Category Archives: Daily life

Raven’s Wings (33)

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I am sitting at the Amtrak station when I know I am only one of Sable’s sleek black whisker’s width away from fully committing myself to November’s national novel-writing month. My stomach clenches at the thought. It terrifies me. 50,000 words in 30 days means 1,666.66666 words per day and 6.66666667 pages (of 250 words per page). My quick work on the calculator hooks me in even more. No Satanic inklings here, only the magic of these sequences of sixes, of forward progress–and how, hmm? If I write 7 pages per day, I’ll have written 210 pages by the end of the month. And maybe I’ll throw my hat in the ring for that young adult novel contest, after all. Last week I entered a different book contest, and, counting this young adult contest, I plan now to enter three more this week. I keep the pen moving across the page and remember to pull in air. I can still feel the tightness in my belly, more thrill than fear now, though the balance is close. I feel it in my bones, in the sun on my back, in my pleasure in the conversation I am overhearing part in English and part in Spanish, the fluid back and forth, the “I love you” when they part, father and daughter, I think. I feel in my fear and my thrill I may be truly ready to have my work win one or more of these book contests. If I submit the different pieces I have in mind I could win three of the four contests. I want to laugh out loud, but I keep writing. I am ready to burst out into the literary world with these winnings and the published books. I am ready to take the world by storm or in a swirling rush of wings, the sudden whoosh of the slow, deep strokes of a raven overhead, the feathery brush of angels, my breath easy now in my chest, heart light with hope, mouth full of magic.

My Day of Poetry, My Poem (32)

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Today I had the great honor and gift of taking a class titled “Ways Poetry Can Enliven, Illuminate, and Improve Your Prose” with poet and professor Julie Paegle. At one point, she gave us each a poem on a small sheet of paper that we can carry with us out in the world to memorize. Mine was “The Reassurance” by Thom Gunn. (I think it may have been her intention or prayer to participate with the universe when she handed them out. Each one was different, and more than one person said she must be psychic.) In one exercise we were told to read the poem she picked for us, choose something we loved or hated about it and take that with us into a poem we wrote ourselves. This is the poem that came to me.

I remember
the first time you came back
after you died.

We were sitting
outside a prison
at a round stone picnic table
near a chain link fence.

I said,
“What are you doing here?
You’re supposed to be dead.”

You smiled,
nodded.

I remember waking up
still shocked by your presence
not sure if I was glad
or annoyed
to know you could appear like that
so alive
anytime you wanted.

Clear and Present (31)

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In the early morning I am in and out of sleep, my restless, uncomfortable cat up and down and in my face, yowling, wanting me to fix him. I wake up angry with my helplessness, but I don’t realize it yet. Later in the day I will sit on the living room floor and cry, chin propped on my knees, until it all seeps out of me. But in the morning I am grouchy and don’t know why. I ride my bike to the farmer’s market. The air is not yet hot, the mountains clear and present. I think how idyllic it is, but it doesn’t touch me. I hear a clicking sound, something stuck in my front wheel. I stop, pick a thorn out of the tire. It hasn’t punctured it. I stand there straddling my bike, and a mockingbird begins to sing in a nearby fan palm. It is the first one I have heard in months. I take in my favorite pointy mountain to the south, the clean air, clouds to the west. I feel grateful to the universe for stopping me like this, for breaking me out of my grumpy out of sorts-ness, for letting me stand there on the bike path listening to this first mockingbird’s song and becoming a part of the day.

The Church of Writing (30)

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It isn’t fair. I try reading other books about writing from my odd “moving to Mexico” collection. But how can any book follow Natalie Goldberg’s? I give it almost two weeks, plodding through the pages, duty and stubbornness combined, hope dwindling. I give up, return to the Ray Bradbury. I’d only read it once years ago, but already, in the first chapter, it makes me cry. It seems unbelievable how lucky I am, to have these two writers who talk about the writing process, who both move me to tears. But it’s a mystery. The other three books don’t touch me, not even Annie Dillard’s whose prose is so lush. So I wonder what it is. Is it like acting? Does the actor need to feel the emotion he’s portraying in order to affect the audience? Is the emotion of the writer able to move into us when we read their work? Is there some mix of mind, heart, body, spirit, the writer’s integrated presence, that hugs their words? Are our words infused, like magic, with how or who we were when we wrote them? Are we transported by a writer who takes us to a world of their own making because the writer was wholly planted there when the words flowed through them, feet buried in the earth? I think so. And I love the idea that our own energy might travel unseen with our writing, ghosts on a night train, lighting people up all over the planet. No wonder libraries are sacred. Holy houses, resonant with this collected energy, like centuries-old cathedrals, dust swirling in the air, caught by the late afternoon sunlight, the smell of old paper, the feel of warm wood beneath your palm, like a prayer.

Goodbye, Part Two (29)

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Sofia on a pillow on the patio with her arms crossed

I think, I hope, I am done agonizing over Sofia. Did I miss some signal? I knew she was close to the end. I asked her about it every day. “Are you ready to go?” Oh, my love. There were two times in the last few days when I saw that glazed “I’m enduring” look in her eyes for the first time. She was lying under the bed in the hot afternoon. Was that my cue? I can’t count the number of times I traced those grooves in my mind, replayed the weeks, the months. Did I miss something? But then I remember her face when I opened the closet door on that last morning and she looked up at me. I remember her clear eyes, the look she gave me. Calm. Matter-of-fact. Here you are again. Good morning. I’ve heard the vet say the time comes when there are more bad days than good. But who is to say life isn’t still worth it, isn’t still precious when all days are “bad” days with good, good moments. Morning on the chair in the courtyard. A bowl of tuna water pressed from the can. Sitting in the sun in the corner of the garden beside the marigolds and bougainvillea. A visit in the middle of that last night, head firm beneath your human’s chin, fingers stroking the edges of your mouth, a purr rumbling deep within you. Oh, my love.

The Girl Next Door (28)

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Last week I began to read Ray Bradbury’s Zen and the Art of Writing for the second time. I tried to resist, read pieces of the Bonnie Friedman, the Annie Dillard. But they didn’t move me. The first day I read the Bradbury it made me cry. Goldberg’s work makes me cry, too. Today I read Bradbury in the courtyard in the late afternoon with the sun in my eyes. He says in order to feed your muse, “you should always have been hungry about life since you were a child.” I wonder if this is true for me. I kind of think not. But maybe so—just a quieter version than I feel from him. And I have imagined for a good while I’d like to be more avid, more eager, more vibrantly alive. Might I be on the road to that even now as I move my pen across the page? I think, too, he grew up in a different world, one I was lucky enough to touch when I was a little girl, like the last sip on the tip of my tongue. The carnival came to his town, real people who talked to him. The magician sent him home with the rabbit from his show. The world was smaller then. It makes me wish I’d been the girl next door—oh, that’s Ray’s friend Riba. I wish I’d felt the silky fur of that magician’s rabbit underneath my hand, that I was sprawled on the ground with the other neighborhood kids listening to his father’s voice in the dark, telling stories of his own childhood when there were no roads heading west, only dirt tracks and the new railroad, or lying on our backs looking up at the sky filled with stars and tasting awe for the first time in our young lives.

Goodbye, Part One (27)

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Sofia under the chair

Today I finally build a small altar for my cat Sofia on the table in the courtyard. Tomorrow she will have been dead for one week, but I spent a good part of that time agonizing, torturing myself, replaying things over in my head. There was a lot of blood, too, on that last day. It took time for the shock to fade. So only today do I feel clean grief. It makes me grateful. I want to write about it. I have a lot to say. But I am vulnerable and exhausted and not ready. Still, I can’t say nothing. The first day or two after she died, I kept thinking I could smell her terrible cancer breath. (I wanted it to be true.) And there is that weird presence, that lit up place she used to fill, that keens her absence like a ghost. She is not lying under the bed. She is not in the closet. (The door is no longer ajar.) She should be here, but she’s not. “She’s never coming back,” I tell my boy cat. I think it’s sinking in. I still can’t walk into the back room without checking the floor to make sure I don’t step in pee. I want to go back in time and tolerate every annoying thing she ever did. I want to remember the clear look in her eyes on that last day when I slid the closet door open to say good morning. I want to kiss her soft furry head again and again and again. I feel like I have a whole book to say about her inside me. Here is the first snippet. Know you are loved, my darling girl. We miss you. Be well. Oh, please, be well.

[Photo courtesy of Marylou and Richard, shot the last time they tended my two little ones when I was away. Thank you.]