Humble Pie (3)

Yesterday’s blog post seems sour to me. I feel like I want to apologize for it. I want to be able to be frank, to tell my own truths even when they’re dark. But I don’t want to practice that ugliness itself in my posts. Even as I write I realize there is no real way to avoid this (not being a saint). I’m not always going to know when ugliness decides to sneak in without my consent. I don’t blame myself for bristling at what the teachers say or for feeling left out. That’s just human, and I want to be able to be human even when it makes me look petty or ungracious. But I should have said I know the teachers don’t mean any harm. They’re not trying to put themselves above the rest of us, even though that’s how it strikes me when it happens. I know this is true because of how they feel to me as people. Because they wouldn’t do that. This was just their lead-in to talk about their truths, to tell us what they have come to know over time through their regular meditation practice. One of our teachers reminds us often not to take her word for things. The Buddha tells us to experiment for ourselves, to not take anything he claims on faith. But for me, neglecting to acknowledge the teachers’ intentions are not to set themselves above us, are not to exclude anyone—this is not to me the worst part of my last blog post. The worst part is the way I put myself above them at the end. How hopefully I would do better. I would be more inclusive. What crazy hubris was this, and right in the wake of accusing them of the very same thing? I knew I wasn’t comfortable with the post at the time, but I was tired, and I was determined to make my Friday deadline. I didn’t look close, didn’t recognize why it made me squirm. Now I am embarrassed, but I think, too, I’ll just be glad for the humbling in all this. I don’t want to put ugly things out in the world if I can help it, to have them sour the overall flavor of my posts. Even if I end up having to return the next day, belated recognition of what I did without knowing. Please accept my apologies.

Beginning Gets Harder (2)

The other day I pulled a tarot card that said I may think I know more than I do right now. I flashed on how I bristle whenever one of the teachers at the meditation center begins a sentence with, “Those of us who have been sitting for a long time know . . .” I feel dismissed, as though all my years of paying attention mean nothing. And I feel excluded. I am not part of the secret club of seasoned meditators. But I know I am only beginning to wrestle with what may be possible through regular sitting practice. And even though I balk at things I am not ready to give up, even though doubt whispers in my ear, even though it seems almost impossible to imagine getting from where I am to where it seems people have gone, there is this underground current, this subtle sense that maybe sitting practice really does lead where people are saying it goes. Maybe I really do think I know more than I do right now. Maybe I need to stop thinking that, find a way to accept I am a beginner here. Maybe that’s the only way to move forward on this long, mysterious path. And maybe one day years from now I will be saying the same thing that so irks me today, like fingernails against the chalk board. “Those of us who have been sitting for a long time know . . .” But still, if I last all those years practicing, I hope I’ll find a kinder way to word it. Or maybe I won’t say it at all. Maybe I’ll remember we’re still the same regardless of where we are on the path, each part of this odd collection of human beings with all our messy imperfections who are willing, again and again, to just show up.

[Editor’s note: the post that follows this one is my apology for the tone of this one. ;-) ]

Oh, Look (1)

If we are paying attention, we know we cause trouble for ourselves, spending so much time in the future or the past, planning (scheming?), regretting, having arguments with other people in our heads. I am sitting in bed sipping my morning lemon drink when I hear the rustling of a plastic bag outside my window. I consider getting up to see who is out there, but then I decide hearing a plastic bag can only be good. It means someone is picking up after their dog. I think about how upset people get about the dog poop, how they decide no one picks up after their dogs, how clearly wrong that thinking is. If that were true in our neighborhood we’d be awash, piles of poop everywhere, no open ground. I grimace because as usual it is the one rotten apple messing things up for everyone, making me think of the recent poop appearing along our road and my grumbling suspicion of the people who let their dogs run loose. I remember one of them, a little yipping thing, chasing me on my bike the other day. Before I know it, I am having a long imaginary conversation with the creepy owner. I even bring my aunt from Palm Desert into it, how she is deathly afraid of dogs, how we can’t even walk down the street. (We wouldn’t anyway, but I thought this was good “ammunition” for my argument.) Then I am back in my home, the warm, round cup in my hands, the scent of lemons and garlic. I can see the tops of the sunflowers and the bougainvillea blossoms in the courtyard. The house finch are chirping, quiet breakfast chatter. I hear the high-pitched twittery sound of mourning dove wings, and someone else who I don’t recognize is cheeping from the top of the power pole on the other side of the trailer. My body is tense from my imaginary worked up anger, my manufactured argument. I am annoyed with myself for adding to my own stress in such a ridiculous way. I know I do it all the time, but today I have no sense of humor about it. Today it just pisses me off. And that makes me sad. How do I cultivate a lighter touch? Where is that kinder, “Oh, oops” when I need it? How do I come to celebrate instead with a glad heart each time I return? Where is that gentler voice? I’m glad you’re back, Riba. And, look. There is a white-crowned sparrow sitting on the fence.

I Make People Feel Bad, Part 2 (55)

I make people feel bad. I’ve lost friends over it, again and again through the decades. Over the last year or so I’ve begun to be able to admit this, to see it with more clarity, to begin to face it. Even as I move my pen across the page I am braced for the self-loathing, but it doesn’t come, not the way it used to. Sometimes it comes still in one big wave, trying to swamp me, making me clench in rage, wanting to die, like that last time Sable wouldn’t come inside, and I yelled at him from the doorway. He sat hunched over in the courtyard staring at me with his big green eyes. I felt it all then, how much I hated myself for what I was doing to him. It was the last time I yelled at him, something I’ve clung to in my grief. Thank god I stopped yelling at him in those last months before he died. Other things still trigger that wave, but the feelings are momentary now, and it doesn’t sink me anymore, doesn’t tumble me around underwater, sand in my mouth, unable to breathe. It doesn’t get all of me anymore. I think enough of me stays separate, watches from somewhere further up the shoreline, refuses to relinquish herself, my feet in dry sand now. I think little by little I’ve healed enough to not be taken over by my self-hatred, and that healing has let me begin to face the fact that I am mean to the people I love. I can turn toward that now, maybe even say it out loud, look at it in daylight. I can do this now without being pulled down by that dark, terrifying wall of water. May I keep learning to be tender to myself, so I can be more tender to all the beings in my life. May I let go of my remorse, all that damage, all that time lost, too. May I forgive myself. May I learn now how to make the ones I love feel good.

I Make People Feel Bad (54)

I make people feel bad. I’m mean to people I love. Sometimes I do it because I want them to take better care of themselves. Or because I want them to be present. Or because I want them to do the right thing. (Usually, if they aren’t acting out of integrity, they already feel guilty about it, and then I make them feel worse.) I don’t do it on purpose. I don’t want to hurt them. I get caught up in it, my pushing, my icky tone. I go on automatic pilot. I’ve done it since I was an adolescent, maybe even longer. I think over time, especially in this last year or two, I have begun to do it less often. But I don’t even know if that matters. One small moment is terrible for both of us. I remember being in the car with my best friend when I was sixteen. My hands were on the wheel, and I was screaming at her. Then I started crying. Even then I understood making her feel bad made me feel worse about myself, added heft and weight to my mountains of self-loathing. But I couldn’t stop. Just before my cats died I stopped yelling at them, found a way to be neutral, even tender. Now I have small moments when I manage to modulate the ugly tone in my voice, to not react badly to my mother on the phone. Not always, but sometimes I can stop myself. I want to believe one day I won’t hurt the people I love. And maybe saying all this is part of that, saying this and not hating myself while I do.

Rubbing the Wrong Way (48)

This morning the yoga class before our meditation runs a little long. I sit on the bench outside the door and pay attention to how annoyed it makes me. I wanted time to find my spot, get settled. I’d rushed the whole way, walking fast in the hot morning. I was sweating. It was the principle of the thing. The whole time part of me is incredulous. Was I really going to get all bent out because I had to wait a few minutes? The principle of the thing? Really?

A woman walks out of the studio smiling. My answering smile feels stiff on my face. A man comes out and sits beside me on the bench. He’s all blissed out from a good class, his movements slow and deliberate, taking it all in. I soften, feel the dumb irritation slide away.

My neighbor from Canada, one of our snowbirds though she hates that designation, keeps asking me if I’ve been away. “Are you okay?” she said one evening when I passed her sitting on the porch after picking up my mail.

“Yeah,” I said. But I bristled inside. Why would I not be okay? Today she asks me again if I’ve been gone. I’ve already explained why she might wonder. I haven’t been sitting in the courtyard. I no longer talk to my cats. I am a quieter neighbor these days. My work is quiet, too. “I haven’t been outside much,” I say again.

“Oh, well,” she says. “You need to get out. Get some fresh air.” I laugh and tell her how much it bugs me when she says things like that. I hate being told what to do. But the laugh is genuine, and I let it go. Later, I see two white-crowned sparrows sitting on the wall across the road. I talk to them through the open window for a moment before they fly away. I want them to winter here now every year, our true snowbirds. Maybe when they come back I’ll be sitting in the courtyard again.

In the late dusk the moon is a sickle in the southern sky. I realize I’m too tired. Everything chafes.

The Girl Next Door (28)

Last week I began to read Ray Bradbury’s Zen and the Art of Writing for the second time. I tried to resist, read pieces of the Bonnie Friedman, the Annie Dillard. But they didn’t move me. The first day I read the Bradbury it made me cry. Goldberg’s work makes me cry, too. Today I read Bradbury in the courtyard in the late afternoon with the sun in my eyes. He says in order to feed your muse, “you should always have been hungry about life since you were a child.” I wonder if this is true for me. I kind of think not. But maybe so—just a quieter version than I feel from him. And I have imagined for a good while I’d like to be more avid, more eager, more vibrantly alive. Might I be on the road to that even now as I move my pen across the page? I think, too, he grew up in a different world, one I was lucky enough to touch when I was a little girl, like the last sip on the tip of my tongue. The carnival came to his town, real people who talked to him. The magician sent him home with the rabbit from his show. The world was smaller then. It makes me wish I’d been the girl next door—oh, that’s Ray’s friend Riba. I wish I’d felt the silky fur of that magician’s rabbit underneath my hand, that I was sprawled on the ground with the other neighborhood kids listening to his father’s voice in the dark, telling stories of his own childhood when there were no roads heading west, only dirt tracks and the new railroad, or lying on our backs looking up at the sky filled with stars and tasting awe for the first time in our young lives.