Long Way Back (14)

The hot air is thick with unfallen rain. My body feels too heavy to fly, so I walk along the creek. I see three white egrets. One is standing on one leg in the shallow water at the creek’s edge. The other two walk together. One keeps looking at the other. It feels like they are deep in conversation I can’t hear. I stop in the middle of the footbridge and face east. I can’t see the egrets now. But I hear a few frogs, just starting up in the early dusk. The crickets are singing, too, and I hear the buzz of cicadas in the cluster of smoke trees on the south side of the bridge. I run both hands along the sides of my face, my forehead, across my shorn hair, pushing back sweat. I take a deep breath, close my eyes and reach for that spot inside my skull. Nothing happens. I am trying too hard. “No, sweetling. Don’t push.” I can hear Kira’s voice as if it were yesterday and not two decades ago. She smiles, shakes her head. “Hold the thought—touch the place, but do not try to force it,” she says. She forms her words with care. English is not her native tongue. “Let it come,” she says. I blow breath through my lips and let them vibrate, make noise. I sound like a horse, I think. And then, horses can’t fly. I reach again, coaxing, gentle. The spot responds, thick and alive in my head. My feet leave the ground. I lift up, then falter and almost touch the bridge again. But I stroke the space inside me, that dense unseen thing, and I steady.

I lift up to the tops of the trees and hover, still hesitant. I have not been able to stay aloft for the past seven days, and I am afraid. “Easy,” Kira’s voice whispers. I remember to breathe, and I let myself drift east above the creek bed. I see the egrets again—they’d been hidden by a small palo verde. They look up but don’t react. The birds here are used to us by now. I turn over and stretch out my arms like a kid floating on her back. I am over the old golf course now, so I adjust my height to clear the tallest of the palm trees. I hear a grackle near where the pond used to be. It makes me happy. I haven’t heard a grackle here in a long time. Maybe we really are turning things around. Maybe it isn’t too late. I hope I’m right. Desirée doesn’t think so. We argued about it again last night. I can still taste the angry words in my mouth, still see her flying away from me as though she couldn’t leave me fast enough, moonlight on her back. Most people believe her. They think it’s too late. We are stupid and wasting our time. I only know a few who think like I do, who believe what we’re doing matters. Lisa. Shawnee. Verdis. But how could we not try? How could we live with ourselves if we didn’t? I begin to sink. My thoughts are making me too heavy. I’ve flown far. It will be a long walk back.

Just as I Am (12)

auqua aura pendant on black cord

Going to the dentist makes me vulnerable. When I lived in Sebastopol I endured a long stretch of dental work. After each visit, I walked to Putto and Gargoyle. (It is now P&G Art.) I would breathe the sweetness and whimsy of this airy shop, take home a fat round mug or a big glazed candlestick to comfort me after my ordeal. It became a tradition. So when I had pre-crown work done earlier this month, I went to Crystal Fantasy and bought myself a pendant, an aqua aura, clear quartz infused with gold. They gave me a black cord, so I can wear it around my neck. Today I do my sun salutations in the courtyard. When I hold plank pose, the aqua aura dangles below my face. It has never looked so blue. I wonder if it’s picking up the sky, or if it’s the way the light reaches it when it hangs free like this. I move to downward dog and the crystal comes to rest against the tip of my nose. I want to giggle. I am a little kid with a magic stone glued to my nose. When I surrender to chavasanah I’m in tears. I am crying and laughing at the same time. It comes to me that I am doing good work. I know I am okay, even though I didn’t get up early to weed the tecoma bed beside the road, even though I still haven’t started my fall prep. I am crying and laughing because these things are true and still I know I am okay. I am doing good work. I am finding small ways to be easier with myself, kinder to myself. And maybe all my tiny efforts have added up to this small window of knowing I am enough just as I am. I sit up on my knees, my feet tucked under me, hands together in front of my heart. “Namaste,” I say. I touch my forehead to the mat, bowing to the light in each and every one of us. After, I roll up my yoga mats, and I am singing. “This little light of mine, I’m gonna let it shine,” I sing. My voice is quiet, tender, dear to me. I am enough just as I am. I keep singing. “Let it shine, let it shine, let it shine.”

In Quiet Pursuit (4)

I sit on the stoop in the courtyard, my feet soaking in the round red basin I bought when I lived in Mexico. I’ve grown lax about my grooming. You would shiver if you saw my toes right now. There are a score of mourning doves on the ground in quiet pursuit of spilled seeds, and the goldfinch are noisy at the tube feeders. I’m reading the book my friend Richard lent me, The True Secret of Writing by Natalie Goldberg. Reading her connects me to the world of writing. It has since the beginning. I used to read Writing Down the Bones and Wild Mind as often as they would have me. Her books make me feel I am part of a community of writers. I write now with my notebook on my thighs, the palo verde sending spotted shade across my forearm. Quiet pride rises in me. Maybe I am learning to stop the autopilot, the not breathing but moving always to the next thing. Can I make my days different even when my work becomes insane again? Today I remember twice to get on all fours on the concrete to kiss my black cat. I visit Sofia in the closet. This morning there were six goldfinch perched on the leaning sunflower outside the sliding glass door taking big bites out of the leaves. I watched them from bed and dreamed of a secret zoom lens to photograph them without moving, without making them scatter. I no longer reach for my laptop as soon as I wake up. Yesterday I took a shower before dark and marveled at the view outside the little window, the clouds pinking in the last reflected light, the sun long gone. I kept my eyes on the palm trees, on the sky, while I washed, dusk thickening. Now I perch on the steps in the late afternoon, a glass of lemonade beside me, my feet waiting prunes in the red basin. I hear the visiting cowbird’s song, glance up to see his shiny sleekness at the big tray feeder. His watery trill passes through my skin, chasing peace.

Mailing Label Magic (3)

I had a funny thing happen with mailing labels, and I want to let it change my life. I wished for more—you know, the free ones wildlife organizations send out, pictures of polar bears and eagles. I was almost out, and I was thinking about that one afternoon walking back from the mailbox, hoping more would come. Within two weeks I must have had eight or nine sheets, more than I’ve ever had at one time. I’ve always had a funny thing about visualizing, too. It isn’t easy for me, unless I’m imagining the things I don’t want to happen. Those spring to life with gruesome ease and require regular banishment. I’ve never been sure, but I suspect I try too hard when I’m asked to visualize something, or maybe I’m afraid I won’t be able to picture it, so I block the image from forming. But these mailing labels were easy, quick, almost unintentional. And not only was picturing them arriving in the mail effortless, but I was not attached to receiving them. I’m certain that was key here, the secret to my largesse. I have tried to visualize winning writing contests, but I don’t know how to be matter of fact about them. I don’t know how to not be attached to my hope of winning. But these mailing labels have inspired me to work in this direction. I am picturing more house finch in our yard, maybe twenty or thirty at the small tray feeder. I am seeing myself thinner and stronger and thriving. And while I was grading a discussion task the other day I went looking for my own “aha” to share with my students and read we should think about how we will feel when we get to have what we want. I like this idea. I think it may help me find a way to “enter in,” that focusing on the feelings may let the pictures arrive unforced. So I am thinking now about how it will feel to have that happy chatter in the mornings from the house finch, joyful and thankful for their company. I am thinking now about how it will feel to have lost more weight, to be healthy and vigorous again, the sheer pleasure and the ease of it, that vibrancy of life. And I am thinking now about how I will feel when I hold a copy of my first book. I can see myself sitting on the patio, eyes closed, stroking the cover. I feel childlike awe, an Easter egg between my open palms, thrilled disbelief, deep gratitude. I feel like the luckiest woman in the world.

Go with the Gut (56)

One of those recent horoscopes in my daily paper was about trusting my gut. Donna, the clairaudient, told me the same thing. “Trust yourself,” she said. “Don’t second guess yourself.” I thought I did trust myself. But when I read it in the newspaper, it seemed so direct, so simple. The first reaction, the one I feel in my body, that’s what’s true. Go with that. I knew that. But it reinforced what Donna told me, made me think about it again. And when I was floating on my back in the hot mineral water, the wind fierce outside the sheltered pool, it came to me that I wasn’t trusting myself. I had no idea. I’m not sure how this pattern evolved. But I will often have a gut reaction, and the next thing out of my mouth is something like, “Of course, I could be wrong.” I think it may be because often the toughest tests for trusting my instincts involve other people, and I want to be fair. I don’t want to be attached to being right. So I say what I believe, and then I try to give them the benefit of the doubt. But I think what gets put in play is I am doubting myself. And I don’t want to do that anymore.

Naked (54)

statue of quan yin with fan palms behind her

I am sitting naked in Desert Hot Springs. Not sitting about in the center of town, no—in a small, modest resort with natural mineral springs. The warm wind has been whipping about me for hours, loud in the fan palms beside the pool. A statue of Quan Yin presides poolside. I’m in the shade now. I’ve been reading most of the day. I go into the hot mineral pool until I’m sated. The wind makes me cold when I emerge, and I wrap myself in my sarong until my skin is dry and the warm air heat seeps into me again. This morning I did yoga. I did qi gong in the early afternoon. I faced northeast, a potted bougainvillea beside me, the low slung hill visible over the bamboo fence. It has been one of those days that go on and on, the quiet stretching of time, summer days in childhood. I feel relaxed, lucky. I am grateful I’ve found this place. My eyes feel sore, a lingering fever. This morning before the wind began, there was a cactus wren laughing from one of these palms. There was a loose dog in the street when I walked here from the bus stop. I look forward to the day when coming here will feel familiar, like visiting someone I know well. I close the door behind me when I leave and walk away. I look back and see the waxing moon hanging above the roofline in the late afternoon sky as though it’s guarding the place. The moon follows me all the way home.

After Shavasana (51)

When I lie on my side on the yoga mat after Shavasana sometimes it’s so easy. There is a sense of rightness. I am full of trust. Other times I feel aching and vulnerable. Maybe I forget for a moment I am not alone. Or maybe it is an only child thing, or some more basic human ache, one puny human in this big big world? It doesn’t feel bad or wrong, not something needing to be fixed. I tend to close my eyes when I lie on my back in Shavasana, corpse pose. I drift off or sink in, depending on the day. Sometimes I am already moving on to the next thing I need to do. Today I surface on my mat with open eyes, the Palo Verde branches framed against the sky, tears rolling down the sides of my face.