Bird by Bird (38)

I like to play with my titles here. Song titles, famous expressions. In blogging it feels like we have more license to amuse ourselves. Here I am stealing the title of Anne Lamott’s book about writing. I saw it on my shelf just the other day. It seems to fit what I want to try to write about tonight, the bit by bit approach. One day when I was in my third year of teaching English I knew I needed to begin writing for myself again. I was building an online class on the fly, in addition to my other classes, and every Sunday I stayed up all night to get the next week’s materials in place for my students by Monday morning. I had no time. But I knew I didn’t want to get to the end of my life saying I’d always wanted to be a writer. So I decided to write eleven minutes a day. I sat on my stone porch in Hopland every morning and filled a page in my composition book. I don’t remember how it happened, but characters emerged. I began writing a novel. I don’t know if it was beginner’s luck or some quirk of timing or state of mind, or maybe because the characters were so crisp and so alive for me then, but I would just sit down and “enter in” to the story every day for those eleven minutes. I thought that’s how it worked, thought I would always be able to immerse myself in that way. But today I feel light years away from that, my imagination rusty, my hand creaky, my mind less agile, less willing or able to stretch, take leaps. So, yesterday I began a commitment to address a new writing prompt from Two Sylvias Press every day in December. I’ve done two now, and like my assignments for my recent MOOC, they are nothing to write home about. But I’m hoping I can quiet my critic, just keep practicing this act of letting go that used to come to me unbidden. It’s a tightrope act, finding my balance between reaching for this hope, writing with this goal in mind, and not going rigid with it. I think to soften I may return to reading Natalie Goldberg. Or maybe I’ll read Anne Lamott’s book again. In her story, when she has a big report to write for school, her father tells her to just take it “bird by bird.” So, I’m going to take this prompt by prompt, and wish for but not insist on limbering up in the process, pray for magic but not try to hold it in my fist. And in the meantime, the birds keep showing up, too, signposts still along my way. But that is a story for another day.

Love Still Trumps Hate: All Evidence to the Contrary (36)

Tuesday dread settles over me like a heavy coat, lead in the pockets. I fall asleep with a candle burning and a ceaseless prayer. Please don’t let him win. Wednesday I wake up and cry. I am surprised it hits me so hard. After, I do my sitting meditation. I practice metta. I don’t try to love Trump. I don’t try to love the people who voted for him. But I can hold them anonymously when I say metta for all beings everywhere. I can be inclusive of them in my practice because I believe we all deserve to be safe and free from harm. I believe we all deserve to live with ease and well being. We all deserve to know both deep joy and deep peace. But I don’t try to single them out for this, as you would in a traditional metta practice. I don’t want to try. Not yet, at least. Not now. Right now I am still too raw. Right now it is all I can do to keep my fear from grabbing me and sprinting off. Will he begin deporting people, pulling apart families? Will he try to take away our right to choose, strip away gay rights? I hear he doesn’t believe in global warming. Will he undo everything good people have fought so hard for for so long? I tell myself people who voted for him wanted to overthrow the government. It’s an understandable desire. But how could it not matter that he hates people of color? Women? Foreigners? How the hell could it not matter that he bragged about grabbing pussy, claimed Mexican immigrants are criminals and rapists? How can there be no lines drawn for the kind of person we even allow to run for president, much less elect? I cringe to think of all the white women who voted for him because their husbands told them to, women who have internalized the misogyny Trump embraces. (And there, perhaps, is my truer entry into compassion.) I know racism and misogyny and xenophobia never went away. But I never expected almost half the voters in this country to exalt them. I’d hoped just the fact that Trump was in the running was enough of a backlash. That it meant we were making progress in this world of ours. Now it looks like it will have to get worse before it gets better. So I’ll pray it doesn’t get too bad. I’ll pray it doesn’t last too long. I’ll pray this is how we expose and exorcise this kind of hate. And I’ll cling to being grateful and proud to be a Californian. On Wednesday morning when I look at the nice little west coast block of us, of Clinton states—California, Nevada, Oregon and Washington—I can’t help but wonder. Could we just secede? But maybe that’s the coward in me talking.

Hawk Talk (31)

On the first day of the Joshua Tree retreat in July, Beth asks us why we are here. Then she asks us why we are really here. “Now,” she says, “why are you really, really here?” Each time to my surprise a deeper answer comes. Later in my courtyard this same kind of layered knowing unfolds for me. I am writing in my notebook about my new idea to begin a second memoir, one that is just about me and not about my big lost love. I dream of committing to writing one piece for this new project each week in addition to my blog post, how making choices about what goes into the book and what goes on the blog might be confusing. (This is already happening to me with the book I’m working on now.) Without knowing, I forget to keep the pen moving across the page. I think about how I have aimed myself at this book contest deadline against all logic. And since the winner won’t be chosen until next summer, how maybe I’ll send the manuscript to Graywolf Press, how I’d like to send it to whoever published All We Know of Love, as well. So maybe I won’t wait for the contest results, only send up a prayer for the best right thing to happen. I drift on to the idea of entering contests again more often, writing new short pieces, too, while I work on my novel. And in the middle of my daydreams a Cooper’s Hawk swoops in. The doves scatter in forty directions. I duck in my chair, shoulders hunched to my ears. The hawk tries to land on the bottom ledge of the wooden fence beside the gate, but she can’t find purchase. So she launches herself back into the air, fanned tail almost close enough to touch, and sails over the roof of my neighbors’ trailer. Everything goes silent in the courtyard. But inside I am whooping. This dramatic whooshing in big strong wings feels like a sign from the universe telling me to keep writing, keep entering contests, begin pursuing publication. And I hear even more than this big “Yes!” beneath the wingbeats. Under them I hear another yes that says this is where your heart leads. This is your passion, your path. Follow. Follow. I am incandescent for a day, this validation shiny and new inside me. And then if I am honest this message feels like a promise. Keep writing. Keep trusting. Everything will be okay. More than okay. This is the right direction to aim yourself. We will help. It makes me want to cry.

Mish Mosh Kind of Day (15)

Today feels like my first day in a long time without any commitments out in the world. I bask in the luxury of it. I go out early, trim the big yellow tecoma. I sit writing in the courtyard, sip fenugreek tea, my left arm getting wet, the hairs on my forearm dusted with mist. (It reminds me of the way the squirrel’s tail was misted in the early morning when I found him dead on the side of Tilton Road in Sebastopol, all those long fine hairs surprising and beautiful. His little form was lying in the crook of “Scary Corner” where the vultures liked to gather. The next day I found a pellet of his tiny bones. I put the collection in a matchbox. I still have them.) My right arm faces away from the misters. It’s wet, too, but just from sweat. It’s muggy and hot. I eat cold watermelon. I do my sitting practice. I have to fight to stay awake. A mourning dove coos from his perch above the tray feeders, and a goldfinch comes to nibble a big leaf on the new batch of sunflowers, that sweet fleeting time, all fresh blooms or buds just about to open, the new bursting energy of them. In between there is work and errands, in and out of the heat in the middle of the day. Later when the sun sinks behind the mountains I sit on the front step to cut my toenails. A bird I don’t know lands on the wooden fence and sings a little song. I’m pretty sure he’s talking to the house finch who are enjoying their evening meal, but I don’t know what he’s saying. He has a graceful curving arc in his throat and beak. When he leaves he flies in a loop above me, as if he wants me to know he knew I was there all along. I write my blog post for this week. I have a story to tell about a gem I uncovered during sitting practice last Saturday, but I am not ready to write it yet. Maybe I am not ready to reveal it. I take warm clothes from the dryer in the dark. I stop to look at the stars. This was a pretty good day.

Humble Pie (3)

Yesterday’s blog post seems sour to me. I feel like I want to apologize for it. I want to be able to be frank, to tell my own truths even when they’re dark. But I don’t want to practice that ugliness itself in my posts. Even as I write I realize there is no real way to avoid this (not being a saint). I’m not always going to know when ugliness decides to sneak in without my consent. I don’t blame myself for bristling at what the teachers say or for feeling left out. That’s just human, and I want to be able to be human even when it makes me look petty or ungracious. But I should have said I know the teachers don’t mean any harm. They’re not trying to put themselves above the rest of us, even though that’s how it strikes me when it happens. I know this is true because of how they feel to me as people. Because they wouldn’t do that. This was just their lead-in to talk about their truths, to tell us what they have come to know over time through their regular meditation practice. One of our teachers reminds us often not to take her word for things. The Buddha tells us to experiment for ourselves, to not take anything he claims on faith. But for me, neglecting to acknowledge the teachers’ intentions are not to set themselves above us, are not to exclude anyone—this is not to me the worst part of my last blog post. The worst part is the way I put myself above them at the end. How hopefully I would do better. I would be more inclusive. What crazy hubris was this, and right in the wake of accusing them of the very same thing? I knew I wasn’t comfortable with the post at the time, but I was tired, and I was determined to make my Friday deadline. I didn’t look close, didn’t recognize why it made me squirm. Now I am embarrassed, but I think, too, I’ll just be glad for the humbling in all this. I don’t want to put ugly things out in the world if I can help it, to have them sour the overall flavor of my posts. Even if I end up having to return the next day, belated recognition of what I did without knowing. Please accept my apologies.

Become Big, or When I Write (13)

Natalie Goldberg says in Writing Down the Bones, “Become big and write with the whole world in your arms.” I love that. I love the way it makes me feel. When I write I am my mother who cleaned the house every Friday when I was little. Daddy brought home Bob’s Big Boy that night for dinner, the combination plates, so she didn’t have to cook. When I write I am my 4th-grade self walking down the hallway in my stepfather’s house in East Granby, Connecticut, when I heard the radio saying Kennedy had been shot. When I write I am big like the San Jacinto mountains that right now are diminished by the smog between us, but I am big like their massive shoulders, big like they are when the air is clean and you think you can reach out and stroke the ridge line like a sleeping bear. When I write I am the African on a crowded raft hoping to reach Italy alive. I am lost treasure at the bottom of the sea beneath him, gold doubloons among the old white bones. When I write I am the breeze that moves across my skin and still cools me in the early summer day. I am the wind that breaks my green umbrella. When I write I hold the field of sunflowers in my arms beside the path to Santiago de Compostela. When I am big I write with Hitler and George Bush (the son) and Glinda from The Wizard of Oz—they are all in my arms. And Toto, too. When I write I am clouds, streetlights, 4711 cologne, Stalin, Ray Bradbury, Natalie Goldberg. I hold rain and starlight, yerba maté with coconut milk and honey, exhaust fumes from the diesel truck my neighbor drives, eggshells in the trash wet with the whites I have syphoned off for the egg yolks I fed the cats. When I write I hold you and Aunt Doris and Huckleberry Finn in my arms. I hold myself in my arms. I learn to be tender with myself. When I write, I hold you, too, and try to be honest and kind.