Grateful for You (13)

It is early June, and I stand in my Palm Springs courtyard breathing in the sight of my Mexican petunia. Each time I see it I think of you, my dear friends, who gave it to me. On this day it is even more exquisite than usual, and I stand counting every delicate purple blossom. I count because there are so many, and because I have a funny little thing about numbers, a lifelong love affair, really. On this day there are 77, magic number, filled with possibility. I laugh at myself while I count because I know it is impossible, of course, to know I am counting each one, or not counting one twice, and because after I am done I see one unopened blossom I didn’t count (the rest were all open), but I don’t change my tally. (Do unopened blossoms count?) I stand in the courtyard breathing in these short-lived blooms. I miss the two of you, gone north for the summer like the my white crowned sparrows, and facing challenges of your own. Then all at once I know your love for me is alive here in all these blossoms. Today, now past the middle of June, I am 120 miles away. I sit in the back yard here beneath the yellow umbrella, beside tiny succulents with sweet magenta blooms. I miss you, and the Mexican petunia, too. I went home for an hour to refill bird feeders, get the mail, and she is still thriving in the messy courtyard. I’ve been gone for a week that feels like three months, taking care of my mom. She’s been sick, but is getting better little by little. Today I touch down to my bedrock for a moment, 120 miles away from my home, from my own flowers, 500 miles away from the two of you. I let that day in my courtyard arrive again in me, let your love for me in all those blooms fill me up, make me cry. The vital presence of your love bolsters me, over and over again.

Nighttime (11)

Dog barks in the dark
crickets cricket
swamp cooler pushes air
crescent moon lingers
cat climbs the fence
I type in the loud quiet night
good work day behind me
sleepy
satisfied
still.

Ballast (10)

I’m lucky. I get the Los Angeles Times. I remember how I felt when I first subscribed, the relief and pleasure to be reading beautiful writing and “real” journalism. Years later, I still feel the same way. And in our political climate, I’m so glad I get the latest from the White House by reading it. I have the luxury of monitoring myself, stopping at my tipping point, first glimmers of nausea or fury. But my luck in this, my gratitude, blooms beyond this gift. When I allow myself to meander, I am fed the antidotes. I get to read about the good things like the two men, a gay couple in Berkeley, who’ve begun Café Ohlone. They are “reviving both food and language” and “preserving the deepest parts of Ohlone culture.” Or the two young women in high school, both immigrants (one from El Salvador, one from Egypt) who’ve been best friends since eighth grade. I get to read about the biologist Peter Sharpe who has dedicated his career “to reviving the once-endangered bald eagle,” one of the “great American wildlife comeback stories,” who climbs up into their nests to examine and tag the eaglets. And I get to read about the “New Arrivals Supper Club” where “recently settled refugees bond over the food and memories of the lives they left behind.” Wages are provided for the immigrant chef and the proceeds go to the family and to Miry’s List. Each time I let myself sink into one of these stories, I feel my heart soften. Hope strikes, warms. Gratitude spills over for all these human beings doing good, important work, for being the light against the dark, and for the paper who honors them. Thank you all.

You Say Tomato (3)

orange umbrella against blue sky with white puffy clouds

I say the sky, the orange umbrella, deep autumn blue, bluest back as far as I can remember, the scalloped edges of the umbrella a work of art, a silkscreen printed across the clouds.

You say oh. No. It has been this blue all week. It began Monday. You must not have noticed. Today is Saturday. Six days in a row now of this striking blue, like the sky in postcards, Switzerland sky. Where have you been?

I say I have been right here, lying on my back every day but Thursday, doing my yoga, looking up at the sky. Today is different, deeper, more vivid. Yes, I say, it’s been beautiful all week. But today the sky, the umbrella, they are like the Mediterranean. Today they speak Greek.

You say oh. Yes. Maybe I forgot who I was talking to. It is impossible for you to be wrong, even in this.

I say yes. Maybe you forgot. Maybe you forgot who the artist is, who the lover of light, of color, of texture. You forgot why I might have seen this, why I might have noticed this difference, and you did not.

[Editor’s note: Although the umbrella and the deep blue sky are real, this was a spontaneous writing I did in my Meetup group based on a prompt from Two Sylvias Press for April’s poetry month. It feels like a real conversation to me, but it is an imaginary one.]

The Second Flood (2)

My new piece doesn’t win the Fish Flash Fiction contest. I am stunned. I thought I was going to win. I thought “The Second Flood” was that good. (Did I know I thought I would win? Have I ever thought I would win before?) I scan the short list and then the long list. My piece is not on either one. If I needed to right now, I would be unable to speak, to push out words that make sense. I scan the short list and the long list two more times in case I missed my name. It is not there. There were more than 900 entries, but I can’t believe my story wasn’t even in the top ten percent. I plunge. I wonder how I could have been so delusional. How could I think my piece was any good at all? I know I am a terrible writer. I am underwater, deep in the cold sea where no light lives. I don’t know how long I stay submerged. Maybe work drags me back up, makes be break the surface, breathe air, answer helpdesk questions, grade summaries. Days pass. I am lying on my back in the courtyard in chavasanah. I dream up ways my livelihood might move even more toward my writing. I picture percussive instruments at my writing retreat, and my feet bounce on the yoga mat. I think of a new way of structuring, “When I Was a Dog.” My fingers itch for the pen. “Commit more deeply to your No. 1 focus,” this week’s horoscope says, “and throw yourself into the daring adventure of it.” I leap. This water is warm, strewn with sunlight. I roll over and float on my back, let the tide take me. I remember I can swim.

Saturated (1)

image of dictionary definition of devotion

 

 

 

 

 

The mama hummingbird is devoted to her young. She builds them a home, keeps their eggs warm, feeds them again and again, ignores the toll it takes on her. Last year I worried, watching her in the guayaba tree through the open louvered windows. I wanted to help, to make it a little easier, or at least less hard. My birding teacher had no suggestions. But even now I wonder. Can’t I bring her bugs? I didn’t plan this, didn’t dovetail the theme of devotion and the header/photograph of the hummingbird nest. They happened each on their own, independent. Now I think, how perfect. Is there a greater devotion than hers? My eyes droop as I type, a long day behind me. But I am determined to post tonight, start this year of blogging out right. Writing group today was a sweetness, only six of us for a change, the core group, just us chickens, no eggs, the luscious easiness of writing together. I am devoted to my writing now. It grew in little ways, layering over time. Today it feels bigger than ever inside me. Is it a flame or a river? Water or fire? It depends on the day, I think. But the devotion is steady now. Today we each wrote a kind of dialog, a good prompt from Two Sylvias Press, their writing prompts for April, National Poetry month. It is my month, too. All month, mine. A loud military plane passes overhead. My nose itches. The cricket who has moved into the back room is serenading me. I turned two pennies over to heads-up in the course of the day, wishing good luck to the people who pick them up, a tradition I learned and copy. The Chinese say crickets in the house are good luck, too. The waxing crescent moon sinks behind the mountains. I sink, too.

What I Remember (60)

I pick up my manuscript again on Friday after three months. I cradle it to my chest. I love it without opening it. Then I spend the day reading it. I mark changes in my purple Pilot. It surprises me how few things I find compared to all the other passes I have made. There is magic in this, the way I don’t push, the way I read it all the way through, the way I treasure it. Not big, intense moments, but deep ones and quiet ones, knowing I am happy with this book of mine. The next morning when the sky begins to lighten I see the waning crescent moon. I go back to bed and dream I am on a boat beside an island. There are five carved wooden birds near the top deck, painted in blues and reds and blacks. I get my camera because I am hunting for a new photograph for my coming year of blogging. When I look through the lens in the dream, I see the intelligence in the birds’ eyes, a keen knowing, and the moon hangs below them in the morning light. When I wake up and go out to feed the birds, a hummingbird lands on the top arc of the bougainvillea, and in the curving of my head to watch her, I see the moon again in our daylight sky, echo of the dream. In the last of the late afternoon, I walk to Ralph’s. When I leave the store it’s almost dark. The palm fronds are moving in a warm wind, and the light of late dusk feels again like magic, like I am coming back out into a different world. Sometimes, I think, the years I might have left to me seem too short.