Category Archives: People

I Make People Feel Bad (54)

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I make people feel bad. I’m mean to people I love. Sometimes I do it because I want them to take better care of themselves. Or because I want them to be present. Or because I want them to do the right thing. (Usually, if they aren’t acting out of integrity, they already feel guilty about it, and then I make them feel worse.) I don’t do it on purpose. I don’t want to hurt them. I get caught up in it, my pushing, my icky tone. I go on automatic pilot. I’ve done it since I was an adolescent, maybe even longer. I think over time, especially in this last year or two, I have begun to do it less often. But I don’t even know if that matters. One small moment is terrible for both of us. I remember being in the car with my best friend when I was sixteen. My hands were on the wheel, and I was screaming at her. Then I started crying. Even then I understood making her feel bad made me feel worse about myself, added heft and weight to my mountains of self-loathing. But I couldn’t stop. Just before my cats died I stopped yelling at them, found a way to be neutral, even tender. Now I have small moments when I manage to modulate the ugly tone in my voice, to not react badly to my mother on the phone. Not always, but sometimes I can stop myself. I want to believe one day I won’t hurt the people I love. And maybe saying all this is part of that, saying this and not hating myself while I do.

Rubbing the Wrong Way (48)

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This morning the yoga class before our meditation runs a little long. I sit on the bench outside the door and pay attention to how annoyed it makes me. I wanted time to find my spot, get settled. I’d rushed the whole way, walking fast in the hot morning. I was sweating. It was the principle of the thing. The whole time part of me is incredulous. Was I really going to get all bent out because I had to wait a few minutes? The principle of the thing? Really?

A woman walks out of the studio smiling. My answering smile feels stiff on my face. A man comes out and sits beside me on the bench. He’s all blissed out from a good class, his movements slow and deliberate, taking it all in. I soften, feel the dumb irritation slide away.

My neighbor from Canada, one of our snowbirds though she hates that designation, keeps asking me if I’ve been away. “Are you okay?” she said one evening when I passed her sitting on the porch after picking up my mail.

“Yeah,” I said. But I bristled inside. Why would I not be okay? Today she asks me again if I’ve been gone. I’ve already explained why she might wonder. I haven’t been sitting in the courtyard. I no longer talk to my cats. I am a quieter neighbor these days. My work is quiet, too. “I haven’t been outside much,” I say again.

“Oh, well,” she says. “You need to get out. Get some fresh air.” I laugh and tell her how much it bugs me when she says things like that. I hate being told what to do. But the laugh is genuine, and I let it go. Later, I see two white-crowned sparrows sitting on the wall across the road. I talk to them through the open window for a moment before they fly away. I want them to winter here now every year, our true snowbirds. Maybe when they come back I’ll be sitting in the courtyard again.

In the late dusk the moon is a sickle in the southern sky. I realize I’m too tired. Everything chafes.

The Girl Next Door (28)

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Last week I began to read Ray Bradbury’s Zen and the Art of Writing for the second time. I tried to resist, read pieces of the Bonnie Friedman, the Annie Dillard. But they didn’t move me. The first day I read the Bradbury it made me cry. Goldberg’s work makes me cry, too. Today I read Bradbury in the courtyard in the late afternoon with the sun in my eyes. He says in order to feed your muse, “you should always have been hungry about life since you were a child.” I wonder if this is true for me. I kind of think not. But maybe so—just a quieter version than I feel from him. And I have imagined for a good while I’d like to be more avid, more eager, more vibrantly alive. Might I be on the road to that even now as I move my pen across the page? I think, too, he grew up in a different world, one I was lucky enough to touch when I was a little girl, like the last sip on the tip of my tongue. The carnival came to his town, real people who talked to him. The magician sent him home with the rabbit from his show. The world was smaller then. It makes me wish I’d been the girl next door—oh, that’s Ray’s friend Riba. I wish I’d felt the silky fur of that magician’s rabbit underneath my hand, that I was sprawled on the ground with the other neighborhood kids listening to his father’s voice in the dark, telling stories of his own childhood when there were no roads heading west, only dirt tracks and the new railroad, or lying on our backs looking up at the sky filled with stars and tasting awe for the first time in our young lives.

Breathing Me (25)

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My body is tired but tense—poised to spring into action, tight from endless, focused work, staying tuned at pitch even though I have walked away now for an hour. I made watermelon juice, ate walnuts, read one of the last chapters of Thunder and Lightning. Earlier today I stopped long enough to peek at the newspaper, do my qi gong. After my next stretch of work I’ll do my yoga, roast eggplant and fennel for dinner. I am in the middle of the busiest week of my year. Monday I did 180 login help requests. My life outside, away from this frenzied beast, is broken into small chunks. What should I do with my hour? I make good effort to stay present, but the work itself blurs the brain, makes me fuzzy. Still, the miracle is I remember to breathe. I always knew it would make a difference, though I never pulled it off before. But this week I sit up straight in my bar stool in the courtyard. My feet are propped on a footstool, my laptop across my thighs. And while I enter data, do searches, reset passwords, troubleshoot, I keep taking these long, slow, deep, full breaths, as if I was always someone who did that, without even trying, as though my breath is breathing me.

Two Hemingways (22)

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I just read the chapter in Natalie Goldberg’s book where she visits Ernest Hemingway’s house in Key West. She describes his attic studio with big windows and a “palpable presence.” She hears tourists gasp behind her. They feel it, too. Now that my short story has won his granddaughter’s contest, I feel connected to Hemingway, as well. I didn’t remember this chapter, but now it lights me up. Natalie talks about how he “cared about the sun and the gradation of light,” and I think: me, too. Me, too. I’ve bought his granddaughter’s memoir, Walk on Water. It’s sitting by the window on my kitchen table. And I will need to read the grandfather’s work now, as well. It is his name, his blood, that is my entrance into the literary world. I want to honor it. I want to know them both, fellow writers. I didn’t know he killed himself, or I’d forgotten. I only know I’ve had a great fondness for him for almost 40 years, ever since I fell in love with Gertrude Stein. I adopted her love for Hemingway. Now I take on Natalie Goldberg’s, too. I want direct knowledge. I want to stand in that attic studio with the Florida light falling through the windows. Maybe I will go to Idaho and stand beside his grave. Or maybe I will read The Sun Also Rises when I am walking the camino de Santiago across northern Spain, and I will visit Pamplona and stand in the room where he wrote and feel him there, this century later. And I will whisper to him that I used to think I was Gertrude Stein in another life. I will tell him about the uncanny light I fell in love with in the mountains of Jalisco. And I will thank him again and again for Lorian, for this granddaughter who loves my work.

July 31st (21)

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book, notebook, binoculars, candles, altar things on patio table

It’s July 31st. I hear Carole King singing in my head and dream of waking up beside the man I love on the first day of August. Hers is a love song to summer. It’s not yet noon, over 100 degrees, muggy. Clouds piled against the mountains move toward us. One good thing: this weather gives us cleaner air. Second good thing: cicadas loud in the two trees. They change pitch, volume, breath, weave sound in and out, insect orchestra. I have just read the chapter of Natalie’s book where she talks about teachers, about Wendy. She is right. Wendy’s rich prose makes me envious. But right before, she tells us to copy Hemingway, to write a piece in one or two syllable words. I think: I do that. I don’t need to practice that. It’s organic, what comes to me. Today is the eve of the halfway point between midsummer and the fall equinox, the veil between the worlds thin. I make a small altar on the courtyard table: two tomatoes grown in the big terra cotta pot, bougainvillea, tecoma and Mexican birds of paradise from our garden, orange calcite, yellow citrine. I light one candle for this harvest time, for this turning of our world, and a second candle for all the beings I know who’ve died in recent months, feline, human, canine: Sunny, Auntie Christel’s brother in Germany, Bob, Colleen’s father, Annie. I ask for blessings on their spirits, on the ones left behind, still in bodies. May we honor both sides of this thinning veil. I take a deep breath, hear small chirpings in our tree. A verdin, I think. One lone dove sits on the wooden fence, Boo sprawled beneath the apricot mallow. Sofia comes outside, drinks water. Everything goes still. And then the cicadas begin to buzz again, and I draw another breath, keep my pen moving across the page. Sweat rolls down my right temple. My stomach growls. I twitch a fly off my forearm. I am in love with the last day of July.

Lazy Summer Day (16)

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mexican birds of paradise through the open louvered windows

I don’t go to yoga this morning. Instead, after I water the front I weed the bed with the tecoma bush. The Mexican bird of paradise there has taken off. It’s taller than I am. When I begin weeding, I know I’m not going to yoga. I want the luxury of being able to putter, to not rush through my morning chores to hurry across town. I do the rest of the watering, and then I end up clearing away all the things that have collected on the floor, the ice chest and remains of our picnic a week ago, the cans of tuna and cat food from Trader Joe’s. I wash the bamboo plates and spoons. (Yes, I am terrible. They have sat there for a week wrapped up in flowered cloth napkins, crusts of hummus on them.) I take a photograph of the birds of paradise through the open louvered windows with the morning sun falling on them. I talk to my friend Meri on the phone for a long time. In the early afternoon, I reread three chapters of Natalie Goldberg’s latest book about writing. I eat Brazil nuts and a big bowl of cherries. The mourning doves are eating fallen seeds. Sable is still outside with me, so every now and then I wiggle my foot or wave a pillow at them to get them off the ground. “There’s a cat,” I say. I point to Boo snoozing in the shade under the honeysuckle. The birds watch me, expressionless. (Who is this crazy person? What is she saying?) The flies annoy me, insisting on touching my face, my calves, landing on my ears. I want them to go away. Cicadas buzz from my neighbor’s tree. They are one thing I love about summer in Palm Springs. I have a goal now to make a list of more things I love so I’ll remember not to hate summers here. After I write I’m toying with the idea of excavating the tabletop, maybe finishing assembling the shelves so I can remove the tall stack of books from the kitchen chair. I have not yet figured out how to live in 340 square feet. Maybe, I think, I will even wash the floor today. Or maybe I will make scrambled eggs and turn the misters on and sit here reading my latest novel about Valdemar. It’s easy to call the odds for this one as soon as the idea surfaces. But you never know. It’s Day Three of my holiday. Anything can happen.