Category Archives: Friends

To You on this Day of Gratitude (37)

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Persimmons, cactus, glasses on the messy kitchen table

Today’s my father’s birthday. He’d be 83. (Funny, isn’t it, how we do that with our dead?) When I was young, I always spent Thanksgiving with him. Maybe he somehow got that in the divorce. I remember his wife Jeannie and I laughing in the kitchen of their Sylmar home, black olives on the tips of all my fingers. Later, I brought my braided garlic French bread and tomato pesto soup to a Thanksgiving celebration at Colleen’s house in Sunland when we were young adults, and once in Sacramento, just the two of us that day, giddy on our pretend wine. And even later, Thanksgivings with Meri and her first husband, six or eight of us at the kitchen table playing Pictionary and rolling in the aisles. But decades ago it became a day I looked forward to spending alone. I like to let the day unfold, knowing there are three more days that follow, all without work, without plans. For years this was often my first day off in the fall semester, and even now these four days stand like a beacon, the blessing of a real break. I love knowing I can do what I feel like in each moment, the hours stretching like magic, like summer days in childhood, knowing I have no deadlines, no need to be ready to leave the house at a particular time. People often don’t understand my choice, and even now there’s a small voice in me who asks, “Is there something wrong with me?” For seeking solitude on a day when most people want to gather? So I’m making peace with this now, trying to trust it’s okay for me to make this choice. I turned down a chance to be with people I love today, nearby at Chimney Ranch. When I think of them together, part of me longs to be in their midst. Maybe it’s because I’m an only child, but today being alone calls me. It’s how I am able to have a sustained connection with myself, with this earth. I want to keep moving through the quiet of my day, the happy bird sounds in the courtyard, the soft sweater against my skin, the persimmons ripening on the blue plate my mother made, the changing slant of the sunlight as it moves with the day. I want to relish the bougainvillea blossoms, expand at the sight of the San Jacintos before me. And later in the afternoon I want to walk for hours in the stillness of this day, returning again and again to my glad and grateful heart. May those same moments of remembering to return come to you, too, to each of us over and again, today and always.

Happy Day of the Dead (34)

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I am taking my first MOOC (massive open online course). It is presented by the International Writing Program at the University of Iowa. The first week before I wrote my own assignment, I read an incredible piece by one of the other participants. In a thousand words she’d built a whole compelling and creepy dystopian world, and made me care about the mother and daughter who lived there. It made it hard for me to write my own assignment. I couldn’t stop comparing my own writing to hers. It troubled me. I loved her piece for itself and for her sake, for the evidence that she’d so clearly entered in, had experienced the magic of fiction unfolding. It thrilled me for her. But I let it make my own writing feel pale and weak. It couldn’t stand up to hers. I am rusty at writing fiction, and in the first two assignments that magic hasn’t happened for me yet. But I haven’t given up, so that is something to feel grateful for, and maybe a little proud, too. I am being a writer. And it reminds me, too, that being a writer does not often match up with the easy, romantic image we have built. It means writing and even submitting work that is only the best we can do in the time allowed. It means envying a classmate for writing “so much better” than we can. It means slogging through a writing task when our critic keeps yelling at us to stop, to give up, to throw it all away. To take up house painting instead. But it also means getting to study craft, to listen to other writers talk about how they write. It means having a chance to practice even if it doesn’t always feel good, knowing it is all part of the writer’s journey. And it means always having the pleasure of reading the work of other writers, of being moved by their words, waking up. I read another piece by a classmate in this MOOC that will stay with me always. Her story doesn’t just lead me into the reality she builds or give me a glimpse into her characters. It changes my way of looking at the world. Hers is a conversation between two sisters in the spirit world visiting their family’s Day of the Dead altar. I’ve always thought about all these people making the offerings themselves, the favorite foods, the photographs. I’ve built my own altars, talked to my own dead. But until I read her piece, I never pictured these gatherings in the spirit world, how they might look forward to this event all year. Now I can see them whispering in anticipation, gathering to watch the altars being built here in our world. It brings things together for me, makes this a complete whole in a way it never was for me before. So, thank you, fellow writer. Y feliz día de los muertos a todos.

Unexpected (29)

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I look up when I open the gate, and the small sliver of our waning moon hangs in the rich autumn-blue sky. At the sight I feel met, reassured, lightened. I ride my bike, my pretty new Carrot Girl, to Marylou and Richard’s. This morning I am playing elf. I leave violets and a Ziploc full of bird seed on the back porch to welcome them home. After, I buy bags of Nyger at True Value, pack them on my bike and ride off. I’m glad I didn’t leave things for later in the day because it’s already hot even though we’ve finally touched the relief of fall. I see someone on the sidewalk ahead of me, so I move to the street. There are no cars, no other people, just the two of us heading north. I hear mockingbirds in the cottonwoods to the right. It’s the first time I’ve heard them in months. “The mockingbirds begin,” I breathe, thrilled. It sounds like they’re tuning up, tapping into snatches of their repertoire, not quite breaking into song. I can see now it’s a man ahead of me, short, brown-skinned, something tied to his back, his stride easy. I pull even, and he looks over, surprised but not startled. When I turn toward him I’m already smiling, content on my bike, on this morning, on this quiet street. He grins, nods, his whole face open. I grin back and ride past, infused with joy, with the warmth of our rare, brief intimacy, so easy and glad. I ride home beside the jacarandas, weaving in and out of their shade, and hope that quick moment of connection made him feel good, too.

More Vegetables, or New Love and Old Love (24)

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If Celery Girl had been a cat or a dog instead of a bike, I would never have gone out one week later to get a new one. I thought about waiting, entertained a mourning period. I thought, too, I should wait to see if she was recovered, but it didn’t “feel” like she was coming back. And it just seemed too hard. It’s still too hot for walking in the middle of the day and too much to be schlepping home bird seed and watermelons on foot. So I just went and did it, bought a new bike one week to the day when she was stolen. When Marylou and Richard found out Celery Girl was gone, they called me right away, tears still fresh in their voices. It makes my own tears try to come, remembering how loved they made me feel. “Maybe you can get Carrot Boy next time,” Marylou says. We all laugh together on the phone. But it turns out she was right. My new bike is a bright, shiny orange. “I think your name is Carrot Girl,” I whisper to her, patting her seat. (She is a girl’s bike, after all.) I tell her about the phone conversation, about Marylou’s precognition. I am growing fond of her already. Colleen called me, too, when she heard about Celery Girl. Their calls make me feel glad, and they make me feel a little funny, too. People love me. They really love me.

I Make People Feel Bad, Part 2 (55)

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I make people feel bad. I’ve lost friends over it, again and again through the decades. Over the last year or so I’ve begun to be able to admit this, to see it with more clarity, to begin to face it. Even as I move my pen across the page I am braced for the self-loathing, but it doesn’t come, not the way it used to. Sometimes it comes still in one big wave, trying to swamp me, making me clench in rage, wanting to die, like that last time Sable wouldn’t come inside, and I yelled at him from the doorway. He sat hunched over in the courtyard staring at me with his big green eyes. I felt it all then, how much I hated myself for what I was doing to him. It was the last time I yelled at him, something I’ve clung to in my grief. Thank god I stopped yelling at him in those last months before he died. Other things still trigger that wave, but the feelings are momentary now, and it doesn’t sink me anymore, doesn’t tumble me around underwater, sand in my mouth, unable to breathe. It doesn’t get all of me anymore. I think enough of me stays separate, watches from somewhere further up the shoreline, refuses to relinquish herself, my feet in dry sand now. I think little by little I’ve healed enough to not be taken over by my self-hatred, and that healing has let me begin to face the fact that I am mean to the people I love. I can turn toward that now, maybe even say it out loud, look at it in daylight. I can do this now without being pulled down by that dark, terrifying wall of water. May I keep learning to be tender to myself, so I can be more tender to all the beings in my life. May I let go of my remorse, all that damage, all that time lost, too. May I forgive myself. May I learn now how to make the ones I love feel good.

Book Company (24)

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I must have been in a weird place when I read Natalie Goldberg’s Thunder and Lightning the first time. Because I remember being disappointed, and I’m loving it this second time through. I am using it the way I’ve been rereading her other books, a chapter or sometimes two before I do my daily writing. I’ve described this before, I think. Letting myself read about writing carves out time and space for me to be a writer. It makes me feel like I am part of the conversation, one writer among many. Now that I feel good about Thunder and Lightening, too, it means I have four books of hers to reread. But I will need to take a break from them when I’m done with this one. I need to read the other books I have on writing, the small collection I bought before I moved to Mexico. I don’t know what possessed me. At that time before I left the country I must have still been reading a chapter every morning, Natalie Goldberg or Ray Bradbury or even Dorothea Brande or Brenda Ueland, four of my favorites. So I combed bibliographies and bought more books about writing, consumed with preserving this ritual in foreign lands. In Hopland, where it began for me, I would sit outside on my stone porch that looked across a big field, a craggy rock embedded in the hillside. I would read first, and then I’d write a page of my novel, my answer to unearthing time for my writing even though I was still in my first years of teaching when there was no time. I promised myself I would write for eleven minutes each day. And the time before the writing, immersing myself in the world of the writer, was sheer joy.

When I’m finished reading Thunder and Lightning, I tell myself now, I will tackle one of the new books. I tried reading a few of them before, but I never made it very far. Now I am determined to read them all. Maybe there will be another gem or two I can add to my “real” collection. If I can grow it a bit larger, if I find enough of them that feed me the way my favorites do, then by the time I finish the last one in my set I can just begin again with the first, Writing Down the Bones. The thought delights me, even if it makes me sound insane. Because no matter how many times I reread them, I’m always reminded of something I’ve forgotten, something timely to my life right now. I see things I missed before, too, or I understand them in a new way. And always in returning to one of these books there is that joining in, that sharing of the writer’s life, the comfort of the writer’s voice like reuniting with an old friend, like sliding into my old, worn sweater, the color of wine, the one with the holes in it I love to dig out at the first hint of chill in the fall air. So, I’m going to read the books I haven’t read but carried with me for eight years, go looking for new old friends. But maybe, before I begin, I’ll first let myself return to Ray Bradbury’s Zen and the Art of Writing. Because it’s been a long, long time, and the thought of his sweet, kind, vibrant being draws me back again.