Grateful (37)

For the way our palo verde flung herself at a diagonal when she blew over in the last fierce wind so she didn’t hurt my neighbor’s carport or our wooden fence, and she didn’t block my front door. The mango and palm trees in pots beneath her felled form came through unscathed. The vet didn’t find an ear infection. Two people have responded to the writer’s guild post about doing spontaneous writing. I’m spending Thanksgiving tomorrow with Mami and Auntie Gardi and her family for the first time ever. I get to choose a new tree to plant, maybe that one I’ve had my eye on with the big pink flowers in the fall. For the bare branches it will have in the winter so I can see the mountains. For the mountains themselves. For my new yoga teacher and the new meditation center I can ride my bike to, sidewalk all the way. For the good headlight on my bike so I feel comfortable riding in the dark. For my zafu. That I finished grading all the summaries and essays late last night, so the next four days sit clear. That cleaning up the shambles of our courtyard after they cut our tree in pieces and took her away had me paring everything back to pure clean beginnings. For time this weekend to put the Christmas solar lights up, lay down a few small pavers, put the sweet finishing touches back in new places, life breathed into it all. For this afternoon when I hauled Boo back to bed with me, and he stayed on my belly and let me pet him for a long time, tears rolling down my face. For the promise of belonging to the sangha, the promise of Sable becoming well again, the promise of a wet winter. For the house finch and the goldfinch at their feeders today in our naked courtyard, flitting, chattering bits of sweetness in the warm, clear day. For the big full moon rising out my shower window in the cold night, water hot against my skin. For you, for me, for words and meaning, for long lives lived well.

Heart Forward (36)

I’ve begun taking a yoga class again. I chose the beginning class, and still the first day I felt like a big, heavy weakling. But I didn’t make myself feel bad about it. I am only glad I’ve begun, knowing I’ll get stronger, lighter. I believe that because two decades ago I did yoga for the first time at a retreat. After three days, I felt amazing. I fully inhabited my body for the first time in my life. There was energy between my toes. I haven’t touched that exact feeling since, as though all of my being reached the edges of my skin, but I know it’s possible. I do yoga at home, but I don’t push myself the way I am pushed in a class. I seem to have become better, too, at protecting my back, my hip. I am paying more attention. And when I can’t do something, or it is really hard, I am not beating myself up. These two changes alone are immense, gratifying. Add working in the yoga studio full of clean autumn light with a teacher who emphasizes the spiritual aspects of the practice—well, it becomes almost more than I can hold. I can feel it moving against my breast bone, and I remember yesterday I learned I push my ribs out too far. I need to move my heart forward. And so I will.

Altar Peace (34)

my altar with candles and pumpkin and marigolds

My day of the dead unfolded without effort, my altar growing little by little over the past week, my ritual organic and unplanned. I bought a big bunch of orange marigolds at the farmers market, and yesterday I plucked them from their stems, added them to the altar. Now it is a living, breathing thing beside me, candles at the heart of it. I wish I could let you see it the way I see it. The changing light adds a kind of sharpness, a clarity. It makes the colors dazzle, the flames dance. Every time I look at it it makes my heart dance, too. I have a big grin on my face, and I feel so lucky I could burst. And the smell—that spicy, earthy scent. I won’t need food if I can just keep breathing it in. Sunday in the late dusk I watered the plants here in the courtyard, went through the long list of my dead. They’d been coming to me bit by bit, but this time I started at the beginning, worked my way through each one in order, from my dog Grunt and my Oma almost 50 years ago to my cat Sofia, my newest dead. I ended up standing in the dark beside the glowing altar talking to each one, wanting them to know they are well loved and well missed, asking for blessings on them at this time when the veil between the worlds is thin, midway through these months when the moon holds sway. Today while I write a bee comes to grace the altar, touching each blossom in turn, messenger of the gods. Feliz día de los muertos. Happy turning of the wheel.

My Day of Poetry, My Poem (32)

Today I had the great honor and gift of taking a class titled “Ways Poetry Can Enliven, Illuminate, and Improve Your Prose” with poet and professor Julie Paegle. At one point, she gave us each a poem on a small sheet of paper that we can carry with us out in the world to memorize. Mine was “The Reassurance” by Thom Gunn. (I think it may have been her intention or prayer to participate with the universe when she handed them out. Each one was different, and more than one person said she must be psychic.) In one exercise we were told to read the poem she picked for us, choose something we loved or hated about it and take that with us into a poem we wrote ourselves. This is the poem that came to me.

I remember
the first time you came back
after you died.

We were sitting
outside a prison
at a round stone picnic table
near a chain link fence.

I said,
“What are you doing here?
You’re supposed to be dead.”

You smiled,
nodded.

I remember waking up
still shocked by your presence
not sure if I was glad
or annoyed
to know you could appear like that
so alive
anytime you wanted.

Clear and Present (31)

In the early morning I am in and out of sleep, my restless, uncomfortable cat up and down and in my face, yowling, wanting me to fix him. I wake up angry with my helplessness, but I don’t realize it yet. Later in the day I will sit on the living room floor and cry, chin propped on my knees, until it all seeps out of me. But in the morning I am grouchy and don’t know why. I ride my bike to the farmer’s market. The air is not yet hot, the mountains clear and present. I think how idyllic it is, but it doesn’t touch me. I hear a clicking sound, something stuck in my front wheel. I stop, pick a thorn out of the tire. It hasn’t punctured it. I stand there straddling my bike, and a mockingbird begins to sing in a nearby fan palm. It is the first one I have heard in months. I take in my favorite pointy mountain to the south, the clean air, clouds to the west. I feel grateful to the universe for stopping me like this, for breaking me out of my grumpy out of sorts-ness, for letting me stand there on the bike path listening to this first mockingbird’s song and becoming a part of the day.

The Church of Writing (30)

It isn’t fair. I try reading other books about writing from my odd “moving to Mexico” collection. But how can any book follow Natalie Goldberg’s? I give it almost two weeks, plodding through the pages, duty and stubbornness combined, hope dwindling. I give up, return to the Ray Bradbury. I’d only read it once years ago, but already, in the first chapter, it makes me cry. It seems unbelievable how lucky I am, to have these two writers who talk about the writing process, who both move me to tears. But it’s a mystery. The other three books don’t touch me, not even Annie Dillard’s whose prose is so lush. So I wonder what it is. Is it like acting? Does the actor need to feel the emotion he’s portraying in order to affect the audience? Is the emotion of the writer able to move into us when we read their work? Is there some mix of mind, heart, body, spirit, the writer’s integrated presence, that hugs their words? Are our words infused, like magic, with how or who we were when we wrote them? Are we transported by a writer who takes us to a world of their own making because the writer was wholly planted there when the words flowed through them, feet buried in the earth? I think so. And I love the idea that our own energy might travel unseen with our writing, ghosts on a night train, lighting people up all over the planet. No wonder libraries are sacred. Holy houses, resonant with this collected energy, like centuries-old cathedrals, dust swirling in the air, caught by the late afternoon sunlight, the smell of old paper, the feel of warm wood beneath your palm, like a prayer.

Goodbye, Part One (27)

Sofia under the chair

Today I finally build a small altar for my cat Sofia on the table in the courtyard. Tomorrow she will have been dead for one week, but I spent a good part of that time agonizing, torturing myself, replaying things over in my head. There was a lot of blood, too, on that last day. It took time for the shock to fade. So only today do I feel clean grief. It makes me grateful. I want to write about it. I have a lot to say. But I am vulnerable and exhausted and not ready. Still, I can’t say nothing. The first day or two after she died, I kept thinking I could smell her terrible cancer breath. (I wanted it to be true.) And there is that weird presence, that lit up place she used to fill, that keens her absence like a ghost. She is not lying under the bed. She is not in the closet. (The door is no longer ajar.) She should be here, but she’s not. “She’s never coming back,” I tell my boy cat. I think it’s sinking in. I still can’t walk into the back room without checking the floor to make sure I don’t step in pee. I want to go back in time and tolerate every annoying thing she ever did. I want to remember the clear look in her eyes on that last day when I slid the closet door open to say good morning. I want to kiss her soft furry head again and again and again. I feel like I have a whole book to say about her inside me. Here is the first snippet. Know you are loved, my darling girl. We miss you. Be well. Oh, please, be well.

[Photo courtesy of Marylou and Richard, shot the last time they tended my two little ones when I was away. Thank you.]