I turn toward hope, and then
the half moon and I watch three silent ravens
wing across the daylight sky.
I turn toward hope, and then
the half moon and I watch three silent ravens
wing across the daylight sky.
Tuesday morning I wake up happy again, the first time in weeks. I don’t know why. I am still drinking two strong cups of yerba maté each day, still eating chips and other junky food, still drinking too much kombucha. But my heart lifts over nothing, some secret balance restored, chemistry and spirit righted. Monday was my writing group and sitting group again, so I can point to them, too, but I know it is not that simple. Unexpected joy comes when it will. I am lucky in how often it visits. I stop writing for a moment now, shift in the tall, metal chair, twist my back in an easy stretch, catch the changed light on the cement of the courtyard beside the clay cat. October light. Ordinary miracle. A hummingbird tastes the Mexican petunias four feet from where I sit, purple blossom after purple blossom wiggling on their stems. I can hear my white-crowned sparrows nibbling seeds in the small, square tray feeder tucked beneath the bougainvillea, her own sagging branches, heavy with fuchsia blooms, hiding the birds from me. Yesterday, I heard a verdin peeping outside the open window to the street. I looked up from the computer in time to watch him hop onto a louver, flit to the curtain rod inside, have a look around the living room. I didn’t stop grinning until he’d had his fill and hopped back out again. Today, I am washing dishes when I hear a flurry in the courtyard, a loud thud on the sliding glass door. I turn from the sink in time to see my Cooper’s hawk swoop between the orange umbrellas and follow a dove up over the roof. I’d been dreaming about the winter, about hot springs, about being naked, submerged in the water, cold air against my face, touching my warmed shoulders when I moved. Ordinary magic. Extraordinary gifts.
I fall in love with people at the hostel. Three who work there and a handful who are visiting like me. There are two young women in particular, one from Senegal and one from Argentina, who steal my heart. They are both so vibrant, so strong and confident, so warm. (I cry when we have to say goodbye.) I spend mornings in my green wooden chair overlooking the meadow. I greet people as they walk by. One morning I am brimming with goodwill, and I notice little ways I’ve come to be different. I am saddened by one woman at the front desk who decides I am annoying. (I can be, I know, don’t think I’ve been unduly so with her.) It hurts my heart, but I don’t let it swallow me. I turn away from it, instead, allow it to be her problem, let my heart lift again. I am irked by the woman in my dorm who gets up early, goes in and out, lets the door slam every time. But I don’t get myself all worked up over it, don’t stir self-righteous anger. (I do show her later how to close the door more softly.) In the late afternoon, I sneak a yoga mat from the big basket in the basement and an extra blanket from my bed upstairs and walk down to the basketball court beside the meadow. Birds sit on the chain-link fence and watch me meditate, keep me company when I do my sun salutes. Once, the covey of quail come, and I take quick peeks at them, shy and sweet in the coastal grasses. I take the ferry back to San Francisco, and a second one to Oakland and my train, loving the sunlight and the open water. I eat sourdough olive rolls from Acme bakery and fresh, purple figs on the long trip home. I drink black tea to stay awake, write two blog posts, read a novel on my mini iPad. The late-night air is hot in Palm Springs when I arrive. Exhaustion claims me. I feel a little lost now in this other world.
My short story “Between My Ribs” is a finalist for the 2018 American Fiction Short Story Award from New Rivers Press. The 19 stories selected for their anthology are now with the final judge who will choose the first, second and third place winners in the next few weeks. I’ve been eager to tell you, my readers, wanting to share this sweet news, knowing you’ll feel glad for me and wish me well in this. But I’ve been shy about it, too. As I write, I feel big gratitude and quiet glee. But I’m not sure I can do justice to all the feelings this evokes in me. I feel thrilled and grateful and lucky. Of course. And I’m delighted my first publication will be with this university press who I’ve been so fond of for years now. But I feel afraid and sad and uncomfortable, too, and I can’t really point to why. I know I’ve been grappling with my discomfort over wanting to win. I feel honored to be chosen for the anthology, but I would very much like to win the contest, too. I worry about being greedy, so I wrestle with it. “Of course you want to win,” I say. “That’s only natural.” But it sits awkward in me, this wanting it to be more. But maybe I am only afraid of being disappointed if my story isn’t chosen for first place. Maybe it’s as simple as that.
But there is a deep desire in me to win. I want that recognition. I’ve held myself back in so many ways for most of my life, I think. I want to just step forward here. I want to lead this collection. So I’ll ask for your good wishes in this now while the judge is still reading our stories, still weighing his responses to each of them, still sorting through them for himself. I whisper my own prayers into the palms of my cupped hands. I can hear the house finch in the courtyard, and the mountains are clear this morning for the first time in months, keeping vigil with me. I kiss the center of my palms, fold them around each other, bring them to my heart. I sit very still, holding my hope. And then I open my hands, slow movements, the bird released to take to the sky. I grin, lightened, filled with the honor of this gift, at peace in this moment with whatever is meant to unfold next.
And thank you, too, for holding this in your own hearts with me. Just the thought of it makes me want to cry.
[Editor’s note: I don’t know much about Facebook, so this is clunky. But below is both their announcement of the finalists and my own section of that post when you scroll through all the photos. Here I am in my goofy head covering—I got the news when I was staying at the hostel and had to get a photo to them right away, so I took this with my iPad in my favorite chair outside. You can also access the post in their Facebook page here.]
The sun is unexpected the first day I walk to the beach. I plant myself on a huge driftwood tree, a big pine, I think, in its former life. A woman is painting behind me near the lagoon, easel set up on the sand. I hope I am not in her way. I eat fat green grapes and roasted pumpkin seeds, the shelled kind I bought at Trader Joe’s in San Francisco. I turn my alpaca sweater inside out and fold it into quarters to soften the hard curve of wood beneath my butt, the sweater made up of small colored squares that I found at that garage sale six doors up the street when I first moved to Palm Springs, the one the woman bought in South America. I bunch up wool socks I’ve discarded to cushion my ankles, and I do my sitting practice. After, I write in my notebook. All these things in sequence seem to ground me, and all at once I feel like I have finally arrived, my second full day here. When it happens, the soap bubble disappearing, popping me free, I cry quick, grateful tears. A boy ladybug skirts the back of my neck, skims the top of my head, settles at last on the edge of my mini iPad and seems to be cleaning his legs. He’s visited me several times since I’ve been perched on this tree trunk. I dream him to be the same ladybug, feel like he’s keeping me company. When I go to leave I find a place for him on the tree, a stubby knob, thank him for being my silent companion. On the walk back beside the lagoon I count 200 pelicans. I’ve never seen so many in the United States. Back on the paved road, I feel how much my body wants yoga, and I think about sneaking one of the mats outside. It sounds like just the thing to celebrate my return, to bring me all the way back. I keep walking toward the old cypress trees. I am sleepy and solid and so glad to be myself again.
Every day in June I worry the summer will rush past me. I am afraid I won’t do the writing work I want to do, that I will blink and stand at the end of the summer with nothing to show for it. But today I discover a cucumber in my garden. I pause in the courtyard, the cucumber heavy in my palm, my other hand on the door, one foot on the step, about to abandon the hot outside world for the day. I take in the sprawling cucumber vines, the sturdy volunteer sunflowers, the tamarisk that insists on living in one of my pots. I love every blossom and every leaf in this garden. Every cricket, every lizard, every bird. Inside, I peel my cucumber, eat fat slices with pink salt. I relish every juicy bite. After, I sit on the couch and dissolve all my fears about the summer. Instead, I picture myself writing like mad, immersing myself like never before. I close my eyes and feel the next eight weeks, a long expanse stretched out before me, like summer vacations used to feel on the last day of school. I dream each day stretching, too, the time from morning to summer night endless like when I was a kid, moving from one imaginary world to another, never rushing. I dream the days ahead in flashes. Writing in my notebook in the courtyard in the early morning. Laughing on the phone, napping in the worst heat of the day, dreaming, loving every minute. Typing on the couch in the early evening, laptop on my thighs, delicious sips of cold oatstraw tea, mockingbird song through the open windows late at night. I dream a big pile of work at the end of the 59 days, and me—happy.
Monday morning I say prayers for the spirits of Syrians killed by poisonous gas and for the people who love them. I pick dead blossoms from the three big pots of pansies and pull soft, fuzzy, pale green weeds nestled among them. (I’ve decided to do one task each morning toward a clean courtyard.) I break off a pansy bud by mistake. I set it in water, place the small glass beside my bed. The deep purple against the white wood and the soft curve of the tiny stem makes me cry. I cook brown rice, pack pears and peanuts for my snack between writing group and sangha. I still want to do my sitting practice and a tiny bit of yoga before I have to leave, so I keep my writing short. I cry more often these days, small things like the bread and butter or the pansy life stopped short. Big things like dead bodies in Syria, like being afraid about my health or feeling like a failure. But they are brief, quick moments only, and I tend to be kind to myself when they arise. I count to 29 to blend my garlic lemon drink for my liver, and I remember seeing Amma in the grocery store last night, how much better she looked. The memory makes me glad for her, grateful for her Tibetan doctor. And in the same breath, still counting seconds while the blender fills the room with its loud machine noise, I recognize again the part of me who still believes nothing I do will ever be enough. The tears come, but so does a deep certainty that I am healing (louder than that other voice? louder than the blender?) and a wash of dearness for myself and my good efforts.