Category Archives: Daily life

Good Ghosts (22)

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Around me, everyone is awed by the splendor of the eastern Sierras, but I am in shock again and again. Everything is ailing: the air, the pine trees, the scrub brush. Even the deer feel different, thirsty, the yip of the coyotes desperate. The only place I don’t feel pain is when I soak naked in hot water in the center of the caldera, the wide plain and rocky mountains spread out in all directions. We go there for the Perseids, then lie on our backs in the middle of the night on picnic tables at Mono Lake fighting sleep. The heavens grow odd, the Milky Way a huge space station, a gigantic metal insect. We write each morning for hours at our campsite, in among the pines. A chipmunk appears beside my notebook on the picnic table, his deep brown eyes intent on my face, alight with curiosity and kindness. The peace is tangible, surprising. I am not used to living in a group, don’t quite know how to keep my center, yet the peace reaches me in still moments. An osprey perches on a bare tree at the top of our hill and calls again and again in a high voice I don’t recognize. We read our work out loud in the late afternoon or just after dinner. I may be the most present then, ready to mirror back the parts that speak to me, to swim inside and come back with something I can put in words about what I see happening in the writing. I like reading my own work, notice I am not afraid the way I used to be. I am grateful for the feedback, too, these faces in the fading light, these voices who have grown dear to me. I want to stay here always, writing pieces of my book, reading them aloud. Leaving comes in pieces, too. A wistfulness before our time is over, leaving the wilderness, the long hot stretch of the central valley, arriving back in Oakland, taking the train home the following day. Now our time together is a dream, and I am not yet quite awake again in my ordinary life. I miss these people, miss our campsite home. Being alone is lonelier, the way they are with me but not with me, ghosts now in my Palm Springs home.

Traveling Light (21)

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I make myself a little crazy when I travel. There are so many things I need to do before I go, and such a clear end point. I’m used to being able to move my undone tasks to tomorrow. In the time before my camping trip, my writing workshop, I keep tensing up. Then I notice. I relax my shoulders. I exhale. I send up little wishes and tell myself all will be well (and all will be well, and all manner of things shall be well). The prep I still need to do for my fall classes is only part of it. I bought an automatic bird feeder, and I fret about it arriving in time from Amazon. I have to cut my fingernails, my toenails, shave my legs. There is still some fiddling I need to do in my courtyard garden, adjusting timers, moving the pot of aloe vera that won’t get watered by my mister when I’m not here, adding an extra line to the honeysuckle. Should I tie the umbrellas down? I decide and un-decide eight times. I mentally pack and unpack my bag, juggling priorities. I’m taking the train, so I need to pare things down. In between, I think about seeing the Milky Way splashed across the night sky, of writing through a lazy mountain afternoon, of laughing at breakfast. Even the delight of burrowing into my checkered alpaca sweater I found at that garage sale in my old neighborhood and almost never get to wear, the thrill of cold air against my face, fresh from a Palm Springs summer. I hear my house finches chattering though the open kitchen window, and I know I am so lucky in both my little home and my upcoming trip. The green sarong flung across the window to block the afternoon sun is flapping in the breeze. I get a goofy grin on my face. I’m going on an adventure.

Starting Over Again (19)

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I’ve decided to rewrite my book. This will be the third time I’ve begun again from scratch, or almost scratch. (Might it be a charm?) This is the manuscript that was one of nine finalists for the New Rivers Press Many Voices Project award a couple of years ago. (The winner receives $1000 and publication by their university press.) I submitted it earlier this summer to New Rivers, as well, for their general submissions, and I’m still hopeful to hear good news. But I always come back to feeling like it isn’t quite right. A fellow writer read the manuscript, and he thought it may be “droning.” (Eee gads. How do you not cringe to hear that?) Because I wrote it over such a long period of time, I’ve always wondered if the voice was not consistent (in spite of all revising). And I’ve always wanted there to be more lightness in the book. I think it leans toward the hopeful and the healed, but maybe not enough to satisfy me? This is the story of my lost love. My big love. I began writing it much too soon—I know that now. I wanted it to be a book when it needed to be only one of the ways I moved through my grief, came back from despair, put my heart together again, just pages shoved in a drawer somewhere until a later time. I know now to write like mad through something like this but not try to shape it into anything when it’s still raw, has not had time to sift through me, time to drift down to bedrock.

On Tuesday I closed my laptop from a round of work and set it aside. I sat on the edge of my bed spacing out before I got up to take a shower, to toss the cabbage salad I made for lunch. And I fell into a newer, deeper sense of how to approach rewriting the book. It isn’t new for me to envision including more in the story about my life today, but sitting on the bed I felt it more fully in my body. I saw into it, felt into it more fully than I have before. The book is written in second person, me talking to him. Even though I wonder if I need to just let this manuscript go, to finish my now ancient novel and let myself finally move on to new projects, I still resist. This pile of pages has some of my best “material” in it, so I become stubborn. And enough time has passed that I can return to that material without reliving it, can picture the new retelling from a place of joy. It seems the perfect thing to “use” this framework of me talking to him as a kind of scaffolding for writing what might become a “real” memoir, one that goes beyond my story of having loved and lost. The timing couldn’t be better, too, because I’ve been flailing about a bit, not sure what I wanted to focus on at the August writing workshop I get to go to. I’m pretty excited about it now (both the book and the workshop), so I wanted to let you know. I can feel you wishing me well even as I write. Thank you for that, now and always.

Palm Springs, My Love (17)

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Hot air, brace against it. Remember to breathe, let it embrace you instead. Clear air today, the San Jacinto mountains so close you are sure you could stretch out your arm and pluck a jagged rock from the nearby ridge. More room on the sidewalks in summer. The city leans back, like vacation in a small seaside town. Palm Springs, I love you. I kiss you—you kiss me back, warm breath against my arms, my legs. I close my eyes and lift my face, inhaling you.

[Editor’s note: One of my ideas for earning money in a joyful, heartfelt way now that my income has shifted is to write spontaneous prose poems downtown for donations. This is my first effort for one of the business owners there. I told her she could pick a topic or I would just write what comes to me. She chose Palm Springs. The way she said the name it could have been a lover. I didn’t do it consciously, but I see now I have used her voice here. It was quick and fun, and by the last line I was fully “in it.” After, I took a picture of it with my iPad. I am torn about that part. Is it okay to want to keep them for myself, too? Or do I need to let them be gifts going out into the world without me? I look forward with good hope to writing more. Maybe I can find a way to do them one afternoon or evening a week? Two?]

May I Be (16)

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“May I become truly self-assured,” I say. It is a kind of metta I try for my changing. Wishes, Beth calls them. I like that. Part prayers, too, this metta. Part affirmations, maybe. They are all good, all effective, I believe. We only need to bring ourselves to them fully, heart and soul. Not grasping, of course. Believing, hoping, grateful. Funny thing, though, each time I bring myself to this one, I stumble in my mind. I say “reassured” instead of “self-assured.” A mistake, I think. I make it again and again. Then I am at a one-day retreat. I eat Brussels sprouts and radishes leaning against a low wall beside the small fountain on a June afternoon. I eat cool cubes of watermelon for dessert, lick the sweet from my fingers, luxuriate in the summer heat. After, I make a discovery during sitting practice. I say my metta. I make the same mistake. “May I be truly reassured,” I say. And then I know this is not a mistake. To be reassured is exactly what I need. I understand being reassured can be my path to self-assurance. Later, I realize with a kind of awe this is something I trust the universe to give me, no hint of doubt. I make lists in my head, different ways I am reassured. My cats reassured me when they were here in their small furry forms. I get excited about adding to my list, and eager to see how this unfolds, what gets sent to me. On Monday I try to rescue five stems of trimmed orange lantana blooms from the sidewalk, but after my bus ride they are wilted. I kiss them and place them on the bench outside the yoga studio. After in chavasanah I feel bad about not saving them. “But they were loved,” a voice inside me whispers. It is my first clear reassurance since I understood what I am asking for. I am dancing, lying in stillness on the yoga mat. I give thanks. I wriggle, a child about to unwrap a birthday present. What comes next?

Mish Mosh Kind of Day (15)

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Today feels like my first day in a long time without any commitments out in the world. I bask in the luxury of it. I go out early, trim the big yellow tecoma. I sit writing in the courtyard, sip fenugreek tea, my left arm getting wet, the hairs on my forearm dusted with mist. (It reminds me of the way the squirrel’s tail was misted in the early morning when I found him dead on the side of Tilton Road in Sebastopol, all those long fine hairs surprising and beautiful. His little form was lying in the crook of “Scary Corner” where the vultures liked to gather. The next day I found a pellet of his tiny bones. I put the collection in a matchbox. I still have them.) My right arm faces away from the misters. It’s wet, too, but just from sweat. It’s muggy and hot. I eat cold watermelon. I do my sitting practice. I have to fight to stay awake. A mourning dove coos from his perch above the tray feeders, and a goldfinch comes to nibble a big leaf on the new batch of sunflowers, that sweet fleeting time, all fresh blooms or buds just about to open, the new bursting energy of them. In between there is work and errands, in and out of the heat in the middle of the day. Later when the sun sinks behind the mountains I sit on the front step to cut my toenails. A bird I don’t know lands on the wooden fence and sings a little song. I’m pretty sure he’s talking to the house finch who are enjoying their evening meal, but I don’t know what he’s saying. He has a graceful curving arc in his throat and beak. When he leaves he flies in a loop above me, as if he wants me to know he knew I was there all along. I write my blog post for this week. I have a story to tell about a gem I uncovered during sitting practice last Saturday, but I am not ready to write it yet. Maybe I am not ready to reveal it. I take warm clothes from the dryer in the dark. I stop to look at the stars. This was a pretty good day.