Washed Clean (44)

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I wake to a world washed clean in the night, dark patches of wet in the road, fleeting evidence. I sweep while water heats for my tea and for the hummingbird’s sugar water to replace the rain-diluted batch hanging in the courtyard. I squeeze grapefruits my friend Bob brings me from his tree, four halves with the yellow plastic hand juicer I bought when I lived in Ajijic. I phone Mami, and we talk about the rain. I tell her how my friend Richard wanted it to rain at night. (I am a fan of daytime rain though I think drifting in and out of sleep to the sounds of falling rain is one of the best things in the world.) “He got what he wanted,” I say. My words echo another’s earlier this month and make me wince. I shy away from that memory, but for one flicker I wonder if my comment holds that same resentment. I hope not. But now I am alert to the phrase, curious to know if it always evokes the other one who did not get what she wanted, if it is always stained in that way by a little bit of ugly.

The Singer and the Song (43)

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For weeks I hear lovely snatches of bird song I don’t recognize, a long high note and then a rush of lower notes, almost a chatter. I think about writing to my birding teacher at the community college. I have an imaginary conversation with him where I describe the notes and he tells me who it might be and I go online to listen to the audio to see if that’s the one. But I don’t write to him. I only dream about it. Today when I’m sweeping the kitchen floor I hear the song again, and it sounds like it’s quite close. I walk to the living room window. I don’t expect to be able to see him or identify him, but I look out anyway. The bird is perched six feet away on my neighbor’s redwood fence. He is singing with all of himself, his chest and belly, his tail, tilting his beak up and opening it again and again. It is the song I’ve treasured, and here is the singer. He is singing with his back to me, but he turns his head, and I see it’s a Bewick’s wren. He sings while I watch and try not to be too intent in my regard. So much big song from such a little bird. When he flies off to the east, I go back to my morning chores. The gift of him and the mystery unfolding are sweet within me while I sweep.

Poised (42)

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I wake at 4am to the sound of soft rain falling. I get up and go outside to put the lid on my trash can filled with tecoma branches and bougainvillea trimmings. I am naked from sleeping. I stand in the dark courtyard for a long moment and feel the gentle raindrops on my bare skin. A kind of childlike awe fills me that borders on the edge of glee, only more quiet. In the morning the rain has stopped. After I fill the bird feeders and put clean water in their terra cotta saucers, I stand again in the courtyard (clothed now). I marvel at the delicious beauty of my little garden. The colors and the freshness of it, the fuchsia blossoms on the bougainvillea, the pale orange of the sprawling apricot mallow, the bright yellow of a small sunflower, all washed clean by the gentle rain. And poised now, ready for the promise of the birds.

Bread and Butter, or More Balm? (41)

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I take the peeled red onion in its glass bowl out of the fridge to bring it to room temperature, the cucumber, my favorite rye Manna bread, the vegan butter. I remind myself I’m thinking of not defrosting the last loaf of the bread in the freezer, just doing without it for the next few days before I leave for L.A., but almost before I’m done forming the thought it makes me cry. I don’t berate myself for crying. I just take the last loaf of bread and the last pound of vegan butter from the freezer. (No argument with myself at all, only this instinctive response, this immediate decision to not deny myself this treat right now if it’s making me cry.) It’s disturbing that such a funny little thing is eliciting tears. But I don’t try to unravel it, just sit on the bed with my hand on my heart and let myself cry. In between I remind myself it’s okay. I get to keep eating the bread and butter. “You can always just get more exercise,” I say. And then I laugh, tears still wet on my cheeks. I’m glad I didn’t chastise myself for crying over this small looming deprivation. I decide that regardless of what worrisome state or precarious balance the crying might speak to, I feel good and sure and right about my response. I feel lighter for the release of tears, comforted by my kindness to myself. “Bread and butter,” I whisper, “for as long as you need it.” I’m grinning now.

Spirit Balm (40)

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I put my big weird orange tube scarf over my head and fluff it up around my neck, tie Joe’s old sweater around my waist. It is not yet dusk when I walk out my wooden gate, the big clouds in the sky lit up by the last of the setting sun that went behind our mountains almost two hours ago. It’s my first walk for sheer pleasure in a long time. I go along the golf course path. I watch a hawk glide-land in the dead branches of the tree beside the tennis courts. When I reach the tree I stop to talk to him. “Are you a Cooper’s hawk?” I ask. And then, “Are you my Cooper’s hawk?” He doesn’t answer in a way I know how to recognize, but he doesn’t leave, either. Beyond the tree I see bunnies nibbling on the grass. It’s dusk now, and I can feel the magic of it descend on us. A Costa’s hummingbird lands three feet away, his violet mantle glistening in the remaining light. The cottontails don’t scatter today when I walk by. I am careful not to stop and not to stare. I grab quick greedy glimpses of them while I walk, drinking in their exquisite furry forms, the depth in their dark eyes, the busy concentration of their chewing. When I walk back again the rabbits are still eating, but the hawk is gone. I scan the golf course for coyotes in the late dusk. I can hear the traffic about a block away, loud on a Friday evening. I think of people going home from work, buying groceries, heading out to dinner. I soak up the respite of this path, this quiet other world settling into night, the presence of the San Jacintos. I remember why I want to return to this–balm for my spirit.

Bird Recovery (39)

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I dream I am in a small covered patio at the back of a house I don’t recognize. There is stuff piled everywhere, stacks of cardboard boxes, a rickety folding table, bicycle parts, old tires. In a small clear space at the edge of the table near a rusted waffle iron and several stacks of old hardcover books a bird is ruffling his feathers. He’s about the size of a phoebe only rounder and fluffier, mostly gray with a pale, pale yellow chest and belly. He’s been traumatized by the presence of a coyote. I treated him in some way (an herbal mist?), and now he is settling again. I stand nearby, watch him as he preens. He seems happy. I feel a kind of quiet awe and deep gratitude knowing I was able to help.

The Man with Two Faces (38)

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I dream of a man with a huge head. He has dark skin and black hair, maybe Italian or Mexican or even of Middle Eastern heritage. His features seem familiar, but I can’t place them. His mouth is frozen open as though he’s in mid-scream, his eyes wide and crazed. But he is talking, animated, somewhere below his face. It’s as if his animated features are semi-transparent and floating beneath his frozen face, his neck and shoulder and upper chest visible behind them. It takes me a while to understand what is happening. At first I think his head is huge and ugly, but then I grow accustomed to it and begin to see what’s going on. I see him standing beside his wife. He is very tall, and his frozen head no longer seems out of proportion. I have the sense that if he continues with his emotional work he’ll be able to unlock his face. It must have frozen in a moment of terror. But I know he can free it up again by thawing, feeling, releasing. Later, I think about how I have my own terrors frozen inside me, and I feel comforted by my certainty that thawing is possible.