Category Archives: Writing

They Live (30)

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This morning I wake up thinking about my novel. I lie there drifting in that delicious in between, fuzzy with sleep, still soft around the edges. I realize Seph always dreamed of moving his wife and daughter to California, how he imagined they would stay in the cottage at the ranch when they came back to visit his family, but he never wanted to spend his life there. I wander about in Seph’s thoughts, still not fully awake. I haven’t touched my novel in long months, but I’m working on the third round of my book manuscript almost every day now. Not long hours immersed in it, as I always hope for, but good steady effort, writing in my notebook or typing up the pages, not letting myself linger much in judgment, just building page after quiet page. I think this work has woken up the characters of my novel, has them wanting my attention, too. It makes my heart happy, makes me believe in the depths of my writer self, how much this work means to me in spite of all my resistance. I let myself float where this new information about Seph leads me, and I know what happens to Molly before she dies. The knowledge just comes, all of a piece, like mist parting to reveal a mountain you didn’t know was there. And I revel in it, reassured at my core, grateful and glad. My characters are alive in me again and busy making magic.

On the Loom (27)

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Tuesday gray skies open, and we have long hours of that steady, quiet rain that tastes like peace. I take my lime green umbrella and walk in the late dusk, the soft pattering of raindrops balm, honey, music, salve. Wednesday is Mami’s birthday, and she and Auntie Gardi come to celebrate. The rain stops just before they get here. I bring dry cushions out to wet chairs, and we sit together in the courtyard. They drink coffee and smoke cigarettes, fascinated by the birds thronging the feeders after the rain. It makes me glad to watch them watching, feel their pleasure. I don’t often get to share my courtyard birds with anyone. Today the sun is poised to sink behind the mountains as I write. I have a small glass bowl of water beside my bed with one dark orange Mexican birds of paradise blossom, two yellow tecoma trumpet-like blooms and a sprig of scarlet bougainvillea. They broke off from the small bouquet I picked for Mami’s birthday. This little bowl of color and the candle I light are the only outer ways I mark the equinox, but I feel it with me all day long, the perfect balance between night and day, between darkness and light. Maybe that’s why the funny longing that springs up in me, my crazy dream about going to Arizona on Saturday for a daylong retreat Amma is offering there stays alive so long in me today. Maybe this gateway in the turning of our world makes everything feel possible. The birds are quiet now, yesterday’s celebration a memory. But on this magic day when light and dark lie balanced just before the tipping point, Tuesday’s rain and the sweetness of our time in the courtyard yesterday feel like they are all of a piece, rich threads woven into soft, supple cloth. I feel lucky and content, writing now in the last light of the sun. Happy autumnal equinox, everyone.

When I Know I’ve Almost Made It (26)

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When I think about my summer, my time without students is bookmarked by my meditation retreat and my writing workshop camping trip. They were both intensive, designed for breaking through, and I did. But each time I do I slump back again, go dormant. I eat too much, read too much, do too little. And summer itself feels like too much, sapping me. Then I get caught up in the semester start, all that needing to step up, all the patience and kindness it takes to welcome all those people, help them all get settled. Amid the flurry of it I return to my daily yoga practice, moving my mat to follow the shade of the umbrella, misters wetting the cement. One day I lie on my back and see the deep impossible blue of the sky against the edge of the orange umbrella. It takes me by surprise. I can’t remember the last time we had that color in the sky here. The days shorten, and the nights drop into the sixties. I return to writing again first thing because I can afford to sweep the courtyard and feed the birds a little bit later in the morning now. I write propped up in bed, a jar of cold herb tea beside me, my house finch loud and cheerful in the corner of the courtyard. I can see them through the kitchen window. I do my sitting practice next, listen to my finch, to the pwitter of dove wings, to the sound of cars along the road, the hum of the fridge. I hear a big frenzy of flapping, likely a hawk circling. And in the sudden quiet after all the birds take flight, I hear the soft sound of the second hand moving on the small green clock beside my bed. I can feel the promise of fall, of winter here when we can all burst out into the world again, take a walk in the middle of the day. This easing now of life in the desert becomes certain. I wonder, too, if my slumps weren’t also part of the natural cycle of things, the moving forward and moving back. I wonder if I might even find a way to honor that dormancy, to trust in the need to lie fallow. Might I stop resisting it, allow it to be, not make it wrong? Because now I am somewhere in the middle, I think, like the season. I am not quite one place or another, trusting in the transition.

I Bring Back a Poem from a Dream (25)

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Little by little I ease back on how much I demand of myself. It isn’t new, this reaching for a place that’s different from always having to do more. Sometimes I worry about going too far in the other direction, the pendulum swing to not doing enough, this effort toward kindness turning into sloth. But this week it’s felt right, like maybe I’m finding a balance, cultivating that kindness and having it bear fruit. I entertain the possibility of actually running out of nyger seed for a day or two. (The mourning doves would still have the mixed seed, and there is still some nyger in the tube feeders for the goldfinch.) I let my bed go unmade and the floor unswept this week because I am focusing on my classes, on my writing, on the Canvas training, on fitting in daily yoga and sitting practice again, on eating well. Last weekend I let myself not follow through on changing the bed, mopping the floor, tasks I prepped for, clearing things away at the beginning of the long weekend and then running out of steam. Tuesday morning I have this lovely dream come to me where I am writing a poem in my head about something that happened in the dream, and then I’m at a writing workshop with a handful of women sitting on beach towels spread on the side of a hill. I wake up and grab my notebook to write down the poem I began in the dream. I marvel that this, this magic feeling of being connected to both worlds, arose from abandoning my dirty floors and watching too many episodes of Grey’s Anatomy. It came, I think, because little by little I am letting go of things I don’t need to carry anymore. I haven’t looked at the dream poem since I scribbled it down with one foot still in that other world. Maybe I’m a tiny bit afraid of what I might see, afraid some harsher part of me might find it lacking. Or maybe I am only savoring the wait before I read it, because in the meantime when I think of it sitting there—just pages before the one I write on now in my notebook, dove wings beating beside me in the courtyard—the thought of the poem is a small magic stone pulsing with life. It’s secret and glowing beneath a mound of feathers, cradled on warm, moist earth, just waiting to be uncovered.

Good Ghosts (22)

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Around me, everyone is awed by the splendor of the eastern Sierras, but I am in shock again and again. Everything is ailing: the air, the pine trees, the scrub brush. Even the deer feel different, thirsty, the yip of the coyotes desperate. The only place I don’t feel pain is when I soak naked in hot water in the center of the caldera, the wide plain and rocky mountains spread out in all directions. We go there for the Perseids, then lie on our backs in the middle of the night on picnic tables at Mono Lake fighting sleep. The heavens grow odd, the Milky Way a huge space station, a gigantic metal insect. We write each morning for hours at our campsite, in among the pines. A chipmunk appears beside my notebook on the picnic table, his deep brown eyes intent on my face, alight with curiosity and kindness. The peace is tangible, surprising. I am not used to living in a group, don’t quite know how to keep my center, yet the peace reaches me in still moments. An osprey perches on a bare tree at the top of our hill and calls again and again in a high voice I don’t recognize. We read our work out loud in the late afternoon or just after dinner. I may be the most present then, ready to mirror back the parts that speak to me, to swim inside and come back with something I can put in words about what I see happening in the writing. I like reading my own work, notice I am not afraid the way I used to be. I am grateful for the feedback, too, these faces in the fading light, these voices who have grown dear to me. I want to stay here always, writing pieces of my book, reading them aloud. Leaving comes in pieces, too. A wistfulness before our time is over, leaving the wilderness, the long hot stretch of the central valley, arriving back in Oakland, taking the train home the following day. Now our time together is a dream, and I am not yet quite awake again in my ordinary life. I miss these people, miss our campsite home. Being alone is lonelier, the way they are with me but not with me, ghosts now in my Palm Springs home.

Traveling Light (21)

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I make myself a little crazy when I travel. There are so many things I need to do before I go, and such a clear end point. I’m used to being able to move my undone tasks to tomorrow. In the time before my camping trip, my writing workshop, I keep tensing up. Then I notice. I relax my shoulders. I exhale. I send up little wishes and tell myself all will be well (and all will be well, and all manner of things shall be well). The prep I still need to do for my fall classes is only part of it. I bought an automatic bird feeder, and I fret about it arriving in time from Amazon. I have to cut my fingernails, my toenails, shave my legs. There is still some fiddling I need to do in my courtyard garden, adjusting timers, moving the pot of aloe vera that won’t get watered by my mister when I’m not here, adding an extra line to the honeysuckle. Should I tie the umbrellas down? I decide and un-decide eight times. I mentally pack and unpack my bag, juggling priorities. I’m taking the train, so I need to pare things down. In between, I think about seeing the Milky Way splashed across the night sky, of writing through a lazy mountain afternoon, of laughing at breakfast. Even the delight of burrowing into my checkered alpaca sweater I found at that garage sale in my old neighborhood and almost never get to wear, the thrill of cold air against my face, fresh from a Palm Springs summer. I hear my house finches chattering though the open kitchen window, and I know I am so lucky in both my little home and my upcoming trip. The green sarong flung across the window to block the afternoon sun is flapping in the breeze. I get a goofy grin on my face. I’m going on an adventure.

Lift Off (20)

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Today I wonder if my memoir is complete crap and needs to be abandoned. I decide to make a list of the things I want to write about again for this new manuscript, this third round. I make a list, but it isn’t very long. I like the first piece in the book, so I decide to keep it. I find a zillion pages I don’t like anymore. I delete them. I end up removing two thirds of the book. It reminds me of years ago, sitting on the bed at my place on Avenida Ortega when I began culling the original manuscript, making piles of yes, no, maybe. There was almost nothing in the yes pile. This feels the same way. Most of the writing seems dull, boring, lifeless. No one would want to read it. I’m not even interested anymore. How could anyone else be? How could this manuscript have been one of nine finalists for a national book award? Did they receive terrible submissions? Was mine never actually in the running, only chosen as a matter of formality, better than even worse writing? I don’t want to be mean to myself, but I don’t evade the questions. And I don’t know the answers. I wonder if this is natural and right, that after a period of time we become more objective, a sluice to separate the sand and gravel from the gold. I wonder if I am throwing away good work. I wonder if I need to leave this book behind. I know enough to know I am not the first writer to feel this way. I tell myself it is too soon to give up. I point out I have kept more of the manuscript than last time, but this argument is weak. I am only certain I want to keep a handful of the pages I’ve saved. The rest are maybes. I’ve written two new pieces, but they don’t sing. That doesn’t mean the fourth one won’t, I insist, or the seventh. I think again about turning this into a work of fiction. I decide to keep going, to trust myself to know what is true. I recognize fear, a clenching in my belly. But I’m pretty sure there is excitement rolled up in there, too. Maybe when I get inside the writing it will open up. Maybe it will fly. I think about what an odd and funny beast writing is, what quirky creatures writers are. I notice I can breathe again. I send up quick prayers for lift off, for flight.