About My Writing (44)

Two weeks ago I did a little ritual just before I left town. I asked for help with my writing, with my resistance to writing. I asked to have fun, to be pulled toward my writing instead of away. It was quick but heartfelt. Now I am in my second week of a 4-week writing class about voices, a teacherless class from Creative Nonfiction. And I’m getting a big kick out of it. The assignment I talked about in yesterday’s poem is from that class. I’ve been doing all the work, eager to complete the lessons, the exercises, to play, to practice. (Often in the past when I signed up for a self-paced class like this I ended up not carving out the time to do the work. But this time it’s different.) Reading Gertrude Stein’s letters for the assignment was entrancing, falling into her familiar cadence, so easy, feeling her voice like an old friend, one I knew well decades ago, the way that carries over, even if you visit seldom in all the years between. After, I became engrossed in the writing. I began at dusk, and then it was 8:30 when I surfaced. Such a sweetness, that sense of getting lost in the writing even when each moment feels so engaging, carried away by the act but very much present. A delicious paradox, a big gift. Thank you. Thank you.

Imitating Gertrude Stein (43)

The assignment, to imitate a voice
so I read her letters to a friend
letter after letter
as dusk deepens
and white-crowned sparrows
chatter in the courtyard
and go silent
I write my little piece
into the dark
so easy to fall into her voice
familiar and dear to me
for forty-three years.

February 6, 2020 or Found (42)

Ever since the friend who agreed to watch my cat Trair when I was away never went to feed her in my Oakland flat in 1987, I have set out a bowl or two of extra water for my cats when I’m out of town, my “talisman” water. I’ve kept this ritual up over the years since my last two cats died. I have a big round mug now, red crayon colors, wild yellow flowers, black rim. It lives beside the fridge. This morning I replenish the water. I rinse the mug, fill it close to the brim. I wipe the water from the bottom, the sides, and lower it with care to the floor in its exact spot, silent prayers for protection. Crouching beside the fresh talisman water, I catch myself in the mirror on the wall above it. I am struck by something in my face I haven’t seen of late. “Oh, there you are,” I say to my mirror self. “You’re coming back.” And with this pleased glimpse, this relief and welcome, comes grief, too, almost as if I had abandoned myself, and loneliness, as if I’d been alone all this time since I’d become sick, as if I’d left myself for lost.

Early Morning Rain (41)

I wake to a feeling in the air, an almost smell, a difference. Then I hear it through the open windows, quiet patters on my neighbor’s awning, soft rain falling. I lie on my back, early morning light, cloud light, tasting the rain, savoring, thanking. Then comes the voice in me who always wants more, who wants to hold things longer than their time. “If only it could rain all day,” it says, sotto voce. “If only I could stay home and enjoy it instead of being stuck inside the library all day, missing it.” But today I have more sense. “Shush,” I whisper back. “Hush, now,” I say. And I return to savoring, to thanking, to dancing inside to the song of this morning rain, this unlooked for gift, this happy surprise.

January 29, 2020 or First Song (39)

It’s a little windy out, and only 56 degrees in my trailer home, late morning. But I have my sliding glass door wide open anyway, inviting in the world. I’ve finished my chores, and I’m propped up in bed, cozy warm, watching my mountains and my bougainvillea, sipping hot spearmint tea. I’ve been sick, some lingering now in my throat, my chest, my ear. While I watch, two mockingbirds come. One lands on the edge of my neighbors’ carport. The other perches on the tip of a bougainvillea stem. I can’t tell if there’s a territory thing going on or a courting thing. Just then, while I’m enjoying these two mockingbirds and already dreaming one of them might make this their summer home for late-night singing, I hear loud unexpected song from the electric pole outside my window. It stops me, this crisp, clear burst of song, washes through me, dear, familiar, absent for a long time. This third mockingbird doesn’t sing long, but I can still hear him inside me as I write, sharp beloved memory, first song of the season.

January 7, 2020 (37)

6:10pm. I am resisting prepping for my class that begins tomorrow. I just don’t want to do the work. But of course I have to. It needs to be done by 8am tomorrow, and it will be. I just don’t want to do it now. So, I wash the dishes, rinse out the sink, wipe down the counters. I decide to let myself read a little first. I feel like dessert, I think. I find a forgotten Lara bar, Pecan Pie, in the door of the fridge. I take it back to bed with me, spearmint tea steeping on the table beside me. I eat the bar all at once, sucking the sweetness into me, this unexpected gift to myself tenderizing me. Halfway through the bar, I begin to cry. I’ve always thought I would do whatever it took to keep my loved ones safe, well, happy. Now I am coming to understand it can’t be quite so limitless, so no holds barred, that I may need to save something of myself for me. So I cry, and I chew, the sweetness of dates, the earthiness of pecans. I grieve for this inner ideal I’ve carried with me for decades, of what it means to love someone fully, a delusion, I think now, that would have left me husk only. Part of me is glad to think I may find my way to giving much but not everything, not viscera, not bone. To think I may have something left when things are done. Even so, the taste of dates and pecans still in my mouth, even sensing that this idea of giving everything was cloudy seeing, I grieve to feel the dream of it crumbling inside me, to feel it slip away.

Otherworldly (36)

The mystery black birds appear in the guayaba tree in the late afternoon. They perch and poke for seeds, awkward at the three tube feeders I’ve hung for my house finch. I watch through the open louvers in the back room. I thought they sounded familiar when I heard them in the morning on the telephone pole, but now I have a front row seat. They are red-winged blackbirds! I am in love with them, the females especially, so subtle and intricate—light, bright brushstrokes of paint across their blackness. Watching them in all their quiet glory takes me back to when I lived in Cotati, and I would walk out behind one of the old Hewlett Packard campuses at the end of the day. (It was a walk my friend Meri introduced me to.) Red-winged blackbirds perched on every bush and thrust of stem in an open field. I stood on the edge of the road and listened to the magic, lilting songs, waves of music echoing around me in the late dusk.