The Layers of You (3)

Today I can feel myself getting better. I hope I can sleep tonight. I don’t think I’ve had the stomach flu since I was a child. I have a hard time believing it now, even after three nights of little sleep. And being who I am, I can’t help but wonder. Why did I get sick? How did I catch it? I think of the blackberries I bought at the farmer’s market. They looked dark and succulent. I was disappointed when I pulled them out of the narrow cardboard flat where they nestled with the two baskets of strawberries. What a gyp, I thought, seeing how shallow their container was, a third of the depth of the box, if that. I ate one unwashed. It was sour. They were all sour. But did I allow in that snatch of thought, that maybe they were unclean? Is that why I got sick, because I didn’t banish the thought? Is that how I got sick, from someone with this crummy flu packing blackberries? Or was I vulnerable because of my intense day of writing last week with Laurie, over six hours of writing and reading our work, and the stunning voicemail waiting for me when I got home that evening? Or even better, did I get sick to somehow mark my transition to the next thing? My spring break felt like a passage in itself, this accidental holiday filled with big days. Semana Santa. Passover. The lunar eclipse. April 18th. Then our big writing day embedded in the heart of it. Was having the flu a way to mark the changes, the ending of my big week, to begin again anew? A cleansing, both the figurative and the literal, the universe’s odd sense of humor? Because there is something unmistakable about recovering from even so brief an illness. A sense of returning to yourself, the adding on of layers that were stripped away, until you feel like yourself again but not quite the same, as though the layers were placed back at different angles, or as if they stretched or shrank in the peeling off process. Today I wriggle in my new skin. I hope tomorrow I wake up fully me.

The Visit (2)

I dream of cats and hummingbirds. I am in a small walled outdoor space where a cement slab overhang juts out from the building. There is an airy gap between the overhang and the top of the wall, open sky visible to the southwest. I meet a skinny Calico girl cat who makes me want to love her. Reluctant, I put her down. I don’t want to collect more animals because one day I need to be free to walk the Camino de Santiago. There are many of us in the walled space, mostly birds and mammals, I believe, though besides meeting the cat I don’t focus in. I sense this place is a shelter for all life though maybe not of this world. I am with a younger woman who I don’t know. She lives here, I think, or works here, and is showing me around. She has a pale, narrow face and dyed black hair that falls straight and glossy below her shoulders. There is an iridescent purple near her left cheek, a big metal earring catching the light, or maybe a streak of color in her black hair. I watch as a hummingbird alights near her right shoulder, makes itself comfortable against her neck. The woman is unsurprised. “Oh my,” I say. I gape at them. “Never before,” I breathe. And then I feel a fluttering near my own shoulder, my left. I know without being able to see it is a hummingbird. She nestles into the dip above my collar bone. I know by the quick movements of her beak she is preening, supported by my body. The feel of her reminds me of the same trusting way Boo will lean against me in bed, his gentle weight rocking as he licks his black fur clean. My heart goes soft with memory and with the tiny bird cradled against me now, the honor I feel, this gift of surrender. After, I stand awake before the bathroom mirror curious to see how much room she really had. I rub my fingers back and forth along the curved space behind my collar bone. I can still feel her soft fluttering against my skin.

Egret Tryptich Finale (55)

I am riding across the bridge on Sunrise in the afternoon weeks later. I glance down toward the golf course and see a handful of egrets wading in the shallow water. It takes me by surprise. I’ve only seen my lone egret all this time. I try to find him in the cluster of birds, but no one looks quite like him. They all seem smaller, less regal. I am flabbergasted in some odd way. Where did they all come from? Does he know they’re here? Could these guys become his friends, his family? Later I see my neighbors on the creek path. They ask me if I’ve seen the egret. Yes, I tell them. And I tell them about the ones I saw by the overpass. They seem as surprised as I am. I think about the photographer, about the man in the red hat. I wonder how many more we are, imagine scores of us each having a relationship with this one exquisite bird. What did our egret think of all our attention? And then for a moment I wonder if he is more than an egret.

The Woman in the Waiting Room (50)

I am not so naive or so bigoted to believe all doctors are assholes or all nurses are saints. I know both groups have their fair share of both. But when my stepfather was in the hospital, it was the doctors who were the challenge and the nurses who helped to get us through. It was the nurses and the other family members of patients on the floor. There is something that happens between strangers sitting together in a room when each of you faces losing a loved one. I remember sitting in the little alcove on the eastern side of the oncology floor in the Newport Beach hospital. And I remember a short blonde-haired woman whose husband was dying. I remember seeing recognition when our eyes would meet across the small space. I think we came to love each other a little bit sitting in that room together.

I was sitting there one afternoon, slouched against the blue fabric chairs, when I heard her voice and looked up. She was standing in the hallway, head tilted up toward the oncologist. “You want to understand?” his voice now, loud against the white tiles. “Then you go back ten years,” he growled at her, “and go to medical school.” I don’t remember what came next, only the way the bottom fell out of me for her in that terrible moment. I knew it had already been almost impossible to remain upright, to keep limbs and torso stitched together, and here she was bludgeoned now by his mean, defensive arrogance. I wanted to scream at him on her behalf. I may very well have gone after him, spoken my mind. I was 24 and had a habit of doing so. But I hope I went to her instead. I hope I offered comfort when she needed it. And I hope my eyes spoke those same volumes to hers whenever we met in the alcove or passed each other in the hallway. Brave, kind stranger—que le vaya bien.

A Jolt from the Universe (47)

When I am posting the little flyers I’d made for the drop-in writing circle, I send off little hopes and prayers with them. May it be sweet and safe, I ask. When Laurie tells me she felt safe in our first circle, I hear that echo, send my thanks. And before we begin yesterday, the universe gives me a bit of a jolt I am pretty sure is tied to that same prayer, that same hope: sweet and safe. We’d opened the back doors of the hall, moved the big round table in front of them, sun and air beside us. It is just before eleven. I light a candle in the center of the circle. Laurie and Sharon are sitting at the table, and I’m standing beside it. A woman marches across the long hall, plants herself near Laurie’s elbow.

“Are you coming to join us?” I ask her.

“No,” she says. She stands where she is, a soldier at attention.

“Well, did you think you wanted to watch us?” I ask.

“Maybe,” she says.

“Well,” I say, “I’m not sure I’m comfortable with that.” I’d thought about this earlier. We were not looking for an audience.

I haven’t finished my sentence when she does an abrupt about-face and marches back across the hall. She has her arms at her sides, and she is flapping her hands back toward me as she walks, as though she can swat away my words, keep them from following her.

“Um, what is the flapping of the hands?” I ask. And, “Are you really not going to talk to me?” She keeps walking away, keeps flapping her hands in my direction. “I’d be happy to have a conversation with you about this,” I say.

She reaches the door at the other end. “Maybe,” I think I hear her say as she walks out again.

We are all a little stunned. I have to check. “Was I inappropriate in my response?” I ask. They say I wasn’t. I have to shake it out of me then, a kind of invasion I feel in my body. I wave my arms around in the air above the table. “Whoosh whoosh whoosh,” I say. A different flapping of hands, I think now. As best I can figure, this odd jolt is a message. I take it as encouragement and a reason to trust. Maybe it says we can keep our space safe no matter who comes along. And maybe it says, “Certain beings will be led away.”

Our First Circle (46)

Our first writing circle was sweet sweet sweet. There were four of us, and we did two eleven-minute writing sessions. I loved what everyone wrote. They were vivid and filled with marvelous details. My critic was up, though, and grumbled in my ear when I was writing. It was hard to keep the pen moving, to resist crossing out words as I wrote. I think I never really “dropped down,” wasn’t able to let it come through me with any sense of ease. Was that because even though I said I didn’t want to be a leader here, even though I want to be only a participant, by virtue of instigating it, of bringing the prompts, of explaining the mechanics, I felt like I needed to “perform” at some acceptable level? Or was it the cup of green tea I couldn’t resist drinking before I arrived? Or could it have been only because I haven’t done this in a long time, because I had hopes, had expectations? I wanted to feel the magic that can happen on the page. It makes me sad I wasn’t able to surrender to it. I used to find my way there more often. It used to be easy, like walking through an open doorway, like being invited in to sip tea by the big window overlooking the lake. I told Laurie later how critical I felt about my own writing, how strong and beautiful I found the pieces they each read. “Beginners luck,” she said. She wrote a prose poem I hope she’ll work with more. She told me she’d felt safe there, and that was a boon for me, balm to disconcerted ears. It made me glad and grateful. I helped make that happen.

Sit—Write with Us (45)

Thursday we’re going to meet at the community center to write. I’m thinking short, timed freewriting, what Natalie Goldberg calls “writing practice.” She’s known for saying, “Shut up and write,” though maybe more to herself than to others. I don’t like the shut up part, but I like the process. I’ll bring my collection of popsicle sticks, mostly Goldberg writing prompts and a smattering of others. I’ll bring my timer. We’ll write for ten minutes, or maybe eleven. Then we’ll read what we’ve written and go for eleven minutes more. I need to make a flyer, but I don’t worry about it. Laurie and I will begin on Thursday with whoever else hears about it and shows up. A drop-in group, I’ll call it when I write something up. I need this. I’m pretty sure I need this almost as much as I need sleep. So I’m glad we’re just going to begin, the hell with planning. I get to sit in a room with other people writing, our pens making scratching sounds as we scribble across the pages before us. I get to read my unedited words out loud, listen to what others have written, performing together the alchemy I may not have words for but believe in with all of me. Change both visceral and ethereal, the magic of spontaneous writing. I thank you in advance.