Tag Archives: thunder and lightning

Book Company (24)

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I must have been in a weird place when I read Natalie Goldberg’s Thunder and Lightning the first time. Because I remember being disappointed, and I’m loving it this second time through. I am using it the way I’ve been rereading her other books, a chapter or sometimes two before I do my daily writing. I’ve described this before, I think. Letting myself read about writing carves out time and space for me to be a writer. It makes me feel like I am part of the conversation, one writer among many. Now that I feel good about Thunder and Lightening, too, it means I have four books of hers to reread. But I will need to take a break from them when I’m done with this one. I need to read the other books I have on writing, the small collection I bought before I moved to Mexico. I don’t know what possessed me. At that time before I left the country I must have still been reading a chapter every morning, Natalie Goldberg or Ray Bradbury or even Dorothea Brande or Brenda Ueland, four of my favorites. So I combed bibliographies and bought more books about writing, consumed with preserving this ritual in foreign lands. In Hopland, where it began for me, I would sit outside on my stone porch that looked across a big field, a craggy rock embedded in the hillside. I would read first, and then I’d write a page of my novel, my answer to unearthing time for my writing even though I was still in my first years of teaching when there was no time. I promised myself I would write for eleven minutes each day. And the time before the writing, immersing myself in the world of the writer, was sheer joy.

When I’m finished reading Thunder and Lightning, I tell myself now, I will tackle one of the new books. I tried reading a few of them before, but I never made it very far. Now I am determined to read them all. Maybe there will be another gem or two I can add to my “real” collection. If I can grow it a bit larger, if I find enough of them that feed me the way my favorites do, then by the time I finish the last one in my set I can just begin again with the first, Writing Down the Bones. The thought delights me, even if it makes me sound insane. Because no matter how many times I reread them, I’m always reminded of something I’ve forgotten, something timely to my life right now. I see things I missed before, too, or I understand them in a new way. And always in returning to one of these books there is that joining in, that sharing of the writer’s life, the comfort of the writer’s voice like reuniting with an old friend, like sliding into my old, worn sweater, the color of wine, the one with the holes in it I love to dig out at the first hint of chill in the fall air. So, I’m going to read the books I haven’t read but carried with me for eight years, go looking for new old friends. But maybe, before I begin, I’ll first let myself return to Ray Bradbury’s Zen and the Art of Writing. Because it’s been a long, long time, and the thought of his sweet, kind, vibrant being draws me back again.

Culture Shock (15)

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The cats and I crossed the border from Sonoyta, Mexico, three years ago on the second of July. I sang “California Here [We] Come” most of the way through Arizona. Near the California border, we were perched on a ridge on the highway with lightning breaking beside us, my fingers white where they gripped the wheel, the thunder drowning out the beat of my heart. But it cooled the air, welcome relief from the July heat, the desert washed clean around us, alive in scents and color. We bogged down just west of Blythe, an accident on the interstate, and I dipped a washcloth into a bucket of ice water, squeezing it out again and again on the heads of my two cats. I remember running ice cubes over my own forehead, across the back of my neck, along the curve of my collar bone. I decided I was being groomed in some fashion, learning a new kind of endurance on that journey. I would feel that again in the weeks that followed our new lives in the Coachella Valley, coming to terms with the lethal summers, knowing the heat could kill me.

Close-up of Mexican birds of paradise_orange blooms and buds

I took comfort in the bright orange blooms of the Mexican birds of paradise that laced my new home. I thought it was a happy omen. I remember sitting that first evening on the lawn of the motel across the street from the apartment I’d rented over the internet, using their wireless to send emails to Mexico, letting people know we’d arrived, safe, sound, staggered by the feat. I remember walking in the days that followed, feeling like I’d landed on another planet with the wide, clean streets, the expensive landscaping, the manicured everything. After the narrow cobblestone streets of Ajijic that had been my world, being here couldn’t have felt more foreign. I remember feeling like an alien, desperate to connect with the Mexicans who crossed my path, the woman in the mall restroom, the tailor near my new home, the bartender at the Mexican restaurant who told me the owner there was from Guadalajara. I was stripped of the need to speak Spanish, but I didn’t want to stop. It felt wrong. And everywhere I looked, I saw signs of wealth, and you could walk for miles without being able to buy a bottle of water in the brutal heat.

I wanted a tiendita on every block, even in the residential neighborhoods. I wanted brown skin, black hair, warm, laughing bodies greeting each other in the streets, greeting me. I craved the rich, textured, vivid world I’d left behind. I felt small and unveiled, vulnerable, alone. I missed Ana and Rodolfo so much it hurt, an ache that didn’t go away. I didn’t want to be here. I only wanted to be there, in that other world that already seemed like a dream, all those hundreds of miles away, where I’d left all the food that had flavor, all the color that had depth, all the people who met me with an open heart, warm brown eyes meeting mine. I wanted fruta picada on every corner, tortillas delivered every morning, still warm, the sound of the tamale man calling in the early night. I wanted the life that had become mine. I wanted to go home.

Escape (10)

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The air has been terrible for weeks. It brings back dim memories of smog-choked mountains from my first nightmare summer here, images I’ve told myself in the intervening years I must have misremembered or exaggerated in my own dark gloom. I check the air quality in the Los Angeles Times every morning, little colored circles, green, yellow, orange or red. We have been orange almost every day, “unhealthy for sensitive individuals.” Once we were even red, the only one, a danger for everyone, while the rest of southern California was green or yellow. It’s so bad it makes me not want to live here, has me back on craigslist combing for rentals, a part of me screaming inside to get away. Do I live near a nuclear power plant? Head for Blythe or Algondones? Can I trade this sun, this warmth I’ve become so spoiled by? They’ve been in the 60s at the beach all summer. It makes me shudder. (Oh, and yes, I realize summer has not yet actually begun, but we’ve been in the 100s for over a month already. It skews my perspective.)

Can I live like this, with this foul air, if it’s only for a handful of months every third summer? In Ajijic it was the spring months that were bad. I arrived in April, shocked by the horrible air. They allow agricultural burning, so all the fields in Jalisco were turned to ash in preparation for the summer planting, and the smoke would gather above the lake, blotting out the mountains on the southern shore. Like here, people would gaze back at me, a blank look on their faces, when I lamented the smog. How can they not notice? It’s with me always, my body’s instincts on guard against it. My lungs take shallow breaths, as though they might reduce the damage. And our mountains, our glorious mountains that are a presence everywhere, are diminished by the smog. My eyes seek them out again and again throughout the day. But instead of their surprising nearness, their magnificence that makes my heart leap in my chest, they are made distant, dulled, lessened by the ugly air that clings to them.

view from kitchen, ridgetop and houses

view from kitchen, more ridgetop and houses

When I lived in Ajijic I imagined a life where I would escape each spring, moving the cats to Puerto Vallarta for April, May, June. Now I fantasize about escaping to Ajijic for July, August, September. Soon the cicadas will arrive in the village, if they aren’t there already, harbingers of the nighttime summer rains. I lived in the hills where the lightning clung, the thunder crashing close to our tile roofs in the middle of the night, like no noise I’ve ever known, the fierce roar of the gods. I’d lie on my back in the dark, my bedroom windows open to the north and east, the lightning bright behind my eyelids. I’d listen to the thunder’s echoes roll out across the lake below, the sound reverberating for long moments as it traveled across the basin. At some point the downpour began, rain racing off downspouts like Niagara Falls, making rivers of our steep streets. In the mornings the wet cobblestones would shine in the sunlight, all dust banished from our world. I’d look out my kitchen window to the nearby ridge, the crest of our hill. The air would be washed clean, too, in the brilliant summer light, the kind of sharp clarity that makes you want to launch yourself from the rooftop out into the blue sky, to take wing across our world.