I pick up my manuscript again on Friday after three months. I cradle it to my chest. I love it without opening it. Then I spend the day reading it. I mark changes in my purple Pilot. It surprises me how few things I find compared to all the other passes I have made. There is magic in this, the way I don’t push, the way I read it all the way through, the way I treasure it. Not big, intense moments, but deep ones and quiet ones, knowing I am happy with this book of mine. The next morning when the sky begins to lighten I see the waning crescent moon. I go back to bed and dream I am on a boat beside an island. There are five carved wooden birds near the top deck, painted in blues and reds and blacks. I get my camera because I am hunting for a new photograph for my coming year of blogging. When I look through the lens in the dream, I see the intelligence in the birds’ eyes, a keen knowing, and the moon hangs below them in the morning light. When I wake up and go out to feed the birds, a hummingbird lands on the top arc of the bougainvillea, and in the curving of my head to watch her, I see the moon again in our daylight sky, echo of the dream. In the last of the late afternoon, I walk to Ralph’s. When I leave the store it’s almost dark. The palm fronds are moving in a warm wind, and the light of late dusk feels again like magic, like I am coming back out into a different world. Sometimes, I think, the years I might have left to me seem too short.
I fall asleep when the afternoon is yellow with daylight and wake in the gray world of early dusk. I let the thin salmon blanket fall away to the couch, the one my yoga teacher brought back from Mexico more than 20 years ago for those of us who ordered one, real cotton, beloved, perfect for a nap in the early desert spring with the swamp cooler on low. I check the thermostat and my sleep-muted mind decides the 69 degrees means it is almost seven o’clock. It is the end of my first day home again after being gone. So the sound of the traffic is familiar but strange, the trailer more silent than I remember, the courtyard still quiet and magic in the almost-dark while I type, the solar lights coming on one at a time. Here with me, too, are the great horned owls from yesterday at the preserve, the three young ones beside the adult high in the fan palm, alert and still, almost ghost-like in their big tree cavern. I savor the memory of them, savor the ending of the day. I’ll eat Jerusalem artichokes tonight with flax seed oil and salt, finish the Annie Dillard book I’ve been reading, maybe go to sleep early. Tomorrow, Tuesday, is my Monday this week, and grading waits. I relish my solitude, and I miss the camaraderie. I can still hear Barney’s voice reading science questions from the little box of worn cards, still feel the easy warmth of the cabin, Corina beside me on the couch, Lila’s soft furry head against my leg, Angelika puttering in the kitchen. I can still feel my pleasure in being a part of the whole, in knowing I still remember how to join in, laughing.
My neighbor has fallen in love. Before, we were two hermits living next door to each other. Today his sweetheart moved in. I’ve been glad for him from day one, for both of them, for this unexpected love. But now they sit talking only two handfuls of feet away from my window. Sometimes they talk for hours. Mostly I am able to let go of it, again and again, and be okay. Tonight I can’t let go. I just keep feeling intruded upon. It isn’t as though I can get away from them. This is where I live. I become desperate. I wonder if I will have to wear earplugs to do my work, to do my writing. I remind myself how much worse this could be, this intrusion. It could be loud music that rattles the walls of my trailer, music that feels 100 times worse than nails on chalkboard. (Banish the thought. Poof! Poof!) I could be listening to racist conversations or staunch Trump devotees. (Banish the thought. Poof! Poof!) I remind myself how much I like the two of them, truly like them. I remind myself of the sweetness in this, hearing them navigate their new love. I don’t hear words, mostly, only the tenor of things. Thoughtful, honest, getting to know each other conversations, bearing souls. My heart becomes gladder. Now I hear big raindrops on the trailer rooftops through the open sliding glass door. Everything eases. I come back to my senses with the smell of the rain. Their voices murmur now. I take a deep, full breath. I remember how lucky I am.
I type, my legs stretched out before me, computer on my lap, afternoon sun beside me on the couch. I am revising a piece I wrote in our Monday group, an hour left before the contest deadline, midnight in the UK. I read my work out loud, like I teach my students. I find tiny things to change. I am deep in the writing when I hear a hummingbird, look up to see her in the living room, the female guardian of the feeder outside the open louvers. In the corner of my eye I think there is another flash, but surely not, not two of them inside at one time. My familiar female hovers near me, then visits the red glass star hanging in the window. When she flies out I hear her friend, still in the room with me, not my imagination. She peers out the kitchen window to the courtyard, then rests on one of the open louvers before leaving me alone, the flutter of hummingbird wings reverberating in the room.
My book manuscript sits on the stool, clean new printout, spiral bound. Now and then I pick it up, rub the clear plastic cover with one hand the way I used to stroke my cats. I cradle it against my chest with both arms, rocking side to side. I am in love with its fresh newness. I am in love with its story. I am in love with its existence after all these years. I am eager to make my final pass or two through its pages. But I am not doing it. I think that’s okay. I trust I’ll pick it up at the right time. I wonder if I’m avoiding, resisting, afraid to finish. And if I am, is it because I don’t want it to be over? Because I don’t want to have to grieve? Or is it because I am afraid of what comes next? Maybe all of it is true. But I am comforted to see it waiting for me on the stool. That feels like a good sign. “Soon,” I murmur. “Soon.”
I stand at the kitchen sink washing and cutting vegetables for soup. It is late dusk. I work in a small circle of light from the stove. I smell garlic, dandelion greens, leeks, green onions, olive oil. “You can close your eyes,” James Taylor sings. “It’s all right.” A white crowned sparrow’s melodic call comes through the open window, pure, piercing. A fullness wells up in me, that blend of sweetness and sadness, this fleeting life. I slice mushrooms with slow, even strokes of the knife, tears in my eyes.
I am away from home for a week over Christmas. I send good wishes from afar. May the birds have plenty of seeds. May their water bowls be refilled each day. May all the crickets and daddy long legs and lizards and birds and the trees and plants be safe in my absence. I come back to Palm Springs on Amtrak, take the city bus, walk three blocks with the big rolling suitcase I took with me when I left to carry my presents to my mother’s. I see my bougainvillea, my wooden fence. Doves scatter as I approach. I glimpse a hawk gliding after them across the courtyard. I stop in the middle of the road. The hawk comes, settles on the gate before me. I don’t breathe. Maybe I can’t. The timing is too precise not to feel greeted, welcomed, awed, grateful. I stand still long moments while he watches me. When he flies off, I open the gate. I breathe again. I’m home.