Gladness (13)

I live in the palo verde in the woman’s courtyard. I have waited seven years to be up in this green tree, high above the moist earth that was my home. I sing to summer, cicada sounds in me. Summer serenade, stealthy buzz, begin and end, sudden, sultry, magic. I am a magic cicada. I can turn summer into fall, drive humans from their beds, angry shouts in the night, the slamming of windows. So now I like to stay where I am wanted. This palo verde likes me in her arms, rocks me in the breeze. I am more than a little in love with her. Serena, the woman calls her. She says it like a word in Spanish. She asked the tree’s name when she planted her and saw the word in her head, scrap of paper in her mind, words from an old typewriter like letters from her father when she was a little girl, the name Serena popping out. I didn’t think I’d ever love a tree like this, much less a human. But the woman likes me. She really likes me. And after all those angry windows closed against me in the dark, it is like heaven, like cotton candy, like marbles in the moonlight to feel the woman’s pleasure when I begin to sing. Ah, cicada. I hear her whisper, feel her cherishing my song. If she saw my bug body, I don’t know if she would be able to embrace me as wholly as she does my music. But I know she would honor me still, protect me in every way she can, bug body and all. It makes me want to cry, sitting in Serena in the early dusk, so lucky here in the warm desert sky, feeling the woman’s gladness as I begin to sing.

[Editor’s note: This is a slightly revised version of an 11-minute writing in response to a Natalie Goldberg prompt to write a “waking daydream” that I wrote downtown with Stef on Wednesday in the late morning with the misters on.]

A Pilgrimage of Horses (12)

I dream of a pilgrimage of horses. I stand at a crossroads of dirt trails where I can see them walking en masse. It is night, but I see them crossing through intermittent moonlight. Their movement is steady, quiet. I’m surprised to see some of them are saddled and bridled. There are no humans with them, only the horses walking, four or five or six deep on the two converging trails. I feel their sense of purpose, of clear intention, though I am not certain I understand it. I stand where I can watch them, among other people. I think I am in a foreign land or in “enemy” territory because I am aware I may be shot and killed. I am afraid, but I know this is important. I want to stand with my palms together, like namaste, like the Buddhist bow. Instead, I link my fingers. I hold them against my solar plexus, like in prayer, and bear witness, homage, to their quiet passage.

Two Working Dreams (11)

I dream another of those dreams that weave through the whole of my night. It’s elusive, even as I wake from it, even though I return to it again and again. There is a clear glass sphere, fog-filled, suspended in the air. The message, too, is ephemeral but clear. We are to take risks, make ourselves vulnerable. No wonder I am afraid so much of the time, I think. I woke up anxious again five mornings ago. It’s as though I reach a tipping point where it all becomes too much for me. My peace vanishes. Not the deeper peace at my bedrock but the one that lives as ease in my body. In a second dream there are large, looming pieces that need to be moved, like office machines, huge pieces of furniture, a big dark pile. There is a sense of urgency. They need to be moved right away, and it is hard, heavy work. When I lift up the last piece, I find the silver lining. Copper, actually. Uncovered now is a shiny, new-minted penny, as if it has been waiting for me. If I were to lean close, I’d be able to read the year it was made, but I don’t try. It doesn’t seem to matter. What matters is the penny lies heads up for good luck.

How the Dead Return to Us (10)

Being a writer can be kind of weird. And writing a blog or a newspaper column can be even weirder. I once had an email exchange with one of my favorite columnists for the L.A. Times who pointed out to me we are dependent on what happens. It sounds crazy obvious now, but I’d never put it together before. There’s always the interior world, too, of course. But when we can “hang” that inner world on a scaffolding of outer events, when there’s enough happening both within and without to make connections between them, the possibilities seem endless. This is my eighth year for writing a blog, and I seem to either have endless “Blog?” markings on the pages of my notebook, or I have a dearth of ideas. It feels like a long time since the floodgates were open. Yesterday, I was so glad to have something happen I could write about. But then the weirdness peeked around the corner. I meant to show my ugly bias arising even in the midst of it all. But a sneaky voice hisses at me after I post. “It sounds like you’re trying to pump yourself up, like you’re trying to make yourself look good.” Does it? Really? I only wanted to tell the story the way it happened, so glad there was a story to tell. Maybe, I think, I should’ve explained more about the connection I was making to the day I found out my father was dead, how this time I got to be the stranger who wanted to help. That day all those years ago I let the policemen inside my father’s apartment and wait outside on the concrete landing. One of the women from the place next door comes out and asks me if there’s anything they can do, anything I need. “Do you have any beer?” I ask. (I remember feeling foolish asking.) I’d already found out he was dead. I’d already asked the policemen if there was any beer in his fridge. (That would remain a lingering regret, that he died without any beer in the fridge, without any cigarettes. What was I thinking?) Instead of bringing me a beer on the porch, the woman brings me inside, sits me at their dining room table, hands me an icy bottle of St. Pauli Girl. She and her two roommates gather round. They tend to me through that long afternoon, the lazy Memorial Day holiday, 1985. And then in the fall of that year I dream about my father. “What are you doing here?” I say. “You’re supposed to be dead.” I remember the shock of that first dream. I must not have learned yet how the dead can return to us, living again and again in our sleeping dreams.

Early Morning Music (6)

I sit on the side of my little road and watch the day arrive. I can’t see the eastern sky from my courtyard, so I bring my metal barstools outside the fence (so I can put my feet up), and I carry out the wobbly wooden stool with care where the candle will sit and which might house my tea but these days sports coffee with half and half. I try to be quiet, not bump into things in the dark, aware of my neighbors. I stretch out my legs and settle in as the sky begins to lighten. I face southeast and watch Venus rising, have the honor of a mockingbird singing and displaying at the top of the electric pole before me. I warm my hands on the cup, sip my coffee, close my eyes sometimes when his performance is especially melodic or visually impressive. I feel bad when I get lost in thought and realize I have missed part of his concert or this coming of the day, even though I love the chance to daydream, too. When I am both present and lucky I get to relish his incandescent song and the glory of the morning splashed against the sky. Today there are echoes of deep pink spread across the southern clouds, stopping just before they tint the San Jacintos. Wide stretches of sky between the clouds become that otherworldly aqua color the twilight minutes often bring us here in the desert. We’ve had an extraordinary spring, no doubt due to the extra rain the gods granted us. For weeks the mockingbirds in my neighborhood sang without stopping, day and night. There seemed a kind of frenzy in it, the sheer numbers of singers and that ceaselessness I had yet to experience. Now in the middle of May, our desert spring is over, but this one mockingbird still comes to the telephone poll to serenade me. I lean back in my front-row seat and savor his song. The neighbor’s calico cat trots by on her early morning rounds, surprised but not deterred by my presence in the road. She is not interested in me, intent on her own pursuits, so I return to my morning concert. The waning moon and Venus stay close, too, for a long time—companions in the sky.

Empty Nest (5)

I climb the black metal table for the second time. The first time, weeks ago, I peered over the edge of the nest at two tiny perfect hummingbird eggs nestled side by side. Today, I see a black gangly shape lolling against the inside of the nest, beak to the sky. I am afraid he is dying. The wild bird rescue woman is so reassuring on the phone I almost cry. I see mama hummingbird zoom in and out. I blink twice and the two younglings are jostling each other beside the nest. Then they are gone, though this morning I think I spy one at the feeder. How does that work? Do they need to fan out very far from home? Are there rules about this? But oh. For one more day I catch glimpses of them perched in the guayaba tree, nowhere near the nest. Now I still check. I talk to the empty guayaba just in case they are nearby. (They are hard to spot.) The empty nest makes me ache even as I am so glad they made it. How many times did I worry? Now that they are gone, my fingers itch to dismantle the nest. I want to feel the way it resists or the way it tears or gives way against me. I want to smell it and to know if it is as soft as it looks or strangely rough because it is so strong. Of course I don’t do it. What if they can use it again? And how could I destroy the nest, so beautiful and alluring, poop and all?

It would be sacrilege, I think, to harm the nest. I remember the dream I have where hummingbirds are coming in through the windows and making nests inside my home. I worry about them being trapped inside during the night. But the nests they begin to build against the white walls or nearer the ceiling are more like hives than hummingbird nests, mud-wasp-like, a little creepy except the birds themselves are flitting about dispelling all possibility of anything sinister, so these are just an oddity, it seems. One set of my louvered windows in real life don’t have a screen, and sometimes a hummingbird does fly into the living room with me. They are usually quick and curious, and I’m thankful they tend to leave quickly, too, before I have time to worry for their sake. Since my dream, though, when they come and they poke their curious beaks toward the southwest corner of the ceiling, or they investigate the crevice beside the facing window, sometimes I wonder what it would be like if they did live here. The imagined mess makes me cringe. I would truly abandon any meager tie to civilized living. But think of the potential joy, too, all those incandescent little ones buzzing in and out or asleep nearby in the night.  What if the approaching dusk meant I needed to be sure they were all accounted for, so I could close the window before full dark, so I could help to keep them safe here through the night?

Red Letter Daydream (4)

Twenty-nine years ago today, on April 18th, 1988, I quit smoking. The year before, I tried to quit eleven times, but this was the first one that stuck. It ran unbroken thirteen years and still holds sway over most of these past three decades. Because of this I notice April 18th out in the world. It’s a red number day for me. Isn’t April 18th the day Harprita had to have all the potions decocted and the twenty-seven soft blue bundles wrapped and ready for the ship in the novel I’m reading? And isn’t April 18th even a day in Angels in America? Is it the San Francisco earthquake, maybe?

I lean back in the sturdy metal chair in the courtyard, the big round cup of hot tea cradled in my hands. And then I remember. April 18th is the day you and I first laid eyes on each other on that southbound 80 bus. It’s the day I went home to hear that message on my machine from a possible sperm donor. That’s why I know the date, why I was able to trace it back later when I was halfway in love with you and the morning we first saw each other on the bus counted. When I think of you and I that first day at the back of the bus, I can feel the awkwardness between us. Because I think you scowl at me, I avoid looking in your direction and try instead to adjust to sitting in the stupid side-facing seat. I fuss and fidget some. I sigh in exasperation. I never stop being aware of you reading the paper nearby.

Didn’t our eyes meet again later on that first bus ride? Wasn’t it a less guarded look, over the tops of your glasses? Did we both look away? I think I may have watched you reading, too, that morning, chewing on your bottom lip, not looking at me. I know we talked about it years later. You wanted me that morning. I didn’t have a clue you felt that way then, me and my misinterpreted scowl. It still makes the corner of my lips curl to remember. You wanted me the first time you laid eyes on me. There’s a surprising satisfaction in knowing this. I am the cat licking cream from my paws.