Too Hard on Yourself? (9)

My friend’s voice on the phone is quiet. “I wonder if you might be too hard on yourself?” she says. I’ve just admitted my recent sloth and debauchery, my recurring impossible transition from the end of the academic year to the summer. Her voice is all whispery and kind, as though I am a horse who might spook, the words an answer to prayer, I think later. (I have asked for gentle lessons.) I know I am too hard on myself. I gauge my efforts harshly, often fall short. But something in her voice makes me think my friend is talking instead about what I ask of myself, what gets put on the list to work toward to begin with. How do we decide where to aim? How do we know if we’re asking too much of ourselves? I plan to take it slow, this putting back on of my list of expectations. I want to let myself slip into it like a well worn sweater, or soft shoes, nicely broken in. But I am thinking I may not want to don the list again in its entirety. Maybe I will cut off the sleeves, wear new orange socks. Maybe I’ll just go to Stein Mart and poke around a bit.

The Layers of You (3)

Today I can feel myself getting better. I hope I can sleep tonight. I don’t think I’ve had the stomach flu since I was a child. I have a hard time believing it now, even after three nights of little sleep. And being who I am, I can’t help but wonder. Why did I get sick? How did I catch it? I think of the blackberries I bought at the farmer’s market. They looked dark and succulent. I was disappointed when I pulled them out of the narrow cardboard flat where they nestled with the two baskets of strawberries. What a gyp, I thought, seeing how shallow their container was, a third of the depth of the box, if that. I ate one unwashed. It was sour. They were all sour. But did I allow in that snatch of thought, that maybe they were unclean? Is that why I got sick, because I didn’t banish the thought? Is that how I got sick, from someone with this crummy flu packing blackberries? Or was I vulnerable because of my intense day of writing last week with Laurie, over six hours of writing and reading our work, and the stunning voicemail waiting for me when I got home that evening? Or even better, did I get sick to somehow mark my transition to the next thing? My spring break felt like a passage in itself, this accidental holiday filled with big days. Semana Santa. Passover. The lunar eclipse. April 18th. Then our big writing day embedded in the heart of it. Was having the flu a way to mark the changes, the ending of my big week, to begin again anew? A cleansing, both the figurative and the literal, the universe’s odd sense of humor? Because there is something unmistakable about recovering from even so brief an illness. A sense of returning to yourself, the adding on of layers that were stripped away, until you feel like yourself again but not quite the same, as though the layers were placed back at different angles, or as if they stretched or shrank in the peeling off process. Today I wriggle in my new skin. I hope tomorrow I wake up fully me.

Egret Tryptich Finale (55)

I am riding across the bridge on Sunrise in the afternoon weeks later. I glance down toward the golf course and see a handful of egrets wading in the shallow water. It takes me by surprise. I’ve only seen my lone egret all this time. I try to find him in the cluster of birds, but no one looks quite like him. They all seem smaller, less regal. I am flabbergasted in some odd way. Where did they all come from? Does he know they’re here? Could these guys become his friends, his family? Later I see my neighbors on the creek path. They ask me if I’ve seen the egret. Yes, I tell them. And I tell them about the ones I saw by the overpass. They seem as surprised as I am. I think about the photographer, about the man in the red hat. I wonder how many more we are, imagine scores of us each having a relationship with this one exquisite bird. What did our egret think of all our attention? And then for a moment I wonder if he is more than an egret.

The First of March, Afternoon (54)

On the way home from the farmer’s market, I take a detour on my bike to see how much water is in the creek. I see two men, one standing very still with a big brown dog sitting at his feet, the other wielding a camera with a large telephoto lens. I slow way down as I ride past them, not wanting to disturb his shot. Then I see the egret standing in the middle of the creek. I keep going, afraid if I stop he might decide to leave the camera’s eye. I turn around at the bridge and stop to see the egret on the way back. The photographer and his companions are gone, but there are two men watching the egret from the path on the opposite side of the creek. One is wearing a red hat. I think I get almost as much pleasure looking at them as I do the egret. It makes me feel so good to know they treasure him, too. We all stand watching for a long time. The men move off, and the egret leaves, too. I watch him fly south, weaving his way between the fan palms. I turn my head for a moment when a bicyclist comes by, and when I look back the egret has disappeared. I wonder if he’s my morning egret. The day feels like it’s come full circle.

Agradecimiento at the Kitchen Window (52)

view from the kitchen window (palo verde, mountains, lime green umbrella)

I am standing beside the pine table in front of the kitchen window mixing the tuna and medicinal herbs for Sofia. My own watermelon juice was first, the jars full of pink clustered together now on the top shelf of the fridge. I move the blender through its speeds, my body on automatic with the familiar steps. I stand looking outside but not seeing. I am glad I’m finally taking care of this. I’d put it off for too many days, something always getting in the way, robbing the time or the inclination. I flip the lever to slow the speed, turn the other to shut the blender off. I am still staring out the window when I come to. I see Serena, adorned with her yellow palo verde blooms. I see the lime green umbrella, the mountains in the distance, doves in both the tray feeders, late morning snack. Pleasure washes through me. I take it in all at once like a song. I really, really love our new home. Gratitude pours out. This appreciation comes often now, slipping in at odd moments, seeming quieter and deeper than I’ve known before. Maybe that comes with age. Maybe it’s tied to the fact that this one belongs to us more fully than before. Or maybe it’s just her own magic working on me, her spot on the planet, her mountains nearby, her birds, her sky, now her palo verde, her bougainvillea, her human, her cats. I feel like we belong here. And so lucky. I hope she’s glad we came.

The Woman in the Waiting Room (50)

I am not so naive or so bigoted to believe all doctors are assholes or all nurses are saints. I know both groups have their fair share of both. But when my stepfather was in the hospital, it was the doctors who were the challenge and the nurses who helped to get us through. It was the nurses and the other family members of patients on the floor. There is something that happens between strangers sitting together in a room when each of you faces losing a loved one. I remember sitting in the little alcove on the eastern side of the oncology floor in the Newport Beach hospital. And I remember a short blonde-haired woman whose husband was dying. I remember seeing recognition when our eyes would meet across the small space. I think we came to love each other a little bit sitting in that room together.

I was sitting there one afternoon, slouched against the blue fabric chairs, when I heard her voice and looked up. She was standing in the hallway, head tilted up toward the oncologist. “You want to understand?” his voice now, loud against the white tiles. “Then you go back ten years,” he growled at her, “and go to medical school.” I don’t remember what came next, only the way the bottom fell out of me for her in that terrible moment. I knew it had already been almost impossible to remain upright, to keep limbs and torso stitched together, and here she was bludgeoned now by his mean, defensive arrogance. I wanted to scream at him on her behalf. I may very well have gone after him, spoken my mind. I was 24 and had a habit of doing so. But I hope I went to her instead. I hope I offered comfort when she needed it. And I hope my eyes spoke those same volumes to hers whenever we met in the alcove or passed each other in the hallway. Brave, kind stranger—que le vaya bien.

Seven More to Go (49)

This is my 49th post since I turned 55. Before I become 56, I have seven more to go. After falling so incredibly behind in my tumultuous year, I didn’t know if I’d be able to catch up. But now I can believe I’ll reach my goal. Forty-nine and seven, all those magical seven numbers. And I’ll become eight sevens soon. I’ve been trying to decide whether or not I want to have a theme for my 56 posts while I’m 56, or if I want to leave it wide open again for a second year in a row. So far I’ve alternated each year, chafing when I “narrow” things to a theme, floundering when I have no theme at all, no scaffolding. I know one year I want to build my year of posts from sleeping dreams, but I’m not sure I’m ready for that yet. I consider returning to my first blog, to nudging myself again to have new experiences and report on them here. Or I could write about the topic that’s grabbing me now, El Camino de Santiago de Compostela. Or pilgrimages as a whole. Or walking and noticing, being present and connected to the world. (These last three are all of a piece in my mind these days.) So I could write this coming year about the walks I take, or the walks I research or the walks I read about. Or maybe I can allow myself to let this next year be one juicy messy mish mash, be all of the above, even flash fiction added to the mix. And mix rhymes with 56, so maybe there’s a fun title alive in there somewhere waiting to emerge. I’m tossing it around now as I write this, cooked dinner in a bowl. No choices made yet, no drizzling of olive oil or sprinkling of cayenne. No nutritional yeast, no curry. Only the bright green of the bell pepper, dark brown of the mushroom, the tofu stark in contrast, resting against the blue sides of the big ceramic bowl.