Category Archives: Writing

January 2nd (44)

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I hear dove wings through the window, afternoon feeding. Earlier today they scattered, and the Cooper’s Hawk sat on the top of the front gate. I watched him through the branches of the guayaba tree from my cozy perch inside. Today is my last day off, the last in a long, luxurious chain of days. I treated most of them the way I used to treat my Sundays, only doing what I felt like doing, letting the day unfold. I wrote twice, did yoga four times, once yesterday before the sun sank behind our mountains, rare sun salutes, my eyes closed, rich deep orange behind my lids. I baked cookies, ate cheddar cheese, made soup on New Year’s Day. One day I even did the crossword puzzle. Mostly I have read, tucked up in the down blankets, first my worn copy of Tigana and then two books from the library. In between, I let the book close and gaze at the mountains. I relish the quiet and the gift of being able to let my mind wander, to drift in happy, lazy spirals wherever it will. I idly wonder how many students have enrolled in my classes, how many login help requests we’ll have tomorrow. I dream seven ways I might have money come to make up for the upcoming loss of one of my jobs. I remember Sable purring and rubbing his face against the corner of the open carrier in the vet’s office on the day he died. Sometimes I cry. But mostly I am just present, sitting in this glorious sun-filled room, the mountains spread before me. I listen to the cheaps of the house finch at their sunflower seed feeders, and I am so glad for their company and for the sleek dove sitting on the wooden fence right now, and I give thanks for this beauty and this peace and the rich fullness of my heart.

Rest Easy (41)

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messy kitchen counter and small altar

Yesterday was midwinter’s day. It’s a day in our year that holds magic. I remembered in the early morning hours, and then I forgot again until I was writing on the bus in Desert Hot Springs. The day was almost over, the clouds tinged pink, our longest night of the year about to begin. The fist time I remembered, I woke up in the dark and realized I had no one to tell. It was something I did, waking up sometime after midnight, the official beginning of a holiday or one of our birthdays, greeting the cats, maybe kissing them on the head before I rolled over and went back to sleep for the real dawning of the day. “Happy winter solstice, you guys,” I whispered to the dark. “I love you both so much.” And then a moment later, “So much.” When I woke up again I’d forgotten. But I did spend the day at the hot springs, feeling like I was in heaven, so maybe I soaked up some of that magic, felt that thinning of the veil between the worlds. I didn’t make an altar. But maybe that has more to do with not spending time in the courtyard. I realized yesterday evening I haven’t sat out there since Sable died. It will be something to take back with the ending of the year, I think, or the beginning of the new one. Annie called me from the vet in the afternoon to tell me Sable’s ashes were ready. I thought I’d leave them until I returned, but I decided to go pick them up last night. When I pictured leaving for Christmas, I knew I’d feel better if both sets of ashes were together at home. I know it doesn’t matter to them. But the thought of walking out the door knowing their two little wooden boxes will be sitting beside each other on the tiny kitchen altar makes something rest easier inside me, a more peaceful turning of our world.

Grateful (37)

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For the way our palo verde flung herself at a diagonal when she blew over in the last fierce wind so she didn’t hurt my neighbor’s carport or our wooden fence, and she didn’t block my front door. The mango and palm trees in pots beneath her felled form came through unscathed. The vet didn’t find an ear infection. Two people have responded to the writer’s guild post about doing spontaneous writing. I’m spending Thanksgiving tomorrow with Mami and Auntie Gardi and her family for the first time ever. I get to choose a new tree to plant, maybe that one I’ve had my eye on with the big pink flowers in the fall. For the bare branches it will have in the winter so I can see the mountains. For the mountains themselves. For my new yoga teacher and the new meditation center I can ride my bike to, sidewalk all the way. For the good headlight on my bike so I feel comfortable riding in the dark. For my zafu. That I finished grading all the summaries and essays late last night, so the next four days sit clear. That cleaning up the shambles of our courtyard after they cut our tree in pieces and took her away had me paring everything back to pure clean beginnings. For time this weekend to put the Christmas solar lights up, lay down a few small pavers, put the sweet finishing touches back in new places, life breathed into it all. For this afternoon when I hauled Boo back to bed with me, and he stayed on my belly and let me pet him for a long time, tears rolling down my face. For the promise of belonging to the sangha, the promise of Sable becoming well again, the promise of a wet winter. For the house finch and the goldfinch at their feeders today in our naked courtyard, flitting, chattering bits of sweetness in the warm, clear day. For the big full moon rising out my shower window in the cold night, water hot against my skin. For you, for me, for words and meaning, for long lives lived well.

Raven’s Wings (33)

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I am sitting at the Amtrak station when I know I am only one of Sable’s sleek black whisker’s width away from fully committing myself to November’s national novel-writing month. My stomach clenches at the thought. It terrifies me. 50,000 words in 30 days means 1,666.66666 words per day and 6.66666667 pages (of 250 words per page). My quick work on the calculator hooks me in even more. No Satanic inklings here, only the magic of these sequences of sixes, of forward progress–and how, hmm? If I write 7 pages per day, I’ll have written 210 pages by the end of the month. And maybe I’ll throw my hat in the ring for that young adult novel contest, after all. Last week I entered a different book contest, and, counting this young adult contest, I plan now to enter three more this week. I keep the pen moving across the page and remember to pull in air. I can still feel the tightness in my belly, more thrill than fear now, though the balance is close. I feel it in my bones, in the sun on my back, in my pleasure in the conversation I am overhearing part in English and part in Spanish, the fluid back and forth, the “I love you” when they part, father and daughter, I think. I feel in my fear and my thrill I may be truly ready to have my work win one or more of these book contests. If I submit the different pieces I have in mind I could win three of the four contests. I want to laugh out loud, but I keep writing. I am ready to burst out into the literary world with these winnings and the published books. I am ready to take the world by storm or in a swirling rush of wings, the sudden whoosh of the slow, deep strokes of a raven overhead, the feathery brush of angels, my breath easy now in my chest, heart light with hope, mouth full of magic.

My Day of Poetry, My Poem (32)

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Today I had the great honor and gift of taking a class titled “Ways Poetry Can Enliven, Illuminate, and Improve Your Prose” with poet and professor Julie Paegle. At one point, she gave us each a poem on a small sheet of paper that we can carry with us out in the world to memorize. Mine was “The Reassurance” by Thom Gunn. (I think it may have been her intention or prayer to participate with the universe when she handed them out. Each one was different, and more than one person said she must be psychic.) In one exercise we were told to read the poem she picked for us, choose something we loved or hated about it and take that with us into a poem we wrote ourselves. This is the poem that came to me.

I remember
the first time you came back
after you died.

We were sitting
outside a prison
at a round stone picnic table
near a chain link fence.

I said,
“What are you doing here?
You’re supposed to be dead.”

You smiled,
nodded.

I remember waking up
still shocked by your presence
not sure if I was glad
or annoyed
to know you could appear like that
so alive
anytime you wanted.

The Church of Writing (30)

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It isn’t fair. I try reading other books about writing from my odd “moving to Mexico” collection. But how can any book follow Natalie Goldberg’s? I give it almost two weeks, plodding through the pages, duty and stubbornness combined, hope dwindling. I give up, return to the Ray Bradbury. I’d only read it once years ago, but already, in the first chapter, it makes me cry. It seems unbelievable how lucky I am, to have these two writers who talk about the writing process, who both move me to tears. But it’s a mystery. The other three books don’t touch me, not even Annie Dillard’s whose prose is so lush. So I wonder what it is. Is it like acting? Does the actor need to feel the emotion he’s portraying in order to affect the audience? Is the emotion of the writer able to move into us when we read their work? Is there some mix of mind, heart, body, spirit, the writer’s integrated presence, that hugs their words? Are our words infused, like magic, with how or who we were when we wrote them? Are we transported by a writer who takes us to a world of their own making because the writer was wholly planted there when the words flowed through them, feet buried in the earth? I think so. And I love the idea that our own energy might travel unseen with our writing, ghosts on a night train, lighting people up all over the planet. No wonder libraries are sacred. Holy houses, resonant with this collected energy, like centuries-old cathedrals, dust swirling in the air, caught by the late afternoon sunlight, the smell of old paper, the feel of warm wood beneath your palm, like a prayer.

The Girl Next Door (28)

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Last week I began to read Ray Bradbury’s Zen and the Art of Writing for the second time. I tried to resist, read pieces of the Bonnie Friedman, the Annie Dillard. But they didn’t move me. The first day I read the Bradbury it made me cry. Goldberg’s work makes me cry, too. Today I read Bradbury in the courtyard in the late afternoon with the sun in my eyes. He says in order to feed your muse, “you should always have been hungry about life since you were a child.” I wonder if this is true for me. I kind of think not. But maybe so—just a quieter version than I feel from him. And I have imagined for a good while I’d like to be more avid, more eager, more vibrantly alive. Might I be on the road to that even now as I move my pen across the page? I think, too, he grew up in a different world, one I was lucky enough to touch when I was a little girl, like the last sip on the tip of my tongue. The carnival came to his town, real people who talked to him. The magician sent him home with the rabbit from his show. The world was smaller then. It makes me wish I’d been the girl next door—oh, that’s Ray’s friend Riba. I wish I’d felt the silky fur of that magician’s rabbit underneath my hand, that I was sprawled on the ground with the other neighborhood kids listening to his father’s voice in the dark, telling stories of his own childhood when there were no roads heading west, only dirt tracks and the new railroad, or lying on our backs looking up at the sky filled with stars and tasting awe for the first time in our young lives.