Hawk Talk (31)

On the first day of the Joshua Tree retreat in July, Beth asks us why we are here. Then she asks us why we are really here. “Now,” she says, “why are you really, really here?” Each time to my surprise a deeper answer comes. Later in my courtyard this same kind of layered knowing unfolds for me. I am writing in my notebook about my new idea to begin a second memoir, one that is just about me and not about my big lost love. I dream of committing to writing one piece for this new project each week in addition to my blog post, how making choices about what goes into the book and what goes on the blog might be confusing. (This is already happening to me with the book I’m working on now.) Without knowing, I forget to keep the pen moving across the page. I think about how I have aimed myself at this book contest deadline against all logic. And since the winner won’t be chosen until next summer, how maybe I’ll send the manuscript to Graywolf Press, how I’d like to send it to whoever published All We Know of Love, as well. So maybe I won’t wait for the contest results, only send up a prayer for the best right thing to happen. I drift on to the idea of entering contests again more often, writing new short pieces, too, while I work on my novel. And in the middle of my daydreams a Cooper’s Hawk swoops in. The doves scatter in forty directions. I duck in my chair, shoulders hunched to my ears. The hawk tries to land on the bottom ledge of the wooden fence beside the gate, but she can’t find purchase. So she launches herself back into the air, fanned tail almost close enough to touch, and sails over the roof of my neighbors’ trailer. Everything goes silent in the courtyard. But inside I am whooping. This dramatic whooshing in big strong wings feels like a sign from the universe telling me to keep writing, keep entering contests, begin pursuing publication. And I hear even more than this big “Yes!” beneath the wingbeats. Under them I hear another yes that says this is where your heart leads. This is your passion, your path. Follow. Follow. I am incandescent for a day, this validation shiny and new inside me. And then if I am honest this message feels like a promise. Keep writing. Keep trusting. Everything will be okay. More than okay. This is the right direction to aim yourself. We will help. It makes me want to cry.

They Live (30)

This morning I wake up thinking about my novel. I lie there drifting in that delicious in between, fuzzy with sleep, still soft around the edges. I realize Seph always dreamed of moving his wife and daughter to California, how he imagined they would stay in the cottage at the ranch when they came back to visit his family, but he never wanted to spend his life there. I wander about in Seph’s thoughts, still not fully awake. I haven’t touched my novel in long months, but I’m working on the third round of my book manuscript almost every day now. Not long hours immersed in it, as I always hope for, but good steady effort, writing in my notebook or typing up the pages, not letting myself linger much in judgment, just building page after quiet page. I think this work has woken up the characters of my novel, has them wanting my attention, too. It makes my heart happy, makes me believe in the depths of my writer self, how much this work means to me in spite of all my resistance. I let myself float where this new information about Seph leads me, and I know what happens to Molly before she dies. The knowledge just comes, all of a piece, like mist parting to reveal a mountain you didn’t know was there. And I revel in it, reassured at my core, grateful and glad. My characters are alive in me again and busy making magic.

Good Ghosts (22)

Around me, everyone is awed by the splendor of the eastern Sierras, but I am in shock again and again. Everything is ailing: the air, the pine trees, the scrub brush. Even the deer feel different, thirsty, the yip of the coyotes desperate. The only place I don’t feel pain is when I soak naked in hot water in the center of the caldera, the wide plain and rocky mountains spread out in all directions. We go there for the Perseids, then lie on our backs in the middle of the night on picnic tables at Mono Lake fighting sleep. The heavens grow odd, the Milky Way a huge space station, a gigantic metal insect. We write each morning for hours at our campsite, in among the pines. A chipmunk appears beside my notebook on the picnic table, his deep brown eyes intent on my face, alight with curiosity and kindness. The peace is tangible, surprising. I am not used to living in a group, don’t quite know how to keep my center, yet the peace reaches me in still moments. An osprey perches on a bare tree at the top of our hill and calls again and again in a high voice I don’t recognize. We read our work out loud in the late afternoon or just after dinner. I may be the most present then, ready to mirror back the parts that speak to me, to swim inside and come back with something I can put in words about what I see happening in the writing. I like reading my own work, notice I am not afraid the way I used to be. I am grateful for the feedback, too, these faces in the fading light, these voices who have grown dear to me. I want to stay here always, writing pieces of my book, reading them aloud. Leaving comes in pieces, too. A wistfulness before our time is over, leaving the wilderness, the long hot stretch of the central valley, arriving back in Oakland, taking the train home the following day. Now our time together is a dream, and I am not yet quite awake again in my ordinary life. I miss these people, miss our campsite home. Being alone is lonelier, the way they are with me but not with me, ghosts now in my Palm Springs home.

Starting Over Again (19)

I’ve decided to rewrite my book. This will be the third time I’ve begun again from scratch, or almost scratch. (Might it be a charm?) This is the manuscript that was one of nine finalists for the New Rivers Press Many Voices Project award a couple of years ago. (The winner receives $1000 and publication by their university press.) I submitted it earlier this summer to New Rivers, as well, for their general submissions, and I’m still hopeful to hear good news. But I always come back to feeling like it isn’t quite right. A fellow writer read the manuscript, and he thought it may be “droning.” (Eee gads. How do you not cringe to hear that?) Because I wrote it over such a long period of time, I’ve always wondered if the voice was not consistent (in spite of all revising). And I’ve always wanted there to be more lightness in the book. I think it leans toward the hopeful and the healed, but maybe not enough to satisfy me? This is the story of my lost love. My big love. I began writing it much too soon—I know that now. I wanted it to be a book when it needed to be only one of the ways I moved through my grief, came back from despair, put my heart together again, just pages shoved in a drawer somewhere until a later time. I know now to write like mad through something like this but not try to shape it into anything when it’s still raw, has not had time to sift through me, time to drift down to bedrock.

On Tuesday I closed my laptop from a round of work and set it aside. I sat on the edge of my bed spacing out before I got up to take a shower, to toss the cabbage salad I made for lunch. And I fell into a newer, deeper sense of how to approach rewriting the book. It isn’t new for me to envision including more in the story about my life today, but sitting on the bed I felt it more fully in my body. I saw into it, felt into it more fully than I have before. The book is written in second person, me talking to him. Even though I wonder if I need to just let this manuscript go, to finish my now ancient novel and let myself finally move on to new projects, I still resist. This pile of pages has some of my best “material” in it, so I become stubborn. And enough time has passed that I can return to that material without reliving it, can picture the new retelling from a place of joy. It seems the perfect thing to “use” this framework of me talking to him as a kind of scaffolding for writing what might become a “real” memoir, one that goes beyond my story of having loved and lost. The timing couldn’t be better, too, because I’ve been flailing about a bit, not sure what I wanted to focus on at the August writing workshop I get to go to. I’m pretty excited about it now (both the book and the workshop), so I wanted to let you know. I can feel you wishing me well even as I write. Thank you for that, now and always.

Palm Springs, My Love (17)

Hot air, brace against it. Remember to breathe, let it embrace you instead. Clear air today, the San Jacinto mountains so close you are sure you could stretch out your arm and pluck a jagged rock from the nearby ridge. More room on the sidewalks in summer. The city leans back, like vacation in a small seaside town. Palm Springs, I love you. I kiss you—you kiss me back, warm breath against my arms, my legs. I close my eyes and lift my face, inhaling you.

[Editor’s note: One of my ideas for earning money in a joyful, heartfelt way now that my income has shifted is to write spontaneous prose poems downtown for donations. This is my first effort for one of the business owners there. I told her she could pick a topic or I would just write what comes to me. She chose Palm Springs. The way she said the name it could have been a lover. I didn’t do it consciously, but I see now I have used her voice here. It was quick and fun, and by the last line I was fully “in it.” After, I took a picture of it with my iPad. I am torn about that part. Is it okay to want to keep them for myself, too? Or do I need to let them be gifts going out into the world without me? I look forward with good hope to writing more. Maybe I can find a way to do them one afternoon or evening a week? Two?]

May I Be (16)

“May I become truly self-assured,” I say. It is a kind of metta I try for my changing. Wishes, Beth calls them. I like that. Part prayers, too, this metta. Part affirmations, maybe. They are all good, all effective, I believe. We only need to bring ourselves to them fully, heart and soul. Not grasping, of course. Believing, hoping, grateful. Funny thing, though, each time I bring myself to this one, I stumble in my mind. I say “reassured” instead of “self-assured.” A mistake, I think. I make it again and again. Then I am at a one-day retreat. I eat Brussels sprouts and radishes leaning against a low wall beside the small fountain on a June afternoon. I eat cool cubes of watermelon for dessert, lick the sweet from my fingers, luxuriate in the summer heat. After, I make a discovery during sitting practice. I say my metta. I make the same mistake. “May I be truly reassured,” I say. And then I know this is not a mistake. To be reassured is exactly what I need. I understand being reassured can be my path to self-assurance. Later, I realize with a kind of awe this is something I trust the universe to give me, no hint of doubt. I make lists in my head, different ways I am reassured. My cats reassured me when they were here in their small furry forms. I get excited about adding to my list, and eager to see how this unfolds, what gets sent to me. On Monday I try to rescue five stems of trimmed orange lantana blooms from the sidewalk, but after my bus ride they are wilted. I kiss them and place them on the bench outside the yoga studio. After in chavasanah I feel bad about not saving them. “But they were loved,” a voice inside me whispers. It is my first clear reassurance since I understood what I am asking for. I am dancing, lying in stillness on the yoga mat. I give thanks. I wriggle, a child about to unwrap a birthday present. What comes next?

Old Skin (13)

I’ve been chafing for a while now. I resent my old old habits of timidity, of insecurity, of reticence. (Though it comes to me today that I must find a way to love them. Truly.) I understand how they began, why they came, how they served me. I don’t want to dishonor them, diminish the value of their protection. But I want to be done with them now. I annoy people because of them. Or I watch their eyes glaze over, and they dismiss me because I am stuck inside these ways of being that need to be outgrown. I want to escape them. I want to find out how to just be who I am today, not living inside something that doesn’t serve me anymore, has held me back for years now. I have deep peace at the core of me, touch the earth, even trust a kind of wisdom. “I know things,” I say at the retreat. I know things. It is my beginning of becoming unchained. Five days later in a reading I find out the chakra at our solar plexus provides our self-assurance. The card says I may be able to take a “quantum leap.” Yesterday I physically felt the chakra for the first time, eager and excited like a little kid. I am willing, I think, to leap. I am not sure how to do it, though. So I’ll keep taking baby steps. “I know things,” I remember saying. That was one of them, one of the steps. Writing this blog post is another. On Monday I’ll try my hand at reading runes at a store downtown, see where that might lead. One step, then another. And if there is a cliff edge that presents itself, I’ll pray for the courage to leap. And for wings.