I think, I hope, I am done agonizing over Sofia. Did I miss some signal? I knew she was close to the end. I asked her about it every day. “Are you ready to go?” Oh, my love. There were two times in the last few days when I saw that glazed “I’m enduring” look in her eyes for the first time. She was lying under the bed in the hot afternoon. Was that my cue? I can’t count the number of times I traced those grooves in my mind, replayed the weeks, the months. Did I miss something? But then I remember her face when I opened the closet door on that last morning and she looked up at me. I remember her clear eyes, the look she gave me. Calm. Matter-of-fact. Here you are again. Good morning. I’ve heard the vet say the time comes when there are more bad days than good. But who is to say life isn’t still worth it, isn’t still precious when all days are “bad” days with good, good moments. Morning on the chair in the courtyard. A bowl of tuna water pressed from the can. Sitting in the sun in the corner of the garden beside the marigolds and bougainvillea. A visit in the middle of that last night, head firm beneath your human’s chin, fingers stroking the edges of your mouth, a purr rumbling deep within you. Oh, my love.
Category Archives: Animals
Goodbye, Part One (27)
Today I finally build a small altar for my cat Sofia on the table in the courtyard. Tomorrow she will have been dead for one week, but I spent a good part of that time agonizing, torturing myself, replaying things over in my head. There was a lot of blood, too, on that last day. It took time for the shock to fade. So only today do I feel clean grief. It makes me grateful. I want to write about it. I have a lot to say. But I am vulnerable and exhausted and not ready. Still, I can’t say nothing. The first day or two after she died, I kept thinking I could smell her terrible cancer breath. (I wanted it to be true.) And there is that weird presence, that lit up place she used to fill, that keens her absence like a ghost. She is not lying under the bed. She is not in the closet. (The door is no longer ajar.) She should be here, but she’s not. “She’s never coming back,” I tell my boy cat. I think it’s sinking in. I still can’t walk into the back room without checking the floor to make sure I don’t step in pee. I want to go back in time and tolerate every annoying thing she ever did. I want to remember the clear look in her eyes on that last day when I slid the closet door open to say good morning. I want to kiss her soft furry head again and again and again. I feel like I have a whole book to say about her inside me. Here is the first snippet. Know you are loved, my darling girl. We miss you. Be well. Oh, please, be well.
[Photo courtesy of Marylou and Richard, shot the last time they tended my two little ones when I was away. Thank you.]
Summer Rain (20)
I sit in the courtyard watching a raven in the rain. He is sitting in a palm tree in the distance, moving up and down in the light wind, but he seems to be enjoying himself. I count the seconds between the lightening and the thunder. Sable goes inside, hides under the bed, the only marring of my delight. In the kitchen I hear a loud popping sound and look out the window half expecting to see a palm tree in flames. Outside again, the birds take flight in unison, and I crane my neck looking for a hawk. He lands in my neighbor’s tree, and I move the binoculars to my eyes in slow motion. He’s all wet, his neck feathers slick and clumping like the wet fur of a cat. He is gorgeous, regal, his golden eyes fiercely alive. Later, I eat popcorn in bed, my eyes closing on my book, and let sleep claim me. I drift from dozing to deep sleep and back again, the steady rain soaking through all my layers. It is this long nap in the rain on a summer afternoon, so rare here, that is most alive in me now as I write, embedded in my flesh, touched by the divine. Did I remember to thank you? After, I go for a walk in the late dusk. I place each foot with care, small frogs hopping out of my way with every step I take.
Mango Moment (19)
I eat the best mango I have ever tasted. It wasn’t much to look at when it was still whole. It never got that lovely red blush. There was a small patch of yellow on the skin. I even put it in the refrigerator because I’d bought too much fruit. I didn’t want it to spoil. When I peel it, inside it is a rich orange, the flesh wet and firm. I cut it up in big, messy chunks, the mango slipping out of my hands. I gnaw on the big white pit. (I always want to save the pits, make art with them, but I resist.) I eat it in the courtyard with a small pile of Brazil nuts. I eat with my fingers, savor each bite. The cicadas—two of them, I think—begin buzzing in the Palo Verde when I am chewing the last piece. I don’t know how long I sit there, mesmerized by the lingering taste of sweet, delicious mango and the exotic summer song of the cicadas, the bowl propped against my belly. I come to with my hand still poised over the empty bowl, my fingers slick with mango juice.
Everywhere but Here (17)
I wake from deep sleep after 8am. Good dreams drift away like fog before I can wrap my hands around them. I look out the window, and joy rises in me, full and light. It is the eleventh day of my 16-day holiday. I stand beside the kitchen sink and know I have fully returned to myself. Have I been gone for weeks? Years? It took ten days to shed the angst of having to check in throughout the day to answer questions. Even during the times of year when I take weekends off, it is not long enough for me to stop “feeling” people out there needing me, students and educators both. Now on Day Eleven I am free of it. I can feel the difference as the day unfolds. I am not in a hurry. I feed the birds, haul buckets of collected water from the sink and tub out to the young bougainvillea. I make my “liver flush” drink, lemon and garlic and olive oil in the blender, brew my fenugreek tea, feed the cats al fresco. I sip my drinks in the courtyard, talk on the phone for a long time to dear old friends who summer in San Francisco. I slide in yoga, too, quiet and easy, before I need to leave. I stay mindful, don’t rush, eat yellow melon and Brazil nuts from my purple glass bowl. When Audrey drives up, I bring my breakfast with me and eat it in the car. When she brings me home again after we have run around in the hot, humid afternoon, I eat gazpacho and slices of tofu on the patio and let myself read my Valdemar novel while the sun lowers in the sky. I water and feed the birds again in the almost dark because I am leaving early in the morning. A huge frog hops across the pavement, and I hope he is the same one I met before, am cheered to think he may have survived since spring. Later, I even take the time to make garlic and beet goat yogurt dip, and after my shower I eat it with potato chips and watch Parenthood until midnight. I can’t say how good it feels, how grateful I am to have come to this point. The difference is subtle, wordless, impossible to define. But today I have more room inside my skin, and being present becomes effortless. Why, I wonder, would I ever want to be anywhere else?
Long Way Back (14)
The hot air is thick with unfallen rain. My body feels too heavy to fly, so I walk along the creek. I see three white egrets. One is standing on one leg in the shallow water at the creek’s edge. The other two walk together. One keeps looking at the other. It feels like they are deep in conversation I can’t hear. I stop in the middle of the footbridge and face east. I can’t see the egrets now. But I hear a few frogs, just starting up in the early dusk. The crickets are singing, too, and I hear the buzz of cicadas in the cluster of smoke trees on the south side of the bridge. I run both hands along the sides of my face, my forehead, across my shorn hair, pushing back sweat. I take a deep breath, close my eyes and reach for that spot inside my skull. Nothing happens. I am trying too hard. “No, sweetling. Don’t push.” I can hear Kira’s voice as if it were yesterday and not two decades ago. She smiles, shakes her head. “Hold the thought—touch the place, but do not try to force it,” she says. She forms her words with care. English is not her native tongue. “Let it come,” she says. I blow breath through my lips and let them vibrate, make noise. I sound like a horse, I think. And then, horses can’t fly. I reach again, coaxing, gentle. The spot responds, thick and alive in my head. My feet leave the ground. I lift up, then falter and almost touch the bridge again. But I stroke the space inside me, that dense unseen thing, and I steady.
I lift up to the tops of the trees and hover, still hesitant. I have not been able to stay aloft for the past seven days, and I am afraid. “Easy,” Kira’s voice whispers. I remember to breathe, and I let myself drift east above the creek bed. I see the egrets again—they’d been hidden by a small palo verde. They look up but don’t react. The birds here are used to us by now. I turn over and stretch out my arms like a kid floating on her back. I am over the old golf course now, so I adjust my height to clear the tallest of the palm trees. I hear a grackle near where the pond used to be. It makes me happy. I haven’t heard a grackle here in a long time. Maybe we really are turning things around. Maybe it isn’t too late. I hope I’m right. Desirée doesn’t think so. We argued about it again last night. I can still taste the angry words in my mouth, still see her flying away from me as though she couldn’t leave me fast enough, moonlight on her back. Most people believe her. They think it’s too late. We are stupid and wasting our time. I only know a few who think like I do, who believe what we’re doing matters. Lisa. Shawnee. Verdis. But how could we not try? How could we live with ourselves if we didn’t? I begin to sink. My thoughts are making me too heavy. I’ve flown far. It will be a long walk back.
Become Big, or When I Write (13)
Natalie Goldberg says in Writing Down the Bones, “Become big and write with the whole world in your arms.” I love that. I love the way it makes me feel. When I write I am my mother who cleaned the house every Friday when I was little. Daddy brought home Bob’s Big Boy that night for dinner, the combination plates, so she didn’t have to cook. When I write I am my 4th-grade self walking down the hallway in my stepfather’s house in East Granby, Connecticut, when I heard the radio saying Kennedy had been shot. When I write I am big like the San Jacinto mountains that right now are diminished by the smog between us, but I am big like their massive shoulders, big like they are when the air is clean and you think you can reach out and stroke the ridge line like a sleeping bear. When I write I am the African on a crowded raft hoping to reach Italy alive. I am lost treasure at the bottom of the sea beneath him, gold doubloons among the old white bones. When I write I am the breeze that moves across my skin and still cools me in the early summer day. I am the wind that breaks my green umbrella. When I write I hold the field of sunflowers in my arms beside the path to Santiago de Compostela. When I am big I write with Hitler and George Bush (the son) and Glinda from The Wizard of Oz—they are all in my arms. And Toto, too. When I write I am clouds, streetlights, 4711 cologne, Stalin, Ray Bradbury, Natalie Goldberg. I hold rain and starlight, yerba maté with coconut milk and honey, exhaust fumes from the diesel truck my neighbor drives, eggshells in the trash wet with the whites I have syphoned off for the egg yolks I fed the cats. When I write I hold you and Aunt Doris and Huckleberry Finn in my arms. I hold myself in my arms. I learn to be tender with myself. When I write, I hold you, too, and try to be honest and kind.

