Category Archives: Art

Become Big, or When I Write (13)

Posted on by
Reply

Natalie Goldberg says in Writing Down the Bones, “Become big and write with the whole world in your arms.” I love that. I love the way it makes me feel. When I write I am my mother who cleaned the house every Friday when I was little. Daddy brought home Bob’s Big Boy that night for dinner, the combination plates, so she didn’t have to cook. When I write I am my 4th-grade self walking down the hallway in my stepfather’s house in East Granby, Connecticut, when I heard the radio saying Kennedy had been shot. When I write I am big like the San Jacinto mountains that right now are diminished by the smog between us, but I am big like their massive shoulders, big like they are when the air is clean and you think you can reach out and stroke the ridge line like a sleeping bear. When I write I am the African on a crowded raft hoping to reach Italy alive. I am lost treasure at the bottom of the sea beneath him, gold doubloons among the old white bones. When I write I am the breeze that moves across my skin and still cools me in the early summer day. I am the wind that breaks my green umbrella. When I write I hold the field of sunflowers in my arms beside the path to Santiago de Compostela. When I am big I write with Hitler and George Bush (the son) and Glinda from The Wizard of Oz—they are all in my arms. And Toto, too. When I write I am clouds, streetlights, 4711 cologne, Stalin, Ray Bradbury, Natalie Goldberg. I hold rain and starlight, yerba maté with coconut milk and honey, exhaust fumes from the diesel truck my neighbor drives, eggshells in the trash wet with the whites I have syphoned off for the egg yolks I fed the cats. When I write I hold you and Aunt Doris and Huckleberry Finn in my arms. I hold myself in my arms. I learn to be tender with myself. When I write, I hold you, too, and try to be honest and kind.

A Jolt from the Universe (47)

Posted on by
2

When I am posting the little flyers I’d made for the drop-in writing circle, I send off little hopes and prayers with them. May it be sweet and safe, I ask. When Laurie tells me she felt safe in our first circle, I hear that echo, send my thanks. And before we begin yesterday, the universe gives me a bit of a jolt I am pretty sure is tied to that same prayer, that same hope: sweet and safe. We’d opened the back doors of the hall, moved the big round table in front of them, sun and air beside us. It is just before eleven. I light a candle in the center of the circle. Laurie and Sharon are sitting at the table, and I’m standing beside it. A woman marches across the long hall, plants herself near Laurie’s elbow.

“Are you coming to join us?” I ask her.

“No,” she says. She stands where she is, a soldier at attention.

“Well, did you think you wanted to watch us?” I ask.

“Maybe,” she says.

“Well,” I say, “I’m not sure I’m comfortable with that.” I’d thought about this earlier. We were not looking for an audience.

I haven’t finished my sentence when she does an abrupt about-face and marches back across the hall. She has her arms at her sides, and she is flapping her hands back toward me as she walks, as though she can swat away my words, keep them from following her.

“Um, what is the flapping of the hands?” I ask. And, “Are you really not going to talk to me?” She keeps walking away, keeps flapping her hands in my direction. “I’d be happy to have a conversation with you about this,” I say.

She reaches the door at the other end. “Maybe,” I think I hear her say as she walks out again.

We are all a little stunned. I have to check. “Was I inappropriate in my response?” I ask. They say I wasn’t. I have to shake it out of me then, a kind of invasion I feel in my body. I wave my arms around in the air above the table. “Whoosh whoosh whoosh,” I say. A different flapping of hands, I think now. As best I can figure, this odd jolt is a message. I take it as encouragement and a reason to trust. Maybe it says we can keep our space safe no matter who comes along. And maybe it says, “Certain beings will be led away.”

Our First Circle (46)

Posted on by
2

Our first writing circle was sweet sweet sweet. There were four of us, and we did two eleven-minute writing sessions. I loved what everyone wrote. They were vivid and filled with marvelous details. My critic was up, though, and grumbled in my ear when I was writing. It was hard to keep the pen moving, to resist crossing out words as I wrote. I think I never really “dropped down,” wasn’t able to let it come through me with any sense of ease. Was that because even though I said I didn’t want to be a leader here, even though I want to be only a participant, by virtue of instigating it, of bringing the prompts, of explaining the mechanics, I felt like I needed to “perform” at some acceptable level? Or was it the cup of green tea I couldn’t resist drinking before I arrived? Or could it have been only because I haven’t done this in a long time, because I had hopes, had expectations? I wanted to feel the magic that can happen on the page. It makes me sad I wasn’t able to surrender to it. I used to find my way there more often. It used to be easy, like walking through an open doorway, like being invited in to sip tea by the big window overlooking the lake. I told Laurie later how critical I felt about my own writing, how strong and beautiful I found the pieces they each read. “Beginners luck,” she said. She wrote a prose poem I hope she’ll work with more. She told me she’d felt safe there, and that was a boon for me, balm to disconcerted ears. It made me glad and grateful. I helped make that happen.

More Musings from the Kitchen Sink (42)

Posted on by
6

Sunday night I made a bold move. I retired my old scrubbie and Trader Joe’s kitchen cloth to a home beneath the sink, relegated now to dirtier tasks. Monday I am washing dishes with the new pristine scrubbie. I feel exuberant with morning energy, new day joy. The perfect aqua kitchen cloth sitting wet at the edge of the sink makes me happy, too. Should I take a picture of this one, like the yellow one? I imagine a series of photographs of kitchen cloths lined up at eye level across a white gallery wall. I don’t know how many have come between this delicious aqua and the famed yellow one. I know the last one was orange, probably the last two since I cut them in half. When I decided to splurge and spring the new ones from the drawer, I actually had to think about it first. The old ones weren’t terrible yet. As I run the new soapy scrubbie inside one of the cats’ dinner bowls I think about how this level of frugality came from having an immigrant mother. I am so white, so middle class, I forget I am the daughter of an immigrant. It shapes you, makes you different. Today my mother probably wouldn’t think twice about switching out her kitchen cloths, but it came to me when she was young, when she was new to this country. I think about how frugality is good, how not being wasteful is important for the environment, too, the right thing. I even picture my old scrubbie and cloth in the landfill. Then I tell myself these are small things. I try to be careful. I’m not dumping a television set. I finish washing the dishes, run a dry cloth along the edge of the counter. I think about how the sight of the aqua cloth beside the sink makes me happy. People will think I’m crazy. There she goes again, that odd, twisty woman and her kitchen cloths. But I’m glad I liberated the new ones. It seems like a small indulgence for all that goofy pleasure. I decide to be reckless and retire this new pair at an even earlier age.

Walking in the Dark (38)

Posted on by
2

I keep running out of daylight, so I’ve taken to walking around our trailer park at night. I study each home. I like to see what people have done, the choices they’ve made depending on the configuration of the structure, the orientation of the lot, the emphasis on indoor versus outdoor space. I have years of wandering my neighborhoods at night. I love seeing windows lit up. They used to make me feel lonely but not anymore. The other night when I was walking, an odd awareness came over me, almost more physical sensation than actual thought. It lasted several paces, maybe half of the short block I was walking, heading west in the dark. I was struck by how rich in life these homes felt. The rows of colorful handblown glass, bottle after bottle stretching across all the windowsills I could see from the road. A covered patio, pristine, with artwork on the walls, bright abstract designs, the bicycles stowed just so. The sounds of music playing, TV, the opening and closing of cupboards, the clank of metal on metal, pot to the stove, someone preparing dinner. All these homes seemed so much more alive than my own. I felt a little awed, a little sad. Later, I wondered if what I sensed was an accumulation of life over time, that row of bottles spanning the years. I bet it began with one bottle on that first windowsill. A fresh coat of paint on the patio wall, the impulse to hang the abstract. I can almost see them now years ago in my mind, before life was laid down, these small acts of love, layer after layer.

Another Summer’s Dream (29)

Posted on by
2

I dream I am dreaming. I know when I wake up in the dream whatever is there–whatever I see first–will be what’s important. I open my eyes and the first thing I see are the stars, a whole deep sky of them, the kind you don’t see in the city. And below is a wooden roof that is my mother’s roof in the dream, and there is some sort of art sitting on it like a fancy painted nesting box made of wood. I don’t understand it, but it makes me feel good looking at it in the quiet night.