I started I was 52, so it was the perfect fit. I don’t aspire to being 104 and still blogging, but you never know. I let go of this blog so completely last summer, I wasn’t sure I’d ever reach 56 posts. But I didn’t like giving up on it, so here I am. Tonight I am sick but still typing. I am debating what to name next year’s blog. I’m pretty sure the 57 will rhyme with heaven. What photo will I choose? A shot of clouds on our mountains might work, but I don’t have a good one. I have to make that always wrenching decision, too, about whether or not to pick a theme this year or leave things open again. But tonight I just need to finish this one post and trust the rest will unfold as it may. And tonight, too, I feel glad for you, my readers, and for knowing you will not only forgive me for this flurry of posts—you may even embrace them. So, thank you for that. I can’t tell you how good it feels to think that may be true.

Gray Day Gratitude (43)

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Thursday morning there is the barest touch of chill to the air. I change my T-shirt for the long-sleeved pink top Mami bought me, the one with the psychedelic swirl of words on the front that she and Auntie Gardi have, too. Mine has big holes at the wrists, and I know I will have to take it off again in less than an hour. But I slide my arms into it, loving its soft suppleness, the pleasure of the fabric covering me against the momentary cold. I am guessing this may be the last time I get to wear it. It is an odd thing, this living in the desert, this craving for cold when the rest of our hemisphere is yearning after warmth. But I am not ready for this to be the last time yet, the last time I pull on a long-sleeved top, the beginning of half a year or more of heat. I count on my fingers, eight months of it if this is truly the last cool morning. (Banish the thought.) I want to stave off summer as long as I can. I relish the cool air through the open sliding glass door. There are big dark polka dots on the pavement, evidence of an attempt to rain before I woke. I sit propped up in bed to write, cozy now in my soft pink shirt. I can smell that first rain smell, moist dirt and concrete. Black clouds hug the San Jacintos, and I hear mockingbirds in the distance, a scattered quartet. I breathe in the new rain smell and smile at our good fortune. Maybe today will be a rare gray day.

Shortlisted (42)

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shows my name and story titles from the Fish shortlist

I make a point of entering my work in writing contests. I’ve been doing it for about four years now. One of my pieces won a small local contest, and most of them have now been finalists here and there. Each time, it heartens me, makes me hopeful. At first I entered almost every contest I came across. Over the years I have narrowed things down some. I tend to not enter the very expensive ones, for instance. And I try to re-enter the ones where people have liked my work in the past. Some contests seem more far fetched than others, but for some reason they appeal to me, so I keep entering them. Fish is one I’d put in that category. I think maybe once a good bit of time ago one of my pieces made it to their longlist, but I don’t remember the details. I don’t remember feeling encouraged by that. (I think it was a very long longlist.) The other day when I was looking over something contest-related, I wondered if I should stop submitting to them. After searching through their lists for my name so many times and not finding it, I was discouraged. And they always had a gazillion entries. I think without admitting it to myself I was wondering if the competition was too stiff, if maybe my work wasn’t good enough. Yesterday when I got their email announcing the winners of their 2014/15 Fish Short Story Prize, I started scrolling through their shortlist with zero expectations of finding my name. (They present the lists in alphabetical order by the writers’ first names.) But I got to the Rs, and there I was–not only listed, but listed twice. Both of the short stories I entered made the shortlist. Out of 1575 submissions, my two pieces were among 103 that were shortlisted. I can’t believe they both made it there. It still makes me grin, remembering what a sweet surprise it was to see my name and the two titles. I just wanted to let you know, my faithful readers. I am feeling encouraged now. And grateful, too. If Fish has shortlisted them, then who knows what might happen next.

Coming Home (33)

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It feels good to have my notebook propped against my thighs again, my bare feet on the curved edge of the footstool. Yesterday I felt awkward, clumsy with the pen in my hand. Today it feels familiar, comforting, like finding an old sweater at the bottom of the drawer. I thought I’d given it to Revivals, I think, and pull it on against the chill of a late evening. It has been too long, it seems, too long since I felt like who I am inside it, the old friend who brings you back to center. It hasn’t been that many days since I’ve written, but the days have been long and full. Even when I wanted to write—and I wanted to, bringing my notebook out to the patio table in the mornings, moving it to the edge of the couch in the late afternoons thinking maybe I can write that evening—I didn’t find a place to fit it in. The days have been so busy it feels like months have passed instead of weeks. But I am writing now, and I realize I love the act of writing itself, moving the pen across the page. I like pausing, looking up in the middle of my dreamy thoughts. Two doves and one house finch in the big tray feeder, wary I might decide to stand up again at any moment (human that I am). Sable disappearing beneath the honeysuckle. I love the way writing makes me feel, as if putting words on the page is bringing me more fully into the world again, more a part of life in our courtyard garden. We have smog today. I can see it from where I sit, a thick veil across the mountains. I hear the noise of traffic, too. But there is the quiet pecking of the birds, the scratch of my pen, the soft sound my hand makes moving on the page. It feels good to be here writing, good to be back.

15.2.2015 or Not Quite Mine (29)

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Ah. I had no idea today was a magic number day until I wrote the date in my notebook: 15.2.2015. I still write the dates the way they’re written in Mexico (and most of the world, I’m guessing) with the day first and then the month. Maggie—a woman I met in Ajijic who split her time between Barbados and Canada but had come to Mexico for dental work—told me once my number based on my name is 15, so now I think of it as lucky. She had changed the spelling of her own name to get a better number. And she hated my beloved 29, based on my birthday. She thought it was a terrible number. I wonder if she would have changed her date of birth, too, if she could? My mind gets to wander while I write. It’s been almost two weeks since I’ve written in my notebook. My pen feels funny in my hand, my writing odd looking and out of practice. I am out of practice in all ways, it seems, knowing nothing but work these past six weeks. Work, and fitting in things between work, like sleeping and eating healthy meals. I’ve done my healing toning almost every day while I do my “morning chores,” but I’ve been doing them in the late afternoon or evening more often than not, having let work sweep me away for most of the day. I’ve begun to do my yoga again, though—a small set of sun salutes, mostly, hiding in the shade of the umbrella in the late mornings. And I’ve been swimming three times now. I’m especially pleased about these last two, about having found a way to reach the doing of them in the midst of this crazed stretch. But now, slowing down to write, I feel exhausted and numb, like my mind is not quite mine anymore.

Wild Things (24)

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My kitchen sink is angled in a corner, so when I stand before it to do my healing “toning” with the CD, the voices come to me from behind, engulf me, and my own meets them in the space between me and the corner, echoing, blending. Today I am toning my weakest note, the C, my birth note. I run the scrubbie inside a dirty glass and hit the note. “Jah,” I hold for eight counts, then “pah,” for eight counts more. I still run out of breath. My voice cracks and wavers, wobbly as I work to heal. But already I can feel the difference. Ideas for my blog flit through my head as I stand there, a series, maybe, about my health things, my German healers. The toning vibrates me. The dishes pile up clean and soapy in the left side of the sink. I think again about the power of belief, and just then the birds outside the window at my back bolt in a sudden racket of wings. I look over my shoulder, and the hawk swoops past and lands on the fence. I stand still, my fingers full of soapsuds, so I won’t startle him away. He moves to the other fence, and I turn around and bend my knees to see him through the window. When he flies off, I wish him well, send up a prayer. “May he have a full belly,” I whisper, “a little more often than he needs.” May he have a mate, offspring, a happy life. May he not go hungry. And then I cry, squatting on the kitchen floor, taken by that odd mix of gratitude and grief and love, aching for the small, beautiful, wild things of our world.