Happy Day of the Dead (34)

I am taking my first MOOC (massive open online course). It is presented by the International Writing Program at the University of Iowa. The first week before I wrote my own assignment, I read an incredible piece by one of the other participants. In a thousand words she’d built a whole compelling and creepy dystopian world, and made me care about the mother and daughter who lived there. It made it hard for me to write my own assignment. I couldn’t stop comparing my own writing to hers. It troubled me. I loved her piece for itself and for her sake, for the evidence that she’d so clearly entered in, had experienced the magic of fiction unfolding. It thrilled me for her. But I let it make my own writing feel pale and weak. It couldn’t stand up to hers. I am rusty at writing fiction, and in the first two assignments that magic hasn’t happened for me yet. But I haven’t given up, so that is something to feel grateful for, and maybe a little proud, too. I am being a writer. And it reminds me, too, that being a writer does not often match up with the easy, romantic image we have built. It means writing and even submitting work that is only the best we can do in the time allowed. It means envying a classmate for writing “so much better” than we can. It means slogging through a writing task when our critic keeps yelling at us to stop, to give up, to throw it all away. To take up house painting instead. But it also means getting to study craft, to listen to other writers talk about how they write. It means having a chance to practice even if it doesn’t always feel good, knowing it is all part of the writer’s journey. And it means always having the pleasure of reading the work of other writers, of being moved by their words, waking up. I read another piece by a classmate in this MOOC that will stay with me always. Her story doesn’t just lead me into the reality she builds or give me a glimpse into her characters. It changes my way of looking at the world. Hers is a conversation between two sisters in the spirit world visiting their family’s Day of the Dead altar. I’ve always thought about all these people making the offerings themselves, the favorite foods, the photographs. I’ve built my own altars, talked to my own dead. But until I read her piece, I never pictured these gatherings in the spirit world, how they might look forward to this event all year. Now I can see them whispering in anticipation, gathering to watch the altars being built here in our world. It brings things together for me, makes this a complete whole in a way it never was for me before. So, thank you, fellow writer. Y feliz día de los muertos a todos.

The Weaver at the Loom (33)

There are two white crowned sparrows, winter migrants, and two house finch in the tray feeders. The doves scattered earlier, probably a circling hawk. Now we have a bit of quiet in the courtyard, only the occasional melodic sounds from the sparrows and some goldfinch conversations coming from my neighbors’ tree. I love these daytime forays of the white crowned sparrows. Last year I almost never saw them. But I relished the sounds of them scavenging the fallen birdseed just before full light or in the late, late dusk before full dark. They are tender spirits, I think, quick to seek cover. Maybe the growing bougainvillea in the corner is making them more bold this year? Knowing they have a nearby retreat? Today I am battling a cold, so I am subdued, a running underlying sense of wanting to be asleep. But I feel good, too. The volunteer marigolds, over a hundred, I think, are in perfect time for the Day of the Dead. This morning their bright orange pops in the gray day. Halloween is the pagan new year, too, one of the eight main pagan holidays, a day when the veil between the worlds thins. I feel it all today in my courtyard, heralded by the hundred neon marigolds, by our migrating sparrows, by the absence of the sun. There are times when we can feel the earth turning, pivotal points like now with these looming holidays. We move more fully into the moon-dominated part of the year, from the fall equinox until the winter solstice. It feels perfect for my life right now, for my writing work, my healing, this turning inward that comes with the seasons. And it makes me even more grateful for the gift of extra time I’ve been given (regardless of the loss of income). The doves come back now in twos and threes, and the courtyard becomes busy with their steady pecking and their constant flutter. But if you listen hard, underneath their sounds you can hear Guy Gavriel Kay’s weaver at the loom. Do you hear her? The clack of the loom, the sound of the shuttle as we near next week when the veil between the worlds grows thinnest? And when you open your mouth, the air tastes like magic.

Popcorn and Magic Rabbits (32)

I begin to feel a shift in me. It seems new, like something I may have never known before. Or if I did, it was too long ago to remember. I am sure it’s connected to the healing work Elana has been doing with me. For a long time now, I’ve been waiting for my joy to come back, the way most mornings my heart would lift again and again over small pleasures. I don’t have that, those leaps of joy over a glimpse of the mountains or a visit from a hummingbird. But when I wake up I feel this subtle sense of well-being. Each morning I stay in bed to see if it’s still there and to savor it. I lie on my back and stretch out my arms to accept it even more, grateful to be healing, eager to flourish and prosper in all ways. I believe receiving in this way is tied, too, to my wish, my prayer, for reassurance. Ever since I understood being reassured is my path toward becoming self-assured, the universe keeps meeting me in this. I walk home from the bus through the trailer park, olive oil and popcorn kernels from Trader Joe’s weighing on my shoulders. I am content, unhurried. I look up and the big waxing moon hangs low in the southern sky before me, both beacon and greeting. The Cooper’s hawk comes when I sit in the courtyard and dream my writing dreams, her arrival, the great beating of her wings, both validation and promise. I cross the big empty parking lot during walking meditation. I am companioned by the growing moon rising in the east, the presence of the palo verdes. I stop walking and stare at a shape beside a tree in the distance. It looks like a giant rabbit. It must be a cactus, I think. And then the cactus turns and lopes across the desert. I feel like I’ve fallen down the rabbit hole. He is so huge. He stops and stands upright again. We watch each other in the silence. When the bell rings, I bow to him before I turn to go, certain he is magic, both unexpected gift and delicious awe.

Hawk Talk (31)

On the first day of the Joshua Tree retreat in July, Beth asks us why we are here. Then she asks us why we are really here. “Now,” she says, “why are you really, really here?” Each time to my surprise a deeper answer comes. Later in my courtyard this same kind of layered knowing unfolds for me. I am writing in my notebook about my new idea to begin a second memoir, one that is just about me and not about my big lost love. I dream of committing to writing one piece for this new project each week in addition to my blog post, how making choices about what goes into the book and what goes on the blog might be confusing. (This is already happening to me with the book I’m working on now.) Without knowing, I forget to keep the pen moving across the page. I think about how I have aimed myself at this book contest deadline against all logic. And since the winner won’t be chosen until next summer, how maybe I’ll send the manuscript to Graywolf Press, how I’d like to send it to whoever published All We Know of Love, as well. So maybe I won’t wait for the contest results, only send up a prayer for the best right thing to happen. I drift on to the idea of entering contests again more often, writing new short pieces, too, while I work on my novel. And in the middle of my daydreams a Cooper’s Hawk swoops in. The doves scatter in forty directions. I duck in my chair, shoulders hunched to my ears. The hawk tries to land on the bottom ledge of the wooden fence beside the gate, but she can’t find purchase. So she launches herself back into the air, fanned tail almost close enough to touch, and sails over the roof of my neighbors’ trailer. Everything goes silent in the courtyard. But inside I am whooping. This dramatic whooshing in big strong wings feels like a sign from the universe telling me to keep writing, keep entering contests, begin pursuing publication. And I hear even more than this big “Yes!” beneath the wingbeats. Under them I hear another yes that says this is where your heart leads. This is your passion, your path. Follow. Follow. I am incandescent for a day, this validation shiny and new inside me. And then if I am honest this message feels like a promise. Keep writing. Keep trusting. Everything will be okay. More than okay. This is the right direction to aim yourself. We will help. It makes me want to cry.

They Live (30)

This morning I wake up thinking about my novel. I lie there drifting in that delicious in between, fuzzy with sleep, still soft around the edges. I realize Seph always dreamed of moving his wife and daughter to California, how he imagined they would stay in the cottage at the ranch when they came back to visit his family, but he never wanted to spend his life there. I wander about in Seph’s thoughts, still not fully awake. I haven’t touched my novel in long months, but I’m working on the third round of my book manuscript almost every day now. Not long hours immersed in it, as I always hope for, but good steady effort, writing in my notebook or typing up the pages, not letting myself linger much in judgment, just building page after quiet page. I think this work has woken up the characters of my novel, has them wanting my attention, too. It makes my heart happy, makes me believe in the depths of my writer self, how much this work means to me in spite of all my resistance. I let myself float where this new information about Seph leads me, and I know what happens to Molly before she dies. The knowledge just comes, all of a piece, like mist parting to reveal a mountain you didn’t know was there. And I revel in it, reassured at my core, grateful and glad. My characters are alive in me again and busy making magic.

Unexpected (29)

I look up when I open the gate, and the small sliver of our waning moon hangs in the rich autumn-blue sky. At the sight I feel met, reassured, lightened. I ride my bike, my pretty new Carrot Girl, to Marylou and Richard’s. This morning I am playing elf. I leave violets and a Ziploc full of bird seed on the back porch to welcome them home. After, I buy bags of Nyger at True Value, pack them on my bike and ride off. I’m glad I didn’t leave things for later in the day because it’s already hot even though we’ve finally touched the relief of fall. I see someone on the sidewalk ahead of me, so I move to the street. There are no cars, no other people, just the two of us heading north. I hear mockingbirds in the cottonwoods to the right. It’s the first time I’ve heard them in months. “The mockingbirds begin,” I breathe, thrilled. It sounds like they’re tuning up, tapping into snatches of their repertoire, not quite breaking into song. I can see now it’s a man ahead of me, short, brown-skinned, something tied to his back, his stride easy. I pull even, and he looks over, surprised but not startled. When I turn toward him I’m already smiling, content on my bike, on this morning, on this quiet street. He grins, nods, his whole face open. I grin back and ride past, infused with joy, with the warmth of our rare, brief intimacy, so easy and glad. I ride home beside the jacarandas, weaving in and out of their shade, and hope that quick moment of connection made him feel good, too.

The Day Begins, or Fear Softens (28)

I lie on my back, diagonal across the bed, fear tingling through my body. It reminds me I’ve had two scary dreams in the past few nights. In the most recent, I crouch in the courtyard in the dark and watch a faded blue hatchback park outside the fence. The rear window is covered with stickers like the ones Colleen and I collected when we drove around the country in my yellow Pinto just after high school. In the dream a man gets out and tries to open the gate. I think, having someone try to get inside at four o’clock in the morning isn’t a good sign. I try to speak, to say, “Can I help you?” in the sharp, condescending voice I use for phone solicitors and strangers like this who don’t identify themselves. But the words never form, and I wake up with a jolt, fear coursing through me. Nightmares are rare for me these days. But this morning I didn’t wake from a bad dream. This amorphous fear is just alive in me. There are plenty of possible fronts: loss of income, Mami, Trie, my writing, the future. At one point, I notice the refrigerator is silent, and I worry it has died in the night. Even for me, this is such a stretch I have to laugh. After, I lie still and do a little metta practice, a little tonglen. I breathe in the fear from my body, breathe out trust and ease and well being. It quiets, becomes more subtle. I lie there for a long time and let my mind roam. I wonder if this awakening of fear is tied to the healing work I’m doing with Elana. Could it be only a sharper awareness of the fear that always lives in me? And then for one moment I sense excitement in there, too. That changes it for me, points me toward something maybe I can accept. The thought of living with this kind of fear all lit up in me, maybe for years, seems unbearable, but fear tinged with excitement feels more livable, maybe poised on the brink of the next thing. It softens it, adds hope, promise. I breathe in, breathe out. The refrigerator turns on. I hear morning traffic, building already as our snowbirds trickle back in. The finch begin to chatter in the courtyard. They’re late, sleeping in on this gray, cloudy day. I stretch, yawn, grab clothes. I open the louvered window, reach my hand through to touch the morning air. I relish the sight of the bright orange Mexican birds of paradise, taller than I am now, the blooms showing their wear on this autumn morning. I slip into my worn-soft sandals, ready to greet the day.