Category Archives: People

Oh, Look (1)

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If we are paying attention, we know we cause trouble for ourselves, spending so much time in the future or the past, planning (scheming?), regretting, having arguments with other people in our heads. I am sitting in bed sipping my morning lemon drink when I hear the rustling of a plastic bag outside my window. I consider getting up to see who is out there, but then I decide hearing a plastic bag can only be good. It means someone is picking up after their dog. I think about how upset people get about the dog poop, how they decide no one picks up after their dogs, how clearly wrong that thinking is. If that were true in our neighborhood we’d be awash, piles of poop everywhere, no open ground. I grimace because as usual it is the one rotten apple messing things up for everyone, making me think of the recent poop appearing along our road and my grumbling suspicion of the people who let their dogs run loose. I remember one of them, a little yipping thing, chasing me on my bike the other day. Before I know it, I am having a long imaginary conversation with the creepy owner. I even bring my aunt from Palm Desert into it, how she is deathly afraid of dogs, how we can’t even walk down the street. (We wouldn’t anyway, but I thought this was good “ammunition” for my argument.) Then I am back in my home, the warm, round cup in my hands, the scent of lemons and garlic. I can see the tops of the sunflowers and the bougainvillea blossoms in the courtyard. The house finch are chirping, quiet breakfast chatter. I hear the high-pitched twittery sound of mourning dove wings, and someone else who I don’t recognize is cheeping from the top of the power pole on the other side of the trailer. My body is tense from my imaginary worked up anger, my manufactured argument. I am annoyed with myself for adding to my own stress in such a ridiculous way. I know I do it all the time, but today I have no sense of humor about it. Today it just pisses me off. And that makes me sad. How do I cultivate a lighter touch? Where is that kinder, “Oh, oops” when I need it? How do I come to celebrate instead with a glad heart each time I return? Where is that gentler voice? I’m glad you’re back, Riba. And, look. There is a white-crowned sparrow sitting on the fence.

I Make People Feel Bad, Part 2 (55)

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I make people feel bad. I’ve lost friends over it, again and again through the decades. Over the last year or so I’ve begun to be able to admit this, to see it with more clarity, to begin to face it. Even as I move my pen across the page I am braced for the self-loathing, but it doesn’t come, not the way it used to. Sometimes it comes still in one big wave, trying to swamp me, making me clench in rage, wanting to die, like that last time Sable wouldn’t come inside, and I yelled at him from the doorway. He sat hunched over in the courtyard staring at me with his big green eyes. I felt it all then, how much I hated myself for what I was doing to him. It was the last time I yelled at him, something I’ve clung to in my grief. Thank god I stopped yelling at him in those last months before he died. Other things still trigger that wave, but the feelings are momentary now, and it doesn’t sink me anymore, doesn’t tumble me around underwater, sand in my mouth, unable to breathe. It doesn’t get all of me anymore. I think enough of me stays separate, watches from somewhere further up the shoreline, refuses to relinquish herself, my feet in dry sand now. I think little by little I’ve healed enough to not be taken over by my self-hatred, and that healing has let me begin to face the fact that I am mean to the people I love. I can turn toward that now, maybe even say it out loud, look at it in daylight. I can do this now without being pulled down by that dark, terrifying wall of water. May I keep learning to be tender to myself, so I can be more tender to all the beings in my life. May I let go of my remorse, all that damage, all that time lost, too. May I forgive myself. May I learn now how to make the ones I love feel good.

I Make People Feel Bad (54)

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I make people feel bad. I’m mean to people I love. Sometimes I do it because I want them to take better care of themselves. Or because I want them to be present. Or because I want them to do the right thing. (Usually, if they aren’t acting out of integrity, they already feel guilty about it, and then I make them feel worse.) I don’t do it on purpose. I don’t want to hurt them. I get caught up in it, my pushing, my icky tone. I go on automatic pilot. I’ve done it since I was an adolescent, maybe even longer. I think over time, especially in this last year or two, I have begun to do it less often. But I don’t even know if that matters. One small moment is terrible for both of us. I remember being in the car with my best friend when I was sixteen. My hands were on the wheel, and I was screaming at her. Then I started crying. Even then I understood making her feel bad made me feel worse about myself, added heft and weight to my mountains of self-loathing. But I couldn’t stop. Just before my cats died I stopped yelling at them, found a way to be neutral, even tender. Now I have small moments when I manage to modulate the ugly tone in my voice, to not react badly to my mother on the phone. Not always, but sometimes I can stop myself. I want to believe one day I won’t hurt the people I love. And maybe saying all this is part of that, saying this and not hating myself while I do.

Rubbing the Wrong Way (48)

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This morning the yoga class before our meditation runs a little long. I sit on the bench outside the door and pay attention to how annoyed it makes me. I wanted time to find my spot, get settled. I’d rushed the whole way, walking fast in the hot morning. I was sweating. It was the principle of the thing. The whole time part of me is incredulous. Was I really going to get all bent out because I had to wait a few minutes? The principle of the thing? Really?

A woman walks out of the studio smiling. My answering smile feels stiff on my face. A man comes out and sits beside me on the bench. He’s all blissed out from a good class, his movements slow and deliberate, taking it all in. I soften, feel the dumb irritation slide away.

My neighbor from Canada, one of our snowbirds though she hates that designation, keeps asking me if I’ve been away. “Are you okay?” she said one evening when I passed her sitting on the porch after picking up my mail.

“Yeah,” I said. But I bristled inside. Why would I not be okay? Today she asks me again if I’ve been gone. I’ve already explained why she might wonder. I haven’t been sitting in the courtyard. I no longer talk to my cats. I am a quieter neighbor these days. My work is quiet, too. “I haven’t been outside much,” I say again.

“Oh, well,” she says. “You need to get out. Get some fresh air.” I laugh and tell her how much it bugs me when she says things like that. I hate being told what to do. But the laugh is genuine, and I let it go. Later, I see two white-crowned sparrows sitting on the wall across the road. I talk to them through the open window for a moment before they fly away. I want them to winter here now every year, our true snowbirds. Maybe when they come back I’ll be sitting in the courtyard again.

In the late dusk the moon is a sickle in the southern sky. I realize I’m too tired. Everything chafes.

The Girl Next Door (28)

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Last week I began to read Ray Bradbury’s Zen and the Art of Writing for the second time. I tried to resist, read pieces of the Bonnie Friedman, the Annie Dillard. But they didn’t move me. The first day I read the Bradbury it made me cry. Goldberg’s work makes me cry, too. Today I read Bradbury in the courtyard in the late afternoon with the sun in my eyes. He says in order to feed your muse, “you should always have been hungry about life since you were a child.” I wonder if this is true for me. I kind of think not. But maybe so—just a quieter version than I feel from him. And I have imagined for a good while I’d like to be more avid, more eager, more vibrantly alive. Might I be on the road to that even now as I move my pen across the page? I think, too, he grew up in a different world, one I was lucky enough to touch when I was a little girl, like the last sip on the tip of my tongue. The carnival came to his town, real people who talked to him. The magician sent him home with the rabbit from his show. The world was smaller then. It makes me wish I’d been the girl next door—oh, that’s Ray’s friend Riba. I wish I’d felt the silky fur of that magician’s rabbit underneath my hand, that I was sprawled on the ground with the other neighborhood kids listening to his father’s voice in the dark, telling stories of his own childhood when there were no roads heading west, only dirt tracks and the new railroad, or lying on our backs looking up at the sky filled with stars and tasting awe for the first time in our young lives.

Breathing Me (25)

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My body is tired but tense—poised to spring into action, tight from endless, focused work, staying tuned at pitch even though I have walked away now for an hour. I made watermelon juice, ate walnuts, read one of the last chapters of Thunder and Lightning. Earlier today I stopped long enough to peek at the newspaper, do my qi gong. After my next stretch of work I’ll do my yoga, roast eggplant and fennel for dinner. I am in the middle of the busiest week of my year. Monday I did 180 login help requests. My life outside, away from this frenzied beast, is broken into small chunks. What should I do with my hour? I make good effort to stay present, but the work itself blurs the brain, makes me fuzzy. Still, the miracle is I remember to breathe. I always knew it would make a difference, though I never pulled it off before. But this week I sit up straight in my bar stool in the courtyard. My feet are propped on a footstool, my laptop across my thighs. And while I enter data, do searches, reset passwords, troubleshoot, I keep taking these long, slow, deep, full breaths, as if I was always someone who did that, without even trying, as though my breath is breathing me.

Two Hemingways (22)

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I just read the chapter in Natalie Goldberg’s book where she visits Ernest Hemingway’s house in Key West. She describes his attic studio with big windows and a “palpable presence.” She hears tourists gasp behind her. They feel it, too. Now that my short story has won his granddaughter’s contest, I feel connected to Hemingway, as well. I didn’t remember this chapter, but now it lights me up. Natalie talks about how he “cared about the sun and the gradation of light,” and I think: me, too. Me, too. I’ve bought his granddaughter’s memoir, Walk on Water. It’s sitting by the window on my kitchen table. And I will need to read the grandfather’s work now, as well. It is his name, his blood, that is my entrance into the literary world. I want to honor it. I want to know them both, fellow writers. I didn’t know he killed himself, or I’d forgotten. I only know I’ve had a great fondness for him for almost 40 years, ever since I fell in love with Gertrude Stein. I adopted her love for Hemingway. Now I take on Natalie Goldberg’s, too. I want direct knowledge. I want to stand in that attic studio with the Florida light falling through the windows. Maybe I will go to Idaho and stand beside his grave. Or maybe I will read The Sun Also Rises when I am walking the camino de Santiago across northern Spain, and I will visit Pamplona and stand in the room where he wrote and feel him there, this century later. And I will whisper to him that I used to think I was Gertrude Stein in another life. I will tell him about the uncanny light I fell in love with in the mountains of Jalisco. And I will thank him again and again for Lorian, for this granddaughter who loves my work.