I’m doing sitting practice on a Thursday morning in March. All the windows are open. I can hear the low hum of the swamp cooler in the back room, feel puffs of air against my skin. When I open my eyes the bougainvillea in the courtyard catches my heart. I close them again, take a long breath in, a long breath out. I feel a familiar tightness in my belly, like it might be messing with my breath. I stay with the feeling, sink deeper. All at once I know this part of me has been afraid for 59 years. The knowing floors me. I’m heartbroken for her. Her dedication humbles me, decades of being afraid on my behalf, wanting to keep me safe. I talk to her. I tell her how sorry I am she’s been afraid all these years and I didn’t know. I invite her to let go. I’ll be afraid again, I say, but you no longer need to hold it all the time. I am bowled over by her sheer strength, to have held this fear all my life. I cry, cradle my belly with my palms, my forearms, both sad and grateful for her sacrifice. I’ve known my fat was a way to protect myself, but this deepens my sense of this. Was my body trying to cocoon this ball of ancient fear, buffer her, maybe, so her efforts might be just a little easier? It’s okay now, I tell her. We’re safe here, I say. We’re safe here doing sitting practice beside the open sliding glass door, the house finch chattering in the courtyard. (Well, safe barring maybe an earthquake, I think.) I tell her she can come on duty now only as needed. You don’t need to do this all the time, I say. I don’t know if she can unfurl just like that, but I vow to remind her again and again. I am still made dumb by what she’s done, this gallantry, the immensity of this feat. It’s okay, I tell her again. It’s okay to rest now in between, I say. Rest, the way the deer’s body relaxes when the danger’s passed, the way she returns to ease, nibbles more grass. Rest, the way the white-crowned sparrows drop down one by one from the bougainvillea after I walk by, going back to eating seeds from the ground, talking music. Rest, I tell her. Sleep, even, if you can. I’ll be right here.
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Everywhere, Spring (54)

Three weeks ago the mockingbirds began to sing. When I’m lucky I hear one singing nearby in the middle of the night. I’m hoping he comes closer. Last Wednesday when I walked out of my class at the Annenberg Center the air smelled like heaven. I stopped, eyes closed, taking in deep breaths of it. The scent was so familiar, but I couldn’t recognize it. I opened my eyes to the lemon blossoms in the tree above me. Every year I forget how strong the fragrance is, how it finds you everywhere, even when you can’t spot a tree. The sun’s been moving north at a steady pace, all stealth until now when you see it’s almost halfway through its journey. It sinks behind the mountains as I write, facing me straight on now. I’m sitting inside with the swamp cooler on and the sliding glass door wide open to the courtyard. My neighbor’s tree, the one who hosted goldfinches like ornaments all winter, has budded into leaf. I think: don’t tell me we don’t have seasons here. I think: don’t let it bend you out of shape, Riba, annoyed now at all those imaginary people who like to claim we don’t. I’m doing my sitting practice facing the mountains, and my mind is crazy busy. Yesterday, too. I wonder what’s going on. I’ve been looking into rooms, wanting to begin to teach a writing class, give a workshop, lead a writing circle. I’m even fantasizing about offering a retreat, too, maybe in Joshua Tree. This is where my mind zooms today again and again while I’m supposed to be meditating. Could we get a cluster of their studio cabins all together? Could people bring their own food, plan for a pot luck or two? Can I keep it affordable? Do I charge a fee for my efforts or let people offer dana? Do I teach craft or just guide us in entering in? I am gone so long during the meditation that when I wake up and come back I feel the urge to be angry at myself. My laugh surprises me instead. But I do wonder what’s going on, wonder if I should be worried. I sit for the last minutes with my eyes open, taking in the laden bougainvillea branches arching across the wooden fence and the mountains behind them. I hear a mourning dove calling from the roof of my trailer, the first call of the year. I cherish the longing and the full, rich sweetness of his voice. Maybe, I think, I don’t need to worry about my busy mind. Maybe I’m just ready to spring forth with the season. Maybe now I get to burst into bloom.
Swallowing the Moon (52)
I’ve been going through a rough patch. I notice I want myself to be “better” before I am. Now I’m wanting to trust myself more. I do always turn the corner, always come back to being whole and well again. It’s happening already. But I tend to try to make it happen before its time. I try to rush myself. Maybe now I’m learning to let myself be, to have more faith. I remind myself it will pass. I’ll “return” when I am ready. For three weeks I dream busy dreams where I’m working with a repetitive task throughout the night. I don’t remember them in the morning, only the feeling of them. At first I think they are stress dreams, the kind I get when I work too hard. Years ago when I worked in catering in Los Angeles, there would be long stretches of prep for big parties. When I slept I’d dream about 12-gallon stainless steel stock pots at the foot of my bed. All night I would stir them with big wooden spoons. But then I remember two of my current dreams, and I know I’ve been doing healing work. In one dream there’s a kind of mind map I am building. I have a memory of rows of dark shapes and small bits of text with straight lines leading from one to the other. On the top layer are drawings of envelopes. They’re lit up like neon signs, green envelopes with pink hearts at their centers like seals. I check on them during the night. Sometimes there are two envelopes waiting, sometimes three. Their lights wink off and on. I think I am sending myself love letters. In the second dream, the moon is hanging in the western sky above the mountains. I wake up to it sometimes like this in the night, a beacon shining through the sliding glass door. On this night I drift in and out of sleep, the moon waning but still almost full. In the dream it’s almost dawn, and I’m taking sips of this luminous disc, again and again at regular intervals, like medicine.
Solace (47)

It’s just after six in the morning. I steer my rental car down Ocean View. I’m going back to Palm Springs for the day. The eastern sky is a soft, rich orange. I stop the car in the middle of the road because the waning moon is hanging just above the layer of clouds, the thinnest sliver luminous against that green-blue we glimpse here in twilight hours. I sit, breathing, taking it in, the air cold on my face, the light growing around me. I feel greeted by the universe, the promise of a good journey, well wishes for the long day ahead. I leave my car at the airport, and when I walk out the main doors of the terminal, I’m stunned by the glory of our mountains and their snow. I feel oddly proud of our airport, proud to know people who’ve never been here before walk outside to this spectacular view. I walk home, past the fountain, relishing it all. As I go I spin in a circle now and then, scanning our ring of mountains, snow, sky. Off and on, I want to whine or pout to have missed the first day of this new snow. But mostly I feel lucky again and again. I go to the library, buy four used books for four dollars. I don’t want to worry about due dates right now, but also I love these soft trade paperbacks. And lately I’ve been reading my way through my pile from the last big library sale, the books that appeal to me when I’m filling my bag but so often go unread. I’m enjoying all the different voices, and I want to keep going. I buy vegan wraps at the health food store, and then I am home. The birds all still have a little seed left in their feeders. The mouse in the house has eaten the small succulent on the kitchen table that Mami gave me and a few of the buds on the Christmas cactus, but she’s stayed out of my bed and not caused havoc, so I’m grateful. I clean up the bits of dirt from the table, sweep the floor, ride my bike to get my hair cut, eat two wraps, drink kombucha, make small piles on the bed for repacking. In the evening I call Ian for a ride to class, get to hear about his metta retreat. After he drops me off again at home, I pause outside my door. All the feeders are filled, ready for the morning birds. I look up at the stars, take a deep breath, soaking up my dark courtyard, my sky. I close my eyes, and when I open them I see a falling star above my home. I make a wish. I open the door, step inside, deep, quiet awe welling up in me for the framing of this day: the moon at sunrise, the falling star, brackets of welcome, of reassurance, of solace. Thank you.
The Ending of an Ordinary Day (46)

I’m engrossed in preparing for one of my classes. I sit for hours with my laptop making choices again and again about how to bring my course over into this new online learning system. Each time I need to make a small decision, I have to try to figure out how it works, explore the possibilities of the software first, then choose what seems best. Nothing is simple. But I have given up lamenting being forced to switch over. Because I am inside it now, fully engaged, no longer frustrated by the limitations of the software, only fascinated by the process, the details, the decisions. All day while I work the rain comes, steady and sweet. The birds are loud outside the window. Now and then I remember to stop to listen, look up, savor their boisterousness. In the early afternoon, I hear a soft skrittery sound. A hummingbird is sitting on the open louvers. She is out of the rain. I talk to her, touched and honored. I hope the warm air from the heater wafts over her perch. At one point I realize how good it feels to be immersed in my work like this. But I want to go for a walk, see how full the creek bed is. In the not quite dusk, I get a glimpse of the mountains when the clouds part, and I know I’ll regret it if I don’t get out there. I tear myself away from my laptop, pull my wild fuzzy magenta scarf over my head. I take my lime green umbrella, lock the door behind me. I refuse to bring my flashlight because I want my pockets free. The umbrella feels like enough of an encumbrance. Later I realize I didn’t even bring my key, but I don’t care. I stand beside the creek, the clean air cold on my face, and watch the water move. I startle a cottontail. I walk to the foot bridge where the falling water gets loud, then away again, the frogs and the wide moving water always beside me. I dream of snow falling on our mountains as I walk. It’s dark when I get back, and the light in the living room makes my home look warm and inviting. I dig out the spare key, glance at the courtyard in the light from the three paper solar lanterns in a row along the shed. Everything is glistening in the wet dark. I feel lucky and grateful for my home, for knowing I get to be warm and dry, get to have a good dinner. Before I go inside, I pick two handfuls of mustard greens for my soup. I even have a good book waiting for my Friday night. It feels like the ending of an ordinary day in an extraordinary way. Thank you.
I Am the Drug (45)

Take me, I want to say. I am the drug. Choose me. Not pancakes. Not T.V. Not empty flirtations with women you have no real interest in. Take me. I can get you high. We can make each other stoned. No fuzzy head. No hangover. Only rich, juicy currents down through our toes. Only loud bursts of laughter, warm chests, always reaching for the other. Old souls, familiar and still glad in our depths. Never boring. Never bored. Two only children playing, quiet in the corner. Whole worlds we used to make. Now we can play together in this one, savor everything. The bee buzzing the pomegranate. You hold one bright red seed between your teeth, grinning at me. The quick shared glimpse of the swallow’s tail. The way the wind comes in the fan palms, how we can hear it begin three blocks away before it arrives in our courtyard and chases us inside. Take me. I am the drug. Choose me. Make me stoned on you. “Choose you?” you say, one eyebrow raised. “I thought I already had.” You did, yes. Do it again. We choose over and over. Choose me now. Or I’ll choose you.
[Editor’s note: Another Two Sylvias Press advent calendar prompt, to begin with the Salvador Dali quote, “Take me, I am the drug . . .” and to use two titles of his paintings.]
Christmas Letter 2016 (43)

This year was laced with the absence of my cats, sometimes glaring, sometimes subtle, more muted as the year progressed. I lit a candle yesterday for Boo, one year to the day. I only cried a little. I’ve quieted most of my if onlys, I think, most of my what ifs. I’ve returned to winter quarters again this year after Boo taught me its wonders when he was sick, and I abandoned our courtyard to stay with him inside. From the blankets in the mornings I watch the San Jacintos, warm tea cradled in my hands. Now in the early dusk, I have the sliding glass door open. The white crowned sparrows flit about near the bougainvillea. I can hear them peeping, hear the rattle of the dried blossoms while they hunt for seeds. Now and then exquisite bursts of song erupt. One lone mourning dove comes to the big tray feeder. The solar Christmas lights looped in the bougainvillea will come on any minute now. The waxing moon is not yet far enough west for me to see her, but when I glance up, I surprise Venus in the clerestory window. The two have been bright companions in the evening sky, heralds of the season. The more the light leaves the day, the happier my timid sparrows are, playing in the corner of the courtyard. I can hear the traffic one street over, the clink of dinner dishes next door. I linger until the sparrows seek their beds, until only the ridge of the mountains is visible against the darkening sky. The solar lights wink on like magic, a bright, wild tangle. May we each be blessed with quiet, glowing, untamed peace like this through all our days and nights.