Imprinted (7)

I see the mama coyote again. She’s standing just off the creek path as I walk across the street. I stop at the edge of the road to breathe her in. She still looks unwell, but less so, I think. She’s steadier, somehow. Then a pup appears at the top of the bank, scampers over to her, weaves around her legs in delight at their reunion. It eases something inside me to see them together. The pup is happy, and for long moments this is all that matters. Other people come, and the coyotes disappear back into the creek bed. Two days later, I see the pup down below. He stops behind a scraggly bush, aware of my scrutiny, unsure. I step back, use a softer focus in my gaze. He keeps going, trotting along a small trail, ears too big for his head, all youth, energy, intent. For a moment I worry. (My forte.) He is all by himself. But I remember I trust his mama. And there’s nothing unsure about him. Once he decides I am not a threat, he doesn’t hesitate again. He runs along, so upright, a kind of joy in his little body. I realize he knows his way around, and I relax. I watch until his small form disappears into the brush. All day long, I see him in my mind, so grateful for the gift of him. All day long, he makes his steady way along the creek bed again and again, brown fur against the light sand, an enchanting video clip I play over and over inside me, one that never loses its charm.

Home (6)

I stand on the footbridge and watch the mother coyote in the creek bed below. She’s emaciated and mangy with an odd stub of a tail. She is almost unrecognizable as canine except for her snout. It hurts to look at her, breaks me even more to think of her trying to feed her pups. I stand there for a long time saying metta for her. I am wishing her cottontails. Safety, health, magic. When she disappears into the thick green brush, I head home. As I walk, I dream about bringing her a whole, raw chicken. Is that safe for coyotes? Just past the bridge, a mockingbird is singing in the wide palm beside the path. I am crying for the coyote, and then I am crying for this gift of the mockingbird’s song. I move to the street and into the shade to listen, pull down my mask, drink my hot spearmint tea. The narrow crowded leaves on the desert orchid tree seem sharp-edged today. There’s a kind of crisp clarity to everything. I look up to see the red blossoms on the tips of the ocotillo. I am all filled up by the wonder of it all, grateful to be standing here, returned to myself.

Early Days (5)

I turn south at the corner, walk home along the quiet street, my dried persimmons from the farmer’s market a small weight on my shoulder. I sip hot raspberry leaf tea from my stainless steel mug. Our snowbirds have flown early, wanting to be back in Canada before the borders close. I like this quiet world. It wakens my longing for the world I remember when I was a little girl and everything shut down on Sundays. But today’s quiet evokes this sense in me that we have no idea what our world will be like after the pandemic. Today’s quiet is a little eerie, laced by uncertainty. When I get home, I sit on the couch, drink the rest of my tea, stare at my mountains. I’m behind on my sleep from too much work and weighed down by my foray out into the world. All I want to do is sleep and eat. I make quesadillas with sharp white cheddar goat cheese, green chiles, cassava tortillas. I return to the couch, savor each warm, melted bite. Then I pull my soft cotton blanket over me, the worn salmon one with the rows of skinny flying birds, the one my yoga teacher brought back for me from Mexico two decades ago. I curl up beneath this old, familiar weight and let myself sink into sleep while mourning doves come and go from the courtyard, and their wings make twittery sounds outside the open windows.

Counterbalance (4)

It hits me this morning when I open the gate. My white-crowned sparrows are gone. Every last one. There’s no one perched on the wall across my little road, no one sitting in a gap in the hedge above the cinder blocks. I begin to cry even as I wish them good, safe travels in my heart. I am lonelier now than I was before I knew. (I’m glad, though, to know this loss can still reach all the way through me.) After I fill the bird feeders (but not the one I had tucked inside the bougainvillea for my sparrows), I put on my mask and walk to Ralph’s to buy more seed, spearmint tea, mushrooms and celery and garlic for soup. At the corner, a woman turns left beside me. Her mask is pulled down, her car window open. She smiles at me, big and warm. I smile back behind my mask and wave. We’re both moving in different directions, so our encounter is fleeting, but I can tell by her open face she feels me smiling back at her. Maybe she sees it in my eyes. This one long moment between us fills me up, buoys me. I know these smiles of ours must be energetic, too, boosts of love and good will shooting out of us. But I am a novice still. I fretted first that we’d lost each other’s smiles, hidden behind our masks. Now I look for nuance. A gift, maybe, of our pandemic, this growing awareness, the deep subtlety of each exchange.

A Good Day for Today (1)

I didn’t get that long walk I’d hoped for today, didn’t take any walk at all, not even to the mailbox. I did go outside, though, after my late nap, stepping from the dark house into my courtyard to stand with my head back, sponging up the clean air and the glittering stars, Venus like a bright fist in the sky, the moon not yet rising. My solar lights seemed brighter, too, washed by yesterday’s rain, companions as I returned to the dark trailer, closed the windows in the back room, turned on the kitchen lights, scrubbed the dregs of white basmati rice from the pressure cooker. After my late afternoon meal, I’d let sleep claim me instead of the dream of my long walk, and deep sleep came. (They were both my dreams, the long nap and the long walk, on this penultimate day of my holiday. The nap was truncated but delicious, swallowing up the last window of light, swallowing the walk.) This morning I watched a house finch on the bougainvillea singing with his whole body, my joy matching his song. I yelled at my mother this afternoon, the first time in a while. (Not a very long while, but still.) “I was just really hoping for a small window of peace,” I said, after. Tonight, with hot tea steeping beside me, I can hear one lone cricket in the courtyard, feel fresh, cold air on my shoulder. I can hear a distant smoke alarm that’s been going off for two days now, another layer of stress, however subtle, a metaphor for our world in this pandemic. Maybe all we can do is bring ourselves back again and again, grab fistfuls of joy from the sky, reach for each small window of peace we can find, even with a smoke alarm always wailing in the background.

Ode to Corn Plants and Pelicans (57)

Young corn plants growing, bright green shoots unfolding into leaves that bend and curve, little beings in the moist dirt. I don’t think I’ve ever met a happier plant than corn plants. But maybe in part it is the way they grow together that makes this true, that they sprout up in kinship with the other corn plants around them. Maybe they are happy because they are in community. Today they make me think of the brown pelicans gathered on the broad, sandy beach outside Todos Santos in Baja California Sur. They stood upright, too, in clusters, alert, their kind eyes watching me, old souls. Maybe corn folk are old souls, too.