Category Archives: Musings

Yes (47)

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Saturday morning it comes to me that all unknowing I have begun an endeavor that involves a considerable amount of intellectual or conceptual effort. What the Buddha laid out all those centuries ago is intricate and many layered. And I have not committed myself to studying it. In fact, I think part of me resists it. This morning I have a bad moment. What if I keep going and find myself caught up in a structure that constricts me? I flash on being stuck inside the Buddha’s system, unable to free myself from the sticky strands of that web. What if I am unable to have a thought without naming it, categorizing it? Ah, this self-conscious feeling, this is clinging in the category of self. Or, oh, the sun has gone behind the mountain, and I am cold. Is that aversion in the category of sensual pleasures? Sunday night there is socializing after the meditation and teaching. I nibble on the millet raisin cookies I made and try to talk to people. I am awkward and not very present. I am so uncomfortable, I leave early without saying goodbye to anyone. My mind races as I walk home in the rain. I am judging myself, my discomfort, my rambling speech. I realize this is the biggest learning curve I have been in since I began to teach for the first time. But I have forgotten to be kind to myself. Notice, yes. Pay attention. But gently. Lovingly. I remind myself of that surprising bit of rainbow I woke up to, curled on my side, the bands of color tucked into the curve of the mountain before me. And the next morning before dawn, the waning moon and Mars in the clerestory window when I roll over in bed. Gifts from the universe, reassurance. And the small quiet gang of wintering white-crowned sparrows that gather in the courtyard just before dark, tiny beloved aliens who call in a language I don’t know. Something eases within me. Yes. And again, yes. I choose this.

January 2nd (44)

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I hear dove wings through the window, afternoon feeding. Earlier today they scattered, and the Cooper’s Hawk sat on the top of the front gate. I watched him through the branches of the guayaba tree from my cozy perch inside. Today is my last day off, the last in a long, luxurious chain of days. I treated most of them the way I used to treat my Sundays, only doing what I felt like doing, letting the day unfold. I wrote twice, did yoga four times, once yesterday before the sun sank behind our mountains, rare sun salutes, my eyes closed, rich deep orange behind my lids. I baked cookies, ate cheddar cheese, made soup on New Year’s Day. One day I even did the crossword puzzle. Mostly I have read, tucked up in the down blankets, first my worn copy of Tigana and then two books from the library. In between, I let the book close and gaze at the mountains. I relish the quiet and the gift of being able to let my mind wander, to drift in happy, lazy spirals wherever it will. I idly wonder how many students have enrolled in my classes, how many login help requests we’ll have tomorrow. I dream seven ways I might have money come to make up for the upcoming loss of one of my jobs. I remember Sable purring and rubbing his face against the corner of the open carrier in the vet’s office on the day he died. Sometimes I cry. But mostly I am just present, sitting in this glorious sun-filled room, the mountains spread before me. I listen to the cheaps of the house finch at their sunflower seed feeders, and I am so glad for their company and for the sleek dove sitting on the wooden fence right now, and I give thanks for this beauty and this peace and the rich fullness of my heart.

Earthquake (43)

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new snow on the mountains with shadows and clouds

I wake up this morning to an earthquake. It is a long, gentle trembling of our world, the first one in my trailer home. It feels familiar, like I dreamed it or slept through another unknowing during the night. I wait in bed, poised to spring up, grab my clothes and sprint for the door if it becomes violent. After, I sit up to see fresh snow on the mountain, wisps of clouds, all tinted pink by the rising sun. My heart thuds, my own aftershock, but it calms soon, looking out the window. Later, the birds come and the sunlight touches the courtyard, slants through the clerestory windows, gift of the winter sun. I hear the heater, smell my walnuts toasting in the oven, appreciate warmth, electricity, running water, all still here after the earth shakes. I remember the quick leap of terror and am soothed again by the memory of that quiet pink mountain, the exquisite clear air and the truth that all is well.

If We Are Lucky (40)

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You don’t have to be good. You don’t have to walk on your knees for 100 miles through the desert, repenting. You only have to let the soft animal of your body love what it loves. You only have to gentle enough to understand: even you are only human. You make mistakes. You hurt the ones you love. You let people down. You carry these things with you in a life. You were unkind to your father that late afternoon on his big stone porch in Echo Park the last time you saw him. You yelled at Sofia bare months before she died when she began peeing on the floor instead of using the cat box. You thought Sable had ear mites, that he missed Sofia, that he was losing weight because of his irritable bowel disease. You didn’t think kidney failure until that Saturday morning when he was dangerously dehydrated and you rushed him to the vet. Now he’s dead, and you think you should have known. You should have saved him, could have had him here beside you for another handful of years like you always imagined. But now he’s dead. We carry these things with us in a life. We live with them, wrestle with them, these deep regrets. If we are lucky we make peace with them, let them lay down on the moist earth inside us, our rich decay. If we are lucky, good things grow.

[Editor’s note: The first three sentences here are from a Mary Oliver poem titled “Wild Geese.“ This came from a writing exercise in a workshop I attended called “The Way of Story” by Catherine Ann Jones.)

Raven’s Wings (33)

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I am sitting at the Amtrak station when I know I am only one of Sable’s sleek black whisker’s width away from fully committing myself to November’s national novel-writing month. My stomach clenches at the thought. It terrifies me. 50,000 words in 30 days means 1,666.66666 words per day and 6.66666667 pages (of 250 words per page). My quick work on the calculator hooks me in even more. No Satanic inklings here, only the magic of these sequences of sixes, of forward progress–and how, hmm? If I write 7 pages per day, I’ll have written 210 pages by the end of the month. And maybe I’ll throw my hat in the ring for that young adult novel contest, after all. Last week I entered a different book contest, and, counting this young adult contest, I plan now to enter three more this week. I keep the pen moving across the page and remember to pull in air. I can still feel the tightness in my belly, more thrill than fear now, though the balance is close. I feel it in my bones, in the sun on my back, in my pleasure in the conversation I am overhearing part in English and part in Spanish, the fluid back and forth, the “I love you” when they part, father and daughter, I think. I feel in my fear and my thrill I may be truly ready to have my work win one or more of these book contests. If I submit the different pieces I have in mind I could win three of the four contests. I want to laugh out loud, but I keep writing. I am ready to burst out into the literary world with these winnings and the published books. I am ready to take the world by storm or in a swirling rush of wings, the sudden whoosh of the slow, deep strokes of a raven overhead, the feathery brush of angels, my breath easy now in my chest, heart light with hope, mouth full of magic.

The Girl Next Door (28)

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Last week I began to read Ray Bradbury’s Zen and the Art of Writing for the second time. I tried to resist, read pieces of the Bonnie Friedman, the Annie Dillard. But they didn’t move me. The first day I read the Bradbury it made me cry. Goldberg’s work makes me cry, too. Today I read Bradbury in the courtyard in the late afternoon with the sun in my eyes. He says in order to feed your muse, “you should always have been hungry about life since you were a child.” I wonder if this is true for me. I kind of think not. But maybe so—just a quieter version than I feel from him. And I have imagined for a good while I’d like to be more avid, more eager, more vibrantly alive. Might I be on the road to that even now as I move my pen across the page? I think, too, he grew up in a different world, one I was lucky enough to touch when I was a little girl, like the last sip on the tip of my tongue. The carnival came to his town, real people who talked to him. The magician sent him home with the rabbit from his show. The world was smaller then. It makes me wish I’d been the girl next door—oh, that’s Ray’s friend Riba. I wish I’d felt the silky fur of that magician’s rabbit underneath my hand, that I was sprawled on the ground with the other neighborhood kids listening to his father’s voice in the dark, telling stories of his own childhood when there were no roads heading west, only dirt tracks and the new railroad, or lying on our backs looking up at the sky filled with stars and tasting awe for the first time in our young lives.

My “Real” Writing (26)

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There is a sweetness in touching my “real” writing. I wonder if it is that that truly draws me to it—that deep, quiet sweetness rather than the eager, scary thrill of reading it out loud or sending it out into the world. Maybe it is different for all writers, but there is a place we all go to, at least now and then, where we do our best work. Natalie Goldberg calls it “dropping down to first thoughts,” Clive Matson, “letting the crazy child write.” I’ve always thought of it as “entering in.” When writers describe it, there is an element of the physical, of being present, anchored in our bodies, grounded. It depends, too, on what I am writing. I may be deep in it, but if it’s something hard, the sweetness isn’t apparent. Still, I think the coming out of it may be the same, even when the writing is difficult, like pushing through anger, through pain, through loss, when it feels like pulling teeth, or breaking them with my bare hands. Even then, in the surfacing there is a sweetness, a tender regard for myself, and a sense of having done good work. Even with tears still wet on my face, when I emerge from my true writing I am never mean to myself. I am only kind.