Goodbye (Again) (39)

Coming home tonight in the new dark takes me by surprise. I start crying as soon as I unlock the door. No one is here. It hits hard. It strikes like physical pain, has me bending partway over in the doorway. I am so foggy I left this afternoon without my wallet, only the dollar for bus fare I had in my pocket this morning when I decided to walk home from the vet, the carrier light in my hand. Sable alive and purring, tangible moments in the little room. After, I carried his small limp form to the back, laid him down on the table, tucked his ratty catnip mouse near his chin. Way too many layers to touch on much of it now, eyes drooping from our near sleepless night together. Harder, though, than any of the others, I think. There was so much life in him still, my vigorous little boy cat, my big love. Later I will try to do you justice. Tonight, when I settle in without you, I will see what comes. I have been pulled away by work, by people, much of the day. I am looking forward to returning to you tonight while you are still fresh in me. I know how quickly you can fade. When I lie here in the dark I will hold to me sweet memory, the small weight of your tiny form pressed against me in the night, the way you purred almost until the end. My brave little one, I am so proud of you. My dear Boo, sweet dreams.

Holding Hope (38)

My black cat lying on the bed

Yesterday I made a wish on Venus, the morning star caught in the early half light through the louvered windows above my bed. Coming home last night I saw the southern cross hanging in the dark sky, and I stopped in the middle of the road near our home. I stood there for a long time talking to the heavens, beseeching the cat gods. Both times I was stunned by how big hope is, how core to humankind. And so, again and again I banish my fear and turn away from the draw of agonized remorse. I open to hope. I want to grab hold wth both fists, hang on for dear life, but I know it doesn’t work that way. We have to open to hope even when it hurts. We hold our arms out wide while feathers brush across our open palms. My little one is poised between the worlds, so I open to hope, to true dreams of having him home again, playing with his ratty catnip toy I have waiting on the pillow, racing across the courtyard in mad cat abandon, happy and well. When I visit I send him mental pictures of just that, and of sleeping curled together on our bed. I open to hope, and beside the deep sweetness and the ache of it sits the knowing I may lose him, the knowing I may need to let him go. So, I hold them both and pray. And as I write, it feels important to send this out into the world, my prayer made manifest, like a kite breaking free of its tether, or a bright red balloon drifting across the sky, whispering to the gods. I whisper, too. “I love you, Boo.” And, “Please stay.”

Heart Forward (36)

I’ve begun taking a yoga class again. I chose the beginning class, and still the first day I felt like a big, heavy weakling. But I didn’t make myself feel bad about it. I am only glad I’ve begun, knowing I’ll get stronger, lighter. I believe that because two decades ago I did yoga for the first time at a retreat. After three days, I felt amazing. I fully inhabited my body for the first time in my life. There was energy between my toes. I haven’t touched that exact feeling since, as though all of my being reached the edges of my skin, but I know it’s possible. I do yoga at home, but I don’t push myself the way I am pushed in a class. I seem to have become better, too, at protecting my back, my hip. I am paying more attention. And when I can’t do something, or it is really hard, I am not beating myself up. These two changes alone are immense, gratifying. Add working in the yoga studio full of clean autumn light with a teacher who emphasizes the spiritual aspects of the practice—well, it becomes almost more than I can hold. I can feel it moving against my breast bone, and I remember yesterday I learned I push my ribs out too far. I need to move my heart forward. And so I will.

Homework (35)

We are asked to choose one thing in our day and commit to doing it mindfully. I pick drinking my tea. I have begun to drink dong quai and wild yam with honey and coconut oil. Today I stand beside the sink preparing it. I forget the strainer and pour all the loose pieces of the roots into the waiting cup with the honey and oil. I have to laugh. It’s a good thing I chose drinking the tea and not making it, I think. I stir up the mess and strain it into a fresh cup, then carry it out to the courtyard. It takes up so many senses, so at first it seems easy to stay present, to savor it. The dong quai and the wild yam are bitter roots, the honey and coconut oil both sweet—blended the flavor is a weird and lovely combination of the two tastes. My body seems to crave it. I lean over the cup to inhale the earthy fragrance, the warm ceramic bowl of it cradled in my palms. My mind wanders more than once. I bring it back, sip my tea. I hear the goldfinch chattering. The sun sits just above the mountain ridge, the last sunlight in the late afternoon. I think next week I will choose a different thing, so I can just come and go while I drink my tea, let my mind wander where it will, untethered.

My “Real” Writing (26)

There is a sweetness in touching my “real” writing. I wonder if it is that that truly draws me to it—that deep, quiet sweetness rather than the eager, scary thrill of reading it out loud or sending it out into the world. Maybe it is different for all writers, but there is a place we all go to, at least now and then, where we do our best work. Natalie Goldberg calls it “dropping down to first thoughts,” Clive Matson, “letting the crazy child write.” I’ve always thought of it as “entering in.” When writers describe it, there is an element of the physical, of being present, anchored in our bodies, grounded. It depends, too, on what I am writing. I may be deep in it, but if it’s something hard, the sweetness isn’t apparent. Still, I think the coming out of it may be the same, even when the writing is difficult, like pushing through anger, through pain, through loss, when it feels like pulling teeth, or breaking them with my bare hands. Even then, in the surfacing there is a sweetness, a tender regard for myself, and a sense of having done good work. Even with tears still wet on my face, when I emerge from my true writing I am never mean to myself. I am only kind.

Breathing Me (25)

My body is tired but tense—poised to spring into action, tight from endless, focused work, staying tuned at pitch even though I have walked away now for an hour. I made watermelon juice, ate walnuts, read one of the last chapters of Thunder and Lightning. Earlier today I stopped long enough to peek at the newspaper, do my qi gong. After my next stretch of work I’ll do my yoga, roast eggplant and fennel for dinner. I am in the middle of the busiest week of my year. Monday I did 180 login help requests. My life outside, away from this frenzied beast, is broken into small chunks. What should I do with my hour? I make good effort to stay present, but the work itself blurs the brain, makes me fuzzy. Still, the miracle is I remember to breathe. I always knew it would make a difference, though I never pulled it off before. But this week I sit up straight in my bar stool in the courtyard. My feet are propped on a footstool, my laptop across my thighs. And while I enter data, do searches, reset passwords, troubleshoot, I keep taking these long, slow, deep, full breaths, as if I was always someone who did that, without even trying, as though my breath is breathing me.

Away and Back Again (23)

On and off all day today I feel like I want to cry. Each time, the small rush of feeling wells up, pushes behind my eyes and stops. No tears. And no real reason, either, for wanting to cry. Unless it is because I am being mean to myself, some subtle, silent conversation going on inside me. I have tried so hard this week to stay grounded in the wake of hectic work. By Tuesday I had already failed. Even Sable’s endless moanings at me weren’t enough to pierce my intense distraction, my other-where-ness. (He is such a good barometer for me. How did I miss that?) Today I lose most of the morning and part of the afternoon. At 2:22 I get to a stopping point with work, and inspired by the numbers I vow to not return to it until 4:44. It is my newest “plan,” to try to fully step away long enough to recover myself. I practice my yoga in the courtyard. After, lying in chavasana, I do cry for a moment, knowing I am being unkind. Real change takes time. I need to be patient, find my way in this. But I don’t want to sacrifice being present with my life for my work. And there are other things. I want to recognize and trust my intuition. I want to know when my tree needs water. I want more red blood cells, a happy thyroid. Lying on my yoga mat beneath the tree, I tell myself I am making good effort. I am growing and healing. But I want it all now, even though I know it all takes time. When I stand up again, I am okay. I am back. Now it’s 3:22. I still have an hour and 22 minutes that are my own. I make watermelon juice and drink it on the patio. I eat a handful of roasted walnuts, read another chapter of Natalie Goldberg’s book. (I am back to Thunder and Lightening.) When she feels “broken or splintered,” she tells us, she returns again and again to Silko’s Ceremony. “I let the ritual of the book,” she says, “make me feel whole again. I’m never ashamed to read a book twice or as many times as I want. We never expect to drink a glass of water just once in our lives. A book can be that essential, too.” It is this last sentence that makes me cry again. I have books like this, books that feed me, mend me, make me whole. But I think I cry because it is such a gift to have this, to know how essential a book can be. Like water. Like air. And I think I cry because of how it speaks to me, the intimacy, the sense of being seen, and a secret longing to be part of offering that, too. Now I am all the way back. I write the first draft of this week’s blog post. I drink more watermelon juice and sit in the courtyard breathing.